Archive for January 20th, 2013

Biopic on Late AC/DC Vocalist Bon Scott Casts Lead Actor + Begins Pre-Production

Warner Brothers / Publicity Photo He was one of the more entertaining characters in rock music and now the short life and times of late AC/DC frontman Bon Scott will be featured on the big screen. After spending the last year getting the cast and crew lined up, pre-production has begun on the biopic. According to , filmmaker J.R. Getches shot the first-ever dramatic portrayal of the musician on Jan. 14, with actor-singer Rob Liotti handling the role of Scott. The director says, “The story of Bon Scott is a classical tragedy. He travelled across the world, made his mark and then died too young. He was a misfit who found his place in rock music and became immortal pursuing his dream. This is a story worth telling.” While Liotti has been cast in the lead role, the remaining actors for the film have not been revealed. However, it is known that Malcolm and Angus Young, Mark Evans, Phil Rudd and Margaret “Silver” Smith are among the roles that have been cast. Liotti reportedly shed 40 pounds in order to prepare to play Scott. At present, High Voltage Productions Pty. are currently seeking an independent production house to help them complete their vision, but they have stated that the film’s trailer will help serve in fundraising and give a visual perpetuity to investors and the public. For more about the film, click here . [button href=”” title=”Next: Vote for Your Favorite Bon Scott AC/DC Song” align=”center”]

Def Leppard’s ‘Pyromania’ Turns 30

Mercury Records The 1980s were well under way by January 1983 – even mathematical geniuses like us can figure that out – but when it came to defining the look, the sound and the vibe of the ’80s, there’s no arguing Def Leppard ’s third album, ‘Pyromania,’ released 30 years ago today (Jan. 20), played a major role. In a year that would see Quiet Riot’s No. 1 album, ‘Metal Health,’ signal hard rock’s unlikely emergence as one of the decade’s most commercially dominant music genres, Def Leppard’s success would reach epic proportions. Now, Leppard’s talent and drive to succeed notwithstanding, few would dispute the claim that the true architect behind ‘Pyromania’s’ inevitable triumph was producer Robert John ‘Mutt’ Lang, whose studio wizardry had allowed him to deliver hit album after hit album in recent years, most notably AC/DC’s seismic ‘Back in Black.’ In 1981, Lang had taken Def Leppard under his wing by producing their equally stupendous, but significantly rawer ‘High ‘n’ Dry’ album; but he truly pulled out all the stops for ‘Pyromania,’ demanding nothing less than perfection from the band and even taking matters into his own hands when necessary – including a few co-songwriting credits and using a drum machine in place of drummer Rick Allen. Controversial as these decisions might seem today, they worked, and beginning with the February release of ‘Pyromania’s’ first single, ‘Photograph,’ the hard-touring Brits would gradually conquer America. Three additional singles and music videos (‘Rock of Ages,’ ‘Foolin’,’ and ‘Too Late for Love’) assaulted the charts before year’s end; their slick, sonically manicured pop metal anthems combining with Leppard’s photogenic good looks to drive a remarkable 6 million copies of ‘Pyromania’ into American households. The album has since been certified Diamond for 10 million units shipped. More importantly in the grand scheme of all things hard rock, this irresistible audio-visual combination became a blueprint quickly adopted by gaggles of up-and-coming bands (not to mention the savvy music industry executives who signed them), all aspiring to concoct the next ‘Pyromania.’ That’s why, beginning in January 1983, ’80s hard rock would almost always be created in Def Leppard’s image, as heard and seen on ‘Pyromania.’ Watch Def Leppard’s ‘Rock of Ages’ Video

Dave Grohl Shares Admiration for ‘Sound City’ Collaborators Corey Taylor + Paul McCartney

Michael N. Todaro / Jason Merritt / Larry Busacca, Getty Images The ‘Sound City’ documentary gave Dave Grohl a chance to work with a who’s who of music, while also showcasing the legendary Sound City studio and using the board that’s been responsible for creating so many great albums. Among Grohl’s collaborators were Paul McCartney and Corey Taylor , who appear on the first two singles from the ‘Sound City’ soundtrack, and the musician-turned-director has spoken more about both pairings. Joining Taylor on Los Angeles’ ‘ Kevin & Bean ‘ morning show, Grohl stated that he was a little starstruck by his ‘ From Can to Can’t ‘ collaborator. He explains, “When I first met [ Slipknot ‘s] Corey [Taylor] or the guys from Black Rebel Motorcycle Club, those are bands that I really love and I spent a lot of time listening to their music and when you meet that person in the flesh, you get a little nervous.” As for Taylor and his take on working with Grohl, the singer explained, “You want to talk about a checkmark off my bucket list, I’ve been wanting to work with Dave forever. When he invited me to be a part of this movie, it was like, ‘Oh, by the way, I’ve got this music, would you like to put this together?,’ and I just went, ‘(scream) Duh, I’m already in the car on my way.’” Arguably the biggest name on the album is Paul McCartney, and Grohl considers himself lucky to have ingratiated himself over the years to where he can just call the musician. Of the collaboration on ‘ Cut Me Some Slack ,’ Grohl recalls, “As we were filming all these performances, I was like, ‘Hey dude, why don’t you come down and jam?’ He’s like, ‘OK.’ So he comes down and brings THE BASS that he’s played for 40 years and the Les Paul that there’s only four of in the world and then he brings this guitar made out of a cigar box. It’s called a Cig Fiddle, and he’s like, ‘Oh, I think I’ll play this. Why don’t you go play the drums?’ … and we just jammed. We wrote this song in about an hour and we recorded it.” He added that it was McCartney that spurred the decision to debut it at the 12-12-12 benefit concert, suggesting that they play the song that he and Krist Novoselic and Pat Smear had jammed out eight months prior. One thing that’s a common denominator in how records were made at Sound City and for the movie’s soundtrack was the human element. Grohl says, “[What it’s all about is] the human element of music and what it’s like to just get together with a person and write a song in a room in a day and it doesn’t have to be perfect, but that’s how the magic happens.” The ‘Sound City’ documentary made its debut at the Sundance Film Festival  Friday night (Jan. 18) and the movie will screen in theaters  beginning Jan. 31. [button href=”” title=”Next: See the ‘Sound City’ Cast + Soundtrack Contributors” align=”center”]

Hollywood Undead Bring Their ‘California’ Flavor to New York City

Liz Ramanand, Loudwire Los Angeles-based outfit  Hollywood Undead kicked off the weekend by bringing their fusion of hip-hop and rock to a sold out crowd at New York City’s Gramercy Theater on Friday (Jan.18). The band played without an opening act as they took the stage to their breakout hit, ‘Undead,’ which got their fans bouncing and singing. Their hour-and-a-half long set consisted of 18 tracks, including cuts from their latest record ‘ Notes From the Underground ’ such as ‘Another Way Out’ and ‘Dead Bite.’ One of the cooler parts of the evening was the dueling drum solos between touring drummer Daren Pfeifer and percussionist Da Kurlzz. Surprisingly the band did not perform their past single ‘Levitate,’ but they did hype up the crowd with fan favorites like ‘My Town,’ ‘California,’ ‘Paradise Lost’ and ‘Hear Me Now.’ When the band teased the crowd by walking off stage after ‘Hear Me Now,’ the “One more song” chants turned into “Two More Songs” chants and Hollywood Undead gave fans just that. They performed an encore consisting of ‘Everywhere I Go’ and their lead single, ‘ We Are ,’ from their new record. If you want to party with Hollywood Undead, check out the full list of remaining tour dates here . Check Out Photos Of Hollywood Undead Performing at Gramercy Theater in NYC: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire [button href=”” title=”Next: Hollywood Undead’s Johnny 3 Tears on Working With Slipknot’s Clown ” align=”center”]

Machine Head’s Robb Flynn Continues Acoustic Fascination With Solo Shows

Liz Ramanand, Loudwire Machine Head ‘s Robb Flynn has gotten a taste of playing acoustic over the last couple of months and he’s anxious to work in a few more performances. As such, the singer-guitarist has booked four acoustic performances this coming week in California. Flynn recently broke out the acoustic guitar for his collaborative performance of the Black Sabbath classic ‘Die Young’ at the Mitch Lucker Memorial Concert . The vocalist joined members of Suicide Silence in saluting their late vocalist by singing the track. He stated, “I was surprisingly nervous, maybe because it was the first time playing it live, maybe not being able to rely on my usual bravado/attitude/’roar’ was a bit daunting. It was three acoustics and a vocal, naked and all about the passion.” Emboldened by the experience, Flynn agreed to perform acoustically again at the recent Tony La Russa Animal Rescue Foundation benefit . This time he tried out a pair of tracks — the aforementioned ‘Die Young’ and a reworked acoustic version of ‘Darkness Within.” The vocalist stated of the experience, “‘Die Young’ went down good. I sang the end a lot better than at the Mitch [Lucker] benefit, and then came time for the debut of the acoustic version of ‘Darkness [Within],’ just me and an acoustic, no sing-alongs, no band to kick in the heavy — a new version I had never played live. It worked, it totally worked. I nailed most of it, was a little flat in some parts at the very end, but overall it felt good and I was proud of myself for taking up the challenge.” Feeling good about his recent acoustic attempts, the Machine Head leader will now play full acoustic sets for the four newly-announced shows. The set list is expected to include a mixture of cover songs and reworked Machine Head favorites. All the shows are in the southern California vicinity, coinciding with the various Machine Head members’ upcoming appearances at the NAMM convention . Flynn, in particular, will be playing an acoustic performance at Epiphone Booth Friday (Jan. 25) at 4PM PT, and he’ll join Phil Demmel in a signing session at the EMG Booth at 11AM PT Saturday (Jan. 26) Robb Flynn Acoustic Shows: 1/21 — Hollywood, Calif. — On the Rox 1/23 — Riverside, Calif. — Mission Tobacco Lounge 1/24 — San Diego, Calif. — Brick by Brick 1/26 — Fullerton, Calif. — Slidebar Rock-N-Roll Kitchen [button href=”” title=”Next: Robb Flynn Discusses Hernia Surgery + 2013 Plans” align=”center”]

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