Kevin Winter, Getty Images / Puscifer / Jason Merritt, Getty Images The 55th Annual Grammy Awards were held last night (Feb. 10), and it was business as usual for the famed awards show. Music’s biggest names walked the carpet, while shiny golden gramophones were given out to rock artists such as the Black Keys , Halestorm and Trent Reznor + Atticus Ross. However, a sense of disarray resonated with various musicians, who took to Twitter in order to vent their disapproval of the Grammy Awards. Out of any rock act nominated, the Black Keys were one of the night’s biggest winners, having taken home trophies for Best Rock Album (‘El Camino’), Best Rock Song and Best Rock Performance (‘Lonely Boy’) and Producer of the Year, Non-Classical for frontman Dan Auerbach. Halestorm took home a Grammy after ‘Love Bites (So Do I)’ won Best Hard Rock / Metal Performance and Nine Inch Nails mastermind Trent Reznor and his partner in sonic crime Atticus Ross won the Best Score Soundtrack Grammy for their work on ‘The Girl With the Dragon Tattoo.’ Despite those victories, the Grammys were met with much criticism within the rock and metal community. Slipknot / Stone Sour vocalist Corey Taylor congratulated Halestorm on their win, but expressed disappointment in the Grammys’ lack of respect for metal music: I’m happy for Halestorm, but sad because the Grammys don’t respect our genre AT ALL. We get one category and it’s not even televised. — The Boogie Knight (@CoreyTaylorRock) February 11, 2013 Jane’s Addiction guitarist Dave Navarro offered his own thoughts on the Grammys, opting to switch channels to catch the return of ‘The Walking Dead’ instead. People watch zombies on #thewalkingdead , zombies watch people on The Grammys — Dave Navarro (@DaveNavarro) February 11, 2013 Next up is Tool / A Perfect Circle / Puscifer singer Maynard James Keenan , who took more of a passive objection to the Grammys, responding to a fan who tagged Keenan in a tweet. “@ ninelocal : Tnite’s Award Show is Irrelevant, Overrated & Not “fun.” wp.me/p2Fm11-gq I think @ mjkeenan of @ puscifer agrees.” Yup. — Maynard J Keenan (@mjkeenan) February 11, 2013 Adelitas Way also checked out the Grammys last night, but found the ceremony to be rather dull and uninspired. Watching the Grammys with respect for every artist involved, but this year is very boring, I would be def be breaking shit up there — adelitasway (@adelitasway) February 11, 2013 What did you think of the 2013 Grammy Awards? Let us know your thoughts on who should have won the many awards presented by the show in the comments section below! [button href=”http://loudwire.com/2013-grammy-award-winners/” title=”See the 2013 Grammy Awards Winners” align=”center”]
Kevork Djansezian, Getty Images It was a busy weekend for Rage Against the Machine guitarist Tom Morello , who joined Bruce Springsteen and friends at the MusiCares Person of the Year ceremony on Friday (Feb. 8) and then took part in the final performance of the 2013 Grammy Awards Sunday night (Feb. 10). Morello was part of an all-star collaboration fronted by Grammy host LL Cool J and Public Enemy’s Chuck D. on a song called ‘Whaddup’ off LL Cool J’s new album. Rounding out the five-piece was some nifty scratching from DJ Z-Trip and some dexterous beats from Blink-182 ‘s Travis Barker . Though Morello was mostly in the background on the track, he did come to the forefront for some serious shredding midway into the song. The new track was an interesting song, offering bits of throwbacks throughout from Chuck D.’s repetitious “Hear the drummer get wicked” to Z-Trip spinning a sample of LL Cool J’s ‘Rock the Bells.’ In addition, LL Cool J through in a nod to the late Adam Yauch , shouting “MCA forever” before running off a few lines of the Beastie Boys ‘ ‘No Sleep ‘Til Brooklyn.’ However, in a lame move, the end of the song was cut off by sponsorship mentions and a quick cutaway, presumably to keep the length of the show on time. The performance concluded a night which also featured stellar performances from the Black Keys , Jack White , fun. , and tributes to late musicians Bob Marley and Levon Helm . [button href=”http://loudwire.com/category/grammys/” title=”Full Grammy Coverage Here” align=”center”]
Kevork Djansezian / Jason Merrit, Getty Images On Sunday night (Feb. 10) at the 2013 Grammy Awards in Los Angeles, the big winners in the rock categories were the Black Keys and Halestorm . The Black Keys took home trophies for Best Rock Performance and Best Rock Song for their hit ‘Lonely Boy,’ which they also performed during the ceremony, while also winning the award for Best Rock Album (‘El Camino’). Additionally, frontman Dan Auerbach won Producer of the Year. The Black Keys were also nominated for Record of the Year and Album of the Year, but lost out in those categories to Gotye and Mumford & Sons, respectively. Halestorm, meanwhile, beat out a slew of veteran acts to earn the Best Hard Rock / Metal Performance for their No. 1 active rock hit ‘Love Bites (So Do I).’ During their backstage Q&A in the press room, frontwoman Lzzy Hale said, “It’s an incredible genre to be a part of because rock isn’t always the most popular genre. Sometimes we’re underground, but we all work really hard on the road. We all look out for one another.” Also among the winners was Nine Inch Nails mastermind Trent Reznor , who shared the award for Best Score Soundtrack with Atticus Ross. Reznor didn’t attend the event, but Tweeted, “Why thanks, y’all.” Below is a list of all the winners in rock categories at the 55th Grammy Awards: 2013 Grammy Awards Rock Categories – Winners in Blue Best Hard Rock / Metal Performance Anthrax, ‘I’m Alive Iron Maiden, ‘Blood Brothers’ Halestorm, ‘Love Bites (So Do I)’ Lamb of God, ‘Ghost Walking’ Marilyn Manson, ‘No Reflection’ Megadeth, ‘Who’s Life Is It Anyways?’ Album of the Year The Black Keys, ‘El Camino’ Fun., ‘Some Nights’ Mumford & Sons, ‘Babel’ Frank Ocean, ‘Channel Orange’ Jack White, ‘Blunderbuss’ Best Rock Performance Alabama Shakes, ‘Hold On’ The Black Keys, ‘Lonely Boy’ Coldplay, ‘Charlie Brown’ Mumford & Sons, ‘I Will Wait’ Bruce Springsteen, ‘We Take Care of Our Own’ Best Rock Song Jack White, ‘Freedom at 21′ Mumford & Sons, ‘I Will Wait’ The Black Keys, ‘Lonely Boy’ Muse, ‘Madness’ Bruce Springsteen, ‘We Take Care of Our Own’ Best Rock Album The Black Keys, ‘El Camino’ Coldplay, ‘Mylo Xyloto’ Muse, ‘The 2nd Law’ Bruce Springsteen, ‘Wrecking Ball’ Jack White, ‘Blunderbuss’ Producer of the Year Dan Auerbach (The Black Keys, Dr. John, Hacienda) Jeff Bhasker (fun.) Diplo (Usher, Major Lazer, Snoop Lion, Marina and the Diamonds, Santigold, No Doubt, Wale, Justin Bieber, Alex Clare) Markus Dravs (Mumford & Sons, Coldplay) Salaam Remi (Anthony Hamilton, Amy Winehouse, Alicia Keys & Nicki Minaj, Miguel, Nas, Melanie Fiona, Usher) Best Score Soundtrack for Visual Media Trent Reznor and Atticus Ross, ‘The Girl With the Dragon Tattoo John Williams, ‘The Adventures of Tintin’ Ludovic Bource, ‘The Artist’ Hans Zimmer, ‘The Dark Knight Rises’ Howard Shore, ‘Hugo’ Austin Wintory, ‘Journey’ Full List of 55th Annual Grammy Winners [button href=”http://loudwire.com/category/grammys/” title=”Full 2013 Grammys Coverage” align=”center”]
Kevork Djansezian, Getty Images The Black Keys , already enjoying a big Grammy night winning three statues before the actual telecast and Best Rock Performance during the televised ceremony, carried over the good times to the Staples Center concert stage Sunday night (Feb. 10) at the 2013 Grammy Awards. The band performed ‘Lonely Boy,’ the song that gave them the Grammy for Best Rock Song, but they had a little help in doing so. New Orleans piano legend Dr. John, whose ‘Locked Down’ album was produced by the Black Keys’ Dan Auerbach, brought along the Preservation Hall Jazz Band for the performance. The backing added a little extra flare to the performance as Dr. John, donning a feathered headdress, banged away on the piano while the full horn and drum section of the Preservation Hall Jazz Band could audibly be heard adding something new to the track. Meanwhile, Auerbach and drummer Patrick Carney brought their traditional passion and energy to the song. In addition to Best Rock Song, the Black Keys won earlier in the night for Best Rock Album for ‘El Camino.’ Frontman Dan Auerbach also received the Producer of the Year, Non-Classical for his work on the Black Keys, Dr. John and Hacienda’s ‘Shakedown’ album. [button href=”http://loudwire.com/trent-reznor-atticus-ross-win-2013-grammy-award-for-best-score-soundtrack/” title=”Next: Trent Reznor + Atticus Ross Win 2013 Best Score Soundtrack Grammy” align=”center”]
Kevork Djansezian, Getty Images Congrats are in order for Halestorm , who were the winners of the Grammy for the Best Hard Rock / Metal Performance at the 55th annual Grammy Awards Sunday night (Feb. 10). The full band was on hand to accept the honor during the pre-telecast ceremony, with frontwoman Lzzy Hale and her drummer brother Arejay Hale delivering the bulk of their acceptance speech. Arejay opened the speech, shocked at their victory stating, “Oh Christ, did not completely expect this.” The drummer mentioned that he had written something down that was on his phone, but he mostly went off the cuff. He thanked his and Lzzy’s parents, stating, “Thanks to our parents for turning us onto great music. Most parents want their kids to be doctors and lawyers and our parents encouraged us to join the circus.” Lzzy Hale meanwhile dedicated the award to the “Halestorm freaks,” exclaiming “Here’s to us.” She also shouted out fellow nominees Iron Maiden and Lamb of God , stating, “If it wasn’t for your inspiration … we wouldn’t have written this song and been in this category.” In addition to Halestorm, the category included Anthrax ‘s ‘I’m Alive,’ Iron Maiden’s ‘Blood Brothers,’ Lamb of God’s ‘Ghost Walking,’ Marilyn Manson ‘s ‘No Reflection’ and Megadeth ‘s ‘Whose Life (Is It Anyway?).’ In the Grammy press room, Lzzy added, “[This] wouldn’t have been possible without these people, specifically, Lamb of God. We were inspired by the guitar part … and we wouldn’t have gotten into hard rock if it wasn’t for Megadeth and Iron Maiden, so it’s just amazing.” Talking about the camaraderie in the genre, Lzzy explained, “It’s an incredible genre to be a part of because rock isn’t always the most popular genre. Sometimes we’re underground, but we all work really hard on the road. We all look out for one another.” In addition, Lzzy answered questions about the band’s newfound Grammy cred, stating, “If I sit this in the back of any meetings, you know in the political business…” to which Arejay Hale interjected, “It’s like, ‘Oh yeah? You don’t like that song? Oh, let’s ask Mr. Grammy.’” Elsewhere during the Grammy pre-telecast ceremony, Trent Reznor and Atticus Ross won for Best Score Soundtrack for Visual Media for ‘Girl With the Dragon Tattoo.’ Though not there in person, Reznor tweeted , “Why thanks, y’all.” Black Keys also won a pair of Grammys during the opening ceremonies, taking home Best Rock Song for ‘Lonely Boy’ and Best Rock Album for ‘El Camino.’ In addition, Black Keys frontman Dan Auerbach won the Grammy for Producer of the Year, Non-Classical. [button href=”http://loudwire.com/halestorm-lzzy-hale-on-grammy-nomination-personal-victory-for-the-four-of-us/” title=”Next: Halestorm’s Lzzy Hale Discusses Reaction to Grammy Nomination” align=”center”]
Paul Hawthorne, Getty Images Right after Anthrax ‘s ‘I’m Alive’ was nominated for the 2013 Best Hard Rock / Metal Performance Grammy Award , we hopped on the phone with Anthrax drummer Charlie Benante for a congratulatory conversation. Having been placed against Halestorm , Iron Maiden , Lamb of God , Marilyn Manson and Megadeth , Benante shared an excited and interesting perspective on the Grammys, both past and present. This is Anthrax’s fourth Grammy nod, the band’s first since their collaboration with Public Enemy, ‘Bring the Noise,’ was nominated in 1994. We asked Benante about past winners and if they deserved the golden gramophone, along with a b-sides and covers album that Benante says may be released in early 2013. Your Grammy opponents are pretty tough this year. You’re against Halestorm, Iron Maiden, Lamb of God, Marilyn Manson and Megadeth. What are your thoughts on those artists? Well, this is a difficult question because some of the artists I don’t really listen to. Some of the artists I do know and listen to. With Megadeth and Maiden … we look up to Iron Maiden so much. If you took Megadeth, Metallica, Slayer and Anthrax, the common denominator there would probably be Iron Maiden. In some way, shape, or form, we all kind of modeled our band with Iron Maiden in mind. Not just that band; there’s other bands but I’m saying they played a pretty big role in the shaping of those four bands. So to be nominated with Iron Maiden, it’s just f—ing awesome. Looking up your past nominations for the Grammys, the one thing that’s easy to spot is that all those nominations came when Joey Belladonna was on vocals. So to you, how essential is the performance of Joey when it comes to these nominations? Well, it’s the classic Anthrax sound when we were nominated prior. I couldn’t be happier with the way that this record [‘Worship Music’] came out and you know, it’s something that I touched on in the statement that we made was this record, more so than a lot of other records, there was so much blood, sweat and tears that went into this record and I don’t know if those other records that are nominated could say the same thing. I mean, I’m not taking anything away from those other recordings, but all I can say is that I know how much went into making our other record. When I saw that we were nominated it just kind of made everything, “Wow, all that hard work and we get noticed.” It made sense to me. It wasn’t just making another record, you know? It was a different thing, it was different experience and it was a life changing experience. The first Grammy you were nominated for was for ‘Persistence of Time’ and you were against Judas Priest’s ‘Painkiller,’ which is incredible, Megadeth’s ‘Rust in Piece,’ which is amazing and Suicidal Tendencies, ‘Lights… Camera… Revolution!” But then the Grammy went to Metallica’s ‘Stone Cold Crazy.’ [Laughs] Yeah, I remember that! I think that was soon after the Metallica /Jethro Tull thing. It’s kind of funny where the Grammys have gone. I remember the first rap category, it wasn’t televised and there was a big uproar about that and then nowadays, there’s like three rap categories or more are on there and that are televised. It’s funny to see how it’s turned. It’s unfortunate that the metal one isn’t going to be televised though. Well, yeah. Take out one of those other categories and you know give (a category to metal) because I always said this: heavy metal and hard rock — the fans are the most loyal fans that really attach themselves to a genre of music. It’s not a fickle form of music. You can tell a metalhead walking in the street, you can tell what they are all about and it’s a lifestyle, it’s a way of life. It’s funny how people go that route and it’s how other people don’t go that route. I always found it kind of fascinating how I grew up listening to the Beatles and yet when I was in my teens, I latched onto that style of music, but I always kept the Beatles as my main sort of influence. So looking back on it your first Grammy nomination in 1991, who do you think should have won? I think Metallica should have won it for their ‘Black Album’ in 1992. I don’t agree with ‘Stone Cold Crazy,’ but you know, it’s hard to say who should have won. Of course I’ve got to pick myself, but it did include Megadeth and Judas Priest in there as well, those are all albums that went on to have legendary status. But, you know, look at the Grammys back in the day. Did the Beatles ever win or did Led Zeppelin win a Grammy at that time? Fun facts: Led Zeppelin have never won a Grammy and were only nominated once for Best New Artist in 1970. However, Zeppelin were given a Lifetime Achievement Award from the Grammys in 2005. The Beatles won only five Grammys from 21 nominations during their active career. In 1995, Anthrax’s collaboration with Public Enemy, ‘Bring the Noise,’ went up against Megadeth’s ’99 Ways to Die,’ Pantera’s ‘I’m Broken,’ the Rollins Band’s ‘Liar,’ and the band who won that year was Soundgarden for ‘Spoonman.’ Do you think you guys should have won that year? I think Anthrax and Public Enemy should have won that year, but the people would have said, “No, because that’s not heavy metal.” But isn’t that what the Grammys are all about? You know, kind of branching out, different forms of music combining, different art forms? Anthrax and Public Enemy should have won the Grammy that year. That was definitely a strong piece of metal history. So when it comes to 2013, I’ve read that you guys would “like to” release an album sometime next year. Are there any solid plans right now for a 2013 album? The only thing that we’re working on right now, as far as a record, are some B-sides and some cover songs that we’ve been really, really enjoying making. It’s been a while, but it’s just because the band has been busy doing shows and stuff like that. [We’re covering] a lot of classic rock songs that we’ve just ingested throughout the years and shaped a lot of us and the musicians that we came to be. There’s a song by Boston, there’s a Rush tune, there’s a Cheap Trick tune, there’s a Thin Lizzy tune, there’s an AC/DC tune … We just said ‘F— it.’ These f—ing songs may be very popular, some of them may not be very popular, but we’re going to do it. That’s what we set out to do. So, this record will probably be out the beginning of the year. [button href=”http://loudwire.com/anthrax-charlie-benante-2013-grammy-nomination-complete-shock/” title=”Charlie Benante on Grammy Nod: ‘It Was Just Complete Shock'” align=”center”]
Kevork Djansezian, Getty Images The Black Keys were the big winners of the 2013 Grammy Awards, taking home three trophies (plus one for frontman/producer Dan Auerbach) and performing a memorable version of ‘Lonely Boy’ with Dr. John and the Preservation Hall Jazz Band. The duo of Dan Auerbach and Patrick Carney got a good jump on the night during the Grammys pre-telecast ceremony. Toward the end of the event, they won back-to-back honors, taking home the Best Rock Song for ‘Lonely Boy’ and following that with the Best Rock Album for ‘El Camino.’ Frontman Dan Auerbach then received the final award of the pre-telecast, winning for Producer of the Year, Non-Classical. In addition to helming the Black Keys record, Auerbach also oversaw discs for Dr. John and Hacienda. Dr. John’s ‘Locked Down’ also won for Best Blues Album. During the show itself, the Black Keys added Best Rock Performance for ‘Lonely Boy,’ but missed out on the Record of the Year trophy to Gotye ‘s ‘Somebody That I Used to Know’ and Album of the Year to Mumford & Sons ‘ ‘Babel.’ For more of our coverage on the Grammys, click below: [button href=”http://loudwire.com/category/grammys/” title=”Full Grammy Coverage” align=”center”]