Posts Tagged ‘signature’

Maynard James Keenan Goes In-Depth About Upcoming Puscifer EP ‘Donkey Punch the Night’

Puscifer Entertainment When listing the musical projects of Maynard James Keenan , the order almost universally is presented as: Tool , A Perfect Circle , Puscifer . Although sometimes seen as a side project to Keenan’s other two musical endeavors, Puscifer have slowly stolen the spotlight over the last six years. In a new interview with MoshCam.com , Keenan goes in-depth about Puscifer, offering insight into the band’s upcoming ‘Donkey Punch the Night’ EP, a cover of Queen’s ‘Bohemian Rhapsody’ and much more. Since 2007, every piece of music (not including guest appearances) released by Maynard Keenan has been with Puscifer. In 2007, the musical collective unveiled the full-length ‘”V” is for Vagina’ and their ‘Don’t Shoot the Messenger’ EP. Puscifer’s second album, ‘Conditions of My Parole,’ saw the light of day in 2011, and before cult Keenan fans will hear new material from Tool or A Perfect Circle, Puscifer will be releasing their ‘Donkey Punch the Night’ EP on Feb. 19, 2013. Although Keenan is the only official member of Puscifer, the some of the ultra-talented musicians featured on ‘Conditions of My Parole’ seem to be sticking around. “I think there’s definitely some solid cornerstones in place now with Josh and Matt and seemingly so with Carina,” reveals Keenan. “So as time goes forward, we’re pretty happy with this particular set of people although they all have their day jobs so if we have to call on others. It’s definitely a flexible project that can accommodate that.” Keenan also spoke about how the band chose to approach a cover of ‘Bohemian Rhapsody.’ “We had a couple of bugs up our butt to mess around with ‘Bohemian Rhapsody’ and I had fun with it,” says Keenan. “It’s one of my favorite songs so it’s almost like karaoke, but for real … We did a straight cover. There’s nothing broken about that song and we tried to respect the original format as closely as we could, but of course it’s going to have our signature on it.” Additionally, Keenan revealed that Puscifer, a 100% independent project, may even turn ‘Donkey Punch the Night’ into a full-length record. “We have a few things on the back burner but the project has always been of the mind to release a couple of tracks at a time. The last album [‘Conditions of My Parole’] was a bit of a departure from that, because we were on a roll and we were like ‘screw it, let’s finish an album’. We’ll probably just record a couple more songs and put them out at the end of the year or start of 2013. But if we end up on a roll and we get more songs in the pipe, we’ll definitely finish an album.” [button href=”http://loudwire.com/maynard-james-keenan-explains-concept-of-puscifer-new-column/” title=”Next: Maynard James Keenan Explains the Concept of Puscifer” align=”center”]

Killswitch Engage Singer Jesse Leach Discusses Upcoming Album, Tour With Shadows Fall + More

Liz Ramanand, Loudwire It’s been one hell of a year for Jesse Leach , who reunited with Killswitch Engage at the beginning of 2012. The band’s first performance back together occurred at the New England Metal and Hardcore Festival, and they were also part of this year’s Trespass America Festival over the summer with Five Finger Death Punch, Trivium and more. Leach, who was the band’s original singer, came back into the lineup after longtime vocalist Howard Jones left the band in late 2011. He and the rest of Killswitch have just finished up recording their first album together in 10 years. They are also celebrating the tenth anniversary of the band’s debut disc, ‘Alive or Just Breathing’ by performing it in its entirety during a headlining trek that features support from Shadows Fall and Acaro. When we recently spoke with Jesse Leach, he expressed his excitement about the upcoming album, the tour and more. I was at the first show at the New England Hardcore and Metal Festival earlier this year – how has your experience of rejoining the band been from that show to now? It’s been amazing and so much fun. It’s hard to put into words, my life’s just completely changed. I’ve had so much fun with these guys and we just finished recording our record that I’m super proud of. It’s been great. What has been the funniest thing a fan has said to you since coming back into the fold? You know probably some of the criticisms that people give me, I think it’s hilarious – to me – about how I don’t sing the same as Howard [Jones]. It’s not necessarily funny to most people but it is for me because we’re such different singers. I think it’s hilarious that people constantly want to compare us — it’s funny in a different kind of way. Fans have definitely been really sweet but occasionally you get the people that don’t care and they say what they want to say. As far as “Ha Ha” funny, [guitarist] Adam [Dutkiewicz] is the one that gets all the funny ones. To play ‘Alive or Just Breathing’ in full after 10 years, what does this mean to you? It’s surreal, it’s strange. I have a lot of love for that record but I had to do a lot of listening to it again – we’re playing it from start to finish. I look back on who I was 10 years ago as a singer and a person and I’ve changed so much. It’s just amazing for the fan to pay tribute to those fans who still care about that record, it’s just astonishing to me and it was definitely a career defining record. It’s and honor is basically how I feel, it’s an honor to perform this record. Again, I’m a different person but those lyrics still ring true for the most part for me. It just feels good to be able to do this for the fans and for us it’s just a fan thing to do in between since the [new] record isn’t out yet, so we wanted to hit the road and have some fun and give the fans something special because it’s been ten years. Looking back on it now, what did recording that album teach you that you took with you to record future albums in your career? [Laughs] Recording that record taught me that I had to use my voice properly and be more confident. I think that process, being under the microscope the way that I was for that record with Adam – we both learned a lot from that record. It made me really want to learn my instrument better and have control over it because what I hear in my head was difficult to produce. What I was hearing in my head and what was coming out wasn’t what I wanted it to be – it was just me being critical of myself but then again you should be. It kind of kickstarted me to be like, “alright I got to figure this thing out.” I wanted to become a better singer and become more confident. You guys killed on the Trespass American Festival – and you’re headed on tour with Shadows Fall later this month. No doubt this tour will be a memorable one what are you looking forward to most about this trek? Probably just hanging out, we got Shadows Fall and my buddies in a band called Acaro. It’s pretty much all of the Massachusetts boys getting together – I live in New York now but it’s going to be a reunion of sorts. I’m sure there’s going to be plenty of antics and stuff going on. That and obviously just playing, if all goes well we’ll slide in another new song. Yeah I can’t wait for this new record – I literally finished just two days ago so I’m still buzzed from it. For you guys going from Trespass America and doing the big festival shows to more intimate clubs, do you prefer the smaller venues versus the bigger ones? I like them both but they definitely offer different things. The one thing I’m looking forward to with smaller clubs, especially for this record, is the intimacy of the crowd. There’s not going to be a huge divide where the audience is ten feet away from the stage and we’re ten feet above them. The intimacy is great the emotion comes off better and for this record it’s important. There was a Facebook post on the vocals being done for the new Killswitch Engage album; how was the recording process like for you? For the new record it was great, I came off tour I was filled with energy, ready to go, we knocked out a bunch of stuff. I had joined the band, the record was there, we’re on tour so I really didn’t have time to write. I took the past two months not only recording but writing so I’m there with an idea, being in the other room writing and going to Adam saying, “Here’s my idea I just wrote, what do you think?” So there’s real spontaneity some of the songs that we just finished up. I had maybe five or six solid ideas when I came off tour and the rest had to be developed as we were recording it. It was exciting but at the same time tough because for me I’m digging deep down into my emotions and my psyche trying to come up with stuff that is honest and emotive and relevant, hopefully for the listener. It’s tiring but well worth, anything that’s worth achieving you got to suffer a little bit for it. I think mentally and spiritually and a little bit physically we were suffering but all of that made for an amazing record that I’m really proud of. How has the vibe of working on the new record been with the other members? These guys have welcomed me back with open arms and just very encouraging and digging the stuff that I’m doing and these guys were just like, “Wow we’re really excited, we feel like it’s been a long time since we’ve been this excited about music,” and that just makes me feel amazing. It makes me feel like I’m doing what I’m supposed to be doing. What can you tell me about where you guys are at with the progression of the new album and maybe a possible timeline or when fans can get a single? Yeah it’s funny, I basically said to management and everybody, “I don’t want to know anything, don’t tell me anything” so I couldn’t even tell you when the record is coming out [Laughs] I don’t know if we’re doing a single before the record . As far as what the album is about and how it sounds and feels – it’s everything, it’s emotive, it’s personal, it’s spiritual, it’s political, it’s everything – my view of the world and some of the songs are written through the eyes of someone else like how I living vicariously through somebody trying to be almost like a storyteller. The music is definitely the fastest Killswitch record ever, it’s very heavy but still maintains the signature Killswitch hooky, melodic stuff their too. There’s definitely melody attached but I pulled out some new styles vocally, yelling and screaming and growling and layers and it sounds massive. The newest song ‘No End In Sight’ that you guys play live, how does this song represent what we can expect from the new album? That song is the weakest song on the whole record. [Laughs] That’s my opinion, I actually almost wouldn’t mind if it wasn’t even on the record because I think other stuff is much better but probably since we played it and fans know we’ll put it on but in my opinion that’s definitely the weakest songs. Now that the record is done in retrospect that would not be the song that we would be playing live. When will we see the return of your character Salty Rizz? [Laughs] I don’t know! I don’t think that’s going to be a repeat character, I’ve done other characters for videos for fun and I think that’s the one that got the least amount of attention. My approach to promos and stuff – when you’re on tour, it doesn’t matter who you’re working with, what company they want you to do these video update things and when it comes to music I’m a fairly serious guy when I’m onstage. We had to do these and I was just like, “I’ll do them I don’t care, I’ll do something stupid.” There’s more stupidity to come but I don’t know if it will be Salty Rizz or not. Killswitch Engage kick off their ‘Alive or Just Breathing’ tour with a headlining appearance at California MetalFest on Nov. 24. The trek wraps Dec. 29 in Clifton Park, N.Y. Click here for a full list of dates. [button href=”http://loudwire.com/killswitch-engage-members-discuss-new-song-jesse-leachs-return-more/” title=”Next: Watch Our Video Interview With Killswitch Engage” align=”center”]

Municipal Waste’s Ryan Waste Discusses Insane Music Videos, Band’s Catchphrase + More

Nuclear Blast Crossover thrash phenoms Municipal Waste have carved out a unique career for themselves through drinking beer, eating people’s entrails in space, ripping faces, but most importantly creating some truly sick thrash music. Currently on a co-headlining tour with the legendary Napalm Death , we spoke to Municipal Waste guitarist Ryan Waste about some pressing social and philosophical issues … just kidding, we talked about thrashing and hurricane-induced yeast infections. Municipal Waste described their music perfectly at their Connecticut show on Oct. 28: “There’s a gigantic circular storm coming this way tonight, and it’s called the circle pit to this next song.” In a pre-hurricane interview, Ryan Waste talks about the band’s music videos for ‘The Fatal Feast’ and ‘Repossession,’ his signature ‘MW’ guitars, adding the line “ Municipal Waste is gonna f— you up! ” to the second recording of ‘Born to Party’ and much more. Check out our triple-distilled, uncapped interview with Ryan Waste. Municipal Waste’s Ryan Waste Talks to Loudwire [button href=”http://loudwire.com/municipal-waste-born-to-party-top-21st-century-metal-songs/” title=”Municipal Waste – Top 21st Century Metal Songs” align=”center”]

Three Days Grace, ‘Transit of Venus’ – Album Review

RCA Records In astrological terms, the transit of Venus is when the planet passes between the Sun and the Earth, displaying as a black disc moving across the sun for a period of several hours to stargazers around the globe. The occurrence happens approximately every 240 years or so and is not entirely predictable making it a very rare phenomena. In musical lingo, ‘Transit of Venus’ marks the return of Canadian rockers Three Days Grace and the follow up to their 2009 disc ‘Life Starts Now.’ While the connection between the two transits may not be completely transparent, the anticipation and excitement surrounding both mixed with the unpredictable nature of the two seem to pull them together, or at least into the same galaxy. Three Days Grace went into the making of ‘Transit of Venus’ with a very focused goal of digging a little deeper, pushing a little further, and allowing themselves to experiment with new instrumentation and layers without completely diverting from the Three Days Grace brand that they have cultivated throughout their career. ‘Transit of Venus’ definitely marks a new direction for the band infusing electronic elements over textured sonic landscapes while maintaining their love for catchy hooks served up courtesy of guitarist Barry Stock and drummer Neil Sanderson, pounding bass lines provided by Brad Walst, and the signature raspy rock vocals of Adam Gontier. The celestial disc begins with ‘Sign of the Times,’ an out of this world, ethereal, slow-moving opus that starts things off with a moody, sullen vibe before it kicks into high gear, reminding music fans of why they fell in love with Three Days Grace in the first place. The rest of the disc tends to follow that same path, new progressive elements hitting the Three Days Grace of old head on, melding into well-rounded tunes that sound meticulously crafted and built from the ground up, layer by layer, brick by brick. The first single, ‘Chalk Outline’ is a chugging, dark, anti-love song of good times gone bad allowing guitarist Barry Stock to shine throughout. Most of the disc’s 13 songs cater to an angrier, darker place but then up from the ashes comes ‘Unbreakable Heart,’ one of the most ambitious songs on the album. The tune blends acoustic melodies with orchestral hues hugging the inspirational lyrics being sprung from Gontier’s soul, “ You want to fight back / It’s building inside you / Holding you up / Taking you hostage / It’s worth fighting for .” 3DG also give a nod to Michael Jackson on the disc with their version of the King of Pop’s ‘Give in to Me,’ speeding the song up a bit but staying pretty true to the overall vibe of the song. Overall, Three Days Grace accomplished what they set out to do with ‘Transit of Venus,’ they’ve stepped out of their comfort zone, ditched the formula, and went all in, holding nothing back in the true spirit of rock. The reward clearly outweighed the risk on this one and the additional elements enhance the songs without taking them hostage and the identity that Three Days Grace has forged for the past 20 years is clearly better for it. Here’s to 20 more.

Gojira vs. As I Lay Dying – Death Match

Roadrunner / Metal Blade Félicitations to French metal masters Gojira for claiming a win over Dethklok in our last Death Match. This racks up one win for Gojira’s latest single, ‘The Axe,’ from their critically acclaimed 2012 release, ‘L’Enfant Sauvage.’ Gojira are currently at a high point in their career, but will they be able to beat metalcore’s leading band? As I Lay Dying  have just drop their sixth full-length album, ‘Awakened,’ and the second single released from ‘Awakened’ is ‘A Greater Foundation.’ Having stuck with their signature sound while adding in some gang vocals for good measure, As I Lay Dying now find themselves in a fight to the death. Can Gojira turn As I Lay Dying’s band name into a reality after a brutal beating with a freshly made baguette? Or will As I Lay Dying crunch their French foes with their American assault? The choice is yours and yours alone. Vote for your favorite track in the poll below! (This Death Match ends on Tuesday, Oct. 2, at 10AM ET. Fans can vote once per hour! So come back and vote often to make sure your favorite song wins!) Gojira, ‘The Axe’ As I Lay Dying, ‘A Greater Foundation’ ? Sorry, you need to have javascript running to see this poll. ? Email Me When Death Match Winners Are Announced Enter your email address below to receive the Loudwire newsletter, which will include notification of the weekly winner of the Death Match, as well as our top stories of each day. Email Rules of Death Match Two bands fight to the death each week. Fans can vote once per hour. The triumphant band goes on to compete in the next Death Match. If a band wins four straight Death Matches, its song will be honored as immortal in the Loudwire Death Match Hall of Fame.

Slash Featuring Myles Kennedy Rock New York With Help From Openers Foxy Shazam

Liz Ramanand, Loudwire Slash and his gang are on a nonstop trek in promotion of their latest album ‘Apocalyptic Love’ and New York fans definitely showed them some love Tuesday night, Sept. 18, at Hammerstein Ballroom. Slash featuring Myles Kennedy (of Alter Bridge) & The Conspirators rocked the crowd with tunes that spread the span of Slash’s shredding career. Their set kicked off with ‘Halo’ off of the new record and they went on to play other fresh tracks such as ‘Bad Rain,’ ‘No More Heroes,’ ‘Not For Me’ as well as singles ‘Standing in the Sun’ and ‘You’re a Lie.’ They also performed a few songs from Slash’s first solo disc, including ‘Back From Cali,’ ‘Starlight,’ ‘We’re All Gonna Die’ and ‘Ghost.’ During the course of the night, Myles Kennedy belted out Guns N’ Roses classics ‘Night Train,’ ‘Rocket Queen,’ ‘Sweet Child O’ Mine,’ ‘Welcome to the Jungle’ and the set closer ‘Paradise City.’ The Velvet Revolver tune ‘Slither’ made its way on the set list as well as the song ‘Been There Lately’ from Slash’s Snakepit. Slash to a guitar is the same as Myles Kennedy to a microphone — both are impeccable at what they do and to see them together onstage is an absolute treat. Speaking of a treat,  Foxy Shazam took the stage to warm up the crowd and just seeing this band onstage causes excessive perspiration. Frontman Eric Nally sported a new blonde look as he sang, flipped, somersaulted, danced and bounced all over the stage. After a couple of concert goers shouted ‘You Suck’ and called Nally a derogatory name, the frontman gave them a few choice words Foxy Shazam style and proceeded to do his signature deed of smoking multiple cigarettes onstage — provided by the crowd members, of course. Every member of the band is constantly moving to the point where if you blink you may feel that you have missed a vital part of their set…chances are you probably did. To make sure you don’t miss Slash when he comes to town, check out a full list of remaining cities and dates here . Slash featuring Myles Kennedy & The Conspirators: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Foxy Shazam: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire