Posts Tagged ‘locust’

Machine Head – Bloodstone & Diamonds

It’s been a turbulent three years in the metal world since Machine Head released Unto the Locust to much critical praise. We’ve seen the continued rise of djent and it’s bastardizations, deathcore’s leanings into more progressive territories, progressive metal’s leanings into softer and more introspective territories, black metal through the eyes of shoegazers, and the return of a few old school death metal bands. The late nineties saw the band conform to the sound of the times, adopting the nu-metal style introduced by bands like Rage Against the Machine , Korn , and Limp Bizkit in years prior. Luckily, the current musical climate has had no impact on Machine Head, who have chosen to pound the flag they’ve been flying since their triumphant return to form with 2004’s Through the Ashes of Empires deeper into the ground, resulting in Bloodstone & Diamonds , their latest gem and first release for Nuclear Blast . Whereas Machine Head merely flirted with orchestral arrangements in the past, opening track ‘Now We Die’ starts off with a full on string section, setting the tone for the prodigious journey that lay ahead. The return of producer Colin Richardson is immediately apparent once things kick in: buzzsaw quad-layered guitars, drums punchier than Mike Tyson, and distorted bass sitting perfectly in the mix to complement the guitars. The sonics of Unto the Locust were perfectly appropriate for most metal albums of its caliber, but Richardson’s return makes it apparent that there is an intangible magic when the two work together. This is also the first album to feature new bassist Jared MacEachern after the well publicized fallout with original bassist Adam Duce , leaving Flynn as the sole original member. The band has been fraught with lineup changes over the years, but the heart of Machine Head has always been with Flynn. By the time second track, ‘Killers and Kings,’ bulldozes it’s way through the speakers, any apprehension is completely removed. Drummer Dave McClain ’s tasteful and simple ride bell play during the choruses carries the song masterfully, and his performance throughout the album is a testament to powerful modern metal drumming. Bloodstone & Diamonds does not wear any masks, exuding an honesty lost on much of today’s metal. In Machine Head’s case, perhaps it is a continued rebellion against their “experimental” period from 1999’s The Burning Red to 2001’s Supercharger . Despite this, the band have retained the best parts of said period while keeping the foundation they built in the beginning with Burn My Eyes , and also venturing into new territory. ‘Eyes of the Dead’ is the most representative track of their career by far, and perhaps the strongest track on the album. The intro reeks of early Megadeth with the ascending tapping lick over the pulsing drums, calling to mind ‘The Conjuring’ from the classic Peace Sells…But Who’s Buying? . The verses thrash about in the melodeath way the band adopted on Through the Ashes of Empires , with a deadly infectious chorus with Flynn chanting “Murder! Murder!” and a follow-up hook worthy of the best melodic moments from The Burning Red . Add a whammy bar breakdown groove in the mid-section worthy of 1997’s The More Things Change and you have a massive recipe for success, all while not sounding the least bit derivative. From a performance aspect, this album marks some of Robb Flynn ’s most impassioned and versatile singing in years. The airy falsetto of the verses on ‘Ghosts Will Haunt My Bones’ are simultaneously sensuous and foreboding, counteracting perfectly with the bendy groove that follows. Without a doubt the biggest surprise found here is the brooding and eerie ‘Sail Into The Black’. Parts of this song reek of Ulver ’s dark ambient masterpiece Shadows Of The Sun , which is absolutely not a bad thing. Whether this is mere coincidence remains to be seen, but the drone of the baritone choir, thick and enveloping vocal harmonies, and subtle orchestral elements call the album to mind. It’s not until around the halfway mark when the trademark chainsaw guitars, distorted bass, and pounding drums kick in do we have any inkling that we’re still listening to Machine Head. While past tracks like ‘Violate’ and ‘Down to None’ extracted the sludgiest roots of the band, they have dug even deeper into the muck with the swampy ‘Beneath the Silt’. The track opens like an audio engineer’s dream, with the drums pounding out a gigantic fill that highlights the perfectly roomy mix. This is followed by possibly the lowest tuning the band have used to date, with a simple, bluesy, and filthy riff flinging gunk all over the precious and pretty melodic moments delivered on the previous six tracks. The song is not lost on melody however, with Flynn’s hypnotic falsetto covering the chuggy verse like an opiate laced wine basted over a stuffed pig. ‘Game Over’ smacks of bitterness and regret lyrically, quite obviously being an elegy to the friendship between Flynn and Duce. As Flynn cries “Another time, when music’s all we had, bonded by anger and addictions, so glad, always together, but no words are spoken, this is the sound of a friendship broken”, it’s hard to imagine it being anything but. Flynn also took to the mic in the past to deal with former guitarist Logan Mader ’s departure with the Sabbath infused ‘Devil With the King’s Card’ from The Burning Red , so this comes as no surprise. The only downside to this album is the sprinkled on patriotism of ‘In Comes the Flood’. The majority of the music is superb, with the use of orchestra in the beginning and the cascading classical melodies on the tail of the main riff. The problem is the uninspired populist ranting over the top of everything, especially the tired sounding “Wake up, America!” over a riff that drags harder than Ru Paul. Leaving this track off the album would have eschewed a perfect score. Despite this setback, Machine Head have delivered yet another classic addition to their catalog to rival and revel in the most triumphant moments of their career. ? Machine Head’s Bloodstone & Diamonds gets… 4.5/5 -DW

Machine Head Guitarist Phil Demmel Talks Upcoming Tour With Dethklok + More

Liz Ramanand, Loudwire Machine Head guitarist Phil Demmel was the guest on Full Metal Jackie’s radio show this past weekend. He spoke all about his enthusiasm for the band’s upcoming tour with Dethklok, All That Remains and The Black Dahlia Murder, as well as the band’s very successful album ‘Unto the Locust’ and why Machine Head isn’t sticking to a specific timeline for the next album. If you missed Jackie’s show, read the full interview with Phil Demmel below: First and foremost, I saw Phil randomly in Las Vegas recently and as it turns out we should congratulate Phil who is now married. So, congratulations! Thank you very much, yeah we bumped into each other in the lobby and you were there for the convention and I was there I actually jammed out with Steel Panther that weekend. Yeah we got it done – kind of impromptu but yeah I married the love of my life. [Note: Demmel recently  married Bleeding Through’s Marta Peterson.] That’s the way to do it too, there’s no planning and craziness. Anybody who I’ve known who’s gotten married and gone throw all that it seems like exhausting all the picking things and who to put at what table. You guys did it right, congratualtions. Yeah we had both been married previously and we just wanted it to be us, so we’re selfish and that’s what we did. [Laughs] Machine Head is part of the North American tour with Dethklok that was announced recently, also All That Remains and The Black Dahlia Murder. It’s starting at the end of October, what a great line-up. Are you excited about being on tour with Dethklok? Had you seen Dethklok before? You know I’ve seen bits and pieces of the cartoon and not really all too familiar with it but I know that it’s a whole different demographic that’s coming to a Machine Head show and touring with bands like All That Remains and Black Dahlia it’s such a diverse group and such a cool, eclectic bill. I’m looking forward to touring with all of the bands, I think it’ll be great. Phil, now that you’ve got the distance of a whole year since it was released what’s changed about what you like about your last record ‘Unto the Locust.’ The record is my favorite Machine Head record, I’ll revisit every once in a while and I’ll get stuck on a tune that really grabs me but the constant has been ‘Darkness Within’ we’re kind of working on doing a radio push for the song and we did a video for it – kind of a real f—ed up video, it’s only available on YouTube [ after debuting on Loudwire ]. Yeah, it’s been a year – kind of crazy but Machine Head records have that steady lock, we’re not in a rush, we milk them out as long as we can. You’ve played with Rob Flynn for something like 30 years, going back to Vio-Lence in the ’80s, what aspects of those earlier years together still come into play as the foundation of Machine Head in 2012 and beyond? I think in the previous band we played together, there was a different dynamic in the fact that, that was my band – I was the main song writer for that band and he kind of came in as this new part of that. So that dynamic has been 180 where that’s my role in Machine Head now but still kind of geeking out on guitarists and learning stuff and playing stuff together. We still have that real symmetry when we get together and our harmonies – we know when each other’s going to go somewhere and we just have that really weird connection so that’s been the constant through our playing together. We’re men now, we have children [Laughs] it’s been 25 years but that’s been the one constant. What are your preparations for such a rigorous tour schedule having been diagnosed with Cardiogenic Syncope. It’s been a while since my last episode on the road. I was dealing with the death of my father in 2007 and went on the Mayhem tour and then a tour with Hellyeah directly after that so hanging out with Vinnie Paul [Laughs] wasn’t the most sobering of tours for sure. It’s really easy to do being a touring musician, especially in a metal band, it’s around you every night, it’s easy to fall into that – just getting drunk every night and self medicating and just numbing down feelings that you should be processing at some point. We were on the Mayhem tour and I had an episode and I decided to stop drinking and that’s when all these feelings I had been numbing down, all these emotions came to me and it coincides with the condition that I have and it really affected me. I was having these pass outs sometimes half a dozen in a day, I wouldn’t tell the band about them, it happened on stage a couple times and we had to pull off the Slipknot European tour at the very end. It was just time for me to clear my had with a lot of these issues and going through depression, it was just a process I had to go through. It’s been gone through – I think in ’09 it was the last episode I had onstage. It helps being with the girl that I am who keeps me really grounded and helps me. [Laughs] The last time I saw Dethklok, you guys played that day too – Dethklok played that first Mayhem date in San Bernadino not this past Mayhem but the Mayhem before. I think it’s going to be an awesome crowd between fans of the two bands and even the openers as well. I think it’s going to be a diverse group of metal fans that are all going to be coming together. Are you looking forward to bringing in a different crowd? Absolutely, it’s the main reason Machine Head is doing this tour – all the different bands that are on here to reach the people that wouldn’t normally come to a Machine Head show. I didn’t get a chance to see them at that Mayhem date, I had my son and my now wife with me and had to drive them back home after we played. I’m looking forward to seeing those guys who are crazy good musicians and the All That Remains guys are awesome guitar players and Black Dahlia too. The musicianship on this tour is going to be crazy good. Phil, the last three albums from Machine Head have been separated by four years time, does that mean that there won’t be a new Machine Head album until 2015 or are new ideas already being developed? I think that Robb is putting some stuff together, I have a couple ideas and maybe [drummer Dave] McClain has been working on some stuff too. The reason for the last one taking so long was that we got offered all these crazy tours. We thought we were about to wind it down and then Slipknot said, “Hey come on, let’s tour the world” and then Metallica comes around and says “Hey let’s go tour all over the place” you can’t say no to the biggest metal bands in the world. We don’t know what’s going to happen, we didn’t plan it that way, we’re not planning to have that big of a space between these but if the big bands come around again and want us to go we’re definitely going to go. We have an idea to kind of fill the gap but I don’t think I can really talk about how that’s going to be but we’ve got something in the works that might fill the gap. I’m going to be as vague and vanilla as I can. There will be something coming up pretty soon that’s going to make that happen. We want to keep it fresh, we want to keep the ball rolling and all the momentum that we have with ‘Locust’ going. I don’t think it’s going to be that long in between. You guys take your time, I think that sometimes bands make a mistake of sticking to some sort of timeline and some promise of dates or whatever and I guess you can’t really control creativity or when it’s going to come or how long it’s going to take. Props to your guys for doing it on your own terms, for when you felt ready. Yeah that’s exactly how we operate too, it amazes me how these bands go “Oh yeah we’ve got like 25, 30 songs that we’ve written in six months” and it’s like oh geez – granted a Machine Head tune is sometimes between 8 to 10 minutes long but that’s just how we operate. We’re comfortable in just letting the song simmer and letting the album just kind of cook and when it’s ready then it’s time to go. It’s nice having that opportunity and luxury to do. If we didn’t have that we might be putting out less quality records in a shorter amount of time. Full Metal Jackie will welcome David Vincent of Morbid Angel on her next show. Full Metal Jackie can be heard on radio stations around the country — for a full list of stations, go to .

Machine Head to Unleash ‘Machine F—ing Head’ Live Double Album

Facebook: Machine Head There’s one chant that Machine Head fans worldwide recite when in the presence of their metal heroes — “Machine F—ing Head!” With the organically grown mantra having graced t-shirts, patches and other Machine Head paraphernalia, the motto will soon be the title of an upcoming live double-album, set for release on Nov. 13. Undoubtedly a fantastic live act, Machine Head illicit fan responses like few others can. ‘Machine F—ing Head’ is long overdue, as the band’s last live record, ‘Hellalive,’ was released nine years ago, with albums ‘Through the Ashes of Empires,’ ‘The Blackening’ and ‘Unto the Locust’ having been unleashed since ‘Hellalive’ hit stores in March 2003. ‘Machine F—ing Head’ was recorded throughout various tour stops from around the world during 2011, and will feature new and old fan favorites such as ‘Imperium,’ ‘Aesthetics of Hate,’ ‘Locust,’ ‘Ten Ton Hammer,’ ‘This is the End,’ ‘Halo’ and many more. “The Head Cases have been so intense on this tour cycle that we had to start capturing the shows, especially with technology making it so much easier to record,” says frontman Robb Flynn . “We culled some of the best nights where the band and crowd were on fire and made a bad ass, nearly tw0-hour, double live album, which is a great documentation of where the band is at 18 years deep.” Machine Head will hit the road for a North American tour alongside Dethklok , All That Remains and the Black Dahlia Murder beginning Oct. 24. in Louisville, Ky. [button href=”” title=”Machine Head: Top 21st Century Metal Songs” align=”center”] Machine Head, ‘Machine F—ing Head’ Live Album Track Listing 1. I Am Hell (Sonata in C#) 2. Be Still and Know 3. Imperium 4. Beautiful Mourning 5. The Blood, The Sweat, The Tears 6. Locust 7. This Is the End 8. Aesthetics of Hate 9. Old 10. Darkness Within 11. Bulldozer 12. Ten Ton Hammer 13. Who We Are 14. Halo 15. Davidian

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