Liz Ramanand, Loudwire Lacuna Coil are making sure their faithful followers are able to keep up with the latest news from the band by launching their own social network-fan community. The group teamed with Mobile Backstage to create the application, which will allow fans easier access to all kinds of Lacuna Coil information. As part of the new application, Lacuna Coil followers from around the world will be able to connect in real time and share photos, videos, audio, and get the latest updates from the band. They’ll also be able to invite the friends to take part and follow Lacuna Coil’s activities while the band is on the road. The application is currently available via the band’s website , on their Facebook page , and through iPhone and Android smart phones. Get the iPhone app here and the Android app here . The group just kicked off their Dark Legacy European Tour in support of the ‘Dark Adrenaline’ album. Co-vocalist Cristina Scabbia says, “The Dark Legacy tour is a dream come true! This tour will present the history of Lacuna Coil, melding old fans with a new generation of Coilers. The Dark Legacy set will offer both the electric and acoustic vibe and absolute melodic epicness!” Co-vocalist Andrea Ferro added, “We wanted to give our fans a special present for Lacuna Coil’s fifteenth anniversary and that was the inspiration for the Dark Legacy tour. The Dark Legacy show will be very special, with a lot of our history in a surprise-filled set. You won’t want to miss it!” [button href=”http://loudwire.com/lacuna-coil-cristina-scabbia-rejects-solo-career/” title=”Next: Lacuna Coil’s Cristina Scabbia Rejects Solo Career Talk” align=”center”]
Nuclear Blast The time is almost upon us for Cradle of Filth to unveil their tenth studio album, ‘The Manticore and Other Horrors.’ The band has already given fans a peak into the disc with the tracks ‘Manticore’ and ‘For Your Vulgar Delectation,’ but now the goth metal act has released a video for ‘Frost on Her Pillow.’ The visuals are quintessential Cradle of Filth. ‘Frost on Her Pillow’ brings the feeling of an 1800s masquerade ball with a much darker focus. As the video switches between shots of the band performing in a dark attic and the story, a voodoo witch doctor and a demonic figure that lurks in the darkness stalk the video’s heroine. There’s no sign of a manticore (a mythical creature with a human head, lion’s body and a dragon or scorpion’s tail) just yet, but perhaps we’ll see one from the band soon. Cradle of Filth vocalist Dani Filth recently described the band’s upcoming record in a press release. “This is our tenth commandment in metal,” begins Filth. “We have diversified and kept alive the spirit of this band and breathed it into something that I can proudly say, slays like an absolute motherf—er. The Manticore is coming … Long live the filth!” Check out Cradle of Filth’s captivatingly dark music video for ‘Frost on Her Pillow’ in the player below. Watch Cradle of Filth’s ‘Frost on Her Pillow’ Video
Mary Ouellette, SheWillShootYou.com Motorhead are filling the time between albums with their latest live document, ‘ The World Is Ours Vol. 2 – Anyplace Crazy as Anywhere Else ,’ but the thought process has begun for their next record and frontman Lemmy Kilmister says there is the possibility that it could be a covers disc. The musician tells Classic Rock Revisited , “We did discuss it, but we haven’t come to a concrete decision on it. It would be fun to do. The three of us are very different when it comes to music, so it would be a very diverse album. We’d make them all into Motorhead songs, anyway. We’ve done covers before.” While the wheels are starting to churn concerning their next project, Kilmister confesses, “[We don’t have any new music] yet. We will just go into the studio a month before we do the next album and just write.” He recently stated that Motorhead were eyeing a January studio return . If that seems like a short creative timeline, it’s really not as the Motorhead mastermind says it doesn’t take long to turn a track into one of the band’s songs. He explains, “I only play one way, so if we have an idea that is outside of that, then, by the time we are finished with it, it sounds like us. We’ve done off the wall stuff, like ’1916,’ and we did ‘I Ain’t No Nice Guy’ and we did some tracks that were absolutely not normal for us, but they sounded good.” As for why Germany’s Wacken Festival is special to them and was chosen as the featured show for their latest live release, the frontman says, “We played there early on when it was only one day and now it is four or five days. There were only a few thousand people in the old days and now it’s 85,000. I’ve got a plaque from them for Motorhead being the band that has played Wacken the most times.” [button href=”http://loudwire.com/motorhead-brand-own-line-headphones-earphones/” title=”Next: Motorhead Brand Earphone-Headphone Line” align=”center”]
Roadrunner Leave it to Corey Taylor to go big with his latest vision. The Stone Sour singer just continued his dedication to the ambitious ‘ House of Gold & Bones ‘ double-album by introducing intricate packaging for the two releases, which when put together forms the shape of a house. Fans will be able to get the first part this week when ‘House of Gold & Bones, Pt. 1′ arrives in stores, but it will take the second part, which isn’t due until next spring, to complete the house-shaped packaging. While we have to wait to construct the full ‘House of Gold & Bones,’ Stone Sour has posted a trailer to show their fans how it will all fit together. The clip can be seen below. On top of the double disc, fans can look for a four-issue comic book . The comic book series debuts April 17, 2013 through Dark Horse Comics. Taylor also recently stated that he’s interested in creating two films to represent each record. Stone Sour will hit the road to support both releases, but the band is starting their run outside of the U.S. Aside from two Halloween week shows (Oct. 28 and 29) at Wooly’s in Taylor’s hometown of Des Moines, the trek will span through Mexico, South America, and Europe for the remainder of the year. Stone Sour will kick off 2013 taking part in Australia’s Soundwave Festival . North American dates are expected to follow, but have yet to be announced. Pre-order bundles for the Stone Sour ‘House of Gold & Bones’ discs can be found here . Watch Stone Sour’s ‘House of Gold & Bones’ Album Packaging Trailer [button href=”http://loudwire.com/stone-sour-debut-gone-sovereign-video/” title=”Next: Watch Stone Sour’s ‘Gone Sovereign’ Video” align=”center”]
Rick Diamond, Getty Images Pearl Jam are working on a new album, but still really don’t have a timeline on when fans can expect it. Bassist Jeff Ament tells Guerilla Candy that even though the band has made some headway , there’s still a long way to go before it’s complete and there’s no rush to finish it. The bassist says, “There really are no plans right now [for 2013]. We have a few shows in South America on the calendar and that’s about it. I think that’s by design. I think the idea is that everybody takes the holidays off and then at some point somebody will pick up the phone, maybe late January or early February, and that will kind of start the [recording] process over again.” Ament says he’s constantly asked about the next Pearl Jam record, but admits that it’s hard to discuss as it hasn’t taken its full form as of yet. He adds, “We still don’t know exactly when we will finish it, so it’s hard to talk about it. It really could be anything at this point. Even though we have seven or eight songs recorded, it’s still sort of a blank slate and that’s exciting.” However, the bassist says that fans shouldn’t worry about the band’s future. He adds, “I don’t think there’s any doubt we’re going to make a record, but when that’s going to be, and when everybody is ready to do it, well that’s another story. And there’s no pressure. So if at any point the guys called up and said, ‘Hey, we’re ready to do this,’ I’d have no problem dropping everything because that’s my first love. I’m going to do whatever works for everyone else.” Ament is well aware of the potential problems of taking too much time, and says he doesn’t envision a Guns N’ Roses situation where ‘Chinese Democracy’ ended up taking a decade-plus to finalize. He adds, “Every day you’re going to improve as a writer and your take on things might be different. At some point you just have to let go and move on to the next thing. That’s always the tricky part of being in a band. When is it good enough? When is there too much paint on the canvas and when isn’t there too much paint on the canvas? That’s always a tricky balance.” [button href=”http://loudwire.com/best-grunge-bands/” title=”Next: Top 10 Grunge Bands” align=”center”]
Geffen Since exploding onto the scene in the 1980s, Guns N' Roses have taken on many forms and featured an array of members in the ranks. While GN'R of 1987 look nothing like GN'R of 2012, save for W. Axl Rose as the frontman, the band's legacy is undeniable. That's why we poured over their material and their catalog to select the 10 Best Guns N' Roses Songs. When they catapulted out of Los Angeles to gain fame on the national stage, they were considered the most dangerous band in the world, a reputation they carefully cultivated, curated and groomed. They did so thanks to an arsenal of riffs and solos that were distinct as fingerprints, all delivered courtesy of Slash and unsung hero Izzy Stradlin. Lest we forget the unbridled rage and willingness to push the envelope that was part and parcel of Rose's style. It almost didn't matter what the singer said; it was how he said it. The band's songs are a mixed bag of fire-in-the-belly anthems that could start wars and contemplative ballads that never sacrificed bite despite having a sensitive side. So, take a trip to the jungle and check out our list of the 10 Best Guns N' Roses Songs: ? 10 'Nightrain' From: 'Appetite for Destruction' (1987) ? ? You know you want to knock one back right now at the mere mention of Guns N' Roses' 'Nightrain.' Slash and Izzy get credit for the amazing riffs that drive this song, though Christopher Walken might be very happy with the amount of cowbell Steven Adler uses in the track. Slash said in his autobiography, “That song has a rhythm to it in the verses that from the start always made me go crazy … When we had our huge stage later on, I'd run the length of it, jump off the amplifiers, and lose it every single time we played it.” Listen to 'Nightrain' ? ? 9 'Civil War' From: 'Use Your Illusion II' (1991) ? ? What is it with Axl Rose and whistling? We're not sure, but every time he puckers up, it rocks us to the core. On 'Civil War,' though, there's so much more to the track that makes it one of our 10 Best Guns N' Roses Songs. Perhaps it's the inclusion of the 'Cool Hand Luke' speech at the beginning. Maybe it's the darkly melodic and touching Slash guitar riffs. Or it could just be that Rose hit on something deeply moving discussing the battle for civil rights, military conflicts, and politically motivated assassinations. Whatever the draw, 'Civil War' simply rocks. Listen to 'Civil War' ? ? 8 'Used to Love Her' From: 'Lies' (1988) ? ? 'Used to Love Her' may not have been quite as controversial as 'One in a Million,' but this catchy acoustic track from the 'Lies' EP garnered a lot of negative attention for its lyric, 'I used to love her / But I had to kill her / She b—-ed so much / She drove me nuts.” However, the song is reportedly about Axl Rose's dog, not a woman. Controversial content aside, the tune offered up an unforgettable groove and is the perfect sing-along song when drowning your sorrows following a breakup. Listen to 'Used to Love Her' ? ? 7 'Mr. Brownstone' From: 'Appetite for Destruction' (1987) ? ? “I used to do a little but a little wouldn't do it / So the little got more and more” said it all. The song addressed drug abuse and addiction, and was an ode, of sorts, to a drug dealer who supplied the magic potions. Slash and Izzy Stradlin pounded out bluesy, unusual riffs and Rose's refusal to avoid a taboo lyrical topic once again produced a song that stuck in our skulls because of its melodic maelstrom and the band's overall desire to be in your face. That's what made them so dangerous. Listen to 'Mr. Brownstone' ? ? 6 'Estranged' From: 'Use Your Illusion II' (1991) ? ? Epic doesn't even begin to describe Guns N' Roses' 'Estranged.' By 1991, the band had some pretty grandiose plans for their 'Use Your Illusion' discs and 'Estranged' definitely landed on the more experimental side of things. The track had no discernable chorus and featured several style shifts, yet it was pure genius. From Slash's memorable guitar riffing to Matt Sorum's taps-style drumming, 'Estranged' took Axl Rose's melancholy musings and turned them into a triumph. Listen to 'Estranged' ? ? 5 'Paradise City' From: 'Appetite for Destruction' (1987) ? ? This fiery anthem certainly had us wanting to pack our bags and move to the place where “the grass is green and the girls are pretty.” Rose sang with a fury that's nearly unmatched and Slash ripped through definitive riffs that are strategically placed in the beginning, middle and end of the song. Ultimately, GN'R created a track with the kind of escalating tension you just can't fake. By the time it reaches the crescendo, you can barely keep up. It moves at such a quickened pace that it scrambles the brains inside your head. A flawlessly executed rock song. Listen to 'Paradise City' ? ? 4 'November Rain' From: 'Use Your Illusion 1' (1991) ? ? 'November Rain' is one of the most epic, expansive, lush, rich and complex power ballads ever penned by a rock band, so that's why it's one of the 10 Best Guns N' Roses songs. Rose plays piano and lays his emotional cards face up on the table from the get-go, giving us almost 10 minutes of unrestricted access to his not-often-seen vulnerable side. The song is full of ebbs and flows, peaks and valleys, and by the time we get to the “Don't ya think that you need somebody” crescendo, we're overjoyed, exhausted and lying in a heap from the intensity. That's the power of good music. Essentially, it's GN'R's 'Stairway to Heaven.' Listen to 'November Rain' ? ? 3 'Welcome to the Jungle' From: 'Appetite for Destruction' (1987) ? ? You're in the jungle, baby. You're gonna DIE!!!!!!!!!!!!! 'Welcome to the Jungle' was GN'R's take-no-prisoners opening salvo and was most rock fans first experience with the band. It came out of the gates kicking, screaming and demanding to be heard with its airhorn guitar opening, reminding all the fathers out there of everything they feared about rockers and their daughters. Musically, it meshes punk rock and metal, a Molotov cocktail of youth, skill, rage, hormones and the desire to come face-to-face with the unknown. It'll bring to your sh-na-na-na-na-knees. Listen to 'Welcome to the Jungle' ? ? 2 'Patience' From: 'Lies' (1988) ? ? A true ballad in every sense of the word, 'Patience' is the most stripped down and uncomplicated we've ever seen or heard GN'R and Axl Rose be. The nerves are exposed from the very beginning, as the song opens with a lilting whistle. It sees Axl switching between a low, clean vocal, which carries him through the first two-thirds of the song, to the bewitching and haunting ending, where he admits 'I've been walking the streets at night / Just trying to get it right' and 'I ain't got time for the game / Cuz I need you.” It demonstrates the redemptive power of song and the catharsis that is possible via rock music. Listen to 'Patience' ? ? 1 'Sweet Child O' Mine' From: 'Appetite for Destruction' (1987) ? ? The swirling riff that opens the song is Slash's most definitive GN'R moment. It was the song that made mothers and sisters like GN'R, as it showed the softer side of rock's most dangerous band. But as stated previously, the band never blunted or dulled its edge. In fact, these more sensitive moments only served to prove just how dangerous and rock 'n' roll GN'R really were. 'Sweet Child O' Mine' is not only among 10 Best Guns N' Roses songs, it's one of the best rock songs ever put to tape. Listen to 'Sweet Child o' Mine' ? ? What Is Your Favorite Guns N' Roses Song? Now that you've reviewed and dissected our list of the 10 Best Guns N' Roses songs, tell us how you think we did. Did your favorite song fall too low on the list? Did we omit your absolute top track? Do you agree or disagree with our final list? Tell us what you think in the comments section below: ?
Baroness – Official Site Here in Part 2 of our exclusive interview with Baroness frontman John Baizley , the musician discusses the gravity of his physical injuries, as well as his daily rehabilitation routine. Baizley shares the incredible difficulties he now faces when attempting to perform simple tasks such as folding laundry or opening a bottle of water. The Baroness frontman also gives additional details about the terrifying moments knowing that the bus was about to plummet down a 30 foot drop, the moment of impact, the unthinkable amount of pain he endured and the current condition of the other passengers on the bus. When it comes to your physical rehab, can you tell us about your normal daily routine? Yeah, I mean, I’ve got a severely broken left leg and a crushed beyond belief right arm, but they’ve both been mended in such a way that at first I was in a cast, then I was in a brace, and now neither my arm or my leg has anything holding it in place externally. I’ve got some metal on the inside, but on the outside, because I injured two joints, in order to become functional again I have to move them. So in other words, like I was saying, if it hadn’t been an elbow and a knee, I’d be in a cast right now and I would able to do much less, but these were very serious traumatic injuries to my joints and if I don’t move them they will lock up forever. So against what seems to be logical to me, it would seem that you’d let the bones heal completely and then start working on things. I’ve broken plenty of bones before and that’s always been the case in the past, but with these two injuries, I have to move them. I can’t walk. By the end of it, it’ll be three or four months that I’ll have had to spend in a wheelchair, but I spend the whole day sitting there bending my leg over and over and over again and twirling my foot around like an idiot just to keep the blood flowing and to keep everything on the mend and with my arm, at this point, it’s all about stretching and starting to do small functions. Like as I said before, folding the laundry feels like running a marathon. I feel like I’ve been to the gym if I open a bottle of water or something like that. It’s humbling to see, relatively speaking, how strong I was and how we all were before the accident. The human body does all of these things and of course we take that for granted until it’s taken away from us and I spend each day seeing how much further I’ve come from the day before. So last week, I was unable to touch my face, and this week the big improvement that I made is that I am able to bend my arm enough that I can touch my face, and it does sound silly because what are you going to do when you touch your face? Last week, I learned how to put the phone down and scratch my nose with the good hand; it’s all degrees. The good thing for me is that I have a very supportive family and my 3-year-old daughter doesn’t understand how serious this injury is, so she still wants to play with me and what I do is that I do the best I can to be a normal guy and that helps me because I don’t sit there and wallow and get stuck in that rut of inactivity. I don’t have time to wait, I just don’t have time for anything anymore. I am ready to get through this and get moving again, and that was one of the big things that changed with that accident. I’ve come to a realization that we do have a relatively limited amount of time to do the things we want to do, and it can very easily be taken away randomly without any logic or sensibility to it. I consider myself incredibly lucky to have survived through the accident and to come through with injuries that can be fixed within reason. Yeah, my arm isn’t going to work the same again and neither is my leg, but I didn’t take a head injury, I still have a pulse, I still have all of my limbs attached and that didn’t necessarily need to be the case. I was told that if the injury to my arm had been any worse we would have been discussing amputation, so that’s a reality check in some ways. Be thankful for what you have because it’s much easier than you assume to lose this type of stuff. I’m not a spring chicken anymore and I’m not one of those people that thinks or has thought that I’m invincible, but now I’m sure of it. Now I’m sure of what we’re made of and it really is a thin network of meat and bones. You’ve got to respect that. It’s phenomenal that nobody passed away. I remember in your story, you were saying that moments before the crash, you were yelling at everyone and trying to wake them up to preparing for the impact. What struck me as interesting is that while you were trying to get everyone ready, you stayed at the front of the bus. Did that seem like the safest place to remain at the time when you were going over that hill? No, and maybe I can clarify; it felt like ages. There wasn’t enough time to do anything definitively and it was just enough time for instincts, to act on instinct. If I had knew that there were going to be an accident. If I was prepared to know we would have had a finite amount of time to deal with it, maybe something could have been done differently. But the fact is simple fact is, and I could put it very bluntly; we were screaming out of control down a very steep hill, in the rain, in a bus. There’s no seat belts on our bus. I don’t know if you ever seen European tour buses, but there are a lot of bands that in order not to loose money on tour, will rent older model buses. The bus was an older model but it was a German model, German driver, he owned and operated his own vehicle. There are very stringent vehicle laws in Germany so it really was up to code, it wasn’t like we were on the Beverly Hillbillies truck and we could just jump out of the back of it. I mean, how are you going to get out of a vehicle that’s flying down the hill? It would take a lot of rationale and I wouldn’t have done it anyway because my friends, my best friends in the world, are all on that bus and instincts told me that I needed to wake them and everybody who was awake needed to know what was going on in order to brace for impact, because the other thing about those type of tour buses, if there is something is considerably wrong happening up in the front, it doesn’t mean you know it in the back. Sound doesn’t travel well through those buses so screaming at the top of my lungs, I’m barely getting everybody’s attention. I think everybody woke up in time to have some brief moment of understanding of what was going to happen, and I’m not even sure about that. There may have been one or two people who just woke up in the hospital, but the simple fact of the matter was we were moving incredibly fast and we were going down a hill and the driver and I we were looking for something to do, we were looking for a way to stop it. We were looking for a road where we could have turned on, or a ramp we could have gone up or something that could have cushioned the blow a little bit easier and we never found it. There was one road we could have turned on, but it was almost like we would have to turn backwards, it was a very hard left and it was clear that the bus would have flipped. You flip in a bus, that’s it, good night. The only other option is that the bus runs into another vehicle. The only vehicle we saw was occupied, moving towards us and it had another family in it — that’s not an option, you don’t kill somebody to save yourself. So, by that time the crash was entirely inevitable and we had run out of choices. We saw the guardrail at the bottom and there was really nothing we could have done. We were moving so fast that nobody could have done anything. We tried everything, we tried using the momentum of the bus and turning to slow it down; that worked to a certain degree. We ran to the emergency brake, and the transmission was basically gone because we were going so fast you couldn’t downshift, and of course, there were no brakes, so we were mechanically … f—ed. [Laughs] Yeah, that’s the right time to use that world. Then we hit the guardrail and then there was a couple of seconds I spent in the air preparing myself for what seemed like an inevitable fate. Honestly, I’ve been living on the road for over ten years. I’ve come to terms with that on several occasions and none of them were even close or as serious as this. I was ready for it and I made my peace, I accepted it and I was ready for the end. That was the only option that was given to me. You know, at the point when our bus was fully airborne, there was nothing you could do but try to make peace with it, and I did. How surprised was I when I’m still alive? How f—ing overenthusiastically happy was I when that happened? Like I said, whatever physical pain there was, whatever mental trauma I’ve yet to suffer through, whatever nicks and bumps and scrapes and bruises we’ve taken from this, I’ll tell you what, it’s better than the other alternative we could have taken from that wreck. I guess that’s just that. You deal with the hand that is dealt. That’s what I gotta do. It’s better to do it and find something constructive and something positive. That’s what I think everybody’s doing and we’re really quite happy because I wasn’t exactly in a pleasant mood for a few days following that and I was trying to make sense of it, and thanks very much to the rest of the guys in the band and crew, thank you very much to our fans who offered support and our friends and family who were there or were keeping in contact with us and absolute f—ing praise and worship goes to the emergency team who responded, and you know the surgeons, and the whole medical team that dealt with us because they kept us alive, kept us in one piece and kept everybody positive. It felt like there was this huge extensive family who just tried to keep me and everybody okay physically, mentally, and in every way. I’m so grateful for that because a month after our wreck there was another bus that crashed 60 miles away from us that was carrying people from another music festival and that crash killed three people. That just got me thinking about how fortunate we are that we have fans that care about us, we have families and friends and everything and all of these people that care enough to be part of the story and to offer help with this. I’m just thinking of some of the people in the other crash, they might not have had that, they might have not had anybody interested in hearing what happened and they lost more. So, in perspective, it could have been worse. It could’ve been a lot better. [Laughs] It could have been a lot better, but it could have been worse. Can you give us an update on your fellow bandmates, friends and how the bus driver is doing? Yeah, I mean, everybody is going to be fine at the end of it. We all suffered different types of injuries and it’s pretty surprising the variety of injuries that were sustained. Just out of respect for the rest of the guys, they’ve all got their individual stories, so I’m not really naming any names, but there was some pieces of back, one guy was in a brace, somebody from our crew was bruised to the point where they had to be under constant medical supervision for fear of clots, and one of our crew looked like he’d been in the biggest street fight of all time. The driver sustained a number of broken bones, some people had minor scratches and scrapes and others as hefty as broken bones and backs. But the simple fact is, we will all be fine, absolutely fine in the end. It’s important, especially for me to hold onto that. We will be fine in the end. If we’re not fine already, we’ll be fine in the end. In the crash story you mentioned that you did suffer some burns along with your broken arm and broken leg. How long exactly were you laying in the bus before you were rescued? It was really quite alarming how fast that there was a crew on the scene. What happened to me specifically was I flew forward about ten or twelve feet and I went halfway through the windshield. The windshield flew out in one piece and it went flying and I hit it and bounced back in. I landed on the window frame where the glass had been. There was shards all around me and the burn marks were abrasion burns. It was a burn that went all the way around my arm and pretty deep into from who knows what. There was a ton of them, just big huge patches of skin rubbed off or burned off. I didn’t pass out, so I can’t say, “When I came too…” but once the bus settled, I was sitting and I was able to survey the area and able to take stock. If I was on the ground I wouldn’t have been able to do a number of things that I did, but I was sitting. That’s when, instinctually, and I believe we were all conscious while doing this, but we were looking around to make sure everybody was alive. I had this sense inside that nobody had died, and fortunately I was right there. I actually was relatively calm given the circumstance and I was just calling everybody’s names out and I think we were all trying to see where everybody was, and after about a minute, it couldn’t have been more than a minute-and-a-half, there were three people at the front of the bus. I had just pulled my arm almost 360 degrees in a circle, so I knew what was wrong with me. I was just sitting in the window of the bus like, “Get me out! Get everybody else out!” There was a window, I guess in the back of the bus that was broken as well. So everybody was either coming out the front or out the back and I believe they had to cut the driver out. Check back on Monday, Oct. 22, for Part 3 of our exclusive John Biazley interview, in which he talks about how he plans to move on from the accident + more. In the meantime, if you missed it, check out Part 1 by clicking below. [button href=”http://loudwire.com/baroness-john-baizley-bus-crash-isnt-going-to-stop-us/” title=”Part 1: A Bus Crash Isn’t the Sort of Thing That’s Going to Stop Us” align=”center”]