Angela Weiss, Getty Images Korn ‘s Jonathan Davis will not be joining the Rob Zombie and Marilyn Manson -led ‘ Twins of Evil ‘ tour after all, as exhaustion has taken its toll on the singer. The vocalist has kept a busy schedule in 2012, not only supporting Korn’s ‘The Path of Totality’ album on tour, but also exploring his budding electronic music career under the stage name ‘JDevil.’ The rocker has been doing remixes for other artists like his ‘Twins of Evil’ tourmate Rob Zombie and taking the opportunity to do DJ sets here and there. But apparently the full schedule of 2012 has caught up with him as he informed fans of his decision to back out of the tour via a Facebook posting . It read: Hey Guys- we wanted to let you know right away that JDevil will no longer be able to join Rob Zombie and Marilyn Manson on their co-headlining Twins Of Evil Tour this October. Due to exhaustion from his recent eight week overseas tour with KORN, Jonathan’s doctors have ordered him to refrain from any travel and performing for the next few weeks while he recuperates. We got this from management: “Jonathan is really bummed right now and regrets having to disappoint anyone, especially his fans and his good friends Marilyn Manson and Rob.” We’ll keep you updated here, everyone expects he’ll be back on track soon. The singer also tweeted to fans, “I’m sorry guys. My head and my body are really f—ed up. Back on meds trying to get better. Dr. said no way I could perform. F—! I’m sorry. I really love you guys. I’m so depressed.” Davis announced his participation in the ‘Twins of Evil’ Tour at the end of July, revealing that it would allow him to pursue his EDM side project. At the time of the announcement, the vocalist stated , “I like to think of JDevil as the ‘anti-christ’ of EDM. To play along side Zombie and Manson is going to be a f—ing sinister night all around, and an unbelievable experience. I can’t wait.” Even without Davis, the pairing of Rob Zombie and Marilyn Manson is a formidable bill. The ‘Twins of Evil’ tour launches Sept. 28 in Phoenix. [button href=”http://loudwire.com/korn-co-headliners-shiprocked-2012-cruise/” title=”Next: Korn to Co-Headline 2012 Shiprocked Cruise” align=”center”] ?
Mary Ouellette, SheWillShootYou.com Nikki Sixx is a man who wears many hats. Not only is he the bassist and songwriter for Motley Crue and Sixx: A.M. , he’s also a radio host, author and master of social media. During some downtime from Motley Crue’s current tour with KISS, we caught up with Sixx on the phone for an interview that we’ve divided between Loudwire and our brother site Ultimate Classic Rock . See what he told us about the band’s new single ‘Sex,’ his Twitter rant against Megadeth frontman Dave Mustaine and what lies ahead for his band Sixx: A.M. in the following Q&A. And for more on Motley Crue’s tour with KISS, as well as their plans for new music, click on the button at the bottom of this article to read Ultimate Classic Rock’s portion of the interview. Have you been happy with the reaction to the new song ‘Sex’? Yeah, you know what I’m really happy about? We wrote the song, we recorded it and we recorded it old school. We just got in a room, pounded it out, did a few of the dubs, had some fun with some synths, with some good sound to thicken it up. Vince did his vocals and we mixed it pretty quick and we had a choice, so [we decided] “Let’s not go pounding radio, the old-school way … let’s let people discover it the way that they discovered us when we were kids, the way they discover bands even now.” You hear about it, someone talks about it, someone plays it for you, e-mails it to you, so that was really exciting. Radio stations wanted to pick it up and play it, there was no agenda on our part and then the audience, a lot of the time, was hearing it for the first time the night of the show. People would say, “Dude when you were in Chicago, you know you sold 10,000 copies and when you’re in Detroit ,you sold 9,000 copies of the song,” because they’re hearing it live and they’re going, ‘Wow this is cool, new Crue, how come I never heard this?’ You and Tommy Lee in particular are very active on Twitter. Do you enjoy it as much as you seem to and is there anything you’ve tweeted that you regret? Of course. You know, I’ve done a few things. Because it’s an artist doing it, because it’s a human being doing it, it’s not an assistant or the management company, or the record company tweeting for you. You’re going to say s–t that’s going to ruffle feathers or you’re going to stay stuff that’s really personal and other people can really relate to it. That’s what I like about it, I’ve embraced it. In the beginning, when Twitter first came out, I was like, ‘I don’t know if I want to be that open,’ but as [my radio program] Sixx Sense became such a huge part of my life, I became willing to be more and more vulnerable and just laying my life open on the radio show. Twitter didn’t feel as so scary to me. I was like, “I don’t know if I want people to know what color socks I’m wearing today,” and in the end, if something happens to me, like what does that have to do with this life? And what I found out is that it has everything to do with everyone’s life because we’re kind of all doing this at the same time, in real time. One of the things that for me that was really interesting is when [Megadeth frontman] Dave [Mustaine] was saying maybe assinine statement about America turning into Nazi America. I mean, I reached for my phone and I said, ‘This guy’s a f—ing a–hole’ and he is, you don’t say that about your f—ing country. But I was able to say that and I had a lot of people go, ‘Hey man, everyone’s entitled to their own opinion and Nikki you’re in the wrong,’ and ‘That guy should be thrown out of the country,’ and other people [wrote] ‘He shouldn’t be thrown out of the country, he’s entitled to his own rights’ and it just went on and on and on and I didn’t take any of it personally. What I did was I took it in and went, ‘This is great! This is like a world conversation,’ and I was able to have my opinion and that guy has a right to have his own opinion, whether he wants to think that about our country. I don’t think that about our country but I have strong opinions on other stuff and I’ve had people come after me. It is a cool, cool thing and you can be real on it and in there’s times when you can also say, ‘Guess what? We got tickets up for sale!’ What does the future hold for Sixx: A.M.? The biggest plan that we have is to make our third record. We have had the obstacle of touring because of Motley Crue and because DJ [Ashba] is playing guitar in Guns ‘N Roses and [singer] James [Michael] is producing. It’s like every time I’m available, DJ’s on the road, or every time DJ’s off the road, I’m touring or James is in the middle of a record. I don’t believe there will be any touring on this [past] record and we’ve already starting writing ideas, except we haven’t actually gotten together. We’re gonna do the record and that album has to without a doubt have a tour. [button href=”cool http://ultimateclassicrock.com/nikki-sixx-interview/” title=”Next: Nikki Sixx Talks KISS Tour + New Motley Crue Music” align=”center”]
Down Records/Independent Label Group Six songs from Down are better than a full album of tunes from many other bands. The title of the band’s new EP, ‘Down IV, Part 1 – The Purple EP,’ is incredibly long for an extended play, but it’s what’s on the inside that counts.The quintet makes efficient use of the space they’re working with and not a second is wasted. The EP is like a high quality, low-calorie meal. It fills you up, sustains you, gives you energy and makes you feel good, but with none of these excess pounds or throwaway fillers. Of course, it leaves you wanting more, because Down are that good, but you’re not starved. You’re satisfied. Singer Philip Anselmo is in as good of shape vocally as he has been in years. His low rumble hasn’t sounded this healthy or this commanding since the Pantera days. ‘Levitation’ roars with a moshable groove and guitar-tistry. It’s eerie and by the time Anselmo shows up to partner up with the equally dominant riffery, you’re consciousness will be elevated to a higher state. ‘Witchtripper’ positions itself as a modern anthem, opening with a short squall of feedback before pounding your skull into a fine dust with its rhythmic roar. Close your eyes for a minute and you’ll swear parts of Anselmo’s delivery sound like a young, robust Ozzy Osbourne . Even with its heft and its girth, the song’s melodic bluster makes it catchier than germs on a packed subway car. Anselmo provides the rumble of thunder over the bottom-feeding riffs on ‘Open Coffins,’ as well. ‘The Curse Is a Lie’ is a doomy, sonic sign of the apocalypse, and it boasts equally swamp-dwelling guitar sludge that was reared deep in the NoLA bayou. The ominous, lower-than-low tones are heavier than the atomic weight of lead. ‘This Work Is Timeless’ is a little faster and a little chunkier than the songs that come before it, but it’s just as thick and heady. ‘Misfortune Teller’ closes the EP and it packs the most potent groove of the bunch, and on an EP laden with potent grooves, that’s really saying something. Overall, Down make no effort to hide their Black Sabbath worship on these six meaty, muscular songs. But this EP is by no mans paying homage. Down soak their riffage in a metallic gumbo found only in NoLA, and it’s uniquely their own. But Down aren’t all bones and braun. This EP is the work of true metal artisans who aren’t afraid to be unpolished and dirty. What’s more metal than that? [button href=”http://loudwire.com/down-iv-part-1-the-purple-ep-prize-pack/” title=”Enter for a Chance to Win a ‘Down IV, Part 1’ Prize Pack” align=”center”]
Karl Walter / Ethan Miller / Frank Micelotta, Getty Images Looking back on the best albums of 1992, we find an eclectic mix of acts who helped lead a creative infusion of new ideas on the standard hard rock and metal formulas. It was a time when we learned that hard rock and metal could be grungy ( Stone Temple Pilots , Alice in Chains ), groovy ( White Zombie ), proggy ( Dream Theater ) and politically infused ( Rage Against the Machine ). And it also proved to be a year when some established bands like Pantera and Megadeth delivered their most essential works. So let's take a look back in time with our list of the Top 10 Albums of 1992. ? 10 'Angel Dust' Faith No More ? ? It's hard to dismiss Faith No More 's 'Angel Dust' from the Top 10 Albums of 1992 when it yielded so many quality songs. The album, the band's second disc featuring Mike Patton as frontman, proved to be a worthy successor to 1989's 'The Real Thing.' Songs like 'Land of Sunshine,' 'A Small Victory,' 'Everything's Ruined,' and their odd cover of the Commodores' 'Easy' all connected with audiences, but it was the lead single, 'Midlife Crisis,' that ended up being the big hit on this record. Listen to 'Midlife Crisis' ? ? 9 'Meantime' Helmet ? ? Was there a bigger buzz band in 1992 than Helmet ? It seemed as though everyone caught up to the rockers with their sophomore set 'Meantime.' The unique riffs of singer/guitarist Page Hamilton combined with the powerful low-end coming from drummer John Stanier and bassist Henry Bogdan made Helmet a critics list favorite. 'Unsung' became an anthem for the alt-metal scene and 'In The Meantime' earned the band their first Grammy nomination for Best Metal Performance. Listen to 'Unsung' ? ? 8 'Psalm 69: The Way to Succeed and the Way to Suck Eggs' Ministry ? ? Industrial metal favorites Ministry continued to evolve with 'Psalm 69: The Way to Succeed and the Way to Suck Eggs.' This was arguably the band's biggest release, with the propulsive 'N.W.O.' leading the way. Al Jourgensen 's 'ding-danging' on 'Jesus Built My Hotroad' was pure genius. Plus, the sample-infused 'Just One Fix' kept things interesting. Listen to 'N.W.O.' ? ? 7 'La Sexorcisto: Devil Music, Vol. 1' White Zombie ? ? The music world caught up to White Zombie in 1992. Though grunge had taken over, there was room for some variations on the metal genre, and White Zombie's groove-and-funk metal filled a niche. The hard-hitting yet equally danceable 'Thunder Kiss '65' became the first radio hit for the band, while 'Black Sunshine' went on to become one of Zombie's most popular live songs. Listen to 'Thunder Kiss '65' ? ? 6 'Images and Words' Dream Theater ? ? Dream Theater's 'Images and Words' has to be included among the best albums of 1992 as it was the disc that put the band in the collective conscious of metal and prog-loving fans. James LaBrie 's vocals on 'Pull Me Under' made it worthy of becoming the band's first commercial hit. Plus, the overall playing of guitarist John Petrucci , bassist John Myung, and drummer Mike Portnoy on this record set the tone for plenty of masterful records to follow. Listen to 'Pull Me Under' ? ? 5 'Rage Against the Machine' Rage Against the Machine ? ? Rage Against the Machine's first three singles didn't connect, but 'Freedom' finally brought Rage to the masses almost a full year after their debut album release. Once they finally hit, new fans discovered such concert gems as 'Killing in the Name' and 'Bullet in the Head.' Zack de la Rocha 's politically-charged vocals and Tom Morello 's dextrous guitar playing was unlike anything going on in rock at the time and provided a blueprint for many acts of that ilk to come. Listen to 'Freedom' ? ? 4 'Core' Stone Temple Pilots ? ? The second wave of grunge began in '92, and Stone Temple Pilots led the way. With the blistering opening of 'Sex Type Thing,' Scott Weiland introduced a brand new voice to the game. But while STP showed they could rock out with tracks like 'Wicked Garden,' it was the bluesier, moodier songs like 'Plush' and 'Creep' that set them apart from their peers. 'Plush' became one of the biggest hits of the '90s. Listen to 'Plush' ? ? 3 'Countdown to Extinction' Megadeth ? ? Megadeth's 'Countdown to Extinction' is a must for the 10 Best Albums of 1992, and is one of their best works. There was plenty of rich material for Dave Mustaine to address on this classic effort. 'Symphony of Destruction' spoke to themes of political power, and the memorable video ended up being censored due to MTV's concern over an “assassination” scene. 'Sweating Bullets,' meanwhile, offered a schizophrenic look at society and how our conscious handles events. Listen to 'Symphony of Destruction' ? ? 2 'Dirt' Alice in Chains ? ? Alice in Chains released possibly their best album, 'Dirt,' in '92. Buoyed by support from their 'Singles' soundtrack song 'Would?,' the disc got off to a fast start. A string of hard rocking hits including 'Them Bones,' 'Angry Chair,' and 'Down in a Hole' followed, but their fourth single 'Rooster' proved to be their most ambitious song. Finding the perfect blend of moody and aggressive vocals, Layne Staley took Jerry Cantrell 's words about his soldier father and helped craft an instant classic. Listen to 'Rooster' ? ? 1 'Vulgar Display of Power' Pantera ? ? Coming in at No. 1 on our list is Pantera's 'Vulgar Display of Power,' which was a must for any self-respecting metalhead in 1992. 'Mouth of War' became the band's first-ever charting single with sibling rockers Vinnie Paul and Dimebag Darrell leading the way. The album's fourth single, 'Walk,' with its stop-and-go time signature and Phil Anselmo's legendary vocals, would eventually become an iconic track. Twenty years later, it's one of the most covered songs in metal. Listen to 'Walk' ? ? What Are The Best Albums Of 1992? There you have it, the best albums of 1992, in our humble opinion. There was plenty of great music that arrived that year and here's your turn to let us know what we missed. Should iconic metal acts like Iron Maiden and Black Sabbath be there for 'Fear of the Dark' and 'Dehumanizer'? What about the very solid Social Distortion record 'Somewhere Between Heaven and Hell' or a pre-'Dookie' Green Day with 'Kerplunk.' What album is missing and what disc shouldn't have made the list at all? Let us know your thoughts in the comments section below. ?
Thrash-masters Anthrax have been rocking their lethal moniker since the early ‘80s, but after the tragedy of 9/11 and the ensuing threats to public safety through acts of terrorism, their name was called into question by the mainstream media – the same major outlets who paid their then-last record no mind at the time. In a new interview with Blogra, Anthrax guitarist Scott Ian reminisces about that moment in time
It’s been said that in space, no one can hear you scream. But NASA’s Curiosity Rover has proven an exception to the rule with its eclectic playlist of wakeup music, which includes Anthrax‘s cover of Joe Jackson’s ‘Got the Time.’ The information was revealed during a recent Reddit AMA (Ask Me Anything) hosted by engineers and scientists working on the Curiosity mission. Asked whether the team was sending Curiosity wakeup
GWAR are back at full strength! Singer Oderus Urungus has revealed the band has found a replacement for late guitarist Cory Smoot (Flattus Maximus), and will announce the new member of the band in just a few days. At the time of Smoot’s tragic death in 2011, Oderus Urungus revealed that there would never be another Flattus Maximus in the group. The singer has now revealed that there will be