Spencer Kaufman, Loudwire Green Day fans got their first taste of the band’s ‘¡Quatro!’ documentary late last year when VH1, MTV2 and Palladia aired a highlights special featuring clips from the film. Now fans will get to see ‘¡Quatro!’ in its entirety when it screens at the upcoming X Games competition being held in Aspen Jan. 26. In addition to the various sports, the X Games has launched their own film showcase in recent years to provide those attending with other forms of entertainment and Green Day’s ‘¡Quatro!’ will be one of the featured movies at the Wheeler Opera House. The movie itself documents the massive undertaking that was the completion of Green Day’s album trilogy. Singer Billie Joe Armstrong says in the trailer for the film, “This is the first time in 20 years that we are actually inviting people into the process. This is not a fully thought out thing yet,” to which an unseen band members says off screen, “This is like sending the baby down to the corner to buy cigarettes.” The timing was right for a project like this because it showed the band at their most vulnerable. As Armstrong recalls, “We were so used to presenting ourselves before, but this time we had nothing. It was back to that ‘prove it to me’ [attitude].” In coordination with the screening, the band will also be answering questions. Fans may submit their queries for the group at the X Games Facebook page here . Watch Green Day’s ‘¡Quatro!’ Documentary Trailer [button href=”http://loudwire.com/green-day-2013-must-see-rock-concert/” title=”Next: Green Day – 2013 Must-See Rock Concert” align=”center”]
Liz Ramanand, Loudwire Clutch are just getting ready to kick off their ‘Earth Rocker’ World Tour this Tuesday (Jan. 22) in London, and there’s now a North American tour leg for fans to get excited about as well. The veteran rockers have revealed that their latest batch of shows will feature primary support act, Orange Goblin, as well as upstart rockers Kyng and Lionize. The tour gets underway March 8 at Bogart’s in Cincinnati and currently runs through an April 20 finale in Baltimore. Drummer Jean-Paul Gaster said of the North American run, “We have a great bill lined up for the U.S. tour that kicks off in March. Get there early to check out Kyng, Lionize and the mighty Orange Goblin.” ‘Earth Rocker’ is not only the name of Clutch’s tour, it’s also the title of their forthcoming album. The band’s Weathermaker Music label has confirmed a worldwide March 19th release for the disc, with pre-orders and special bundle packages currently being offered here . The lead single for the album is the title track. It’s currently streaming through Brooklyn Vegan and can be heard below. In addition to their upcoming tour, the band will drop in on the South By Southwest festival in Austin. An exact date, location and set time have yet to be revealed, but the information will be announced shortly. Listen to Clutch’s ‘Earth Rocker’ (via Brooklyn Vegan) Clutch / Orange Goblin / Lionize / Kyng 2013 North American Tour: 3/8 — Cincinnati, Ohio — Bogart’s 3/9 — Nashville, Tenn. — Marathon Music Works 3/10 — Sauget, Ill. — Pop’s 3/11 — Little Rock, Ark. — Juanita’s Cantina Ballroom 3/12 — Tulsa, Okla. — Cain’s Ballroom 3/13 — Dallas, Texas — The Palladium Ballroom 3/15 — Austin, Texas — Red 7 (SXSW Showcase with Orange Goblin only) 3/18 — Colorado Springs, Colo. — The Black Sheep 3/19 — Salt Lake City, Utah — The Depot 3/21 — West Hollywood, Calif. — House of Blues 3/22 — Tempe, Ariz. — The Marquee 3/23 — Las Vegas, Nev. — Hard Rock Cafe 3/24 — Anaheim, Calif. — House of Blues 3/26 — San Francisco, Calif. — Regency Grand Ballroom 3/27 — Reno, Nev. — Knitting Factory 3/29 — Seattle, Wash. — Showbox at the Market 3/30 — Portland, Ore. — Roseland Theater 3/31 — Boise, Idaho — Knitting Factory 4/1 — Missoula, Mon. — Wilma Theater 4/2 — Spokane, Wash. — Knitting Factory 4/3 — Vancouver, British Columbia — Commodore Ballroom 4/5 — Calgary, Alberta — Flames Central 4/6 — Saskatoon, Saskatchewan — Odeon Events Centre 4/7 — Edmonton, Alberta — Union Hall 4/9 — Winnipeg, Manitoba — Garrick Centre 4/10 — Minneapolis, Minn. — First Avenue 4/11 — Des Moines, Iowa — Wooly’s 4/12 — Chicago, Ill. — House of Blues 4/13 — Grand Rapids, Mich. — The Orbit Room 4/15 — Syracuse, N.Y. — Wescott Theatre 4/16 — New Haven, Ct. — Toad’s Place 4/18 — Toronto, Ontario — Sound Academy 4/19 — Pittsburgh, Pa. — Stage AE 4/20 — Baltimore, Md. — Rams Head Live [button href=”http://loudwire.com/alice-in-chains-2013-must-see-rock-concerts/” title=”Next: Check Out the Must-See Rock Concerts of 2013″ align=”center”]
eBay There are definitely some avid Dave Mustaine fans out there and one of them just shelled out just over $11,000 to own an ultra rare prototype Jackson Y2KV guitar that was specifically created for the Megadeth leader. Mustaine signed off on the design and it was delivered to him on Dec. 23, 1998. The guitarist was proud enough of the instrument to pose with it on the cover of Guitar magazine in 1999. The magazine photo, along with the original guitar order form and snapshots of the instrument, can be viewed at the eBay auction site here . This was the first guitar with the final 3+3 Y2KV head and was branded with the Jackson logo on the headstock. It features dot inlays, a rosewood fingerboard, alternate knobs and a blade switch. While the body shape wasn’t quite finalized, this was the first approved prototype by Mustaine, used as a reference for the final prototype. The guitar comes with Seymour Duncan JB-TB bridge and JB SH-4 neck pickups and well as a Tune-o-Matic string through body bridge and Schaller tuners. The Megadeth frontman designed the guitar as his vision of a less-aggressive, retro-looking flying V, which was a bit of a contrast to his usual King V that he was playing at the time. The guitar was primarily used during the support of the ‘Risk’ and ‘The World Needs a Hero’ records. The winning bidder, who submitted an $11,300 bid, will also receive a signed certificate of authenticity in return for their payment. [button href=”http://loudwire.com/megadeth-dave-mustaine-funds-haitian-soup-kitchen-christian-ministry/” title=”Next: Dave Mustaine Helps Fund Haitian Soup Kitchen” align=”center”]
Warner Brothers / Publicity Photo He was one of the more entertaining characters in rock music and now the short life and times of late AC/DC frontman Bon Scott will be featured on the big screen. After spending the last year getting the cast and crew lined up, pre-production has begun on the biopic. According to Bravewords.com , filmmaker J.R. Getches shot the first-ever dramatic portrayal of the musician on Jan. 14, with actor-singer Rob Liotti handling the role of Scott. The director says, “The story of Bon Scott is a classical tragedy. He travelled across the world, made his mark and then died too young. He was a misfit who found his place in rock music and became immortal pursuing his dream. This is a story worth telling.” While Liotti has been cast in the lead role, the remaining actors for the film have not been revealed. However, it is known that Malcolm and Angus Young, Mark Evans, Phil Rudd and Margaret “Silver” Smith are among the roles that have been cast. Liotti reportedly shed 40 pounds in order to prepare to play Scott. At present, High Voltage Productions Pty. are currently seeking an independent production house to help them complete their vision, but they have stated that the film’s trailer will help serve in fundraising and give a visual perpetuity to investors and the public. For more about the film, click here . [button href=”http://loudwire.com/favorite-bon-scott-acdc-song-readers-poll/” title=”Next: Vote for Your Favorite Bon Scott AC/DC Song” align=”center”]
Mercury Records The 1980s were well under way by January 1983 – even mathematical geniuses like us can figure that out – but when it came to defining the look, the sound and the vibe of the ’80s, there’s no arguing Def Leppard ’s third album, ‘Pyromania,’ released 30 years ago today (Jan. 20), played a major role. In a year that would see Quiet Riot’s No. 1 album, ‘Metal Health,’ signal hard rock’s unlikely emergence as one of the decade’s most commercially dominant music genres, Def Leppard’s success would reach epic proportions. Now, Leppard’s talent and drive to succeed notwithstanding, few would dispute the claim that the true architect behind ‘Pyromania’s’ inevitable triumph was producer Robert John ‘Mutt’ Lang, whose studio wizardry had allowed him to deliver hit album after hit album in recent years, most notably AC/DC’s seismic ‘Back in Black.’ In 1981, Lang had taken Def Leppard under his wing by producing their equally stupendous, but significantly rawer ‘High ‘n’ Dry’ album; but he truly pulled out all the stops for ‘Pyromania,’ demanding nothing less than perfection from the band and even taking matters into his own hands when necessary – including a few co-songwriting credits and using a drum machine in place of drummer Rick Allen. Controversial as these decisions might seem today, they worked, and beginning with the February release of ‘Pyromania’s’ first single, ‘Photograph,’ the hard-touring Brits would gradually conquer America. Three additional singles and music videos (‘Rock of Ages,’ ‘Foolin’,’ and ‘Too Late for Love’) assaulted the charts before year’s end; their slick, sonically manicured pop metal anthems combining with Leppard’s photogenic good looks to drive a remarkable 6 million copies of ‘Pyromania’ into American households. The album has since been certified Diamond for 10 million units shipped. More importantly in the grand scheme of all things hard rock, this irresistible audio-visual combination became a blueprint quickly adopted by gaggles of up-and-coming bands (not to mention the savvy music industry executives who signed them), all aspiring to concoct the next ‘Pyromania.’ That’s why, beginning in January 1983, ’80s hard rock would almost always be created in Def Leppard’s image, as heard and seen on ‘Pyromania.’ Watch Def Leppard’s ‘Rock of Ages’ Video
Michael N. Todaro / Jason Merritt / Larry Busacca, Getty Images The ‘Sound City’ documentary gave Dave Grohl a chance to work with a who’s who of music, while also showcasing the legendary Sound City studio and using the board that’s been responsible for creating so many great albums. Among Grohl’s collaborators were Paul McCartney and Corey Taylor , who appear on the first two singles from the ‘Sound City’ soundtrack, and the musician-turned-director has spoken more about both pairings. Joining Taylor on Los Angeles’ ‘ Kevin & Bean ‘ morning show, Grohl stated that he was a little starstruck by his ‘ From Can to Can’t ‘ collaborator. He explains, “When I first met [ Slipknot ‘s] Corey [Taylor] or the guys from Black Rebel Motorcycle Club, those are bands that I really love and I spent a lot of time listening to their music and when you meet that person in the flesh, you get a little nervous.” As for Taylor and his take on working with Grohl, the singer explained, “You want to talk about a checkmark off my bucket list, I’ve been wanting to work with Dave forever. When he invited me to be a part of this movie, it was like, ‘Oh, by the way, I’ve got this music, would you like to put this together?,’ and I just went, ‘(scream) Duh, I’m already in the car on my way.’” Arguably the biggest name on the album is Paul McCartney, and Grohl considers himself lucky to have ingratiated himself over the years to where he can just call the musician. Of the collaboration on ‘ Cut Me Some Slack ,’ Grohl recalls, “As we were filming all these performances, I was like, ‘Hey dude, why don’t you come down and jam?’ He’s like, ‘OK.’ So he comes down and brings THE BASS that he’s played for 40 years and the Les Paul that there’s only four of in the world and then he brings this guitar made out of a cigar box. It’s called a Cig Fiddle, and he’s like, ‘Oh, I think I’ll play this. Why don’t you go play the drums?’ … and we just jammed. We wrote this song in about an hour and we recorded it.” He added that it was McCartney that spurred the decision to debut it at the 12-12-12 benefit concert, suggesting that they play the song that he and Krist Novoselic and Pat Smear had jammed out eight months prior. One thing that’s a common denominator in how records were made at Sound City and for the movie’s soundtrack was the human element. Grohl says, “[What it’s all about is] the human element of music and what it’s like to just get together with a person and write a song in a room in a day and it doesn’t have to be perfect, but that’s how the magic happens.” The ‘Sound City’ documentary made its debut at the Sundance Film Festival Friday night (Jan. 18) and the movie will screen in theaters beginning Jan. 31. [button href=”http://loudwire.com/dave-grohl-sound-city-documentary-cast-soundtrack-details/” title=”Next: See the ‘Sound City’ Cast + Soundtrack Contributors” align=”center”]
Liz Ramanand, Loudwire Los Angeles-based outfit Hollywood Undead kicked off the weekend by bringing their fusion of hip-hop and rock to a sold out crowd at New York City’s Gramercy Theater on Friday (Jan.18). The band played without an opening act as they took the stage to their breakout hit, ‘Undead,’ which got their fans bouncing and singing. Their hour-and-a-half long set consisted of 18 tracks, including cuts from their latest record ‘ Notes From the Underground ’ such as ‘Another Way Out’ and ‘Dead Bite.’ One of the cooler parts of the evening was the dueling drum solos between touring drummer Daren Pfeifer and percussionist Da Kurlzz. Surprisingly the band did not perform their past single ‘Levitate,’ but they did hype up the crowd with fan favorites like ‘My Town,’ ‘California,’ ‘Paradise Lost’ and ‘Hear Me Now.’ When the band teased the crowd by walking off stage after ‘Hear Me Now,’ the “One more song” chants turned into “Two More Songs” chants and Hollywood Undead gave fans just that. They performed an encore consisting of ‘Everywhere I Go’ and their lead single, ‘ We Are ,’ from their new record. If you want to party with Hollywood Undead, check out the full list of remaining tour dates here . Check Out Photos Of Hollywood Undead Performing at Gramercy Theater in NYC: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire [button href=”http://loudwire.com/hollywood-undead-johnny-3-tears-new-album-working-with-slipknot-clown-more/” title=”Next: Hollywood Undead’s Johnny 3 Tears on Working With Slipknot’s Clown ” align=”center”]