Posts Tagged ‘tour’

Intronaut Announce North American Headlining Tour With The Ocean As Support

A day for tours? A day for tours. In our second announcement for drool-worthy tours, we are proud to bring you another bomb with Intronaut taking North America by storm with Germany’s The Ocean as support. A long and progressive tale ties the two bands, as they have collective ly played nearly 100 shows together . This tour should push them over that landmark when the bands make their way across North America hitting major cities in the US and Canada. Tour dates below! 03/15 Los Angeles, CA – The Roxy 03/16 San Diego, CA – Brick By Brick 03/17 Mesa, AZ – Nile Underground 03/18 Albuquerque, NM – Launchpad 03/19 Denver, CO – Bluebird Theatre 03/20 Lawrence, KS – Aftershock 03/21 Ft Worth, TX – Tomcats 03/22 Austin, TX – Dirty Dog 03/23 Houston, TX – Walters 03/24 Atlanta, GA – Masquerade 03/25 Tampa, FL – Orpheum 03/26 Jacksonville, FL – 1904 Music Hall 03/27 Charlotte, NC – Rabbit Hole 03/28 Washington DC – Rock And Roll Hotel 03/29 New York, NY – Marlin Room at Webster Hall 03/30 Boston, MA – Middle East 03/31 Montreal, QC – Bar Le Ritz 04/01 Toronto, ON – Lee’s Palace 04/02 Detroit, MI – Loving Touch 04/03 Chicago, IL – Reggies Rock Club 04/04 Minneapolis, MN – Skyway Theatre 04/05 Winnipeg, MB – Goodwill 04/06 Regina, SK – Exchange 04/07 Edmonton, AB – Skylite 04/08 Calgary, AB – Dickens 04/09 Vancouver, BC – Rickshaw Theatre 04/11 Seattle, WA – Crocodile 04/12 Portland, OR – Hawthorne Theatre 04/13 San Francisco, CA – Bottom Of The Hill The Ocean will be playing songs from Pelagial , Transcendental , and Precambrian , while Intronaut will be playing The Direction of Last Things in its entirety, as well as some other tasty goodies. Don’t miss this tour. Do not.

As I Lay Dying Take to the Stars With ‘No Lungs to Breathe’ Lyric Video

Metal Blade As I Lay Dying ‘s ‘No Lungs to Breathe’ single speaks to surviving amidst isolated and adverse conditions, so it makes sense that the lyric video for the song is shot against the backdrop of the stars in outer space, with a mythical winged creature holding the key to it all. Guitarist Nick Hipa created the video, which just debuted via the band’s website. In addition, Hipa’s got some wicked guitar licks rocking the song to the core. The hard-hitting and speedy rocker talks about overcoming the odds, with frontman Tim Lambesis screaming, “ With no lungs to breathe / I had almost lost everything ” in the song’s chorus. ‘No Lungs to Breathe’ arrives just as the band are heading out on the road in support of their ‘ Awakened ‘ album. The group is co-headlining the tour with The Devil Wears Prada , with support from For Today , the Color Morale and the  Chariot on select dates. To see the remaining stops, click here . The new single follows ‘ A Greater Foundation ,’ which impacted last fall. The momentum from the single and their ‘Awakened’ album led to fans voting As I Lay Dying the 2012 Metal Band of the Year in the 2012 Loudwire Music Awards. Watch As I Lay Dying’s ‘No Lungs to Breathe’ Lyric Video [button href=”http://loudwire.com/as-i-lay-dying-tim-lambesis-touring-humanitarianism-side-project-more/” title=”Next: As I Lay Dying’s Tim Lambesis Discusses Touring + Humanitarianism” align=”center”]

RED’s Anthony Armstrong Talks New Album, Winter Jam Tour + More

Essential Records RED ’s latest album ‘Release the Panic’ was recently unleashed and hit the Top 10 on the Billboard album chart in its debut week. The disc, which features the hit single ‘Perfect Life,’ marks the first time the band has worked with producer Howard Benson ( Halestorm , Papa Roach , P.O.D .). The band is also in the midst of Winter Jam Tour 2013, an annual Christian music festival featuring artists in many different genres. After that tour wraps up, they plan on embarking on a headlining run in April.  Loudwire recently caught up with RED guitarist Anthony Armstrong to discuss the album and tour, staying connected with his faith, the first time they heard a RED song played on the radio and other topics. How did the songwriting and recording process for ‘Release the Panic’ compare to previous RED albums? They are all pretty comparable. We spent about a year and a half writing this record. A lot goes into it. Picking a producer was a challenging process. Once we got that locked in, we started the pre-production process. How did you decide on working with producer Howard Benson? He wasn’t the only guy that was on our radar. We did several interviews and talked with different producers. Howard spelled it out pretty clearly for us as far as what the process would be with him. You don’t waste a lot of time with Howard. A lot of things get done. We took about 2 1/2 months to make the record and actually moved out to Los Angeles for a while to work with Howard. He made it very clear that he’s not the best at everything. That’s why he has a team of guys. He’s not the best ProTools guy, so he has the best ProTools guy in the business. He’s not the best amp engineer, but he’s got the best guy in the business. He said the process would work really well for us, and he was right. We got in the studio and it was all about the music, not wasting a lot of time on the side trying to get things worked out. If something went wrong, he had a guy there to fix it and get us ready to go. It was cool. How do you think the band’s sound evolved on this album? Each record is its own thing. You go into it wanting it to have its own identity more than anything. That’s what we wanted with this record. We didn’t want it to be another “Until We Have Faces,’ another ‘Innocence & Instinct,’ another ‘End of Silence.’ We wanted it to be its own thing, and I think we accomplished that by taking some production elements out, to try some new things. The whole idea behind making this record with Howard was to get to the point. Let’s not be so dramatic and poetic when we don’t need to be. It’s about getting to the point faster and making it memorable. Were there more electronic elements on this album? I wouldn’t say electronic. It’s mostly programming elements. You’re not hearing as many symphonic elements. You’re not hearing as much piano or strings. These things have always been in our music, you’re just hearing more of them out front more than ever. People say we’ve “gone electronic,” but we’re doing nothing different on this record as far as that is concerned. Like I said, it’s a mix thing. We just decided to bring it out and make it more prominent in the mix. You’re currently in the middle of the Winter Jam Tour. How has that been going so far? This is the fourth time we’ve gotten to do Winter Jam, and that’s definitely a highlight for us. It’s a great tour, and a great time to release a record. Playing in front of thousands of people every night is definitely going to help record sales and help generate new fans and give everybody a chance to hear the record. You have to be in people’s faces for them to get a taste of what you’re going for. Winter Jam affords us that opportunity. It’s the biggest tour in the world during the first quarter. It’s great for any band. You’ve also developed quite a production to accompany your live show. We’ve kind of painted ourselves with that brush, and it’s something we look forward to. We have created more of a theatrical element to our band. We’re big believers that there has to be a visual element to carry along with the music. We have focused on that with our live show. We’re working on our new set right now. It’s a whole new fresh look We want to show the fans what we were going for and give them something to visualize along with the new songs. When you’re playing with such a diverse linup in Winter Jam, how difficult is it to win over the crowd, many who may not be familiar with your band? It’s a challenge. There are people covering their ears, people cowering in their seats in the fetal position (laughs). They aren’t there for the hard rock element. But our meet and greet lines are wrapped around the arena. We know that there is a need and a want for this type of music. We’re here to do our thing, and I think there are a lot of kids that relate to this type of music. Winter Jam is a great place because there is every type of person that comes to this show. What do you have coming up after Winter Jam? We’re going to take 10 days off, then we start our headlining run. We’ll be doing a brand new show in support of the new record. RED appeals to many different audiences; rock, metal, Christian, secular. How do you balance all those different marketplaces? I think the balance comes from not labeling ourselves. We don’t call ourselves a Christian band. We don’t call ourselves a mainstream band. We’re just a band. People find comfort in throwing a label on a band. We just set out to play shows It’s easy for us because we know exactly what we’re there for and what we’re doing. Every band has to learn how to tour, learn how to be on the road, learn how to be professional. When you were starting out, who were some of the bands that helped you learn? I feel like we went through band boot camp. We went through a lot of growing pains on those early tours that we were on. Bands like Sevendust, Breaking Benjamin and guys like that had crews that had been on the road for 15 or 20 years who weren’t willing to put up with greenhorns. They whipped us into shape really quick. It was a matter of us staying humble. There’s a pecking order and you have to earn respect. It worked out well for us. We just kept our mouths shut and worked our butts off. If you listen and learn, your band grows. Being on the road so much, how do you stay connected to your faith? It’s difficult for anyone to be on the road, even if you’re doing devotionals and group discussions and Bible study. On Winter Jam, we have ‘Jam Church” on Sundays. On a tour with ten bands, you’d be surprised how many guys aren’t at Jam Church. You have to make the time, you have to put in the effort to stay connected. One of the things the pastor on this tour says every night to the audience is that I have this iPhone, but if I don’t plug it in, it doesn’t work. If we don’t plug our faith in, how is it going to work? How are we going to be useful in the right moment? We just have to make the time. Because the four of us are like-minded and believers, if one person isn’t motivated, the other three are and can provide encouragement and accountability. These days RED songs are on the radio all the time. Take me back to the first time you heard one of your band’s songs on the radio. We finished our first four songs. We were in Franklin, Tenn., about 10 to 12 miles away from downtown Nashville. A local rock station played what they called “the local buzz” on Sundays. We had given them our four songs. That Sunday night we got together and went up to the top of this power station on the top of a hill in Franklin to hang out. The guy on the radio said he didn’t know where these guys came from, but I think they have a bright future, and then he played our song ‘Breathe Into Me.’ I can’t tell you the feeling when he started playing it. We were so overwhelmed with excitement. We thought we had made it and were on top of the world. As young and green as we were, we didn’t realize how much work we had ahead of us. Watch RED’s ‘Perfect Life’ Video

Cradle of Filth Vocalist Dani Filth ‘Pissed Off’ About Canceled 2013 Tour

Photo Credit: James Sharrock British extreme goth band Cradle of Filth were recently forced to cancel their 2013 North American tour dates with the Faceless , Decapitated and the Agonist due to “immigration issues beyond the band’s control.” Needless to say, it was awful news for those looking forward to the powerhouse tour, but nobody took the hit harder than singer Dani Filth , who blogged about the cancellation details and the frustration that accompanied it. We spoke with Dani Filth in October 2012 about all things Cradle of Filth, and the singer was noticeably pumped when speaking of the tour, which at that point wasn’t 100-percent confirmed. Fans began to salivate when the ’28 Days Closer to Hell’ tour dates were announced, but quickly after, plans dissolved simply due to a technicality. In his new blog post , Dani Filth posted the following letter to fans: Dearest readers, The week we were due to receive our US performance visas truly was one of the worst weeks of my life, as it launched itself blazing into nightmare with the rotten news that the US tour was being cancelled. Believe you me, there is still no one more pissed off about this than me, over nothing more than a silly visa issue. Still, what can you do, the more you complain about the immigration laws, the less likely we are to get in next time we intend to tour? Unfortunately there is no way of getting around this problem, whatever anybody says and believe you me we have tried vigorously through various official channels and at some expense, it is just a hard cold fact of entry into the US at the moment. So, better that we postpone/cancel than lead people on any further in the hope that Cradle will be making at least some of these current dates, including Canada, which comes cost-wise part and parcel of touring North America as a whole. It truly is a royal nightmare, as the tour obviously took a lengthy time to route and organize, plus there are the other bands, booking agents, bus companies, local promoters, venues, venue staff and of course, our loyal fans in attendance to consider. Still, if it’s any consolation at all, it does mean that there is a distinct possibility that when the visas are eventually processed, we will be able to come back to the States on a much longer tour, seeing as there was a huge amount of people on our Facebook page complaining about the band not playing anywhere near where they lived. Believe me when I say this, we hear you, and the next tour will take all these requests into ardent consideration. So, if you want Cradle to come to your country, town or city, make your sepulchral voice heard now… Fuck it, speak to the local promoters if you have to! And if this wasn’t enough misery to unhappily digest, it was then followed by a horrid bout of flu. I had Pharyngitis, Toni had Laryngitis and the rest of the week was spent in the company of a high temperature, headache, earache, limb ache, all-else ache and a raging sore throat combination pack. On Valentine’s Day, that most romantic evening of the year, having cancelled our posh dinner and movie date, we were both rolled in as many layers of clothing as was humanly possible to keep warm in bed. And we were still shivering through fever. Now, nigh on two weeks on and the final dregs of the chest infection that came with it are still airing themselves via a hacking great cough and a sinister, sniveling cold. Anyway, I’d like to end this section of my blog by offering a massive apology to everybody that has been let down by this cancellation, especially the all-important Crewdle Of Filth, The Agonist, Decapitated and The Faceless. If there was any way we could change this, we indefatigably would. Without question. Our friends and fans are the most important thing to this band. Period. On a much lighter note, Australian dates have been added to our future touring commitments, the first time in four years that we would’ve been back to grace these fair shores, having already played ourselves silly in South America and Asia (yay!) before winging our way to the Magical land of Oz. An announcement of who will be supporting us will be made very shortly. I must say, I am really, really looking forward to these concerts, just as much as I was really really looking forward to touring the States. Keep checking back for more updates as and when they occur and fingers crossed for the reallocation of the US tour to later on in the year. Plus I will be making a few heady announcements of my own that should tantalize in the upcoming calendar months (and no, i’m not pregnant!). Cryptic I know, but definitely worth the wait. All the very breast, Dani Filth, Housebound, February 2013 E.H Cradle of Filth released their 10th studio album, ‘The Manticore and Other Horrors,’ on Halloween Eve last year. To keep up with Dani Filth’s blog posts, head over to Order of the Dragon . [button href=”http://loudwire.com/cradle-of-filth-singer-recalls-being-stalked-by-reincarnation-of-elizabeth-bathory/” title=”Dani Filth Recalls Being Stalked by ‘Reincarnation of Elizabeth Bathory'” align=”center”]

Green Day To Play Three Warm-Up Shows Prior to South by Southwest Gig

Spencer Kaufman, Loudwire Green Day just pushed up their return to the road, adding three new dates that will serve as warm-up shows for their recently announced North American stage return at South by Southwest in Austin. Earlier this week, the band revealed that they would play a set March 15 at Austin’s Moody Theater, coinciding with two of their documentaries screening as part of South By Southwest’s film festival. Now comes word that the band wants to get their chops up to snuff by playing a few shows before performing at the music showcase. The new stops will be at Pomona’s (Calif.) Fox Theater on March 10, Tempe’s Marquee on March 11 and El Paso’s Tricky Falls on March 13. Tickets for all three dates will go on sale this Friday (March 1) at 10AM local time. They join the recently announced April 16 and 18 performances at Berkeley’s Greek Theatre and Los Angeles’ Sports Arena that recently extended the tour by a week. The South by Southwest film festival will premiere the band’s ‘Broadway Idiot’ documentary, which is primarily focused on singer Billie Joe Armstrong ‘s role in the Broadway production of the band’s ‘American Idiot’ album. Also screening at the Paramount Theatre the night of March 15 will be ‘¡Cuatro!,’ a documentary on the making of Green Day’s recently released album trilogy. The new shows are now part of the band’s North American trek, which will keep them on the road through April 18 in Los Angeles. After that, the group will trek over to Milan, Italy for the start of their European tour on May 24, with shows overseas booked through July 13 in Bilbao, Spain. To see the previously announced dates, click here . Newly Announced Green Day 2013 Tour Dates: 3/10 — Pomona, Calif. — Fox Theater 3/11 — Tempe, Ariz. — The Marquee 3/13 — El Paso, Texas — Tricky Falls 4/16 — Berkeley, Calif. — Greek Theatre 4/18 — Los Angeles, Calif. — Los Angeles Sports Arena [button href=”http://loudwire.com/rock-fest-2013-must-see-rock-concerts/” title=”Next: Check Out 2013’s Must-See Rock Concerts” align=”center”]

Scott Weiland Firms Up Dates for 2013 Solo Tour

Mike Lawrie, Getty Images Scott Weiland will begin 2013 as a solo artist. The frontman, who made overtures about reuniting with Velvet Revolver last year only to have Slash publicly rebuke them and reveal that the singer had once again parted ways with Stone Temple Pilots , is hitting the road next month. According to Weiland’s Facebook page , the tour has been dubbed the “Purple at the Core” trek, signifying that the vocalist may be focusing his energies on the music from the first two Stone Temple Pilots albums. Weiland is billed on the tour image as “Scott Weiland and the Wildabouts,” with two other musicians appearing in the shot. In addition to the ‘Purple’ and ‘Core’ albums, the singer is expected to perform songs from his solo and Velvet Revolver catalogs as well. The tour gets underway March 1 in Flint, Michigan and continues through to a March 27 finale in Dallas. Tickets are currently available here . Scott Weiland’s ‘Purple at the Core’ 2013 Tour Dates 3/1 — Flint, Mich. — Machine Shop 3/2 — Traverse City, Mich. — Ground Zero 3/4 — Niagara Falls, N.Y. — Rapids Theatre 3/6 — Patchogue, N.Y. — Emporium 3/7 — Boston, Mass. — Wilbur Theatre 3/9 — New York, N.Y. — Irving Plaza 3/11 — Washington, D.C. — Howard Theatre 3/12 — New Brunswick, N.J. — State Theatre 3/14 — Bethlehem, Pa. — Sands Bethlehem Event Center 3/15 — Fort Wayne, Ind. — Piere’s 3/19 — Chicago, Ill. — House of Blues 3/20 — Cleveland, Ohio — House of Blues 3/22 — Cincinnati, Ohio — Bogarts 3/23 — Indianapolis, Ind. — Egyptian Room 3/26 — Houston, Texas — House of Blues 3/27 — Dallas, Texas — House of Blues [button href=”http://loudwire.com/scott-weiland-working-on-new-material-planning-tour/” title=”Next: Scott Weiland Working on New Material” align=”center”]

Bullet for My Valentine’s Matt Tuck on ‘Riot’ Riff: ‘It Was So Annoying That It Was Cool’

Simone Joyner, Getty Images Bullet for My Valentine are enjoying the success of their current single ‘ Riot ,’ but frontman Matt Tuck tells Loudwire that the song’s start initially struck them perhaps in the wrong way. He recalls of the track’s beginnings, “It was just that, ‘De-da-de-lada-dow-dow,’ that annoying riff that we had that was the intro of the song. It was a riff that Padge had on one of the songs he was kind of writing so we offered to finish it. It was so annoying that it was cool.” Once the band got past the initial ‘annoyance,’ Tuck says he and the group began to envision grander plans for the song. “I could just hear it being live in a big arena. I thought it would be an amazing song, so we kind of stole that riff from Padge, wrote the rest of the song musically and it was so in-your-face and direct and punk rock that it had that rebellious spirit and anarchy and punk rock, and I just thought ‘Riot’ was a perfect kind of theme for the song really,” explains the frontman. The singer says it’s been great so far hearing the “whoa-oh-oh’s” back from the audiences, as the band recently played a show in Cardiff before returning to the States. Tuck says, “I think it’s definitely going to be one of the highlights of the Bullet shows for years to come. It’s just an undeniably catchy kind of rock song. I just know it’ll go over live. The tempo’s perfect, the lyrics are nice, the melody’s cool and there’s that flashy section in the middle where you can get circle pits going. It’s kind of the perfect modern kind of metal tune in my eyes, you know what I mean? So yeah, it’s good.” Bullet for My Valentine fans will be able to hear ‘Riot’ on the band’s HardDriveLive trek with Halestorm. To see the dates for the tour, click here . And check back very shortly for our full interview with Matt Tuck. [button href=”http://loudwire.com/bullet-for-my-valentine-temper-temper-album-review/” title=”Next: Read Our Review of Bullet for My Valentine’s ‘Temper Temper’ Album” align=”center”]

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