Posts Tagged ‘space’

New Music Releases – February 2013

RCA There is some essential listening about to hit fans on February 2013, and here is a guide of the rock and metal albums you need to check out next month. Welsh metalcore giants Bullet for My Valentine are set to release their fourth studio album, ‘Temper Temper,’ on Feb. 12 … of course right in time for Valentine’s Day. The band ventured all the way to Thailand in order to track the record, purposely taking themselves out of their comfort zone for the writing and recording process. Brutal death metal legends Suffocation will bash your skull in with ‘Pinnacle of Bedlam’ in February with an album that successfully captures the heaviness of their live performance better than any of their past efforts. Maynard James Keenan ‘s Puscifer will also unveil new material in February with the collective’s next eclectic opus ‘Donkey Punch the Night.’ Other releases for Feb. 2013 include The Bronx’s ‘IV,’ Buckcherry ‘s ‘Confessions,’ Shai Hulud’s ‘Reach Beyond the Sun,’ RED ‘s ‘Release the Panic’ and many more. February 2013 Music Releases: Feb. 5: Blind Guardian, ‘A Travelers Guide to Space and Time’ (Box Set) The Bronx, ‘IV’ Deep Purple, ‘Slaves and Masters: The Deluxe Edition’ Misfits, ‘Dead Alive!’ (Live Album) Placebo, ‘Once More With Feeing: Singles 1996-2004′ RED, ‘Release the Panic’ Feb. 12: Bullet For My Valentine, ‘Temper Temper’ Pissed Jeans, ‘Honeys’ Feb. 19: Buckcherry, ‘Confessions’ Misery Index, ‘Live in Munich’ Motorhead, ‘Catch Scratch Fewer’ (Live Recordings) Portal, ‘Vexovoid’ Puscifer, ‘Donkey Punch the Night’ Shai Hulud, ‘Reach Beyond the Sun’ Suffocation, ‘Pinnacle of Bedlam’ Wednesday 13, ‘The Dixie Dead’ Feb. 26: Darkthrone, ‘The Underground Resistance’ Krokus, ‘Dirty Dynamite’ Saxon, ‘Sacrifice’ Stratovarius, ‘Nemesis’

10 Best Rage Against the Machine Songs

Sony The best Rage Against the Machine songs showcase the band's unique ability to deftly mix rap and rock to deliver music of the most powerful kind: politically charged, pointed and with a purpose. Frontman Zack de la Rocha's venom and vitriol was wrapped around a message, and he was often seen performing maniacally, with his signature dreads flailing around his head, while Tom Morello's guitar functioned like a turntable, thanks to whammy bars and wah-wahs. The rhythm section of bassist Tim Commerford and drummer Brad Wilk added some bluesy and jazzy heft. All those factors combined were what made the music so explosive and incendiary. While RATM's catalog of studio albums isn't vast by any means, the superb quality of the music the band has produced is undeniable. Here, we present our picks of the 10 Best Rage Against the Machine Songs: ? 10 'Freedom' From: 'Rage Against the Machine' (1992) ? ? 'Freedom' closes out the band's debut album, and it's full of bluesed out, groovy riffing, chippy percussion, pulsing tension, a blunt theme, pregnant pauses and false outros, a jazzy breakdown (starts at 2:09) and mostly rapped lyrical delivery. The slowly builds to a monster breakdown and the moment when Zack de la Rocha screams, “Freedom? Yeah right!,” RATM have you in their musical vice grip. It's one of the 10 Best Rage Against the Machine songs because the music is as combustible as the message. It must've sucked to have been a politician when RATM were in their prime, pointing out all that ails the government machine. Listen to 'Freedom' ? ? 9 'Testify' From: 'The Battle of Los Angeles' (1999) ? ? 'Testify' features an effects-laden performance from Tom Morello, while Zack de la Rocha is as fired up as ever. There is a lot of distortion and chaos all over the song, so much so that it might mess with your equilibrium. The song encapsulates all the elements that Rage fan have come to love: anger, groove, aggressive, turntabling guitars. It's also clearly a band favorite, since they opened several of their reunion shows with the song. Listen to 'Testify' ? ? 8 'Bombtrack' From: 'Rage Against the Machine' (1992) ? ? It could be argued that all Rage Against the Machine tracks are bombtracks, but the actual (and literal) 'Bombtrack' is another exercise in RATM's deftness with rising and falling tension, which is executed with masterful precision. On a purely sonic level, it fuses just the right amount of rap and rock. It's probably the least overly political song of the band's self-titled debut, but it's still fun to scream “Burn, burn, yes you're gonna burn” in the chorus. Fire it up. Listen to 'Bombtrack' ? ? 7 'People of the Sun' From: 'Evil Empire' (1996) ? ? 'People of the Sun' is one of the 10 Best Rage Against the Machine tracks, partly due to the story that Morello dragged a pencil and a wrench against his guitar strings in the beginning to make those definitive sounds. We can't even begin to come up with a name for that sound, but it's inimitable. The song features de la Rocha largely rapping in his clear and concise way. There were other versions of this song floating around prior to 'Evil Empire' being released, but this is the most well known and it made quite the impact. Listen to 'People of the Sun' ? ? 6 'Sleep Now in the Fire' From: 'The Battle of Los Angeles' (1999) ? ? 'Sleep Now in the Fire' addresses the plight of Native Americans in the context of American colonialism. The point is hammered home by de la Rocha's rapid-fire raps, and since his syntax and diction are always clear as a bell, it's hard (but not impossible) to ignore what he's ranting about. Morello drops a feedback-fueled solo and it again leaves us wondering if he moonlighted as DJ Tommy M during the band's heyday. Listen to 'Sleep Now in the Fire' ? ? 5 'Know Your Enemy' From: 'Rage Against the Machine' (1992) ? ? 'Know Your Enemy' opens with funkdafied riffing, before quickly escalating into a punky rock track. Some of Morello's riffage sounds influenced by Metallica in a few parts of the song. It's one of the most noteworthy RATM songs because it features a guest vocal from Tool's Maynard James Keenan, who delivers his distinct, nasally vocal over a chunky breakdown, singing “I've got no patience no / So sick of complacence now.” Two '90s alt metal titans collided in the space of one song. “Legendary” pretty much sums it up. Listen to 'Know Your Enemy' ? ? 4 'Bulls on Parade' From: 'Evil Empire' (1996) ? ? Lyrically, 'Bulls on Parade' addresses the governments usage of military contracts for revenue purposes. Musically, well, Morello whammies like his life depends on it. Then there's the solo (which comes in at the 2:30 mark), where he sounds like he is scratching vinyl, 1985 rap music style. See what we mean about Morello making his axe sound like a turntable? That sound is most prominent on 'Bulls on Parade,' and that's why it is a standout track. Listen to 'Bulls on Parade' ? ? 3 'Bullet in the Head' From: 'Rage Against the Machine' (1992) ? ? Rage Against the Machine raged against the fact that the media is controlled by the government in this fan favorite anthem, easily one of the band's best songs. 'Bullet in the Head' is erected on thudding rhythms, rising and falling tension throughout the song and more of Morello's whammy barring away. It sounds like he is playing a sampler onstage. In 1992, that was unheard of. Take that, Electonic Dance Music fans! The groove-laden breakdown at three minutes in a moshpit igniter. De la Rocha also gets credit for screaming “a bullet in your f—ing head” with such fervor that our blood pressure went up a few notches. Listen to 'Bullet in the Head' ? ? 2 'Guerilla Radio' From: 'The Battle of Los Angeles' (1999) ? ? 'Guerilla Radio,' which earned the band a Grammy for Best Hard Rock Performance, is more polished than anything on their debut, but it's still frontloaded with chaos, wah-wahs, some '70s bass thwap courtesy of Commerford and Morello's “spinning.” When Zack de la Rocha barks, “Turn that s— up,” the listener is compelled to follow his orders…stat. And damn if Morello's riffing doesn't sound like a MacBook at 2:30 in. He was so ahead of his time and ahead of the curve. Listen to 'Guerilla Radio' ? ? 1 'Killing in the Name' From: 'Rage Against the Machine' (1992) ? ? 'Killing in the Name' is the most explosive RATM song. It's funky, bass-driven opening, it's subsequent build up of tension throughout the verses and choruses, de la Rocha's repeated whispering, “Now you do what they told ya” to Morello's wailing during the 'F— you I won't do what you tell me' crescendo embodies everything that RATM were about. It's not pretty, the music blows up in your face like a nailbomb and makes you stare down things that are difficult. You don't need to see it live to know de la Rocha's veins in his temples are bulging when he spews those lyrics best accompanied by a middle finger salute. That's why 'Killing in the Name' tops our list of the best Rage Against the Machine songs. Listen to 'Killing in the Name' ? ? Favorite Rage Against the Machine Song? Now that you've gone through and combed our 10 Best Rage Against the Machine Songs list, how about you tell us your thoughts. Agree? Disagree? Is there anything we left off, of which you feel you can argue a strong case for inclusion? Let us know in the comments section below: ?

GWAR Terrorize Suburbia in Hilarious Trick-or-Treating Adventure

Fuse TV Intergalactic metallers GWAR provide planet Earth with a number of generous contributions, and although the band tends to hate the human race, they certainly provide us with an entertaining alternative to our typically mundane existence. Along with amusing us with their music and iconic stage show, GWAR have created another must see piece of amusement, as the band recently documented pre-Halloween round of trick-or-treating. Unaccustomed to many Earthly traditions, GWAR chose to give trick-or-treating a shot for the very first time, bringing Fuse TV along with them to film the occasion. Although GWAR were grossly misinformed of when trick-or-treating is socially acceptable, the space monsters went door to door in the beautiful suburbs of New Jersey. GWAR front-thing Oderus Urungus didn’t really wear a costume for the occasion, instead choosing to cover himself in colorful boas and a giant Barack Obama cutout mounted on his battle armor. Bassist Beefcake the Mighty donned a pink tutu for his costume, as new GWAR shredder Pustulus Maximus bought himself a giant cowboy hat for his first Halloween on Earth. Needless to say, hilarity ensues as GWAR proceed to pillage the neighborhood in search of tasty treats. To watch GWAR terrorize families, insult helpless suburbanites, run from their banana-people foes and collect a heroic amount of candy, check out the video below! GWAR Go Trick-or-Treating in Suburbia [via Fuse TV] [button href=”http://loudwire.com/gwars-oderus-urungus-pustulus-maximus-talk-writing-new-music-2012-election-more/” title=”Next: Loudwire Talks To GWAR’s Oderus Urungus and Pustulus Maximus” align=”center”]

‘Down IV, Part 1 – The Purple EP’ – Review

Down Records/Independent Label Group Six songs from Down  are better than a full album of tunes from many other bands. The title of the band’s new EP, ‘Down IV, Part 1 – The Purple EP,’ is incredibly long for an extended play, but it’s what’s on the inside that counts.The quintet makes efficient use of the space they’re working with and not a second is wasted. The EP is like a high quality, low-calorie meal. It fills you up, sustains you, gives you energy and makes you feel good, but with none of these excess pounds or throwaway fillers. Of course, it leaves you wanting more, because Down are that good, but you’re not starved. You’re satisfied. Singer Philip Anselmo is in as good of shape vocally as he has been in years. His low rumble hasn’t sounded this healthy or this commanding since the Pantera days. ‘Levitation’ roars with a moshable groove and guitar-tistry. It’s eerie and by the time Anselmo shows up to partner up with the equally dominant riffery, you’re consciousness will be elevated to a higher state. ‘Witchtripper’ positions itself as a modern anthem, opening with a short squall of feedback before pounding your skull into a fine dust with its rhythmic roar. Close your eyes for a minute and you’ll swear parts of Anselmo’s delivery sound like a young, robust Ozzy Osbourne . Even with its heft and its girth, the song’s melodic bluster makes it catchier than germs on a packed subway car. Anselmo provides the rumble of thunder over the bottom-feeding riffs on ‘Open Coffins,’ as well. ‘The Curse Is a Lie’ is a doomy, sonic sign of the apocalypse, and it boasts equally swamp-dwelling guitar sludge that was reared deep in the NoLA bayou. The ominous, lower-than-low tones are heavier than the atomic weight of lead. ‘This Work Is Timeless’ is a little faster and a little chunkier than the songs that come before it, but it’s just as thick and heady. ‘Misfortune Teller’ closes the EP and it packs the most potent groove of the bunch, and on an EP laden with potent grooves, that’s really saying something. Overall, Down make no effort to hide their Black Sabbath worship on these six meaty, muscular songs. But this EP is by no mans paying homage. Down soak their riffage in a metallic gumbo found only in NoLA, and it’s uniquely their own. But Down aren’t all bones and braun. This EP is the work of true metal artisans who aren’t afraid to be unpolished and dirty. What’s more metal than that? [button href=”http://loudwire.com/down-iv-part-1-the-purple-ep-prize-pack/” title=”Enter for a Chance to Win a ‘Down IV, Part 1’ Prize Pack” align=”center”]