Posts Tagged ‘country’

Hatebreed’s Jamey Jasta on the Evolution of Metal, ‘The Divinity of Purpose’ + More

Liz Ramanand, Loudwire Hatebreed frontman Jamey Jasta was the guest on Full Metal Jackie’s radio show this past weekend. Jasta spoke about the band’s upcoming album ‘The Divinity of Purpose,’ as well as his thoughts on how the metal scene has changed since the beginning of his music career with Hatebreed and much more. Read Full Metal Jackie’s interview with Jamey Jasta below: Jamey, you’re very much a student and fan of the evolution of Metal. What have you noticed that you like about the direction metal has taken since the last two Hatebreed albums were released in 2009 and how did that come into play while making this new album? I just like that there’s been more unity kind of how it was back when we started. I think it’s really important that metal and hardcore and punk should be inclusionary and it shouldn’t exclude people – it doesn’t matter, your religion, your race, how much money your parent make or how much money you make at your job. It really should be about bringing people together and that’s how it was when we started. We toured in 1998 with Entombed and in 1999 we toured with Motorhead and Dropkick Murphy’s and in 2000 we toured with Sepultura and bands like Soulfly and Danzig. We always try to bring different music scenes together. I think through the last five or six years as the Myspace fans exploded and as the internet and YouTube got really big I think it’s been more exclusionary. Certain bands only stick together and certain fans only want to see certain types of bands – especially the kind of more scenester bands. They all stick together and stay together and that’s fine but the fans in the last two, three years – since we’ve done the world tour with Machine Head and since we did a lot of Metal festivals in Europe and different festivals in the states like Mayhem Fest, which was a really nice eclectic bill – I think it started to change back to how it was in the late ‘90s where we would play with Six Feet Under or we would play with Anthrax, we’d play with Cannibal Corpse which we brought that back in 2009. We had us and Cannibal Corpse and Unearth on the same bill but now we’re taking out Shadows Fall and Dying Fetus again. We hadn’t taken out Shadows Fall since ’03 or ’04 we took out Dying Fetus in ’09 with Chimara and that was great. I just really want to promote unity and make sure that just because there’s some haters on the Internet that only want to see death metal bands with death metal bands or punk bands with punk bands, we shouldn’t listen to them, they’re trying tor divide us and we don’t want that. We want unity and abundance is key, we want the shows to be bigger and better. Hatebreed’s lineup has been extremely stable over the last four years, what have Chris [Beattie], Matt [Byrne], Wayne [Lozinak] and Frank [Novinec] brought to ‘The Divinty of Purpose’ that makes it classic Hatebreed? I just think having the good studio environment and having the good environment on the road has made it easier for everybody to be creative and just do better. When you feel better you do better, and luckily we’ve been on an upswing. And there’s been a resurgence with the band and we have been able to do a little bit less touring and have a little less of a grinding schedule which I think has made everybody happy and more focused on the creative process and on the performance. When Wayne came in and did this record and when he did the last record, too, it was a very good working environment and he picked up all the material very quickly and his performances were spot on. He works great with Zeuss and Josh [Wilbur] and all the great ideas Chris brought the table in the pre-production process and all my riffs that I brought to the table he picked up on very quickly. The same thing goes for Matt and Frank, just touring everybody gets along great and it’s just been a really good working environment. At the end of the day a lot of fans might not understand that it is a job, it is our career, touring, recording, being a fulltime musician and just like a regular job it can be a little bit of a grind. We’ve tried to keep it from becoming that and the last couple years has been really good for that, just being a good work environment and having fun. Jamey, what can you tell us about the song ‘Dead Man Breathing’? I’m just so happy that you’re premiering this song because it’s become one of my favorite tracks from the album. It’s definitely one of the more metallic songs and it’s just hard and heavy but it almost sounds like a new band to us. This was one of the songs that I guess created the bidding war and the stir in the industry when we were unsigned and it really helped us get our deal. A lot of people enjoyed the direction we were going in. The song is loosely based on how as a society we’ve become over medicated and we’re always trying to treat the symptom and not ever come up with a cure. The song says, “I don’t want to be another dead man breathing,” the lyrics are open to everybody’s interpretation but for me it goes a little deeper, from having faced certain addictions in my life. I hope everybody enjoys it, check it out. What’s the single most defining element of Hatebreed that absolutely had to be on ‘The Divinity of Purpose’? The lyrics just had to have a real impact, I think I didn’t focus enough on the lyrics on the last album, that I didn’t have a recurring theme throughout the whole album and I just needed to go back and spark a new thought within myself and hopefully within the listener. This is a band that all over the world, thousands and thousands of people have our lyrics tattooed on them. Although we had some bright moments on the last record like ‘In Ashes They Shall Reap’ and maybe a song like ‘Become the Fuse’ on this record, I wanted every song to have at least a big line or a big lyric that someone could really relate to. And because the title is ‘The Divinity of Purpose’ I really feel like that sparks a new thought within the listener. Maybe it would make someone say, “What is my purpose in life?,” and for me my purpose in life changed, for many years it was my daughter, for my teenage years it was music and now as an adult it has gone back to being music. Hope this record is like a compass where it could point someone in a new direction, whether it’s a direction of thought or an actual action – I don’t know, that’s up to the listener. As long as it’s inspiring which I feel it is then I feel like it’s a little bit more than moshing and headbanging and whatever else. If someone just likes the riffs and the tunes that’s great too, I feel like we really brought that back even harder than ever so that’s also a very defining part of the whole record. Hatebreed really put Conneticut and Southern New England on the metal map. When were you first aware that every step you took with Hatebreed was also a step toward making the regional metal scene bigger? I think I most realized it when I started hosting ‘Headbangers Ball’ and we started doing shows with some of the new wave of American metal bands. To me, Hatebreed was already a very big band, we had already crossed over and done big tours with Slayer and had gained this worldwide notoriety with ‘Perserverance.’ I always thought, “Oh I should have a backup plan” because music at that time was – downloading was huge and I didn’t know if music was definitely going to be my career and I thought “Maybe I’ll go into TV.” When I started hosting ‘Headbangers’ and I started to see this huge ground swell with the music I remember it was Stillborn Fest of ’03 and Killswitch Engage supported us and the whole place was signing along and I was like, “Man these guys are going to be huge,” and then it really started to bubble up with Shadows Fall and Unearth. The rest of the country started to react with Lamb of God and Chimara and on the West Coast with bands like Bleeding Through, Atreyu and Avenged Sevenfold and bands we were giving a lot of airplay on ‘Headbangers.’ It really started making me think, “We really got to take this seriously” and that music can be this huge thing, bigger than we all expected it to be and that’s why we followed up quickly with ‘The Rise of Brutality” and we had this big resurgence in 2006 with ‘Supremacy’ and getting the Ozzfest main stage and since then. The fans have been so supportive of us and a lot of bands from New England and it’s a great thing to see because we always felt like it was going to be a big thing but I didn’t thing we knew it was going to be this big. Full Metal Jackie will welcome former Metallica bassist Jason Newsted to her program this coming weekend. She can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .

As I Lay Dying Singer Tim Lambesis Talks Touring, Humanitarianism, Side Project + More

Liz Ramanand, Loudwire Tim Lambesis of As I Lay Dying was the guest on Full Metal Jackie’s radio show this past weekend. Lambesis spoke about the band’s upcoming co-headlining tour with The Devil Wears Prada, as well as plans for the release of his own side project and much more. Read Full Metal Jackie’s interview with Tim Lambesis below: ‘Awakened’ came out back in September and it’s pretty much a two year period between As I Lay Dying albums but you’ve already come up with an idea or two for what comes next. When does it hit you that you’re consciously starting to think about the next album? Usually we tour the main touring places and when we start to overlap and play the same city twice on one album then we realize “Okay we should problem do a new album before we go back out on tour.” So believe it or not it’s the touring cycle that determines when we need a new album. Tim, you’re pretty well known for your humanitarianism. Does it provide you with a source of lyrical inspiration? Yes, it’s definitely a part of my life for me, my kids are adopted and I’ve visited their country – they’re from Ethiopia and that was eye opening to what the world is really like, at least a third of the world. I think that just influences my entire world view even if I’m not necessarily writing a song about humanitarian work, I’m writing a song about what truly makes us happy in life and those types of think that have been influenced by my experiences. You’re going to be co-headlining with The Devil Wears Prada through the beginning of April and touring is a unique means of seeing the world. Where is the place you always make a point of visiting if you’re in the area on tour? For me, I always try to find good food. One of the hardest tours to do is actually arena tours because it’s in the middle of nowhere since many arenas are outside the cities. For a band like us we usually play in clubs or theaters right in the middle of downtown for the most part. We typically just walk around – and I eat like six meals a day so I got to find a few good meals. You definitely must have some sort of workout regime as well, I got to imagine. You’re pretty buff. Yeah that’s why I eat six meals a day, I got to keep my body fueled. It’s pretty tough – I’m a naturally very thin person so I have the opposite problem of most people, I try to put on weight. I think it was like a progression, when we first met you were really skinny and as the years have gone on you’ve definitely had this huge build. Is it something like one day you were just like, “I want to start working out more.” How did that come about? Yeah it’s funny because I saw a lot of my peers past their prime, so to speak, where they were starting to get older and starting to show and they weren’t quite putting on the same stage show. One day I was like “Well all of our peers seem to be trailing off and I want to be the band that keeps getting better with age” of course as the frontman that means I need to be in the best shape of my life. It kind of went a little overboard but I feel like I’m in the best shape of my life. Tim, last month you performed with Suicide Silence at a show that was a tribute to Mitch [Lucker], their singer who died unexpectedly in November. Like Mitch, you’re a singer and a father, what went through your head when you played that show? It was definitely an emotional show, everybody was pretty choked up. We showed a video clip of Mitch growing up and his family was there. It was really tough, I think for me seeing his parents was probably the most emotional event of the night. Beyond the tour with The Devil Wears Prada, what can we expect from the band this year? Well after that tour, we’re going to hit a few places internationally that we skipped over. This isn’t necessarily from the band but I have a little side project in the works that I want to release sometime next there is a slight break in the As I Lay Dying schedule – something more on the death metal, extreme end of the spectrum. We recorded a few songs and hopefully that will be out by the summer time. Full Metal Jackie will welcome Hatebreed frontman Jamey Jasta to her program this coming weekend. She can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .

The Sword’s Kyle Shutt Discusses ‘Apocryphon,’ New Drummer, Texas Roots + More

Photo Credit: Sandy Carson The  Sword guitarist Kyle Shutt was the guest on Full Metal Jackie’s radio show this past weekend. Shutt spoke about the band’s latest album ‘Apocryphon,’ their new drummer Jimmy Vela and what it is about being from Texas that influences their sound. Read Full Metal Jackie’s interview with Kyle Shutt below: Congratulations on another great record, ‘Apocryphon.’ Thank you, it took a long time, sitting around waiting for it to come out. I’m glad it’s finally out and we’re out on the road supporting it. It’s good times. It’s stressful right, when you have this record and you know there are some people that have it. Isn’t it like a freaky, scary time where you’re like ‘Is it going to leak? When is it going to leak?’ and you just want it to be out there and done. Yeah, that’s right. Everything’s going to leak eventually but it was about a week before when we saw some evidence of it leaking so we did a good job, keeping it under wraps. Obviously, a lot had happened since the last time I saw you guys. You have a new member in the band. Yeah we’ve had two drummers since you last saw us but this guy, Jimmy Vela, he’s great. He fit right in with the band, honestly it feel like he’s been in it the whole time – I wish he had been, but that’s okay. [Laughs] Tell us what it’s been like touring with your new drummer. We did some tours with him before we made the album, one with the Kyuss Lives! thing that they did, we did a whole North American tour and it was good. When we started writing songs in January, we got about six of them written in a month. It just started flowing out and he fell right in line with our style of music and he plays with a little more finesse than Trivett [Wingo] did. It was fun just playing off each other and writing new songs. Unlike the last album, the new one ‘Apocryphon’ isn’t a concept album. Musically, these songs aren’t so much about precision either. Was that a conscious decision to cleanse the musical pallet so to speak or was it just naturally distancing yourselves from the previous album cycle? No, honestly we just write ten songs at a time and the only reason the last album was a concept album was because J.D. [Cronise] had written this awesome story and it just felt appropriate to apply it to the songs we had written. These are just the next ten songs we’ve written and we’re moving on, we’re not going to try to rehash old stuff – just shake it up and be original and try to write some great music. It’s not uncommon for bands to alternate setlists but on this tour, you’ve got several – seven I think is what I read. What is the purpose of having that many options? We kind of just shake it up every night so you don’t get board. I’ve seen bands go on an eight week tour and play the exact same set every night. It’s not that ours is wildly different every night but we try to throw in some different songs here and there just to keep things fresh. Sometimes people will drive from show to show so you don’t want to disappoint them, you know they see you four times and it’s all the same set. You guys are from Texas, what about coming from that part of the country affects your approach to metal the most both as players and as fans? Really, I think we have this funky rhythm section that a lot of people when they play metal it’s just a straight forward four-four thing just trying to be as relentless as possible but we just try to be as funky as we can so people can dance to our music. I think that’s what sets us apart from a lot of the things like that – being from Texas, too, you got bands like Pantera and ZZ Top and all kinds of funky, rock and roll music, it’s just in our blood down there. [Laughs] What can we expect from 2013? We’re going to be on the road forever on this one. We’ll be everywhere twice. So just hang tight people: if we haven’t been there yet, we’ll make an appearance very shortly I promise. Full Metal Jackie will welcome As I Lay Dying frontman Tim Lambesis to her program this coming weekend. She can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .

Nonpoint Unveil 2013 Tour Dates With Candlelight Red and Digital Summer

Liz Ramanand, Loudwire Nonpoint recently wrapped up a U.S. tour with Taproot, but they’ve just announced a 2013 winter trek with support from Candlelight Red and Digital Summer . Nonpoint are hitting their road in support of their self-titled seventh studio album. Their lead single off the record, ‘Left For You’ continues to heat up radio charts since its release earlier this year. Candlelight Red are headed out to promote their ‘Demons’ EP, which was produced by Sevendust drummer Morgan Rose . Digital Summer are no strangers to touring with Nonpoint since they also served as support on their 2012 tour with Taproot. They are also touring in support of their album ‘Breaking Point.’ The band’s track ‘Forget You’ features another Sevendust member, guitarist Clint Lowery . The tour kicks off on Jan 18 in Illinois and wraps up Feb. 17 in Georgia. Nonpoint also have a one off date with P.O.D. on March 13 in Augusta, Ga. Check out the full list of cities and dates below. Nonpoint 2013 Tour Dates W/Candlelight Red and Digital Summer: 1/18 — St Charles, Ill. River –Rock House 1/19 — Rochester, Minn. — The Wicked Moose 1/20 — Fargo, N.D. — House Of Rock 2 The Hub 1/22 — Minot, N.D. — Original bar & Nightclub 1/23 — Mandan N.D. — O.N.E 1/24 — Casper, Wy. — The Place 1/25 — Denver, Colo. — Marquis Theater 1/26 — Colorado Springs, Colo. — The Black Sheep 1/27 — Cheyenne, Wy. — Atlas Theater 1/28 — Grand Junction, Colo. — Mesa Theater and Club 1/29 — Salt Lake City, Utah — In The Venue 1/30 — Billings, Mo. Manny’s 1/31 — Missoula, Mo. The Palace Lounge 2/1 — Boise, Idaho — Knitting Factory 2/2 — Spokane, Wash. — Knitting Factory 2/3 — Seattle, Wash. — El Corazon 2/5 — Sacramento, Calif. — Ace Of Spades 2/6 — Reno, Nev. — Knitting Factory 2/8 — Las Vegas, Nev. — Vinyl @ The Hard Rock Hotel 2/9 — West Hollywood, Calif. The Roxy Theater 2/10 — Scottsdale, Ariz. — Pub Rock Live 2/11 — El Paso, Texas — Tricky Falls 2/12 — Abilene, Texas — The Lucky Mule 2/13 — Denton, Texas — Rocking Rodeo 2/15 — Shreveport, La. — The Riverside 2/16 — Destin, Fla. — Club LA 2/17 — Savannah, Ga. — Wild Wing Cafe Nonpoint With P.O.D.: 3/13 — Augusta, Ga. — The Country Club Dance Hall [button href=”http://loudwire.com/nonpoint-taproot-new-york-concert/” title=”Check Out Photos of Nonpoint Performing in New York City” align=”center”]

Daily Reload: Lostprophets, Soundgarden + More

Simone Joyner, Getty Images – Lostprophets singer Ian Watkins has been arrested on charges of some very heinous crimes. [ Loudwire ] – Dave Grohl has taken a shine to this directing thing, as he’s stepped behind the lens to film Soundgarden ‘s ‘By Crooked Steps’ clip. [ Loudwire ] – Flyleaf and Drowning Pool , both showing off new singers, will team up for a North American trek next year. [ Loudwire ] – Deuce provides a little cheer with new digital holiday cards. [ Loudwire ] – Twisted Sister ‘s Dee Snider will be roasted by the likes of Zakk Wylde and Scott Ian at the 2nd Annual ‘Rock & Roll Roast.’ [ Loudwire ] – Foster the People ‘s ‘Pumped Up Kicks’ has been pulled from rotation by a Los Angeles station in the wake of the Newtown, Conn. tragedy. [ Diffuser.fm ] – Former Ween member Aaron Freeman has apparently announced plans to undergo a sex change. [ Diffuser.fm ] – Bruce Springsteen , the Who and the Rolling Stones head up the new ’12-12-12: The Concert for Sandy Relief’ benefit compilation. [ Ultimate Classic Rock ] – Ted Nugent ‘s ‘Gun Country’ special will not be turned into a series for Discovery Channel. [ Ultimate Classic Rock ]

Machine Head’s Robb Flynn Talks Hernia Surgery, New Live Album + 2013 Plans

Liz Ramanand, Loudwire Machine Head  frontman  Robb Flynn  was the guest on Full Metal Jackie’s radio show this past weekend. Flynn spoke all about his hardships and fears with his hernia surgery as well as how going through that experience may impact future material for Machine Head. Flynn also spoke in depth about recording the band’s new live album ‘Machine F—ing Head.’ Read the full interview with Robb Flynn below: How are you feeling, sir? I’m doing alright, could be better, could be worse. You obviously had to drop off the Dethklok tour for some surgery and pretty amazing that you jumped back on so quickly. Thank you, we took nine shows off – I had an emergency, double hernia sugery. About a year ago I got a hernia and it was right before we started touring for ‘Locust’ and I went in to get it fixed and the doctor was like, “Well you’re not going to be able to sing for a couple of months,” and I was like, “Well I’m going on tour next week so that’s not going to work.” So he was like, “You know what if it’s not hurting that bad, basically it’s your intestines are poking out, you just push them all back in” and I was like “Oh, okay” [Laughs] so I did that and it didn’t really hurt that much. About three months ago I don’t know what I did but I got a second one in my nuts and basically my guts would drop into my nuts and that was a little more painful – having to push those back in, it was a little more complicated. I was touring and I just kept on touring and then we had a break and then we went back out on this thing and I figured, “Hey I’ve been on tour already with both of these things it should be fine.” I had already scheduled a surgery for January and about halfway through the tour – this whole tour has just been nuts it was like the f—ing hurricane and getting banned [by Disney] and the hernias and the bus breaking down [laughs] it’s just like Jesus Christ. The three shows leading up to Minneapolis it was pretty brutal after every show and then the day off — I couldn’t sit, I couldn’t stand and I was like “Alright guys” I pulled everybody in my room and I’m like “This is it, I’ve been doing this for a year and a half, my body’s having a mutiny on me here.” They were cool and we just shot for Portland and here I am and it’s been going good. I thought I would take it easy, I told myself when I started going back out, “Okay take it easy, you’re going to take it easy now” and I don’t know how to take it easy. I get up there and do my thing and pay the price after if I have to. Documenting the sugery as a series of video diaries is pretty revealing. Was that about creating a greater bond with fans or more for you to see yourself throughout the whole process? I mean at first it was just kind of a goof [laughs] like I want to see what I look like coming out of all this great anesthesia and all the great drugs they’ve got me on. I don’t know I guess I was a little nervous and I just wanted to film it – I don’t know it sucks, the whole thing sucks, I’m dropping off, missing a bunch of shows, a bunch of people were bummed. I just thought maybe show people what I’m going through and share this thing – lots of dudes are like “I’m f—ing invincible” even if that’s how I feel sometimes that isn’t the way life goes and it was cool to share it. People were stoked about it like, “Wow man that’s a pretty brutal thing to show” and it was pretty f—ing brutal those first couple of days. I had to have Pando, my merch guy – he was with me the whole time, lifting my legs into beg, it took me about a minute to stand and a minute to sit down or lay down. I just felt like doing it and even for my own posterity just to see this moment in my life and I guess I thought I might die or something under the anesthesia. My goddamn wife planted all these stories in my head and I was like, “Jesus Christ, stop telling me all this crap” and so I was like, “Maybe if this is the last time, f— it there it is.” It’s like this morbid thing going through my head but that’s just how my brain was thinking at the time. What part of the surgical process will most likely become lyrics or somehow influence Machine Head music? Thinking about almost dying maybe? Yeah maybe, something like that – I was going to say writing a song about a hernia would be super lame. [Laughs] I don’t know yeah, maybe the thoughts about dying. What was pretty cool when I went into the actual surgery room – my wife watches a bunch of shows like ‘Grey’s Anatomy,’ and all the hospital shows, all the emergency room shows and I’m expecting it to be this f—ing totally dimly lit like, “Pass me the scalpel now! Stat.” I walk in and it’s this super brightly lit room and everyone’s like “Oh hey, how you doing?” And I’m like, “This isn’t like f—ing ‘Grey’s Anatomy’ what the f—?” [Laughs] I want to talk a little bit about the new live record ‘Maching F—ing Head’ Live. The album just came out, what do you like best about how you’ve evolved as a live band compared to what the ‘Hellalive’ album represented back in 2003? I think that the coolest thing about the live record for me, is that the ‘Hellalive’ documented up to ‘Supercharge’ where we were at in 2001/2002 and this is documenting up to where we are now –so the three records after that ‘Through the Ashes,’ ‘Blackening,’ ‘Unto the Locust.’ For me as I was going through the tracks and getting ready to mix them and we’re picking from all these different cities and countries and just listening to the fans, man The fans and the sing a longs and just chanting Machine Effin’ Head every three or four minutes and going on for a minute or so – it was amazing. When we started mixing it, we started listening to a lot of live records and a lot of live records now are like crappy studio records with a little bit of crowd here and there. There are screw ups on it, you can tell when the city changes and my voice is cracking here and there. There was a night where we were on fire and you’re going to miss a note here and there. Ultimately, as I started mixing it – I was just like the crowd needs to be louder I was telling the engineer the whole time “Dude, turn it up” and he’s like, “It’s making everything go out of phase” and I’m like “I don’t care.” We’re not the stars of this album, the fans, the head cases, those are the stars of this record. Listening to it, I got goosebumps – just listening to some of the live tracks it’s awesome. It’s amazing to walk out there and see those people lost their minds like they do. The head cases are intense. Robb, putting together the new live album for you, what was the biggest challenge when it came to differentiating between multiple recordings of the same song from an entire tour? My two criteria were if the band played it good [laughs], you know if we didn’t suck that night and sometimes you just hear something – there’s just a vibe, we’re playing with more power, if the drums are hitting harder, if there’s more spit going into the mic and the guitars are locked in tighter. Sometimes you just found a show where that happened a lot and then also how the crowd was, if the crowd was singing along, if the crowd was kind of quiet. We weren’t going to do something corny like fly in a crowd – we wanted the crowd to be the crowd from the shows. So those were the two things, a lot of times it was the band was on fire and the crowd was on fire too and it was almost like you could hear them feeding off of each other like they’re getting more pissed, we’re getting more pissed. It was just that back and forth and that was amazing to stumble upon when you finally find like “Oh s—t listen to that, that’s killer, that’s it” and you know it in a second. What can we expect after this current tour, going into 2013? You guys are done touring for the year – I hope you guys get a break. Yeah, for this year we got some stuff coming up and next year, we’re going out in March and April. It looks like we’re going to be doing some stuff in the summer, more touring. We’re going to start writing though in the beginning of the year or at the end of this year we’ll start writing. Do you think there will be a new record out next year? I don’t know if it’s going to happen next year, I’d love for it to happen next year – maybe some songs though. We might throw out maybe three or four new songs on an EP or on iTunes or do something where we just put up a song a month, maybe even just on the Internet or something. Who knows, just give fans something, I don’t necessarily think it needs to be a record that comes out. It can be new stuff that gets people talking and gets people excited and just put something out. Even for us, when we did ‘Through the Ashes of Empires,’ we put it out and it came out in Europe first and then when it came out in America six months later the label asked us, “Hey can you write another song to give people an incentive to buy it,” because if they’ve already bought the import from Europe which a lot of people had in America. It kind of lit a fire under us, we had to push, we had to put a new song together really quick. Just having that pressure in many ways made people stoked because they like the new song after something they had already heard for six months. It almost laid the foundation for the direction of ‘The Blackening’ and how it was going to go. I love the idea of doing something now and putting it out in April or May right before a summer tour and see how that inspiration takes us into the next record. I don’t know if it’s going to happen but that’s where my head’s at right now, that’s what I’d love to see happen. Full Metal Jackie will welcome Anders Friden of In Flames to her program this coming weekend. She can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .

Lamb of God’s Chris Adler Talks Touring, Awaiting Randy Blythe’s Trial, Future Music + More

Mary Ouellette, SheWillShootYou.com Lamb of God drummer Chris Adler was the guest on Full Metal Jackie’s radio show this past weekend. Adler spoke all about Lamb of God’s current trek with In Flames, Hatebreed and Sylosis as well as awaiting the trial in Prague for frontman Randy Blythe . Adler also spoke of the brotherhood of Lamb of God and the band’s future music. Read the full interview with Chris Adler below: I had the chance to see you guys at the start of this tour, happy to have you guys back and finally doing a tour for ‘Resolution.’ Yeah it feels good, we did a pre-release week of small shows in January and then the plan was to do the longer summer tour but things got derailed a little bit but we’re very happy to get on the road here and work the new record. Has the chain of events from the last few months created a frustration that’s resulting now in greater aggression onstage? I think we’ve come to a point where we’ve realized how fragile, what we do is. Not that we were taking any of it for granted before but it does become a bit routine after 16, 17 years of playing these shows. To have something like this happen you get shocked by it and it definitely was a wakeup call to us all – especially for this tour because with the situation not resolved and Randy [Blythe] having to go back to trial sometime next year, they said somewhere between January and April so we can’t make any plans after this tour. Right now we’re looking at every night as the first and last so it’s really exciting and putting a lot more positive energy into the show. Before you get on tour and you start to turn gray and drink too much and everybody is sleeping all day and now everybody’s up and laughing and we’re having a good time and getting along. The shows have been really good and very energetic. In what ways has the situation in Prague change your appreciation for each other as band mates and also individuals? Yeah I think we’ve all come through some periods with the band that not a lot of bands are able to get through. Obviously we start as friends and things go awry and end up in fist fights and people leave and somehow we made it through that – knowing that together we are much greater than the individual parts. It’s taken a long time but I think we’ve come to the conclusion that we do have a lot of respect for each other and what we’re able to do together. Having this situation go down and having to lose a family member – to us the band is family so to have this happen was just shocking. We’ve all come together as much as we can to support Randy and try to do the right thing. It’s a complicated situation but we’re certainly hoping for the best. Randy has stated that he’ll return to the Czech Republic to stand trial, if necessary. Should that happen what’s the Lamb of God contingency plan for the down time while he’s in Prague? Right now we’re being told that the trial will be between January and April so we can’t really make any plans, we can’t tour. What we may do is begin some sort of preliminary writing process and hopefully the result that we’re hoping for this trial, we’re able to get back out on the road. I think the plan is assuming all is going to go well – which may not be the case but we certainly hope it is – we’re going to do two more world tours on ‘Resolution’ so the idea would really be to go into about the middle of 2014 on this record and then begin writing. If we can get a head start on that – that would be great. All summer long, we spent at home and I was lucky to spend the time with my daughter and wife but I know that Willie [Adler] and Mark [Morton] have already spent some time writing some new material and Randy while he was doing nothing but time, writing some stuff. I think we’ve got the element there to begin this creative process I’m just not sure how quickly we’ll be able to get to it. Do you think there’s going to be any kind of a different direction of the music being as what has happened or in terms of anything that you’ve heard or lyrics of anything that you’ve seen? As you mentioned earlier there certainly is a continuing sense of frustration about this scenario and what happened and obviously the important part of this is that somebody lost their life and we’re not going to glance over that we have to try and do the right thing – so in that there are certainly a lot of deep thoughts on what we do and how we do it and what it is we’re doing with this music. I think what it has in what I’ve heard from the guys and what Randy has explained to me in his time there – I think it is going to be a bit darker. I think it is going to go in some directions that maybe a band like us, at this point – maybe we just kind of lighten up and in the distance rest on our laurels kind of thing but I think this particular circumstance is going to push us even further in a dark direction. Full Metal Jackie will welcome Robb Flynn of Machine Head to her program this coming weekend. She can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .