Posts Tagged ‘stands-out-from’

August Burns Red Begin Work on ‘Most Ambitious Album Yet’

Facebook: August Burns Red August Burns Red have enjoyed their break from the road, but now have enough material to begin recording their next studio album. The group confirmed their return to the studio via a series of Facebook posts this past week, with drummer Matt Greiner getting his tracking out of the way first. One of the first studio photos can be seen above. Even before a note was recorded, Greiner had been pounding away. In a photo posting , it was revealed that the drummer physically wore down his drumsticks during the writing process. Guitarist JB Brubacker told Alternative Press , “2012 turned out to be quite intense for us from a touring standpoint. We did more traveling than we had ever previously done in our career and after three straight months on the road to end the year, I think we were all ready to come home and shift into writing/recording mode. Now that the writing is complete, we are all itching to get started with the actual tracking.” Speaking about the sound, the guitarist added, “This new record will push the boundaries of our genre more than we ever have before. We set out to write a record where every song stands out from the last. There is a lot of ground covered here and a ton of meat to this album. It’s full of odd metered rhythms and breakdowns, unexpected twists and turns and some of our most technical riffing to date. Each of us have parts that make our heads spin and we have had to practice like crazy to get some of this stuff together.” Brubaker says that the album, which he calls their “most ambitious album yet,” is expected later this year via Solid State Records. [button href=”http://loudwire.com/august-burns-red-video-empire/” title=”Next: Watch August Burns Red’s ‘Empire’ Video” align=”center”]

Green Day, ‘¡Dos!’ – Album Review

Reprise Green Day  have got love on the brain, while their toes are firmly dipped in the influences of eras gone by on ‘ ¡Dos! , the second album of their new trilogy. The disc even has a old-school pacing, clocking in at just under 40 minutes, but taking 13 tracks to get there. The quick-hitting nature of the songs makes the album a more immediate listen that seems to fly by. ‘¡Dos!’ comes across as a more cohesive collection than its predecessor (‘¡Uno!’) both lyrically and musically. The first part of the album follows the story of a man pursuing the girl that seems out of reach and the eventual comedown that follows, while the latter portion allows for a few steps outside the lyrical storyline. Album opener ‘See You Tonight’ and closer ‘Amy’ perfectly bookend the album with a restrained Green Day dipping into what feels like ’60s era Everly Brothers territory. The disc digs in with the out and out pursuit of the young woman on ‘F— Time,’ a song that almost brings to mind teens dancing the twist and a Georgia Satellites guitar lick thrown in in for good measure while singer Billie Joe Armstrong begins the courting process. ‘Stop When the Red Lights Flash’ continues the process, with the boast, “ Out of sight, out of mind, just give me one more time, I’ll make you surrender. ” For those looking for radio singles, ‘Stop When the Red Lights Flash’ seems like an obvious choice. But the wheels begin to come off with ‘Ashley,’ a frenetic track about the young woman of the singer’s desires falling further out of reach both romantically and in his desired interest. Highlights on the album include Armstrong’s exhausted lament on ‘Lazy Bones,’ a track that stands out from the rest of the disc and could potentially be its biggest single. Another standout, ‘Makeout Party,’ provides a showcase for drummer Tre Cool, who gets to steer away from keeping the beat to offer drum fills with reckless abandon while bassist Mike Dirnt fuels the song’s breakdown midway through. Current single ‘ Stray Heart ‘ was an obvious choice for radio play as well, as the bouncy feel of the track reflects the sound of ’80s era The Jam or more recently Weezer’s poppy side. It’s straight-up ear candy that instantly connects and is the poppiest track of a very commercial sounding release. For those looking for the hard-edged snarl of some of Green Day’s mid-2000s music, this album is not likely the place for you, but ‘¡Dos!’ does work extremely well as an infectious pop record with touches of early rock influences. Green Day will put a bow on the trilogy with the release of ‘¡Tre!’ on Dec. 11.