Posts Tagged ‘a-live-setting-’

Mind Pulp-Mind Pulp

Self-Release/Independent 2013 A little while back I was commenting on how there are just too many new Ohio rock and metal bands to for me to stay up to date on all of them. That was when I was struggling to come up with words for The Unclean’s latest release. I’m not having that problem with the five-piece band Mind Pulp. If anything it is just that without another Ohio band (Black Valor who I have reviewed in the past as well) chances are I might not have heard of these guys. That just goes to show you that in any given area there will always be a new band left to be discovered. You just might have to either look harder or, in the case of Mind Pulp, just get lucky. Originally hailing from New Philadelphia, Ohio (yeah, I didn’t know there was a metal scene there either folks) it looks as if they’re calling Canton home these days. Even though it is the birthplace of Marilyn Manson I’m not going to hold that against these guys! Granted, Canton would seem to be more of a fit for the band anyway as their sound and style, which is reportedly influenced by the likes of Korn, Static X,? Machine Head and Mudvayne, has a real urban grit to it. Mind Pulp was formed back in 2011 and, from the very start, the band’s main focus was “to create a style of music that could be embraced by everyone no matter what their taste in music was”. I’m not sure that’s going to work so well for Mind Pulp unless your average listener’s personal tastes includes the word “heavy”. More then anything that is what Mind Pulp has going for them on this 9-track release. It should be noted that while there are 9 tracks here it’s just 30 minutes in length. So it does run more like an EP. It’s not like Mind Pulp doesn’t make the most of that short time though. “El Diablo”, “Tell Me Why” and “Blood Clot” (all three of which you can be heard on the band’s Reverbnation page) offer solid metal in the vein of both Korn and Machine Head. Their Reverbnation page also features a sweet cover of Prong’s “Snap Your Fingers, Snap Your Neck” so I’d wager that some of Prong’s heaviness has rubbed off on Mind Pulp. Of course there’s also some of Pantera’s heaviness to be found in Matt Pettit’s bass playing so you can kind of see where I’m going when I mention that Mind Pulp as that bottom-end crunch factor in their sound. As for the other four musicians there are no slouches among this bunch. Doug Wright and Nick Bonner easily handle the guitars and, on a track like the relentless “Relapse”, the solos speak volumes about the talent level of Mind Pulp.Vocalist Chad Heck and drummer Brent Mathiasas round things out and both do a pretty smashing job with things through and through. The only (minor) complaint to be found of this self-titled release is that when Chad Heck sings clean (I’m assuming he sings both clean and rough vocals) it doesn’t have quite the impact of the much more “metal” vocals. And Mind Pulp is very much a metal band as a cut like “Evil Intentions” will attest to. Sometimes when one guy tries to handle both ends of the vocal spectrum it doesn’t work so well. Vocalist Chad Heck has the rough vocals nailed down, but his clean singing could use a little tweaking. I do have to wonder though if it’s just the mix of this release that’s out of whack? Maybe he comes across better in concert? That could very well be the case as Mind Pulp has one of those sounds that must be killer to hear live. Have you ever listened to an album like that and thought to yourself? “I bet this band is heavier then hell and loud as f**k live!”? Considering how well things chug along on this disc I’m willing to wager that the real fun would be found in seeing Mind Pulp live and in living color. While checking out Mind Pulp’s Facebook page I noticed that it has pictures from their past gigs (and some “interesting” ones at that) so it looks as if a live setting might just be as good as, if not better, then this studio-release. Of course, judging by some of those live pictures posted on their Facebook page, it’s also got to be some kind of unique experience seeing them live and Lord knows I wouldn’t mind some of those “experiences” right about now!? Back to the disc we must go and, in addition to the numerous bands mentioned above, I picked up on both Dope and White Zombie so the influences are quite varied. This release would be the perfect pick me up for those who like alternative and nu metal, but straight-ahead metal heads will be able to enjoy this one as well. Should you find yourself in need of something HEAVY (and that falls within the bounds of “metal”) be sure to give Mind Pulp a chance. You might just find yourself with another fave new band! https://www.facebook.com/pages/Mind-pulp/219592814733432 http://www.reverbnation.com/mindpulp

As I Lay Dying, ‘Awakened’ – Album Review

Metal Blade Records As I Lay Dying have been on the scene for more than a decade now, and they are back with their sixth studio album ‘Awakened.’ In the fickle, ever-changing world of trends and short attention spans, it can be difficult to build a lasting fan base, especially in the metalcore genre. However, AILD has managed to develop a sound that is consistent and recognizable. All the ingredients from past AILD albums are on ‘Awakened’ – a mix of harsh and melodic vocals, catchy hooks, palm-muted guitars and monster breakdowns. But, the band has refined and enhanced those ingredients, resulting in a highly polished  product. Eschewing a long intro or interlude, ‘Awakened’ begins with vocalist Tim Lambesis taking a breath, letting out a scream, then yelling ‘Go!’ ‘Cauterize’ gallops along for a bit, then eases back with melodic vocals from bassist Josh Gilbert. It has all the elements expected from a metalcore song, including a big breakdown, but it is executed so flawlessly and has so many catchy moments. Gang vocals are in full force on ‘A Greater Foundation,’ which is bound to get the crowd moving in a live setting. One area that has really improved on ‘Awakened’ is the guitar solos. Phil Sgrosso and Nick Hipa are showcased on several songs, with effective solos on songs such as “Resilience” and “Whispering Silence.” After working with Adam Dutkiewicz (Killswitch Engage) on their last two albums, As I Lay Dying turned to Bill Stevenson (NOFX, Black Flag) for their latest album. The sound on ‘Awakened’ is pristine without being sterile, and doesn’t dilute any of the heaviness or tone down the cranium rattling breakdowns. It’s hard for any band with screaming vocals to break into the mainstream, but AILD has songs that are very accessible. ‘Overcome’ has a memorable chorus and inspirational message along with plenty of punch that’s aggressive without being oppressive. Speaking of vocals, Lambesis steps up his performance on the album. He shows more diversity in terms of tone, emotion and intensity, while Gilbert’s delivers rock-solid clean vocals on the disc. ‘Awakened’ is not breaking new ground when it comes to metalcore music, but if you want an expertly executed, well-written album, As I Lay Dying deliver the goods.