Roadrunner Joe Duplantier is Gojira ‘s vocalist and rhythm guitarist, and his brother Mario is the band’s drummer. The two briefly switched roles at a recent show, and there’s video footage to prove it (watch below). A couple of weeks ago at the French band’s show at Exeter University’s Lemon Grove Club, the Duplantier brothers surprised their British fans by swapping instruments for part of a song. The video shows Mario playing guitar and delivering extreme metal vocals for about a minute and a half while Joe plays drums. Surprisingly enough, the band didn’t miss a beat. Mario’s guitar playing is decent (although he did break a string) and his guttural vocals are sufficiently evil. Joe seemed right at home behind the drum kit, as well. We know he can also play bass, as he did on Cavalera Conspiracy’s 2008 album ‘Inflikted.’ American fans will have a chance to see if the Duplantier brothers swap instruments again when Gojira kicks off a North American tour with Devin Townsend and the Atlas Moth in January 2013. In a recent interview with Full Metal Jackie about the trek, Joe Duplantier says the bands they have toured with over the years have influenced them. “They’ve had an influence on us – the way we behave onstage, the way we play, they way we approach the whole thing, sometimes it’s purely technical like the way they plug in their gear.” Duplantier continued. “So we always learn something from touring with people that’s why I’m so happy to tour with Devin, he’s such an incredible singer – one of my influences actually and he’ll be opening for us [Laughs] how crazy is that?” Gojira are touring in support of ‘L’Enfant Sauvage,’ which has been named one of Loudwire’s 10 Best Metal Albums of 2012 . Watch Gojira’s Joe and Mario Duplantier Switch Instruments
Earache Perhaps the most purely brutal female metal vocalist in modern metal, Simone ‘Som’ Pluijmers , parted ways with Cerebral Bore just 24 hours before the band were set to begin touring with Dying Fetus , Cattle Decapitation and Malignancy. The messy breakup has been addressed by both parties, with Som claiming that she doesn’t feel safe on the road with Cerebral Bore. Cerebral Bore posted a sudden announcement on Nov. 23 via their Facebook page to inform fans that due to “logistical nightmares,” the band had no choice but to cancel their appearance the tour’s opening date in Springfield, Va. The band, with Som, successfully played the very next day in Atlanta, Ga. with seemingly no issues or ill will. Surprisingly, it was the following day (Nov. 25) that Cerebral Bore broke the news of Som’s departure and who her replacement would be during the remainder of the tour: Som walked out on us less than 24 hours before the US tour, and we were forced to either cancel or go ahead with it as an instrumental if need be. We didn’t want to let our US fans down, so we went ahead with our buddy Shawn Whitaker on vocals for the tour. Show us your support and make Shawn feel at home, he saved us from a disaster. Pluijmers, who has been showcased on our Brutal Female Metal Vocalists feature, reportedly posted a statement on her official Facebook fan page, although the post has since been pulled. I decided to leave because Paul McGuire (guitar) treated me bad… And him saying I walked out on them like Im a b-tch is ridiculous. Im not a diva, I had to do this for my own happiness and safety. He woudnt let us have an own opinion or wouldnt let me have friends and screamt at us all the time. Im sorry but I was too unhappy with him and had to leave. There was more going on than this but if hes gonna start bulls–t than im more than happy to tell you guys the truth. I had to do this for me and thought about fans etc. it was a difficult decision… But for the best…Its about the music indeed. I used to think this about other bands too. But we are the ones who have to eat, sleep, travel and are around each other all the time. Living with someone youre scared of is the not good guys, I hope you understand. Please take care. As of this posting, Cerebral Bore are set to perform the entirety of their remaining tour dates with Shawn Whitaker on vocals. [button href=”http://loudwire.com/landmine-marathon-grace-perry-brutal-female-metal-vocalists/” title=”Check out the most Brutal Female Metal Vocalists” align=”center”]
Kevin Winter, Getty Images / DNA Fashion Designs We punk rockers and metalheads are defensive when we spot a poser. The hard-fought careers of underground bands such as Municipal Waste , Suicidal Tendencies , Cro-Mags and Corrosion of Conformity are worth more than just a jacket, especially when that jacket is worn by R&B singer Chris Brown. The online metal community took aim at Brown after he was photographed wearing a leather jacket adorned with the logos of underground legends, and if you had any doubts about Brown’s sincerity underneath the fashion statement, the man who created the jacket, Noel Austin, has come out to say, “That guy doesn’t f—in’ know who Cro-Mags are.” Noel Austin of DNA Fashion Designs recently spoke with Metal Insider about Chris Brown and how the designer felt about seeing him wearing one of his jackets. “I was about s–t myself when I saw Chris Brown with my jacket that said ‘Cro-Mags’ on it,” Austin tells Metal Insider. “That guy doesn’t f—in’ know who Cro-Mags are. I didn’t sell it to him! Do you really think Chris Brown goes online and buys his own clothes? He doesn’t even write his own music.” Austin continues, “I’m 40 years old, an old punk rocker, a single parent, and with not much of an education. I’d always made everyone’s costumes onstage and made my own clothes, and I had a couple people offer to buy jackets off my back. At first, I was like, “f— you, you’re not punk rock, I’m not selling you my jacket.’ But when I almost lost my place to live, the next time someone offered to buy my jacket, I sold it to them, and a light bulb went off over my head and I realized I could stay home and take care of my family and do what I love doing. An opportunity came along, I jumped on it, and the next thing I know, celebrities are buying my s–t!” “The clothes I make are a direct reflection of my life,” adds Austin. “All the bands you see on the clothes, I grew up listening to them, and I still listen to them, or I’ve gotten turned on to them by other people … The beauty of what I do is I go to these shows, I buy the patches and support the bands, and I put these patches on the clothes and sell them on a worldwide level. And it promotes these bands.” Check out Noel Austin’s official website for DNA Fashion Designs , which proudly states, “Noel Austin’s creation WILL change you. This is more than fashion, more than image, it’s a lifestyle.” [button href=”http://www.zimbio.com/pictures/tfTvYMl7KLM/Chris+Brown+Steps+Out+Flashy+Jacket/1JhsKqP7_aQ” title=”See Pictures of Chris Brown Sporting the Metal Jacket” align=”center”]
Razor & Tie All That Remains singer Phil Labonte appeared on Loudwire Radio recently to discuss the military, religion and the band’s new album ‘A War You Cannot Win’ with the show’s host, Sandman. In case you missed it, check out a transcript of the interview below. Sandman: Your band, All That Remains, on the verge of putting out your sixth album and coincidentally it’s on Election Day. Is that coincidence or not? Phil Labonte: You know, I’m very political and I think that most of the people that are … there’s people that are into a band that pay absolutely no attention to the members, and there are people that are into a band that want to know what the band think and what they had for dinner and blah, blah, blah. Anyone that’s into the band members and wants to follow us on the Internet, whether it be Twitter or Facebook, whatever, those people know that I’m very political. And … it wasn’t my idea! I swear to god, it wasn’t my idea to spit it out on Election Day! I swear to god! I’m not the guy that’s going to go ahead and try to keep people with my crap, I’m not afraid to tell people the truth so it’s like, people may think “Oh, Phil wanted to go ahead and do this because he’s all into politics and that.” It wasn’t my idea at all. When they brought it to me, the label said “Hey, how about we do this on Election Day?” And I like “That’d be way cool! Yes! Let’s do this!” It wasn’t my idea; I didn’t come up with it. S: You were only compliant. That’s it. P: Exactly, exactly. I was, I was, definitely. I was the label’s bitch at that point. S: The album ‘A War You Cannot Win’ is the latest release that will be out on Election Day and the single ‘Stand Up’ is in the Loudwire Top 20. You guys have really, I think, over time — and I’m pretty familiar with the band from its early days — have really honed your craft and, man, very impressive progression through the years. P: Thank you. Thank you. S: I’m curious as to your military background. Does that weigh into your politics in any way? P: Mmm … I don’t know that my military background really weighs in that. Can I be honest with you? I was in the Marine Corps for, like, less than a year when I joined and I’m old now … I’m almost 40 … and I joined the Marine Corps, I went into basic in ‘93. I got a medical under honorable conditions, it’s not like I was screwing off or whatever; I got an actual injury in training, and I got sent home in ‘93 — I’m sorry, ‘94. I’ll talk like, ‘Yes, I was in the military,’ ‘Yes, it’s for the military’; my wife was deployed to Afghanistan once, Iraq twice. My old roommates, one of them got blown up by a rocket. He was a contractor and he was in the National Guard, the other one was in the military. I come from a military background; my dad was in the military, my grandfather’s, both of them were in World War II, my uncle was in the Air Force … So, I mean, I come from a military background, I’ve been in the military. My actual contribution … it’s irrelevant, I didn’t do anything. All I did was, like ‘yeah, I want to go!’ and then they were like ‘oh, you got hurt, go home because we’re cutting the military.’ I mean, when Bill Clinton got into office he really made a lot of cuts in the military and that was right when I joined. So anyone that was less than perfect … they were doing a lot of ‘forced retirement’ in ’93 and ’94. So, I can’t say that … I did join, but I can’t say that I’ve done anything worth noting, you know? I mean, it’s like I showed up to class and they were like, “Go home,” and I was like “Uh…okay.” So, I definitely support the military and I’m a big fan of people that support our country and support our military and stuff but I can’t take credit for anything other than being like, ‘Hey, can I go?’ and then were like, ‘No.’ And now we’re going to get a little deep into my politics … You can be pro-military and not be pro-imperialism. You can be pro-military and pro-national events and still think that we have too many bases in foreign countries that we just don’t need. And you can’t think that the military would be better served if we weren’t trying to have military bases — I mean, we have military bases in literally over 100 countries. I believe over 150 countries. I think it’s 190. I’m saying “ I think” because I don’t have the numbers in front of me and I don’t like to say I’m sure of anything unless I can actually verify it. But, it’s definitely over 100, probably over 150, and I think it’s somewhere around 190 countries in the world with military bases. Do we need that? I mean, does that make America safer? Or does that make America an imperial power? You know? I tell you what, I think we should go ahead — and I’ve said this before — my personal opinion is that we should cut the Army by probably 75 percent. Take 25 percent of the money we used to put into the Army and put that into the Navy and the Air Force because that way we’re not actually occupying other countries; we still have the ability to project influence. Because I tell you what, you park an aircraft carrier off the coast of a country and their opinion changes instantaneously. S: Yeah, that’s a big statement. When you roll up on somebody’s coast with your aircraft carrier that makes a statement for sure. P: Yes, because the aircraft carrier, they can see it. There’s a support group that goes, there’s a submarines that go, there’s a whole air wing and, you know, there’s probably 3,000 marines, a marine experteer unit that’s on every aircraft carrier. I mean, it’d be the U.S.’s ability to project power just by showing up and saying ‘hey, we’re paying attention to you right now. Knock it off.’ I mean, we don’t need an army that can physically occupy territory because we don’t need to be in other people’s territory. If we want to influence their politics … ?? … between sanctions … ?? … an aircraft carrier, basically a combat unit, which is an aircraft carrier that supports the Marine Corps and then the threat of nuclear missiles. You don’t need a big army that’s going to go in and hold land. That’s unnecessary. S: Right, occupy a country. P: Yeah, it’s unnecessary. We don’t need to. We should go ahead and start making decisions that are based on “would military action promote our national security, our general welfare?” If it doesn’t then stay the hell out of it. I think the U.S. needs to do more ‘staying the hell out of it’ and also, on the same token, you need to go ahead and decide okay, it will support us, so then we should just say “we’re going to kick the s— out of you” more. I mean, that’s your option. It shouldn’t be ‘let’s get in there with troops and influence and nation build and try and work with the people.’ No. Okay, are you cool with us? Cool. We’re cool with you. Let’s trade. Are you cool with us? No. You want to f—ing shoot bombs at us and blow up our buildings. Okay, we’re going to smoke you. Like, it should be a little more black and white. S: I could not agree more. I mean, maybe that’s just the Republican in me coming out but, um… P: I don’t think it’s very Republican. I think it’s more… S: American. P: Yeah. I mean, because, the thing is, I think there is a lot more countries that would say if we didn’t have faces all over the world I think there would be a lot more countries that would be like, “Alright, cool. So, you’re sailing the seven seas and you’ve got a lot of military power in the Navy but you aren’t putting bases into foreign countries.” A lot of geopolitical perspective in the Middle East, which is where most of the tension is, a lot of it is based on their religion, which, I don’t believe in any ‘steady guy in the sky’… I don’t care whether it’s Phoebus or Muhammad or whatever, I don’t care. I think when you’re dead you’re done, and that’s cool. Period. The period ends it. So, I don’t worry about offending your silly god, I don’t worry about, like, if Jesus is going to come back because your not and if he does it’s only going to be a really charismatic guy who’s going to be able to fool the Christians into thinking “See? It don’t end. I’m Jesus again!” and doing a sweet dance, or whatever. But, religion goes into politics so much and the reason that the Muslims that hate America — and not all of them do — the Muslims that really hate America, they hate us because we have bases in a whole bunch of Muslim countries. So we should pull all of our bases out of Muslim countries and then if they blow up American stuff then we should “give” them nuclear weapons, but not give them to them. S: I think that’s a pretty great philosophy. I would agree with all that. I think you’re right in the fact that countries react to you being up their ass and being in their country and occupying their country and that’s what Osama Bin Laden took offense to in the first place and how a lot of this got started. P: I don’t care what any Republican tells you, Osama Bin Laden does not hate Coca-Cola. S: Ha-ha. I’m sure he did not! He watched TV! He was watching TV when they, you know, raided his compound. P: He loved VCR’s because he’d watch himself. Narcissist prick. So, my political perspective boils down to bringing American troops out of other countries. There is enough water on Earth where the U.S. Navy and Marine Corps and the Air Force … well, there’s enough air … even though the Air Force doesn’t actually on Navy ships, but, anyway, that’s besides the point … There’s enough water where the U.S. can influence the rest of the world. “Influence” not “control” but “influence” the rest of the world. Then, if a country attacks us, then turn them into glass. I mean, just don’t attack us. We should stop being an imperial power and trying to force our way onto other people, we can influence them, but don’t force them, don’t occupy their country. And when you stop occupying their country and they attack us, well then, kill them all, violently. S: And that’s that. Ha-ha. P: Yeah, I mean, if we don’t attack you, if we stop instigating violence … which is kind of what we do. S: We do. P: A lot of times. If we stop that and then we’re attacked then we have a moral to defend ourselves, right? Or to retaliate. Right? That’s what happens. S: Right. Talking to Phil Labonte, lead vocalist of All That Remains. Their new album “A War You Cannot Win” is that title … is that a mental war? Or is that a reflection on the world today and the things you and I have been talking about here? P: This one’s pretty political. I’ve got a sweet girl that I’m with so it’s not all emotional poppycock or whatever. I’m fairly simple as a dude, like, I write lyrics and songs and stuff about things that matter to me. And the first things that matter to me are family and my woman … and after that it becomes politics because writing a song about how the Boston Celtics are doing or writing a song about the Red Sox or the Patriots or whatever, or another handful of things that I’m actually interested in … People don’t care. S: Nah. That’s your hobby, that’s your own stuff. P: Yeah, well, I mean, I’ll write songs about politics and freedom and stuff and there are people out there that will interpret it as me saying something about guns, which is another hobby that I have, but that’s not what it’s about. It’s about personal freedom and stuff and politics. S: But the great thing about art is that it’s interpreted by the consumer, you know. It’s left for interpretation. And, really, when you write a song about the Red Sox or the Patriots there’s nothing left to interpret, it’s laid out for you. P: Yeah, I tell ya, that’s a great segue into being the lyricist. A lot of people, when you do interviews, will be like “Hey, what was this about. What was that about? What were you thinking when you wrote this.” And my first response is—and I got this from Jeff Walker from Carcass, hopefully some of your listeners know who he is—but, he used to say is “I don’t like to explain stuff because I explain it and then it takes away from the listener.” And that’s so accurate because they’re people that have sent me e-mails and they’re like “I heard this song and this happened in my life and this song helped me get through.” And my first thought is “Ha-ha. What? How do you think that that song equates to what you just told me that happened in your life?” Now, I don’t send that e-mail back or anything … That’s just me comprehending what they say. But the important part about writing a song and putting it out and letting people interpret it, letting people hear it, is not me. The important part is the listener. Like, if they are on the same page and hear what I say or hear the lyrics and they understand what I was thinking then cool, man, that makes me feel good. But it doesn’t matter if it makes me feel good, all that matters is: they hear it, they relate to it, they like it and they find something that means something to them. I mean, it doesn’t matter if it makes me feel good because the vast majority of people that are going to hear All That Remains songs I’ll never hear anything from. I’ll never talk to them. I’ll never hear what it means to them, what they think about it, you know? It doesn’t matter. It’s cool when I get an affirmation, when people understand what I was thinking and are like, “Hey man, I get what you’re saying here and this is what I think you’re saying” and it lines up with what I’m thinking. But it’s just as cool when people say “Hey man, I heard this and this is what was going on in my life and this is what that means to me” and it doesn’t matter that when I read that I say “That is not at all what I was talking about.” I would never tell them that because the important part isn’t me, the important part is them. S: You’re a very intelligent guy and I don’t know what it is about you New Englander’s but, I’ve interviewed the guys from Godsmack and Staind and other bands and you guys are all pretty smart dudes. P: Well, I appreciate the kudos. I guess you haven’t talked to our guitar player Mike Martin, he’s an idiot. S: Ha-ha! Not yet! P: You should totally put that on the Internet everywhere. That should be the headline. “If You Haven’t Talked To Our Guitar Player Mike Martin, He’s An Idiot.” Because all we do is give each other complete hell. S: I can tell. P: That’s a Massachusetts thing, I tell ya. All the bands that … you know … Unearth, Killswitch Engage, The Acacia Strain, All That Remains like, we’re all from Massachusetts and we are all so comfortable just giving each other just boatloads of crap. And I know some wonderful dudes from other places in the country that are sweet, sweet people and I am fortunate to know them but I would never say the terrible things to them that I would say to anyone from Massachusetts just because it seems like if you’re from Mass, if you’re a Masshole, you’ve got so much thicker skin. I can take almost anything from most of the guys from Unearth and Killswitch and definitely all the guys in my band and they’re just like “You’re an idiot. Shut your face.” And it’s like “okay” we get that as a joke. If I were to say terrible things to some of the dudes from California I feel like it would just be butthurt central. S: Ha-ha! You’re probably right about that. You guys just have thicker skin, man. That’s how you survive the cold. P: Yeah, probably, you know. S: Probably so. Phil Labonte, All That Remains, thank you man, so much for taking time for Loudwire. Good luck on the new album and the tour and it’s been a pleasure. P: Thank you, sir. [button href=”http://loudwire.com/loudwire-radio-station-list/” title=”See Which Stations Air Loudwire Radio” align=”center”]
Facebook: Chuck Shaffer Picture Show Remember the name Chuck Shaffer Picture Show, because the group just emerged as the winner of the 2012 Ernie Ball Battle of the Bands. As a result of besting acts from 28 other markets, the group just earned a slot on the 2013 Rockstar Energy Drink UPROAR Festival. In addition, the band will have the opportunity to record an EP with acclaimed producer Jay Baumgardner (Papa Roach, Seether, Drowning Pool, P.O.D.) at NRG Recording Studios in Hollywood and are walking away with $10,000 worth of music gear and other prizes. Music lovers can check out the up-and-comers in the latest episode of UPROAR TV, where the band performs at the Bristow, Va stop of the UPROAR festival. Watch the episode below. “The Rockstar Energy Drink UPROAR Festival is the ultimate summer rock tour and we are so honored to be a part of the 2013 experience,” says Chuck Shaffer Picture Show’s Ryan Johnson. “We’d like to thank Ernie Ball, Imagen Records, Rockstar Energy Drink and all of the judges for believing in us and welcoming us into the family.” In addition to the aforementioned festival slot, music gear and EP, the band’s grand prize package includes coverage right here on Loudwire as well as a feature in Revolver, a professional photo shot with rock photographer Lisa Johnson, a music video created by director Strait Hovartos, a one year supply of Ernie Ball strings, a one-year supply of Rockstar Energy Drink, free website design and two years of free hosting from Lunarpages. Chuck Shaffer Picture Show Win 2012 Ernie Ball Battle of the Bands [button href=”http://loudwire.com/2012-uproar-festival-overdose-rock-riches-massachusetts-show/” title=”Next: Check out a 2012 Uproar Festival Review + Gallery” align=”center”]
Jim Dyson/Matt Roberts, Getty Images Smashing Pumpkins visionary Billy Corgan does not have much of a filter when it comes to speaking his mind. The most recent example of this was his personal commentary on the Soundgarden reunion and the impetus behind it, saying, “They’re just out there to have one more round at the till; same with Pavement and these other bands.” When asked about the incendiary comments on the Area 93.3 radio channel back in August, Corgan went into detail explaining that there was more to the story than he had at first let on. He admitted that it was more of a reactionary comment based on “harsh words” delivered by his one-time close friend and Soundgarden frontman Chris Cornell regarding the 2007 reunion of Smashing Pumpkins. Cornell had gone on record to say that he didn’t find the reunion to be “legitimate,” and Corgan took that very personally comparing it to “somebody punching me in the face.” So for those still following along, Corgan called out Soundgarden for cashing in on their recent reunion partly because Cornell had cast a shadow of a doubt on the Pumpkins reunion a few years ago. Now, in a new interview with ABC News Radio , Cornell had a chance to respond to the blow-for-blow exchange. Cornell summed it up succinctly saying Corgan should be thanking him, not bashing him. “When Billy Corgan was completely broke, I got him a movie deal with director Cameron Crowe where he made $40,000,” Cornell explains. “He was very happy about that, and he was specifically happy about the $40,000.” But that wasn’t all. Cornell offered this parting jab, “So next time you see him, tell him he owes me my $40,000 back.” While it’s probably not likely that Corgan will be writing a thank-you check to Cornell any time soon, we have a sneaking suspicion we have not heard the last of this story just yet. [button href=”http://loudwire.com/soundgarden-live-on-letterman-gig-review/” title=”Soundgarden Rock ‘Live on Letterman’ Gig at New York’s Ed Sullivan Theater” align=”center”]
Mary Ouellette, SheWillShootYou.com / Liz Ramanand, Loudwire In a pairing of hit-making rock acts, Three Days Grace and Shinedown are teaming up for a co-headlining U.S. arena tour kicking off in February 2013. Adding more firepower to the bill will be opening act P.O.D. The trek kicks off Feb. 1 in Moline, Ill., and is currently scheduled through a Feb. 20 show in Lowell, Mass. Dates are primarily centered in the Midwest, with a couple of East Coast dates thrown into the itinerary. However, the bands promise more dates will be added shortly. Three Days Grace, who recently released the album ‘Transit of Venus,’ issued this band statement regarding the tour: “We can’t wait to get back out on the road to play live for our fans; that’s the best part of doing what we do.” The band’s current single ‘Chalk Outline’ spent several weeks at No. 1 on the active rock chart. Meanwhile, Shinedown will be out in support of their latest album, ‘Amaryllis,’ and singer Brent Smith says of the trek: “Shinedown prides itself on always taking our live shows to the next level and giving our fans everything they want – honest, emotional, and incendiary performances. This tour is no exception. In fact, we’re raising the bar.” This past summer, P.O.D. released ‘Murdered Love,’ which has yielded the No. 1 rock hit ‘Lost in Forever.’ They are gearing up to head out on the road with 3 Doors Down and Daughtry this month. Check out the current list of dates for the Three Days Grace / Shinedown / P.O.D. tour below: Three Days Grace + Shinedown + P.O.D. 2013 U.S. Tour Dates: 2/1 Moline, IL – iWireless Center 2/2 Madison, WI – Alliant Energy Center 2/5 Minneapolis, MN – Target Center 2/6 Green Bay, WI – Resch Center 2/8 Nashville TN – Bridgestone Arena 2/9 Huntington, WV – Big Sandy Superstore 2/10 Knoxville, TN – Knoxville Civic Auditorium Coliseum 2/12 Saginaw, MI – DOW Events Center 2/13 Battle Creek, MI – Kellogg Arena 2/15 Ft. Wayne, IN – Allen Co War Memorial 2/16 Lexington, KY – Rupp Arena 2/17 Reading, PA – Sovereign Center 2/19 Baltimore, MD – 1st Mariner Arena 2/20 Lowell, MA – Tsongas Center [button href=”http://loudwire.com/top-hard-rock-songs-21st-century/” title=”Three Days Grace, Shinedown + P.O.D. – Top 21st Century Hard Songs” align=”center”]