Archive for February 20th, 2013

Smashing Pumpkins’ Billy Corgan Stars in Wrestling-Themed Ad for Furniture Store

YouTube Here’s a video that will scramble your brains … Smashing Pumpkins frontman Billy Corgan has just filmed a commercial for furniture and design company Walter E. Smithe. Set in a wrestling ring, chaos unfolds as a game of musical chairs goes awry. Of course, chairs are a staple of any legit wrestling organization, which leads to a strange dilemma in the mind of Corgan, who is a rabid wrestling fan and promoter. Billy Corgan launched Resistance Pro wrestling with brothers Jacques and Gabe Baron in November 2011. Since its inception, wrestling legends such as The Sheik, Raven, Colt Cabana and Teddy Hart have graced the threshold of Resistance Pro, and although the promotion acts as the main focus for Corgan’s new commercial, the ad eventually reveals itself to be for Walter E. Smithe furniture. We’ve all played musical chairs in our youth, and both casual and seasoned musical chairs competitors understand the intensity which exists within the game. Thus, when Billy Corgan bested another musical chairs challenger, an all-out brawl took place in the middle of the squared circle. Though Corgan stood outside the ropes maniacally enjoying the impromptu fight, he was forced to quench the in-ring fire as an ill-faded wrestler was about to smash a lovely Walter E. Smithe chair over an enemy. “Wait!,” Corgan warned. “That’s a Walter E. Smithe chair.” “I am proud of Resistance Pro’s growing popularity,” says Corgan. “Tim Smithe and his brothers presented us with the opportunity to share our brand. I’m grateful to the Smithe brothers for their $50,000 donation to PAWS, a charity that is important to me.”  PAWS (Pets Are Worth Saving) is a Chicago-based no-kill shelter for homeless pets, which Billy Corgan has raised over $140,000 for in 2013 alone. Billy Corgan’s Resistance Pro wrestling organization is set to host their fourth event, ‘Obsession,’ on March 23. To see the frontman’s new commercial, check out the video player below! Billy Corgan Appears in Walter E. Smithe Commercial [button href=”http://loudwire.com/james-iha-on-smashing-pumpkins-reunion-never-say-never/” title=”James Iha on Smashing Pumpkins Reunion: ‘Never Say Never'” align=”center”]

The Great White Station Fire: 10 Years Later

Photo by David L Ryan/The Boston Globe via Getty Images Today marks the 10-year anniversary of perhaps the greatest tragedy in the history of rock concerts. On Thursday, Feb. 20, 2003, 100 people were killed in West Warwick, R.I. when The Station nightclub’s sound insulation caught fire due to a stray pyrotechnic flame from Great White ‘s stage show. Once the initial spark took, it didn’t take long for the club to become fully-engulfed, sending most of the audience into a panicked frenzy trying to escape the blaze. In addition to the 100 people who perished in the incident, there were an additional 230 people injured in the blaze. Meanwhile, another 132 people escaped the venue free of injury. Great White had just started their performance when the band’s tour manager, Daniel Biechele, set off the pyrotechnics as the group performed their song ‘Desert Moon.’ Though the fire happened in 2003, Biechele’s case didn’t go to trial until 2006. The emotional former manager pled guilty to over 100 counts of involuntary manslaughter In his statement to the court, Biechele explained, “For three years, I’ve wanted to be able to speak to the people that were affected by this tragedy, but I know there’s nothing that I can say or do that will undo what happened that night. Since the fire I have wanted to tell the victims and their families how truly sorry I am for what happened that night and the part I had in it. I never wanted anyone to be hurt in any way. I never imagined that anyone ever would be … I’m so sorry for what I have done and I don’t want to cause anyone any more pain. I will never forget that night and I will never forget the people that were hurt by it. I am so sorry.” For his part in the incident, Biechele was sentenced to 15 years in prison, with four years mandatory to serve and the final 11 years suspended. However, he was granted an early release in September of 2007 after some of the victims’ families spoke on his behalf. By March 2008, Biechele was released from jail. In addition, The Station nightclub’s owners Jeffrey A. and Michael A. Derderian were fined $1.07 million for failing to carry workers compensation insurance for their employees, four of whom died in the blaze. Much like Biechele, the Derderian brothers were sentenced for their roles in the blaze. Michael’s sentence was 15 years, with four to serve and 11 suspended, while Jeffrey’s was a 10-year suspended sentence with three years’ probation and 500 hours of community service. In 2008, Michael Derderian was granted an early release from prison and by June 2009 he was released. As for Great White, they suffered the loss of their guitarist Ty Longley in the blaze and were deeply affected by the tragedy. In the time since, the band has played many a benefit tour. They also offered a $1 million settlement to survivors and their families, the maximum amount allowed under their insurance plan. Memories of the tragic Station fire were recalled recently when more that 230 people perished in a nightclub in Brazil earlier this month. However, for American audiences, the Station fire remains one of rock music’s most horrific incidents. On the tenth anniversary of the tragedy, Loudwire reflects and send our prayers to the families and victims of those affected by The Station nightclub fire. [button href=”http://loudwire.com/brazil-nightclub-fire-kills-more-than-230-people/” title=”Next: Brazilian Nightclub Fire Kills 230 People” align=”center”]

Steve Von Till of Neurosis Discusses Latest Album ‘Honor Found in Decay’ + More

Neurot Recordings Neurosis  singer and guitarist Steve Von Till was the guest on Full Metal Jackie’s radio show this past weekend. He spoke about the band’s new album ‘Honor Found in Decay,’ as well as creating music independently and on their own time. Read Full Metal Jackie’s interview with Steve Von Till below: It was five years between albums before ‘Honor Found in Decay’ was released late last year. Creatively, how has that time between albums broken down? Is it a lot of time spent consciously thinking about new music or is it more about living a life of adventure that will ultimately manifest itself musically? It’s more about just surrendering to the flow – it’s complete chaos, we have no set method and it’s definitely not time spent in the brain trying to conceive. This music comes from the heart and soul and it’s really just finding the time together over the years that are the hard part because we live quite spread out but most of it’s just waiting for it to demand attention. It must be kind of cool not having people say, “Oh you have to put out this many records in this certain timeline,” so you sort of have creative freedom to let it come when it’s ready. Absolutely, I mean we all work day jobs and have families and we run our own record label, so there’s no external pressure and that’s the way we like it. This music is so important to us as a form of expression that we really feel the need to keep it pure and the only way to really keep it pure is to keep all external influence out. ‘Honor Found in Decay’ is now being released on vinyl. What’s more obvious about Neurosis in that format compared to digital? I think that’s the era we come from, the album time – where you sit and you put on an album and you absorb the whole thing while holding the artwork in your hand and reading the lyrics and just surrendering to it. I still love that format best myself, I think it sounds best and more natural, there’s more soul in it. Would you consider yourself a purist when it comes to the styles of music that you listen to and recording and everything? No, because you always go for what’s convenient too. I’ve got an iPod, probably like everyone else, but I still prefer to sit and play an album if I can. What kind of stuff are you listening to these days? All across the board, lately a lot of Joy Division and Amebix. Visual presentation has always been such an integral part of Neurosis. You very recently announced discontinuing that element of the band; what made such a drastic change necessary at this point in the band’s career? We always feel the need to push our boundaries and evolve and to go to new places we haven’t been and we’ve had visuals as part of our live performances since 1992. It just felt like it was time for a major change in that way. We started to feel that maybe it was a bit of a burden or that time has caught up to the multimedia aspect of what we’re doing and it no longer feels vital at this point – at least not the way we were doing it. It was time to just destroy it and put it away for a while and see what else comes new. Right now we’re enjoying just being completely liberated and playing under bright light and going for it. Who exercises greater influence over what you do musically: other bands and musicians or the non-musical people central to your life? I’d say the entire world probably influences us but it definitely has nothing to do with what other musicians are doing. I think music is the least influence on our music in some way because when you’re trying to find something original even though we’re all music fans and we love music and listen to a lot of music – when it comes time to create Neurosis music we have to let all of that slide and dissipate and not have other people influencing it. Everything we see, everything we hear, everything we feel must influence some aspect of what we’re doing – it’s probably our emotional world and the world around us that influences us the most. How do you feel about Neurosis being an influence to so many bands today? That’s pretty much the biggest honor that we could have. We think about what our musical heroes meant to us and how we play this really unique, strange, self-centered, self-absorbed music and the fact that anybody else likes it is kind of amazing. The fact that it might go out in the world and be a positive influence and inspire other people to pick up guitars or find their own true musical path or artistic expression, that’s just a great feeling. What can we expect from the band this year? We’ll definitely be playing a few more shows around the United States and we’re hitting Europe in the summer and we’ll just see where it takes us. Full Metal Jackie will welcome Kvelertak frontman Erlend Hjelvik to her program this coming weekend. She can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .

Device vs. Stone Sour – Cage Match

Photos: Facebook: Device / Roadrunner Records With Clutch headed to Loudwire’s Cage Match Hall of Fame after five straight victories, it’s time to start a fresh battle with two bands and their new singles. Device enter the cage with their debut single ‘Vilify’ off of the upcoming self-titled album, due April 9. Fronted by Disturbed singer David Draiman, Device’s forthcoming disc will feature heavy hitting collaborations with Serj Tankian, Geezer Butler, Lzzy Hale, M. Shadows and many others. The band will also be playing a handful of U.S. festivals in April and May; go here for more information. Stone Sour take the Cage Match by storm with their latest track ‘Do Me a Favor’ off of their forthcoming record ‘House of Gold & Bones Part 2.? Frontman Corey Taylor and company recently wrapped up a U.S. trek with Papa Roach and Otherwise, and will be hitting the road again in Australia and Europe. For a full list of dates and countries, go here . So will Device ‘Vilify’ the competition or will Stone Sour’s fans do them a ‘Favor’ and help them earn a victory? Listen to both tracks and vote for your favorite in the poll below! (This Cage Match will run until Friday, Feb. 22, at 8AM ET. Fans can vote once per hour! So come back and vote often to make sure your favorite song wins!) Device, ‘Vilify’ Stone Sour, ‘Do Me A Favor’ Sorry, you need to have javascript running to see this poll. Email Me When Cage Match Winners Are Announced Enter your email address below to receive the Loudwire newsletter, which will include notification of the daily winner of the Cage Match, as well as our top stories of the day. Email Rules of Cage Match: Fans can vote once per hour for their favorite song. If a song remains the reigning champ for five straight cage matches, it is retired to the Loudwire Cage Match Hall of Fame. With so many great songs out there, we have to give other bands a chance!