Posts Tagged ‘ashes’

Machine Head – Bloodstone & Diamonds

It’s been a turbulent three years in the metal world since Machine Head released Unto the Locust to much critical praise. We’ve seen the continued rise of djent and it’s bastardizations, deathcore’s leanings into more progressive territories, progressive metal’s leanings into softer and more introspective territories, black metal through the eyes of shoegazers, and the return of a few old school death metal bands. The late nineties saw the band conform to the sound of the times, adopting the nu-metal style introduced by bands like Rage Against the Machine , Korn , and Limp Bizkit in years prior. Luckily, the current musical climate has had no impact on Machine Head, who have chosen to pound the flag they’ve been flying since their triumphant return to form with 2004’s Through the Ashes of Empires deeper into the ground, resulting in Bloodstone & Diamonds , their latest gem and first release for Nuclear Blast . Whereas Machine Head merely flirted with orchestral arrangements in the past, opening track ‘Now We Die’ starts off with a full on string section, setting the tone for the prodigious journey that lay ahead. The return of producer Colin Richardson is immediately apparent once things kick in: buzzsaw quad-layered guitars, drums punchier than Mike Tyson, and distorted bass sitting perfectly in the mix to complement the guitars. The sonics of Unto the Locust were perfectly appropriate for most metal albums of its caliber, but Richardson’s return makes it apparent that there is an intangible magic when the two work together. This is also the first album to feature new bassist Jared MacEachern after the well publicized fallout with original bassist Adam Duce , leaving Flynn as the sole original member. The band has been fraught with lineup changes over the years, but the heart of Machine Head has always been with Flynn. By the time second track, ‘Killers and Kings,’ bulldozes it’s way through the speakers, any apprehension is completely removed. Drummer Dave McClain ’s tasteful and simple ride bell play during the choruses carries the song masterfully, and his performance throughout the album is a testament to powerful modern metal drumming. Bloodstone & Diamonds does not wear any masks, exuding an honesty lost on much of today’s metal. In Machine Head’s case, perhaps it is a continued rebellion against their “experimental” period from 1999’s The Burning Red to 2001’s Supercharger . Despite this, the band have retained the best parts of said period while keeping the foundation they built in the beginning with Burn My Eyes , and also venturing into new territory. ‘Eyes of the Dead’ is the most representative track of their career by far, and perhaps the strongest track on the album. The intro reeks of early Megadeth with the ascending tapping lick over the pulsing drums, calling to mind ‘The Conjuring’ from the classic Peace Sells…But Who’s Buying? . The verses thrash about in the melodeath way the band adopted on Through the Ashes of Empires , with a deadly infectious chorus with Flynn chanting “Murder! Murder!” and a follow-up hook worthy of the best melodic moments from The Burning Red . Add a whammy bar breakdown groove in the mid-section worthy of 1997’s The More Things Change and you have a massive recipe for success, all while not sounding the least bit derivative. From a performance aspect, this album marks some of Robb Flynn ’s most impassioned and versatile singing in years. The airy falsetto of the verses on ‘Ghosts Will Haunt My Bones’ are simultaneously sensuous and foreboding, counteracting perfectly with the bendy groove that follows. Without a doubt the biggest surprise found here is the brooding and eerie ‘Sail Into The Black’. Parts of this song reek of Ulver ’s dark ambient masterpiece Shadows Of The Sun , which is absolutely not a bad thing. Whether this is mere coincidence remains to be seen, but the drone of the baritone choir, thick and enveloping vocal harmonies, and subtle orchestral elements call the album to mind. It’s not until around the halfway mark when the trademark chainsaw guitars, distorted bass, and pounding drums kick in do we have any inkling that we’re still listening to Machine Head. While past tracks like ‘Violate’ and ‘Down to None’ extracted the sludgiest roots of the band, they have dug even deeper into the muck with the swampy ‘Beneath the Silt’. The track opens like an audio engineer’s dream, with the drums pounding out a gigantic fill that highlights the perfectly roomy mix. This is followed by possibly the lowest tuning the band have used to date, with a simple, bluesy, and filthy riff flinging gunk all over the precious and pretty melodic moments delivered on the previous six tracks. The song is not lost on melody however, with Flynn’s hypnotic falsetto covering the chuggy verse like an opiate laced wine basted over a stuffed pig. ‘Game Over’ smacks of bitterness and regret lyrically, quite obviously being an elegy to the friendship between Flynn and Duce. As Flynn cries “Another time, when music’s all we had, bonded by anger and addictions, so glad, always together, but no words are spoken, this is the sound of a friendship broken”, it’s hard to imagine it being anything but. Flynn also took to the mic in the past to deal with former guitarist Logan Mader ’s departure with the Sabbath infused ‘Devil With the King’s Card’ from The Burning Red , so this comes as no surprise. The only downside to this album is the sprinkled on patriotism of ‘In Comes the Flood’. The majority of the music is superb, with the use of orchestra in the beginning and the cascading classical melodies on the tail of the main riff. The problem is the uninspired populist ranting over the top of everything, especially the tired sounding “Wake up, America!” over a riff that drags harder than Ru Paul. Leaving this track off the album would have eschewed a perfect score. Despite this setback, Machine Head have delivered yet another classic addition to their catalog to rival and revel in the most triumphant moments of their career. ? Machine Head’s Bloodstone & Diamonds gets… 4.5/5 -DW

Machine Head To Begin Work on New Album

Liz Ramanand, Loudwire No doubt Machine Head have had massive amounts of success with their 2011 album ‘Locust,’ but now they are starting to plot out their next disc. On Machine Head’s official site , frontman Robb Flynn connects with his fans through his entries called ‘The General Journals: Diary of a Frontman…and other Ramblings” and in his latest journal entry, titled ‘Where Do We Go Now…?,’ Flynn mentions plans for the band to write new material “this week or next.” Even though the frontman doesn’t give any specifics, he does hint that the new songs may not be the long anthems we heard on ‘Locust.’ “No one has really sat down and discussed where we’d like to go in depth, but we have talked about shorter songs (LOL). The last Ten Ton Hammer show we did in London really got us thinking about cool, short songs.” He goes on to talk about some material he has received from guitarists Phill Demmel and drummer Dave McClain. “Phil has told me he has some riffs, McClain e-mailed some cool riffs, I have some pretty awesome riffs tuned down to F that I’m stoked on… so, who knows where it’s all going yet, but it’s definitely starting to bubble. Can’t really tell where it’s all gonna end up, you can’t really plan that out, but that’s some of what we’ve been bouncing around.” Flynn went on to talk about Machine Head becoming free agents as they wrapped up their recording contract with their long time label Roadrunner Records . “It’s an exciting time for us right now, the world is our oyster and we can dictate a lot of fair terms in exchange for our art. There’s been a lot of talk as to what we should and/or shouldn’t do; the music business has changed dramatically since the last deal we signed for ‘Through the Ashes’ back in 2003 (let alone our first deal in 1993), and what we’re looking for in a deal here in 2013 is different.” To read the full post from Robb Flynn’s ‘The General Journals: Diray of a Frontman…and other Ramblings’ go here . [button href=”http://loudwire.com/machine-head-metal-video-of-the-year-2012-loudwire-music-awards/” title=”Next: Machine Head Win Metal Video of the Year in Loudwire 2012 Music Awards” align=”center”]

Stone Sour Unveil Lyric Video for Double Single ‘Gone Sovereign’ / ‘Absolute Zero’

Stone Sour have premiered a lyric video for their dual track ‘Gone Sovereign’ and ‘Absolute Zero’ off of their upcoming album ‘The House of Gold and Bones Part I.’ The first song ‘Gone Sovereign’ is a fast paced track with a powerful chorus: “So scatter all my ashes when I’m dead / And shatter every legend in my head / If only the committed will survive / Is anybody here

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