Baroness’ John Baizley: A Bus Crash Isn’t the Sort of Thing That’s Going to Stop Us

Photo by Jimmy Hubbard It’s been nearly three months since progressive rock leaders Baroness were involved in a catastrophic and gruesome bus accident. After the breaks on the group’s bus failed to work, the band plummeted 30 feet into a wooded area at a speed of around 50mph. Although serious injuries were sustained, all of the bus’s passengers survived and are nursing themselves back to health. In a great honor here at Loudwire, Baroness frontman John Baizley offered us his very first interview since the crash, discussing in great detail how the incident changed his life. In this three-part interview, where we spoke to Baizley for nearly an hour, the musician opens up about the crash itself, his current physical condition, when the band will tour once again + much, much more. Read Part 1 of our John Baizley interview below: We’ve all heard that the bus crash left you with very debilitating injuries. You’ve just started picking up a guitar again and you wrote that incredible recollection of what happened. Since you weren’t able to pick up a guitar for a little while, I’d think that it’s left a little bit of a creative gap in you. So writing the recollection of that crash, was that somewhat of a creative catharsis for you? Yeah, in a way. It’s a far cry from writing full songs and really jumping back into art, but when I was first put in the hospital and had to go through surgery, I was just on my back and it was hard for me to sit up. The one thing that I did have the ability to do was use my right hand and I started very early on, very quickly after the crash, just typing really or texting, whatever I was able to do with those fingers to keep in touch with my friends and the people that I needed or wanted to have access with. Shortly thereafter I discovered that being able to articulate the experience, either verbally or on paper, was quite nice for my mental state. I won’t say cathartic because that would seem to denote that at the end of it, I feel better or that I purged with it. I guess over time it’s a slow purging. But yeah, I discovered some sort of therapy through putting my thoughts down on paper in a different way than I’m accustomed to. The tools in my trade are typically songs and images, so now I’m trying to keep them a verbal thing. It’s a new thing for me but it’s actually been quite good for me. It was strangely beautiful, that memoir . I think it connected with a lot of people and you mentioned that you only recently have been able to pick up a guitar again and you still struggle with some pain when playing. Could you elaborate on what that pain is actually like? I’ve been probably living with it now for close to seven weeks. It’s a physical pain, it’s a corporeal pain that won’t go away and of course when it initially happened, I was in real need of heavy medication. Since then, the trick has been to sort of get away from it, so I’m still not quite so far away from the injury that I’m without pain. There’s a 16, 17-inch scar going down my arm that hasn’t healed yet. There’s a small army of metal pieces inside which are not only helping keeping me together but also beginning to react with the organic parts of my body, and at the same time, it’s important for me to get to know the nature of my injuries so that I am as mobile as I possibly can be. I’m trying to move what doesn’t want to be moved and all the while I’m trying to heal. There’s that pain from the injury and along with that severely extensive nerve damage, basically from all the way up from my shoulder down to my fingertips. Playing music is like a different thing, you know? Now there’s a rehabilitative quality to what I’m doing because I essentially had all of the musculature and all of the nervous system removed from my arm for eight hours during the surgery and once it was replaced, you’re dealing with scar tissue and you’re dealing with some parts which aren’t going to work again. There’s a swash of skin down the middle of my arm; basically the top half of my arm doesn’t have physical feeling to it anymore. When I first came out of surgery, there was very, very extreme and incredibly painful pins and needles in my hand, which scared me at first. I said to myself, ‘Oh god what if this lasts forever? What if everything I touch hurts?’ Fortunately, the nerves in my hand are going to work again correctly but the interesting thing is I have to teach the nerve endings how to feel certain things. Textures are quite alien to me at this point. It took me a week to tell the difference between wood and cloth and to pick up my guitar and being able to do that. To my utmost surprise, my fingers were able to play and there was still a ton of muscle memory that was really left in them. They were articulate despite the absence of muscle in my arm, which is almost total. My fingers which require very little musculature; my fingers could do what they’ve always done with a guitar. It was remarkable, it was super surprising. I put it like this; I was stuck in the UK for like six-and-a-half weeks, and when I got home I went back to my studio and there was a guitar hanging on the wall and I was just sitting there looking at it for a full day trying to build up the will and energy and confidence to pick it up and touch it. To me, even at that time, it represented something more than just a guitar. The moment that I picked it up I was going to assess exactly where I was and exactly how much work I had ahead of me to get back to being normal, or whatever the new normal is. Like I said, to my surprise I put it on my lap and was instantly able to play. At first, it was country music; just simple chords, and then within three or four days my fingers were able to stretch out. After five days I was able to play all of our songs and at the end of the week, I had written three songs. So it was very quick and I think it’s an incredible tool for me given the very specific nature of my injuries. Having this tool is not only good physically for my arm, but also a positive thing for me mentally and a constructive thing for me spiritually. It’s like, here’s a tool to help me get back anything I could do with my hands. I’ve begun making art again and I started writing a lot more songs, so all of these things are sort of, multifaceted tools to express myself and to heal myself and to get right with myself by engaging. But, as you said initially, it doesn’t come without pain. I think that one of the big lessons through this process for me is that I’ve been broken down to the basic physical functions of a two-year-old and since the accident I’ve been trying to reclaim myself from all directions and it doesn’t happen without pain. I’m still waiting, it’s still just so fresh for me, I’m just waiting for the first moment of my life where just sitting here doesn’t hurt. It’s actually not that bad because if you’re sore all the time or if you’re in pain all the time, then adding a little bit doesn’t freak you out at all. So what I’m doing is I’m being very aggressive with my rehabilitation. My therapists keep asking me ‘Does it hurt when I do that?’ and my answer is, ‘Yes, but it hurt before you started doing it, so just lets get back together.’ [Laughs] I’m not the sort of person that likes sitting around. I don’t see the benefits in having the time-off aspect of this. I see this as another challenge for me this year and one in which I’m fully equipped to deal with even though it’s certainly been intense. It’s really been traumatic and it’s certainly become something that will define this year, if not this section of my life, but because of that, I think it’s very important not to let it be all negative. Yeah, I was in a crash and that’s bad. I got banged up, broken — that’s bad. There’s nothing good about that, but you can learn something through it, like anything. Like any mistake that’s made or any injury to a person, you could take something from it and use it to make yourself better. With this thing in particular, because it’s touched me on so many different levels, it’s allowing me to regain perspective and regain motivation and reaffirm my ideas and my passions and become, if nothing else, more confident, more resolute in the choices that I’ve made in my life in the fact that I’ve dedicated myself to music, and as I said in the press statement, this wasn’t the fault of my career path, this wasn’t the fault of my lifestyle. This could have easily happened … it’s that cliche, it could have happened walking out of the house in the morning or could have happened downtown while I was going to see a show or eat dinner. It’s just that what we do in Baroness puts us on the road and on roads very frequently, so it’s certainly part of the risk but it wasn’t something inevitable. It was a fluke, and like all of these things that happen as a fluke or by happenstance, we have to use it. We can use it very easily and in a negative way and become more fearful of leaving the house or fearful of going out on tour or, you know, less secure and sort of paranoid and sad about it, but that has nothing to do with us getting back out. It’s just that something has happened to us and it’s going to take a minute for us to get ready again, but f— it, put me back on the road; that’s what I do. This isn’t the sort of thing that is going to stop that. Please visit Loudwire on Friday, Oct. 19, for Part 2 of the interview, in which Baizley tells us that if his arm injury was any worse, there would have been discussion of amputation, among other revelations. [button href=”http://loudwire.com/tags/baroness/” title=”More Baroness Coverage Here” align=”center”]

10 Best Red Hot Chili Peppers Songs

Stuart Wilson, Getty Images It's been a Rock and Roll Hall of Fame career for the Red Hot Chili Peppers , and we're attempting to count down the 10 Best Red Hot Chili Peppers Songs. To help narrow things down, we're keeping it to original tracks, which knocks out their splendid covers of 'Higher Ground' and 'Love Rollercoaster,' but there's still so many other great songs to choose from. From their early days as a college rock/party band through their present day reign as chart-topping hitmakers, singer Anthony Kiedis and bassist extraordinaire Flea have kept the band's spirit lively and sound extra funky. They've been joined on their mission by guitarists Hillel Slovak, Jack Sherman, DeWayne McKnight, John Frusciante , Arik Marshall, Jesse Tobias, Dave Navarro , and Josh Klinghoffer and drummers Jack Irons, Cliff Martinez, D.H. Peligro, and Chad Smith , and have rarely missed a step. So let's take you to the songs you love, take you all the way, and count down the 10 Best Red Hot Chili Peppers Songs: ? 10 'Suck My Kiss' From: 'Blood Sugar Sex Magik' (1991) ? ? Red Hot Chili Peppers may have gotten more commercial around the 'Blood Sugar Sex Magik' era, but 'Suck My Kiss' still had the energy and ferocity of some of their early albums. The track is driven by Flea's ferocious bass playing, while Anthony Kiedis delivers overly-amorous lyrics about his partner's obvious sexiness. Listen to 'Suck My Kiss' ? ? 9 'Brendan's Death Song' From: 'I'm With You' (2011) ? ? 'Brendan's Death Song' is a new tune, but it makes our 10 Best Red Hot Chili Peppers Songs as an example of a band connecting as one, letting their emotions from a traumatic experience flow simultaneously in perfect harmony. The group penned the track for late Los Angeles club owner and close friend Brendan Mullen, who gave the band their first break. Anthony Kiedis said the song was instantaneous after he delivered the news to his bandmates, and his voice, in particular, reaches emotional levels not heard prior on the band's records. Listen to 'Brendan's Death Song' ? ? 8 'Californication' From: 'Californication' (1999) ? ? The title track from Red Hot Chili Peppers 'Californication' album definitely shows the band's dance-with-the-dark side of life in Hollywood. The group delves into the superficial nature of modern society, with references like “ Space may be the final frontier / But it's made in a Hollywood basement ” and “ Pay your surgeon very well to break the spell of aging ” lamenting an increasingly plastic world. The song would reach No. 1 on both the Mainstream Rock and Modern Rock Tracks charts. Listen to 'Californication' ? ? 7 'Knock Me Down' From: 'Mother's Milk' (1989) ? ? Still reeling from the death of guitarist Hillel Slovak, Red Hot Chili Peppers found themselves in the midst of a band shakeup, with Chad Smith and John Frusciante eventually coming on board. Anthony Kiedis was also coming out of rehab and wrote this song about his withdrawal and realizing that if Slovak could die, he too was invincible. Listen to 'Knock Me Down' ? ? 6 'Dani California' From: 'Stadium Arcadium' (2006) ? ? The character of Dani California was first conjured up by Anthony Kiedis in 1999's 'Californication' and continued her journey in the 2002 single 'By the Way,' but with 2006's 'Stadium Arcadium,' the singer used the character as a representation of many women he knew in his life and built a full song around her. The video featured the band representing the different eras and genres of music that influenced their style. The group would win Grammy awards for Best Rock Song and Best Rock Performance by a Duo or Group With Vocal for the track. Listen to 'Dani California' ? ? 5 'Breaking the Girl' From: 'Blood Sugar Sex Magik' (1991) ? ? 'Breaking the Girl' found singer Anthony Kiedis dipping into his personal life for material. The singer revealed in his 'Scar Tissue' autobiography that the song was about the turbulent relationship with his ex-girlfriend, and also his father's relationship with women. The track is driven by Chad Smith's percussive instrumentation, and Flea's initially hypnotic and later aggressive bass playing. Listen to 'Breaking the Girl' ? ? 4 'By the Way' From: 'By the Way' (2002) ? ? 'By the Way' earns its spot among the 10 Best Red Hot Chili Peppers tracks for its ability to show the band's strengths. The John Frusciante guitar line demonstrates a melody-driven style, while Chad Smith and Flea deliver a full-on audio assault on drums and bass. Singer Anthony Kiedis told Kerrang of the song, “I thought that single was an ?ber-bombastic assault of non-commercialism.” The track is No. 8 on Loudwire's Top 21st Century Hard Rock Songs list. Listen to 'By the Way' ? ? 3 'Give It Away' From: 'Blood Sugar Sex Magik' (1991) ? ? If ever there were a guitar lick and drum beat that told you exactly what band it was, 'Give It Away' is that song for Red Hot Chili Peppers. While the lyrics may seem nonsensical, the group revealed on VH1's 'Behind the Music' that the track comes form the idea that the more that you give, the more you receive, so why not give it all away. Kiedis would later say that his girlfriend at the time, Nina Hagen, inspired the lyrics, after she gave him a jacket he liked from her closet. Listen to 'Give It Away' ? ? 2 'Scar Tissue' From: 'Californication' (1999) ? ? 'Scar Tissue' is a must for the 10 Best Red Hot Chili Peppers Songs. The cut would serve as the band's first single marking the return of guitarist John Frusciante to the lineup after dealing with the substance abuse issues. The track itself featured themes of life and resurrection, which reflected not only Frusciante's return but other band members' abilities to emerge from their past demons as well. The moniker would also serve as the title for Anthony Kiedis' future biography. Listen to 'Scar Tissue' ? ? 1 'Under the Bridge' From: 'Blood Sugar Sex Magik' (1991) ? ? The song that catapulted the band to superstardom was also one in which Anthony Kiedis laid his soul bare for all to see. The track was about the singer's heroin addiction and his own isolation the deeper he got into the drug. The lyrics initially were part of a poem, and producer Rick Rubin reportedly convinced the singer to explore them as a song. The track also featured a wide style shift, from the somber opening guitar chords through the mid-tempo drum beats up to the climactic finale. Listen to 'Under the Bridge' ? ? What Is Your Favorite Red Hot Chili Peppers Song? So there you have it, our 10 Best Red Hot Chili Peppers Songs? Did we get it right, or with the birds are we sharing our lonely view? There's still plenty of great songs that just missed out on the list. What would you add and what would take away? Let us know your thoughts in the comments section below. ?

Jack Osbourne Reveals Detailed Account of Aiding a Drowning Woman in Hawaii

? Ethan Miller, Getty Images Jack Osbourne ’s honeymoon in Hawaii recently turned into a rescue mission when he and his friend were called upon to help a woman who was drowning. Osbourne recently opened up about the incident on his Facebook page, filling in all the details. “On Oct. 8, I was approached by a family member telling me he had just seen a woman being pulled out of the water who’d drowned. I grabbed my friend Tyler who was a former Army operator and went to see if we could be of assistance,” Jack starts off. “In case you are not aware, I was a police reserve for 5 years and have had a lot of training in CPR and as a first responder. I am not an EMT or paramedic, but I have assisted in resuscitating individuals in the past.” That training would come in handy as Osbourne and his friend descended on the woman needing help. “When Tyler and I arrived on the scene, the woman was not conscious and had approximately five people assisting in an attempt to resuscitate her,” Osbourne explained. “A neurosurgeon from Japan had taken charge in trying to manage the chaos though she did not speak much English. The woman had a J-tube in her airway, and the defibrillator had already been used. Two women were assisting in chest compressions, and another was operating the Ambu bag.” From there the woman was transported from the beach on a spine board on a cart and Osbourne, his friend, and another good Samaritan rode with her to the front of the hotel and continued administering CPR along the way. The EMTs arrived minutes later and Osbourne delivered the woman into their capable hands. In response to what Osbourne referred to as some “oddly hostile and rather rude” comments made about him regarding the situation, Osbourne made it clear that he wasn’t claiming to be a hero of any kind, just helping someone in need. “As soon as the EMT’s arrived, I backed away and let them take over,” Osbourne recounts. “I never said I was the sole contributor in the rescue. In fact, I haven’t said anything at all. The last thing I want to do is take all of the credit when in fact there were a few people who helped save her life.” The good news is, the woman seems to be on the mend. “From what I’ve heard, she’s doing better and is now awake. I hope she has a speedy recovery,” Osbourne concluded. Osbourne’s full statement regarding the situation can be read on his Facebook page here . [button href=”Ozzy Osbourne’s Son Jack Osbourne Marries Lisa Stelly in Hawaii” title=”Ozzy Osbourne’s Son Jack Osbourne Marries Lisa Stelly in Hawaii” align=”center”]

Hottest Rockstar Wives

Publicity Still / Facebook / Getty Images One stereotype that all rock and metal bands face is that they’re doing it all for the chicks. While this may not be 100% true, hot babes are one of the many perks available in the life of a successful musician. No matter how big the ego of a rockstar or how many groupies they’ve bagged, when they meet the right woman, these musicians are brought to their knees. Just about every male musician would like a hot chick on their arm (among other things), but these women possess more than just the ability to inspire the engorgement of a gentleman’s custard launcher. These rocker wives have tamed some of the most unruly musicians, bared their children and possess the strength to be away from their loved ones for months at a time. Please join us in both saluting and creepily staring at the world’s Hottest Rockstar Wives: [button href=”http://loudwire.com/mariqueen-maandig-hottest-rockstar-wives” title=”Click to Check Out the Hottest Rockstar Wives” align=”center”]

Sons of Azrael Vocalist Joe Siracuse Dies at 29

Metal Blade New York death metal band Sons of Azrael’s vocalist Joe Siracuse (pictured far right, above) has passed away at the young age of 29. Details regarding the cause of his death have not yet been revealed. Sons of Azrael posted the simple message, ‘Joseph R. Siracuse 1983-2012,’ on their Facebook page late last night (Oct. 9). Canadian hardcore band Liferuiner offered their condolences to the family and friends of Siracuse. “A very old friend of ours Joe has passed away,” the band posts . “We wanna send all our love out to the Sons of Azrael family and friends. We did some of our first tours together with those boys and he will be missed dearly. R.I.P.” Sadly, this is the second tragedy Sons of Azrael have experienced in less than a year. Guitarist Tony Lorenzo was shot in the back during an armed robbery on Oct. 26, 2011, which paralyzed the musician from the waist down. News channel WIVB reported on the incident last year, with Lorenzo offering his explanation of the shooting. “The kid asked me, ‘Give me what you got.” And before I could even get my wallet out, he shot me. I was robbed. I can’t feel my legs right now.” We like to send our condolences to the family, friends and bandmates of Joe Siracuse. To celebrate the life of Siracuse, please take a minute and listen to some of his music. [button href=”http://loudwire.com/adam-yauch-death-2012/” title=”See the Rockers We’ve Lost in 2012″ align=”center”] Sons of Azrael, ‘A Numbing Flood’

Rage Against the Machine to Release 20th Anniversary Editions of Self-Titled Debut Album

Sony Legacy Rage Against the Machine and Sony Legacy are celebrating the 20th anniversary of the band’s eponymous debut in a big, big way with the incredibly deluxe release ‘Rage Against the Machine –XX,’ which will be available in several configurations on Nov. 27. The politically charged 1992 album, which meshed rap and rock in a fresh, uncompromising way that has not been adequately copied since, fused Zack de la Rocha’s fire-in-his-belly lyrical proclamations with Tom Morello’s unique, sounds-like-a-turntable guitar tone. The incendiary, call-to-arms original was released in November of 1992 and the time to celebrate its power and legacy is now. ‘Rage Against the Machine – XX’ is newly remastered and will be offered in three formulations: -The 20th Anniversary Edition Deluxe Box Set houses two CDs, two DVDs, one 12″ 180gm vinyl LP, one 40-page booklet and a two-sided poster. -The 20th Anniversary Special Edition collects two CDs and a bonus DVD featuring six tracks in an oversized softpack. -The 20th Anniversary Edition single compact disc includes three bonus tracks. Additionally, a 12″ 180gm vinyl edition–a picture disc and a facsimile reproduction–of the original LP has been remastered and will be available, sans bonus tracks. Compact Disc One of the newly remastered ‘Rage Against the Machine – XX’ will include the original album in its entirety, as well as three collectible b-sides from the era. Compact Disc Two presents the original Rage Against the Machine demo tape, which was recorded in 1991 and sold for $5 at the merch table at the band’s earliest gigs. So it’s quite an artifact and a piece of RATM history, a “must own” for collectors, since it helped the band secure its record deal with Epic. This marks the first time the entire demo tapes have seen a full official release. DVD #1 included in the Deluxe Box Set features Rage Against the Machine’s free concert in Finsbury Park on June 2010, which was a “thank you” to U.K. fans for making ‘Killing in the Name’ the U.K.’s No. 1 single during Christmas Week 2009. Also included are music videos plus live concert performance clips. DVD #2 features Rage’s debut album, focusing on live performance from 1991-1994 and includes the full set of RATM’s first public performance as well as various live, rare clips. New liner notes were penned specifically for this release by friend, fan and hip-hop icon Chuck D. of Public Enemy. If you’ve got a RATM diehard in your life, your holiday shopping just got a whole lot easier. CD 1 – Rage Against The Machine – Remastered 01. Bombtrack 02. Killing In The Name 03. Take The Power Back 04. Settle For Nothing 05. Bullet In The Head 06. Know Your Enemy 07. Wake Up 08. Fistful Of Steel 09. Township Rebellion 10. Freedom Bonus Tracks (b-sides) 11. Bombtrack (live, taken from Bombtrack single) 12 Bullet in the Head (live, taken from Bullet in the Head single) 13. Take The Power Back (live, taken from Freedom single) CD 2 – ‘The Original Demos’ – first official commercial release (except where noted) 01. Bombtrack 02. Take The Power Back 03. Bullet in the Head 04. Darkness of Greed (previously released) 05. Clear the Lane (previously released) 06. Township Rebellion 07. Know Your Enemy 08. Mindset’s A Threat 09. Killing In The Name 10. Auto Logic 11. The Narrows 12. Freedom DVD #1 ‘The Battle of Britain’ – previously unreleased FINSBURY PARK, LONDON ENGLAND (JUNE 6, 2010) 1. Testify 2. Bombtrack 3. People Of The Sun 4. Know Your Enemy 5. Bulls On Parade 6. Township Rebellion 7. Bullet In The Head 8. White Riot 9. Guerrilla Radio 10. Sleep Now In The Fire 11. Freedom 12. Killing In The Name MUSIC VIDEOS “Killing in the Name” (1992) “Bullet in the Head” (1993) “Bombtrack” (1993) “Freedom” (1993) “Bulls on Parade” (1996) “People of the Sun” (1996) “No Shelter” (1998) “Guerrilla Radio” (1999) “Sleep Now in the Fire” (2000) – first official commercial release “Testify” (2000) – first official commercial release “Renegades of Funk” (2000) – first official commercial release “How I Could Just Kill a Man” (2000) – previously unreleased LIVE MATERIAL FROM 1997 VIDEO COMPILATION – first time on DVD “The Ghost Of Tom Joad” “Vietnow” – Irvine, CA – 1997 “People Of The Sun” “Bulls On Parade” “Bullet In The Head” “Zapata’s Blood” – Rock Am Ring Festival, Germany – 1996 “Know Your Enemy” “Bombtrack” “Tire Me” – Reading Festival 1996 “Killing In The Name” – Pink Pop Festival – 1994 DVD #2 – all previously unreleased “First Public Performance” CAL STATE NORTH RIDGE, CA (OCTOBER 23, 1991) 1. Killing In The Name 2. Take The Power Back 3. Autologic 4. Bullet In The Head 5. Hit The Deck 6. Township Rebellion 7. Darkness Of Greed 8. Clear The Lane 9. Clampdown 10. Know Your Enemy 11. Freedom PINK POP 1994 – “Freedom” VIC THEATRE 1993 – “Take the Power Back” JC DOBBS 1993 – “Fistful of Steel” SOUNDSTAGE PERFORMANCE 1992 – “Bombtrack” Halfway House 1992 – “Wake Up” Castaic 1992 – “Settle for Nothing” San Luis Obispo 1992 – “Clear the Lane” CWNN 1992 – “Untitled” Zed’s Records 1992 – “Darkness of Greed” NOMADS 1992 – “Wake Up” II. Rage Against The Machine – XX (20th Anniversary Special Edition) Oversized softpack CD 1 – Rage Against The Machine – Remastered 01. Bombtrack 02. Killing In The Name 03. Take The Power Back 04. Settle For Nothing 05. Bullet In The Head 06. Know Your Enemy 07. Wake Up 08. Fistful Of Steel 09. Township Rebellion 10. Freedom Bonus Tracks (b-sides) 11. Bombtrack (live, taken from Bombtrack single) 12 Bullet in the Head (live, taken from Bullet in the Head single) 13. Take The Power Back (live, taken from Freedom single) CD 2 – “The Original Demos” – first official commercial release (except where noted) 01. Bombtrack 02. Take The Power Back 03. Bullet in the Head 04. Darkness of Greed (previously released) 05. Clear the Lane (previously released) 06. Township Rebellion 07. Know Your Enemy 08. Mindset’s A Threat 09. Killing In The Name 10. Auto Logic 11. The Narrows 12. Freedom Bonus DVD: Music Videos: Killing In The Name Bombtrack Freedom Take The Power Back (Vic Theatre) – previously unreleased Bombtrack (Soundstage performance) – previously unreleased Wake Up (Nomads) – previously unreleased III. Rage Against The Machine – XX (20th Anniversary Edition) Jewel Case CD 1 – Rage Against The Machine – Remastered 01. Bombtrack 02. Killing In The Name 03. Take The Power Back 04. Settle For Nothing 05. Bullet In The Head 06. Know Your Enemy 07. Wake Up 08. Fistful Of Steel 09. Township Rebellion 10. Freedom Bonus Tracks (b-sides) 11. Bombtrack (live, taken from Bombtrack single) 12 Bullet in the Head (live, taken from Bullet in the Head single) 13. Take The Power Back (live, taken from Freedom single)

Green Day’s Mike Dirnt: We Had to Put Billie Joe Armstrong’s Life in Front of Everything

Spencer Kaufman, Loudwire In one of the more surprising moments of the year, Green Day frontman Billie Joe Armstrong  recently entered rehab for substance abuse problems, and now Green Day bassist Mike Dirnt has just addressed the issue in greater detail. After slinging curses at the iHeart Radio festival organizers, Armstrong smashed his guitar and left the stage . At the time, the singular reason for his outburst seemed to be frustration with having Green Day’s set time suddenly cut down by 20 minutes. The next day, though, it was revealed that there was more to Armstrong’s breakdown, as the band released a statement that the frontman would be  entering rehab . In an interview with BBC Radio 1 [via  NME ], Mike Dirnt revealed that the decision to send Armstrong to rehab wasn’t a difficult one, “We had to put the life of our friend in front of everything,” says Dirnt. There were also “signs of things hitting the fan” adding, “we hadn’t slept in forever.” Dirnt continues, “Hindsight is 20/20… it was a tremendous undertaking… It catches up with you a little bit. We definitely jumped off a moving train.” As for the future of Green Day’s musical career, Durst says, “We’re still getting ready for the next phase.” Stay tuned for more news on Billie Joe Armstrong’s recovery. In the meantime. the band recently released the album ‘¡Uno!,’ with the rest of the trilogy coming in the forms of  ’¡Dos!’ next month and ‘¡Tre!’ in January. In addition, Armstrong’s previously taped appearances as a mentor on NBC’s ‘The Voice’ will begin airing tonight (Oct. 8) on NBC. [button href=”http://loudwire.com/green-day-frontman-rehab-stint-wont-affect-participation-the-voice/” title=”Next: Green Day Frontman to Continue on ‘The Voice’ Despite Rehab Stint” align=”center”]