CroMags.com Assault and weapons charges against Cro-Mags founder and former bassist Harley Flanagan have been dismissed, reports the website New York Natives . The charges resulted from a melee that took place at the CBGBs Festival back in July, with Flanagan and members of the band’s current lineup coming to blows and a knife fight factoring into the legalities. In a video interview seen below, Flanagan states, “I’m very glad to have all this behind me … It wasn’t until I was in the hospital that I realized that I was the one getting charged with attacking them, which was a surprise to me. I thought we were all going to get charged with having a fight or whatever. I didn’t see how it could make sense that one person could attack a room full of people. It didn’t make sense then and it makes no sense now, cause it just didn’t happen and that’s basically why I’m getting off today is because they had a lot people making statements then saying that I did this and I did that, but it all started falling apart because they were all giving conflicting statements.” At the time, it was reported that Flanagan allegedly assaulted bassist Michael Couls and another victim, William Berario, at the festival with a hunting knife. Watch Harley Flanagan’s Post-Trial Interview [button href=”http://loudwire.com/cro-mags-founder-harley-flanagan-busted-for-stabbing-biting-current-members-at-nyc-gig/” title=”Next: Read Our Initial Report on the Cro-Mags Altercation” align=”center”]
Adam Bettcher / Ethan Miller, Getty Images The Download Festival has done it again, putting together one of the best music lineups in recent memory, especially if you’re a hard rock and metal fan. The 2013 event, which runs June 14-16 at Donington Park in the U.K., just increased the awesomeness of its already stellar lineup by adding Stone Sour and Mastodon . For Stone Sour, this marks the second major festival of 2013 where Corey Taylor will get to pull double duty (the other is Ozzfest Japan ), as his other band, Slipknot , have been confirmed as one of Download’s headliners. Stone Sour have been building extra buzz from their ‘House of Gold & Bones, Pt. 1′ album and their European tour with Papa Roach . As an extra little gift for fans, by the time Stone Sour return to Download, ‘House of Gold & Bones, Pt. 2′ will be in stores. The status of Mastodon by the time that Download comes around is a bit murkier. Brent Hinds recently revealed that while the band is enjoying supporting their 2011 album, ‘The Hunter,’ they actually have a good start making music for their next effort, possibly using some of early 2013 to lay down tracks. Depending on how they progress, the band will either still be promoting ‘The Hunter’ or potentially gearing up for a new release. The three-day event will have Slipknot, Iron Maiden and Rammstein as the headlining bands for the individual days. Other acts set to play Download include Bullet for My Valentine , Queens of the Stone Age , 30 Seconds to Mars , Motorhead , the Gaslight Anthem , Alice in Chains , A Day to Remember , H.I.M. , Volbeat and the reunited Coal Chamber . More bands are expected to be revealed in the weeks and months leading up to the festival. For ticketing information on the 2013 Download Festival, please check here . [button href=”http://loudwire.com/best-mastodon-songs/” title=”Next: 10 Best Mastodon Songs” align=”center”]
Liz Ramanand, Loudwire The Black Veil Brides army continues to march strong, especially with the band’s third studio album, ‘Wretched and Divine: The Story of the Wild Ones,’ due out on Jan. 8. Loudwire had the opportunity to catch up with Black Veil Brides frontman Andy Biersack after her surprised 20 fans with his presence at a listening party in New York City. Biersack talked in-depth about ‘Wretched and Divine’ and how circumstances in his personal life helped with the creation of the new album. ‘Wretched and Divine: The Story of the Wild Ones’ is a very epic sounding album name. What does the title mean to you personally? Growing up, I wasn’t like the kid in ‘Breakfast Club,’ but I was like the weirdo like “Don’t let your kids around that guy” – I had like a James Dean complex when I was a kid and I wanted to be this rebel person but it wasn’t because I wanted to rebel against things it was just that my inclinations were more towards rock ‘n’ roll, leather jackets and that kind of stuff. I wasn’t a kid who got into trouble, I didn’t get into drugs as a kid but just the way that I looked and my interests made me into this social pariah. So at a young age I was already fascinated by the social dichotomy of if someone looks a certain way or someone has certain interests they can be labeled as a bad person without any actual knowledge of who they are. The older I got, I started to realize more it’s not necessarily that any of us are inherently bad or good, you just kind of carve your own way and you are your experiences and your surroundings and what you grow up in. I think on any given day somebody could help out a homeless person and cuss out somebody that cut them off in traffic and I think that everybody has that inside them, it’s just how you live that balance – so I think everbody is ‘Wretched and Divine.’ Our band also, we’re a very polarizing band in opinion – people either tend to love us or hate us, there’s not really anything in between. We like to think of ourselves and the people that support us as people on the fringe, we don’t care to be part of one group or another. We kind of exist on our own bubble so to speak and with that I think that may be where the title came from. Can you talk about the brand new single ‘In The End’ musically and lyrically? The song probably came about two or three weeks after my grandfather died. I was very close with my grandparents and through the course of writing the song, I started to think more and more about – just from my personal perspective because everyone in the band has their own feelings on when songs are written. But when I was sitting outside writing lyrics to it, I was feeling — I’m not a religious person but I grew up in a religious family. I went to the funeral for my grandfather, a person that I love very much and everyone is speaking about how he went to heaven and how he’s in heaven. I always fight with that because I would love nothing more to believe that my grandfather is in the clouds playing Xbox 460 or whatever awesome stuff they have up in heaven but I can’t. I remember sitting around in my grandmother’s house afterwards and everbody’s doing what you do after — you all go back somewhere and you talk about the great stories of the person that died and that came to me very clearly: Whether you believe or don’t believe in an actual physical afterlife, you cant deny that there is a certain element of an afterlife in the legacy that someone leaves. A bunch of people sitting around a room talking about how wonderful this person was and how positively they affected their lives is always going to, in a sense, be heaven — heaven on earth. I think heaven and afterlife is for the living, it’s for the people that continue on and remember that person and if you’ve done something that is substantial in your life then you can leave a legacy and do something positive. It obviously applies to the storyline and this battle and being at the end of it and not having won or loss — just knowing that you did something for what you thought was right. Artists such as Bert McCracken from the Used and William Control are on the album. What did these other musicians bring to the table? With this we were doing something so different than anything we’ve done before, it opened itself up to inviting friends and different people in. In the past we never really had guest vocalists but this felt like it was bigger than just the five of us – it’s almost like doing a play and you only cast you and your friends, you have to have stuff that exists outside of the base where the story was written. If anything else, it was bringing people in that had different perspectives and different sounds so that we could play more with the sonic level of the record and have different sounding things. Can you talk about the F.E.A.R spoken word parts of the album and the idea behind those sections of the disc? I’ve sort of just like the whole Orwellian, dystopian future – I like the idea that it doesn’t seem to crazy or far off that there could be someone who is this omnipotent, omniscient power that tells you what to do. I think that people always make the metaphor pretty readily with television or media brainwashing and the people with the tinfoil on their heads think that everything’s brainwashing them. So, if you were to have a situation where it’s an all sweeping political, religious, psychological just this entity that exists on every level to where you get your food, you get your God and you get your health from this one entity and they kind of control everything — that just always interested me. I like the idea of having the narrative told through the perspective of the bad guy more than anything else. You rarely ever hear something narrated through the villain’s perspective and it was fun. If nothing else, this record boils down to stuff that I just thought was fun and cool and what we could have fun with as a whole. Where did the idea of the Black Veil Brides film ‘Legion of the Black’ come from? Again just fun, honestly it was as simple as just the childishness of “We should do a movie” and then the reality of, “How do you do that and how do you get the financing for that?” We were very fortunate to have great friends Patrick Fogerty and Richard Villa, who have worked with us from day one. Richard does our artwork and Patrick has directed every video I have done since I was 17 years old and so they have a lot of friends and were able to pull a lot of favors and we were able to agree with the label on a budget. So instead of doing these promotional videos, we decided that we would do a cohesive film to compliment the album because it is this larger than life kind of thing. [button href=”http://loudwire.com/black-veil-brides-unleash-video-for-in-the-end/” title=”Check Out Black Veil Brides’ Video for ‘In The End'” align=”center”]
Kristian Dowling, Getty Images Queens of the Stone Age are having a little fun with the media leading up to the release of their next album. Singer Josh Homme and band took the time to write up a missive on their forthcoming release for Mojo magazine, admitting a little bit of the pretention that comes with quotes hyping an album. Queens of the Stone Age have been in the studio for a good part of 2012 with Foo Fighters leader Dave Grohl coming on board to play drums for the full record and both former Queens of the Stone Age bassist Nick Oliveri and Nine Inch Nails mastermind Trent Reznor lending a hand as well during sessions. The Mojo message , which featured a rather artful drawing of a single eye with a clock face in place of the pupil that’s set to 9:00, reads as follows: Dear Mojo, A stitch in time will save you 9, but … there’s no way we could have prepared for the journey up the river that is this album. In our grand plan, we envisioned our lives and recordings running like clockwerk. However, the reality has been manic and unpredictable. These songs aren’t recollections of the times we had. They are depictions of what we are going through in real time. It means even a bad event can turn into an unforgettable song — at least for us, ha. The record sounds like running in a dream inside a codeine cabaret. I hope you understand what that means, cause we don’t. Sounds like a load of pretentious s—! What? Gotta go, the therapist says our time is up… Queens of the Stone Age Homme recently spoke about the difficulty the band has had in getting their new album to completion. Though a firm title or release date has yet to be announced, it’s expected that the next Queens of the Stone Age album will arrive in the first half of 2013. [button href=”http://loudwire.com/nick-oliveri-vocals-queens-of-the-stone-age-album-rejoins-kyuss-lives/” title=”Next: Nick Oliveri Contributes to New QOTSA Album” align=”center”]
Nuclear Blast Suffocation have had a strange, yet incredibly productive year in 2012. Despite the messy breakup with drummer Mike Smith and the news that vocalist Frank Mullen would no longer be touring extensively with the band, Suffocation have finished recording ‘Pinnacle of Bedlam,’ their first full-length album since 2009′s ‘Blood Oath.’ We had the chance to sit down with Suffocation guitarist Guy Marchais and newly appointed drummer Dave Culross, who manned the kit for the band’s ‘Despise the Sun’ EP, in their swanky hotel before their Stamford, Conn., show on Dec. 8. The duo reassured fans that Mullen is still 100 percent committed to the band, described what fans should expect from ‘Pinnacle of Bedlam,’ clues on who Mullen’s part-time replacement vocalist could be and much more. Check out our in-depth conversation with Guy and Dave of Suffocation. Suffocation Talk to Loudwire
If you missed Marilyn Manson and his band during their 2012 tour, you’ve got another shot to see them in 2013. Manson & Co. have just announced dates for a North American Winter 2013 trek. The tour kicks off Jan. 18 in Milwaukee and wraps up Feb. 23 in Las Vegas. Joining Marilyn Manson on the trek as special guests will be the Los Angeles band Butcher Babies. Marilyn Manson was recently nominated for a Grammy Award for Best Hard Rock/Metal Performance for his track ‘No Reflection’ off his latest album, ‘Born Villain.’ He’s also competing for Rock Song of the Year, Rock Album of the Year and Rock Video of the Year in our very own 2012 Loudwire Music Awards. Voting is open here . See the dates for Marilyn Manson’s 2013 tour below. Visit Marilyn Manson’s website for ticket info. Marilyn Manson 2013 North American Tour Dates: 1/18 – Milwaukee, WI – Eagles Ballroom 1/19 – Cincinnati, OH – Bogart’s 1/20 – Columbus, OH – The LC Pavilion 1/22 – Detroit, MI – The Fillmore 1/23 – Cleveland, OH – House of Blues 1/25 – Wallingford, CT – The Dome 1/26 – Boston, MA – House of Blues 1/28 – Montreal, QC – Metropolis 1/29 – Oshawa, ON – General Motors Centre 1/30 – Hamilton, ON – Hamilton Place Theatre 2/1 – Sudbury, ON – Sudbury Arena 2/4 – Winnipeg, MB – MTS Centre 2/5 – Moose Jaw, SK – Mosiac Place 2/6 – Saskatoon, SK – TCU Place 2/8 – Calgary, AB – Stampede Corral 2/9 – Edmonton, AB – Shaw Conference Centre 2/11 – Vancouver, BC – Queen Elizabeth Theatre 2/12 – Seattle, WA – Showbox SoDo 2/13 – Portland, OR – Roseland Theatre 2/15 – Modesto, CA – Modesto Centre Plaza Feb 17 – Reno, NV – Grand Sierra Resort 2/19 – San Francisco, CA – Warfield Theatre 2/20 – Anaheim, CA – The Grove of Anaheim 2/21 – Los Angeles, CA – Club Nokia 2/23 – Las Vegas, NV – House of Blues [button href=”http://loudwire.com/marilyn-manson-born-villain-is-my-comeback/” title=”Next: Read Loudwire’s Exclusive Interview With Marilyn Manson” align=”center”]
Alter Bridge Facebook Here’s a look at the top stories of the day on Loudwire and around the Web: – Alter Bridge have announced that they plan to release a new album and embark on a world tour in 2013. [ Loudwire ] – Linkin Park are set to play only one live show in 2013. Find out where you can see them here. [ Loudwire ] – Zakk Wylde is recording a Hurricane Sandy benefit song with members of Sevendust and Candlebox . [ Loudwire ] – Lacuna Coil have released a new music video for ‘End of Time.’ Check it out here. [ Loudwire ] – All Shall Perish guitarist Ben Orum has announced his departure from the band. Orum has also joined a new band who will be releasing an album on Jan. 1, 2013. [ Loudwire ] – Metallica offer fans another sneak peek of ‘Quebec Magnetic’ with a video of the band performing ‘Damage, Inc.’ live. [ Ultimate Metallica ] – Musical legend Ravi Shankar has passed away at the age of 92. Slash , the Who + more react on Twitter. [ Ultimate Classic Rock ] – 42 years ago: Jim Morrison plays his final show with the Doors. [ Ultimate Classic Rock ] – Rocket From the Crypt announce reunion tour. [ Diffuser.fm ] – Fleetwood Mac announce expanded + deluxe ‘Rumours’ reissue [ Rock Music Report ]