Archive for October 19th, 2012

GWAR’s Oderus Urungus Slams Rob Zombie, Claims Credit for Slipknot

Metal Blade GWAR front-thing Oderus Urungus is in the upper ranks when it comes to tearing humans apart both physically and orally. When he’s not ripping the limbs off celebrities and disemboweling politicians onstage, Oderus’ favorite pasttime is bashing those he feels are inferior to himself. In this most recent display, Oderus goes after both Rob Zombie and Marilyn Manson , while taking the credit for Slipknot ‘s existence. The ‘Twins of Evil’ tour has been a source of controversy as of late, with co-headliners Zombie and Manson taking shots at each other onstage. Oderus Urungus addressed the situation during our recent interview with the intergalactic warmonger, but he went even more in-depth with BrowardPalmBeach.com . “A lot of bands have tried to do what GWAR does,” Oderus begins. ‘But no band has ever taken it as far as GWAR has. No one has ever out-sicked us. You think these Walmart behemoths of the music industry like Marilyn Manson or Rob Zombie are really scary people? That they have any kind of revolutionary agenda? All they care about is making money, and hanging out with their director buddies as they throw gala award ceremonies to circle jerk each other into a frenzy. GWAR is where GWAR should be: In the drawer marked filth.” The hideous space barbarian continues, “There would not be Slipknot without GWAR. I have a direct quote from Rob Zombie about GWAR when he was figuring out what he wanted to do with his career. They asked him, “Hey what do you think of them?” and he said, “The first time I saw GWAR, I thought ‘I want to be that, but I want to make money.’” That to me says a lot about Rob Zombie as an artist. It says that he isn’t one … Rob Zombie is a tired, G-Rated, mishmash of other people’s styles. When I see Slipknot I see lots of pentagrams and cow skulls. Really familiar imagery. What I do like about Slipknot is their music. Their drummer is f—ing amazing. But when I get to Marilyn Manson, he’s a little harder to peg. A little Alice Cooper, a little Bowie, a little Johnny Rotten.” GWAR are currently on tour with Devildriver, Cancer Bats + Legacy of Disorder. [button href=”http://loudwire.com/gwar-bring-back-the-bomb-top-21st-century-metal-songs/” title=”GWAR: Top 21st Century Metal Songs” align=”center”]

Baroness’ John Baizley: If My Arm Injury Was Any Worse, We Would Have Discussed Amputation

Baroness – Official Site Here in Part 2 of our exclusive interview with Baroness frontman John Baizley , the musician discusses the gravity of his physical injuries, as well as his daily rehabilitation routine. Baizley shares the incredible difficulties he now faces when attempting to perform simple tasks such as folding laundry or opening a bottle of water. The Baroness frontman also gives additional details about the terrifying moments knowing that the bus was about to plummet down a 30 foot drop, the moment of impact, the unthinkable amount of pain he endured and the current condition of the other passengers on the bus. When it comes to your physical rehab, can you tell us about your normal daily routine? Yeah, I mean, I’ve got a severely broken left leg and a crushed beyond belief right arm, but they’ve both been mended in such a way that at first I was in a cast, then I was in a brace, and now neither my arm or my leg has anything holding it in place externally. I’ve got some metal on the inside, but on the outside, because I injured two joints, in order to become functional again I have to move them. So in other words, like I was saying, if it hadn’t been an elbow and a knee, I’d be in a cast right now and I would able to do much less, but these were very serious traumatic injuries to my joints and if I don’t move them they will lock up forever. So against what seems to be logical to me, it would seem that you’d let the bones heal completely and then start working on things. I’ve broken plenty of bones before and that’s always been the case in the past, but with these two injuries, I have to move them. I can’t walk. By the end of it, it’ll be three or four months that I’ll have had to spend in a wheelchair, but I spend the whole day sitting there bending my leg over and over and over again and twirling my foot around like an idiot just to keep the blood flowing and to keep everything on the mend and with my arm, at this point, it’s all about stretching and starting to do small functions. Like as I said before, folding the laundry feels like running a marathon. I feel like I’ve been to the gym if I open a bottle of water or something like that. It’s humbling to see, relatively speaking, how strong I was and how we all were before the accident. The human body does all of these things and of course we take that for granted until it’s taken away from us and I spend each day seeing how much further I’ve come from the day before. So last week, I was unable to touch my face, and this week the big improvement that I made is that I am able to bend my arm enough that I can touch my face, and it does sound silly because what are you going to do when you touch your face? Last week, I learned how to put the phone down and scratch my nose with the good hand; it’s all degrees. The good thing for me is that I have a very supportive family and my 3-year-old daughter doesn’t understand how serious this injury is, so she still wants to play with me and what I do is that I do the best I can to be a normal guy and that helps me because I don’t sit there and wallow and get stuck in that rut of inactivity. I don’t have time to wait, I just don’t have time for anything anymore. I am ready to get through this and get moving again, and that was one of the big things that changed with that accident. I’ve come to a realization that we do have a relatively limited amount of time to do the things we want to do, and it can very easily be taken away randomly without any logic or sensibility to it. I consider myself incredibly lucky to have survived through the accident and to come through with injuries that can be fixed within reason. Yeah, my arm isn’t going to work the same again and neither is my leg, but I didn’t take a head injury, I still have a pulse, I still have all of my limbs attached and that didn’t necessarily need to be the case. I was told that if the injury to my arm had been any worse we would have been discussing amputation, so that’s a reality check in some ways. Be thankful for what you have because it’s much easier than you assume to lose this type of stuff. I’m not a spring chicken anymore and I’m not one of those people that thinks or has thought that I’m invincible, but now I’m sure of it. Now I’m sure of what we’re made of and it really is a thin network of meat and bones. You’ve got to respect that. It’s phenomenal that nobody passed away. I remember in your story, you were saying that moments before the crash, you were yelling at everyone and trying to wake them up to preparing for the impact. What struck me as interesting is that while you were trying to get everyone ready, you stayed at the front of the bus. Did that seem like the safest place to remain at the time when you were going over that hill? No, and maybe I can clarify; it felt like ages. There wasn’t enough time to do anything definitively and it was just enough time for instincts, to act on instinct. If I had knew that there were going to be an accident. If I was prepared to know we would have had a finite amount of time to deal with it, maybe something could have been done differently. But the fact is simple fact is, and I could put it very bluntly; we were screaming out of control down a very steep hill, in the rain, in a bus. There’s no seat belts on our bus. I don’t know if you ever seen European tour buses, but there are a lot of bands that in order not to loose money on tour, will rent older model buses. The bus was an older model but it was a German model, German driver, he owned and operated his own vehicle. There are very stringent vehicle laws in Germany so it really was up to code, it wasn’t like we were on the Beverly Hillbillies truck and we could just jump out of the back of it. I mean, how are you going to get out of a vehicle that’s flying down the hill? It would take a lot of rationale and I wouldn’t have done it anyway because my friends, my best friends in the world, are all on that bus and instincts told me that I needed to wake them and everybody who was awake needed to know what was going on in order to brace for impact, because the other thing about those type of tour buses, if there is something is considerably wrong happening up in the front, it doesn’t mean you know it in the back. Sound doesn’t travel well through those buses so screaming at the top of my lungs, I’m barely getting everybody’s attention. I think everybody woke up in time to have some brief moment of understanding of what was going to happen, and I’m not even sure about that. There may have been one or two people who just woke up in the hospital, but the simple fact of the matter was we were moving incredibly fast and we were going down a hill and the driver and I we were looking for something to do, we were looking for a way to stop it. We were looking for a road where we could have turned on, or a ramp we could have gone up or something that could have cushioned the blow a little bit easier and we never found it. There was one road we could have turned on, but it was almost like we would have to turn backwards, it was a very hard left and it was clear that the bus would have flipped. You flip in a bus, that’s it, good night. The only other option is that the bus runs into another vehicle. The only vehicle we saw was occupied, moving towards us and it had another family in it — that’s not an option, you don’t kill somebody to save yourself. So, by that time the crash was entirely inevitable and we had run out of choices. We saw the guardrail at the bottom and there was really nothing we could have done. We were moving so fast that nobody could have done anything. We tried everything, we tried using the momentum of the bus and turning to slow it down; that worked to a certain degree. We ran to the emergency brake, and the transmission was basically gone because we were going so fast you couldn’t downshift, and of course, there were no brakes, so we were mechanically … f—ed. [Laughs] Yeah, that’s the right time to use that world. Then we hit the guardrail and then there was a couple of seconds I spent in the air preparing myself for what seemed like an inevitable fate. Honestly, I’ve been living on the road for over ten years. I’ve come to terms with that on several occasions and none of them were even close or as serious as this. I was ready for it and I made my peace, I accepted it and I was ready for the end. That was the only option that was given to me. You know, at the point when our bus was fully airborne, there was nothing you could do but try to make peace with it, and I did. How surprised was I when I’m still alive? How f—ing overenthusiastically happy was I when that happened? Like I said, whatever physical pain there was, whatever mental trauma I’ve yet to suffer through, whatever nicks and bumps and scrapes and bruises we’ve taken from this, I’ll tell you what, it’s better than the other alternative we could have taken from that wreck. I guess that’s just that. You deal with the hand that is dealt. That’s what I gotta do. It’s better to do it and find something constructive and something positive. That’s what I think everybody’s doing and we’re really quite happy because I wasn’t exactly in a pleasant mood for a few days following that and I was trying to make sense of it, and thanks very much to the rest of the guys in the band and crew, thank you very much to our fans who offered support and our friends and family who were there or were keeping in contact with us and absolute f—ing praise and worship goes to the emergency team who responded, and you know the surgeons, and the whole medical team that dealt with us because they kept us alive, kept us in one piece and kept everybody positive. It felt like there was this huge extensive family who just tried to keep me and everybody okay physically, mentally, and in every way. I’m so grateful for that because a month after our wreck there was another bus that crashed 60 miles away from us that was carrying people from another music festival and that crash killed three people. That just got me thinking about how fortunate we are that we have fans that care about us, we have families and friends and everything and all of these people that care enough to be part of the story and to offer help with this. I’m just thinking of some of the people in the other crash, they might not have had that, they might have not had anybody interested in hearing what happened and they lost more. So, in perspective, it could have been worse. It could’ve been a lot better. [Laughs] It could have been a lot better, but it could have been worse. Can you give us an update on your fellow bandmates, friends and how the bus driver is doing? Yeah, I mean, everybody is going to be fine at the end of it. We all suffered different types of injuries and it’s pretty surprising the variety of injuries that were sustained. Just out of respect for the rest of the guys, they’ve all got their individual stories, so I’m not really naming any names, but there was some pieces of back, one guy was in a brace, somebody from our crew was bruised to the point where they had to be under constant medical supervision for fear of clots, and one of our crew looked like he’d been in the biggest street fight of all time. The driver sustained a number of broken bones, some people had minor scratches and scrapes and others as hefty as broken bones and backs. But the simple fact is, we will all be fine, absolutely fine in the end. It’s important, especially for me to hold onto that. We will be fine in the end. If we’re not fine already, we’ll be fine in the end. In the crash story you mentioned that you did suffer some burns along with your broken arm and broken leg. How long exactly were you laying in the bus before you were rescued? It was really quite alarming how fast that there was a crew on the scene. What happened to me specifically was I flew forward about ten or twelve feet and I went halfway through the windshield. The windshield flew out in one piece and it went flying and I hit it and bounced back in. I landed on the window frame where the glass had been. There was shards all around me and the burn marks were abrasion burns. It was a burn that went all the way around my arm and pretty deep into from who knows what. There was a ton of them, just big huge patches of skin rubbed off or burned off. I didn’t pass out, so I can’t say, “When I came too…” but once the bus settled, I was sitting and I was able to survey the area and able to take stock. If I was on the ground I wouldn’t have been able to do a number of things that I did, but I was sitting. That’s when, instinctually, and I believe we were all conscious while doing this, but we were looking around to make sure everybody was alive. I had this sense inside that nobody had died, and fortunately I was right there. I actually was relatively calm given the circumstance and I was just calling everybody’s names out and I think we were all trying to see where everybody was, and after about a minute, it couldn’t have been more than a minute-and-a-half, there were three people at the front of the bus. I had just pulled my arm almost 360 degrees in a circle, so I knew what was wrong with me. I was just sitting in the window of the bus like, “Get me out! Get everybody else out!” There was a window, I guess in the back of the bus that was broken as well. So everybody was either coming out the front or out the back and I believe they had to cut the driver out. Check back on Monday, Oct. 22,  for Part 3 of our exclusive John Biazley interview, in which he talks about how he plans to move on from the accident + more. In the meantime, if you missed it, check out Part 1 by clicking below. [button href=”http://loudwire.com/baroness-john-baizley-bus-crash-isnt-going-to-stop-us/” title=”Part 1: A Bus Crash Isn’t the Sort of Thing That’s Going to Stop Us” align=”center”]

Poison’s Bret Michaels to Host Travel Channel’s ‘Rock My RV’ Series

Michael Buckner, Getty Images Poison frontman Bret Michaels has found his next television project, as he’s signed on to host the new Travel Channel Series ‘ Rock My RV ,’ which starts production in November. Michaels has a longtime love for RVs, and the Travel Channel is allowing him to join a skilled team of designers and fabricators in turning average, ordinary RVs into outrageous, badass mobile mansions. The series is scheduled to premiere on Travel Channel next year. Network GM Andy Singer says, “For the past 25 years, Bret Michaels has spent at least nine months out of the year in a tour bus that he personally designs from top to bottom. We couldn’t think of a better frontman than Bret for the series. He lives and breathes life on the road and undoubtedly holds the record for the most hours logged in a custom coach.” Michaels adds, “Between touring and traveling, I spend a lot of time on the road and my tricked-out, custom coach is my home away from home. I crisscross the country and live in my tour bus, and I know how to take an RV from ordinary to extraordinary. I can’t wait to put my expertise to use and show people how to make their RVs rock.” The vocalist has enjoyed a number of successful TV projects in recent years, beginning with his VH1 dating series ‘Rock of Love.’ He also let the cameras in on his personal life with the documentary series, ‘Bret Michaels: Life As I Know It.’ From there, he went on to become the winner on a season of Donald Trump’s series, ‘Celebrity Apprentice,’ on which he’ll appear again this spring as part of the show’s all-star season. He’s also appeared on ‘Don’t Forget the Lyrics,’ the ‘Miss Universe’ pageant and ‘Extreme Makeover: Home Edition,’ among other TV appearances. [button href=”http://loudwire.com/bret-michaels-and-dee-snider-return-for-all-star-celebrity-apprentice/” title=”Next: Bret Michaels to Return for ‘All-Star Celebrity Apprentice'” align=”center”]

Get to Know While She Sleeps + Win a Prize Pack From The End Records

Facebook: While She Sleeps UK act While She Sleeps are ready to break in America after winning Kerrang’s Best Newcomer Award . Now, in addition to getting to know the band, you can win a signed copy of While She Sleeps’ ‘This Is the Six’ album, as well as a bunch of other great items from the group’s label, The End Records. Included in the bundle is a Skull t-shirt, a Paradise Lost box set, a Cradle of Filth box set, two The End Records beer cozies, an AxeWound flat, an Audio Bullys bag, a “Here’s the Metal” hot sauce, and, of course, the While She Sleeps ‘This Is the Six’ signed CD. To learn a little more about While She Sleeps, check out our interview with the band, and then enter your details in the contest box at the bottom of the story for a chance to win The End Records Bundle Contest. We spoke with While She Sleeps guitarist Sean Long, who discussed the significance of their new album title, how they’re differentiating themselves from their peers, and what it was like to win the Kerrang award at such an early stage in their career. The title track, ‘This Is the Six,’ definitely has a special meaning for the band. Can you talk about where it comes from and if it was the obvious choice to be the first song heard off this record? It’s really hard to find an album title that is original and means something to you, we are really happy we landed on ‘This Is the Six.’ It basically means that we are the 5 and 6th member of the band is the crowd, our fans, anyone who has supported us in anyway, they are the six. So together we are part of the same this, THIS IS THE SIX! Guitarist Mat Welsh has stated that the band wants ‘This Is the Six’ to be an album that people grow up on? What were the qualities that drew you to the bands you listened to growing up and do you feel this album captures that, as well? Just music that stands out to me, I am a big fan of note selection. I believe the slightest change in note selection can change how you feel instantly so picking the right note for a certain song is very important. I really hope we have captured that because there are notes on that album that make me feel great and I get a feeling in my stomach that makes me love music. While She Sleeps have gotten some credit for thinking outside of the box in terms of their sound. What’s your take on the music scene and how do you differentiate yourself from other acts? I guess we just try our hardest to be different inside of all the music we love. I believe that all the music we listen to, which ranges from folk to metal, is captured in our music even without us knowing. You have a hard-rocking sound and there’s definitely a punk ethic to how the band addresses lyrical content. How much do you value having the platform to discuss things like politics, patriotism, and issues affecting the youth in your songs? I’d like to say at least we are singing about things that are real and that we are living in, things we all have experienced and about our lives as friends. The more people who like our band, the bigger voice we will have to let everyone know our opinions and join us! What are a few of your favorite songs off the record and can you discuss why they stand out to you? If I picked one I’d be lying to myself. I honestly love them all so much. We all really surprised ourselves with this so we listen to it like another band. Haha, but why not you know, we are very proud of it and love what we have created. What did winning the Kerrang Best Newcomer Award mean to you this early in your career? You have no idea. I cried for a start and I rarely cry. It just felt so amazing to know that what we are doing is real and people are actually agreeing with what we are doing. It was the best day of my life for sure! Fans wishing to check out While She Sleeps’ ‘This Is The Six’ album can currently pre-order the effort here . To enter to win a signed copy of the disc, along with items from Audio Bullys, AxeWound, Paradise Lost, Cradle of Filth and more as part of The End Record contest bundle, be sure to enter your information in the box provided below: While She Sleeps + The End Records Giveaway Enter your e-mail address for a chance to win a singed copy of While She Sleeps’ ‘This Is the Six’ CD plus a Skull t-shirt, a Paradise Lost box set, a Cradle of Filth box set, two The End Records beer cozies, an AxeWound flat, an Audio Bullys bag, a “Here’s the Metal” hot sauce. Contest ends Nov. 19, 2012. Click here for official rules . By entering this contest, you will receive email newsletters from Loudwire. You may unsubscribe at any time. Email Watch While She Sleeps’ ‘This Is the Six’ Video

Daily Reload: Zakk Wylde, Randy Blythe, Black Veil Brides + More

Ethan Miller, Getty Images Here’s a look at the top stories of the day on Loudwire and around the Web: – Zakk Wylde is flattered about the discussion of him filling in for Pantera , but says like Led Zeppelin before them, there’s a lot to consider after the death of one of their band members. [ Loudwire ] – Lamb of God ‘s Randy Blythe says a “heads up” would have been nice from the U.S. Department of Justice. He claims they were aware he was being investigated for manslaughter and did not notify him or cooperate with the Czech government. [ Loudwire ] – Black Veil Brides now have some tour dates to go along with the recent announcement of their ‘ Wretched and Divine: The Story of the Wild Ones ‘ album. Catch them in North America in early 2013. [ Loudwire ] – Metallica ‘s James Hetfield makes some of the best “rock faces” out there. Check out several of his best concert photos. [ Ultimate Metallica ] – Black Country Communion guitarist Joe Bonamassa says he’s been bullied by singer Glenn Hughes in the media to alter his solo touring and recording plans in order to support the group’s latest record. [ Ultimate Classic Rock ] – Some albums don’t connect with listeners right off the bat. Check out this list of influential records that initially bombed. [ Diffuser.fm ] – Promising U.K. upstarts Sharks have released the video for ‘Luck’ from their debut album ‘No Gods.’ [ Rock Music Report ]