Facebook: Metallica Metallica fans have been drooling for the band’s upcoming 3D concert film ever since the band filmed footage for the movie over the summer of 2012. Small details have been revealed by band members, but this latest revelation put forth by drummer Lars Ulrich may be the most captivating piece of the puzzle yet. In a recent interview with Classic Rock Magazine , Lars Ulrich revealed that the 1976 Led Zeppelin concert film ‘The Song Remains the Same’ has been a major influence for Metallica’s 3D movie, especially when it comes to its more avant-garde qualities. “There are four members in Led Zeppelin, four members in Metallica, it’s a full-length movie, and there’s a lot in this film that does not take place onstage,” begins Ulrich. “The major difference is that the stuff that takes place offstage in the Metallica movie does not feature any members of Metallica. It’s two separate worlds – a Metallica show and a story that unfolds in a parallel universe – and at some point they intertwine.” Ulrich also commented on the possibility of prolific producer Rick Rubin working on Metallica’s next album, which appears to be set for a 2014 release. “I love Rick. We all love Rick,” Ulrich assures. “We’re in touch with Rick constantly. We’ll see where it goes. It would stun me if the record came out in 2013. We’ve got to finish this 3D movie, which is what we’re doing right now.” The live footage featured in Metallica’s upcoming 3D flick was recorded in Vancouver, Canada during the band’s August 2012 performance. The film is expected for a Summer 2013 release. [button href=”http://loudwire.com/metallica-obsessed-couple-baby-orion/” title=”Metallica Fans Name Newborn Baby ‘Orion'” align=”center”]
Archive for January 8th, 2013
Motley Crue Members Entangled in Legal Battle Also Involving Aerosmith’s Steven Tyler
Motley.com Aerosmith vocalist Steven Tyler, his former management company Kovac Media Group and Tyler’s lawyer, Dina LaPolt, have been entrenched in a legal battle since October 2012, regarding issues with the singer’s stint as a judge on ‘American Idol.’ Tyler’s former management company accuses the singer’s lawyer allegedly sabotaged a multimillion dollar deal for the Aerosmith legend, resulting in Tyler’s exit from the popular TV show. As if this wasn’t dramatic enough, the Hollywood Reporter reports that Mick Mars and Tommy Lee of Motley Crue are now involved in another issue between both Kovac Media Group and lawyer Dina LaPolt, adding to the whirlwind of serious allegations. Although both Steven Tyler and Motley Crue are both caught in the middle of legal battles between Kovac Media Group and Dina LaPolt, the issues involving both bands are separate. Kovac Media Group, run by Allen Kovac, claims that LaPolt’s actions cost Steven Tyler his ‘American Idol’ deal, apparently worth a total of $6-$8 million. Despite Kovac’s claim, Tyler denies any sort of sabotage took place and has taken the side of LaPolt. After Kovac filed the Steven Tyler lawsuit, the media mogul added new claims, alleging that Dina LaPolt, in an act of retaliation, has been conspiring to set up her own management company in order to steal Motley Crue, who Kovac has represented for 15 years. Much like Steven Tyler, Motley Crue guitarist Mick Mars and drummer Tommy Lee are also supporting LaPolt, both Crue musicians having filed legal paperwork in an attempt to halt Kovac’s legal proceedings against their lawyer. Mick Mars first heard of the Steven Tyler case on Oct. 15, and was left aghast to say the least, claiming he was “completely shocked and mad that Motley Crue’s manager had sued our lawyer. I trust Dina implicitly, to the point that she is my trustee if I die or become disabled.” Meanwhile, Mars also says that Motley Crue never authorized a $200,000 transaction between the band’s business manager, Pam Malek, and Kovac to repay a loan that Kovac had given to Motley Crue singer Vince Neil, who is no longer a shareholder in the band. Malek has since been dismissed by the band, with Mars claiming “she was controlled by [Kovac].” Motley Crue drummer Tommy Lee, meanwhile, is echoing the same sentiments as Mars, and is upset that he now has to give a deposition on the matter. For much more detail on this legal squabble, see the full story by the Hollywood Reporter . [button href=”http://loudwire.com/motley-crue-nikki-sixx-remembers-near-fatal-drug-overdose-25-years-later/” title=”Motley Crue’s Nikki Sixx Recounts Near-Fatal Overdose 25 Years Later” align=”center”]
Black Veil Brides, ‘Wretched and Divine: The Story of the Wild Ones’ – Album Review
Lava/Universal Republic Black Veil Brides kick off 2013 with the release of their third studio album, a concept record titled ‘Wretched and Divine: The Story of the Wild Ones.’ With 19 tracks, this massive opus begins with ‘Exordium,’ one of several spoken word cuts on the disc. It speaks of religion, God, inner strength and more. ‘In the End’ is the first single off the album and leads a series of anthems such as ‘I Am Bulletproof,’ ‘ New Years Day,’ ‘Devil’s Choir,’ and ‘Nobody’s Hero.’ Throughout the album, guitarists Jake Pitts and Jinxx provide stellar riffs, while Ashley Purdy delivers pounding bass lines and Christian Coma offers some thunderous drum patterns on the skins. Despite the heaviness, there are also flashes of beautiful orchestration album, especially on the instrumental piece ‘Overture.’ Frontman Andy Biersack shows off his softer side in tracks like ‘Done for You’ and ‘Lost It All,’ the latter of which features Biersack’s girlfriend, Juliet Simms, a finalist on ‘The Voice’ and member of the band Automatic Loveletter. Black Veil Brides also call on some of their other comrades, such as the Used’s Bert McCracken, who offers his raw vocals on the track ‘Days Are Numbered,’ which features a ‘Crazy Train’ like riff throughout. Wil Francis (also of William Control) is the voice of Fear on the record’s powerful spoken word tracks ‘F.E.A.R.: Transmission 1: Don’t Stay’ ‘ F.E.A.R. Transmission 2: Trust,’ ‘F.E.A.R. Transmission 3: As War Fades’ and ‘ F.E.A.R. : Final Transmission.’ In our interview with Biersack, he talks about the ‘F.E.A.R.’ tracks by saying, “I’ve sort of just like the whole Orwellian, dystopian future – I like the idea that it doesn’t seem to crazy or far off that there could be someone who is this omnipotent, omniscient power that tells you what to do.” Biersack continues, “I like the idea of having the narrative told through the perspective of the bad guy more than anything else. You rarely ever hear something narrated through the villain’s perspective and it was fun.” Other notable tunes on the album include the title track, ‘Wretched and Divine,’ which maintains a balance of heaviness and melody, and ‘We Don’t Belong,’ which has soft yet menacing vocals in its verses, mixed with a catchy chorus. Biersack shows a bit of vocal range with ‘Resurrect the Sun,’ where he starts off soft and almost lullaby-like, but then belts out the chorus. Meanwhile, ‘Shadows Die’ is a rollercoaster of emotion and tempo that is one of the best, if not the best track, on the album. For a relatively young band that has achieved a rabid fan base in such a short time, Black Veil Brides could have rested on their laurels and delivered a standard rock album. However, ‘Wretched and Divine: The Story of the Wild Ones’ is an ambitious effort that shows the band is willing to take chances in their fast-rising career. ? [button href=”http://loudwire.com/black-veil-brides-singer-andy-biersack-everybody-is-wretched-and-divine/” title=”Next: Andy Biersack Talks ‘Wretched and Divine'” align=”center”]