VEVO Nothing says badass like a “gang,” but director Dave Grohl takes a little bit of a sting out of those troublemaking lads from Soundgarden by having them cruise the streets on Segways in the band’s latest video for ‘ By Crooked Steps .’ Grohl, whose own band the Foo Fighters have had their fair share of offbeat and funny clips, puts his stamp on the clip with his own sense of humor. The musician-director has the Soundgarden bad boys park their Segways, stroll into a club and immediately confront the laptop DJ whose spinning tunes for those in attendance. The frightened DJ scurries away before Soundgarden take the stage and truly rock the audience with their plugged in instruments. But the DJ won’t be defeated as of yet, calling the cops on the Segway-riding toughs. The band eventually eludes the cops and escapes the venue, but they’re not totally off the hook as a slow-speed police chase follows before they finally give up. It pays, however, to watch to the very end of the clip for a special guest cameo from a certain EDM superstar posing as the arresting officer. Soundgarden are currently in the midst of their first North American tour of 2013, promoting the ‘King Animal’ album. They’ve also signed on to play the Rock on the Range festival in May. Watch Soundgarden’s ‘By Crooked Steps’ Video [button href=”http://loudwire.com/watch-chris-cornell-perform-president-obama-commander-in-chief-ball/” title=”Next: Watch Chris Cornell Perform at President Obama Gala” align=”center”]
Archive for January 29th, 2013
Corey Taylor Talks New Stone Sour Albums, Favorite Childhood Swear Words + More
Liz Ramanand, Loudwire Corey Taylor was nearly expelled in Kindergarden for yelling his favorite string of swear words. The Stone Sour / Slipknot vocalist chose to share this gem during Part 1 of our exclusive interview with the modern icon, along with discussing many other topics. Right before Stone Sour’s New York City show with Papa Roach and Otherwise, we had the opportunity to speak with Taylor about his favorite swear words, the upcoming Stone Sour album, ‘House of Gold & Bones – Part 2,’ his own series of comic books and an elaborate set of performances featuring both parts of the ‘House of Gold & Bones series, along with clearing up the rumors about Slipknot’s infamous Houdini mansion. The second half of our chat, which focuses on Slipknot, is coming soon, but for now, enjoy Part 1 our exclusive video interview with Corey Taylor: Corey Taylor of Slipknot + Stone Sour Talks to Loudwire (Part 1) [Contains Explicit Language]
Hatebreed, ‘The Divinity of Purpose’ – Album Review
Razor + Tie Hatebreed are back in a big way in the form of ‘The Divinity of Purpose,’ the Connecticut mosh ‘n’ stomp hardcore band’s first disc for new label Razor & Tie. It’s anthemic, full of sing-along choruses and lyrical declarations, chunky riffing, battering ram drumming and more breakdowns than an insane asylum. It’s a totally moshable affair, comprised of tight, efficient and make-their-point-and-move on songs. The album opens with the blazing ‘Put It to the Torch,’ with frontman Jamey Jasta inviting you to burn off everything that threatens to take you down. It’s followed by ‘Honor Never Dies,’ which sounds like it could have fit nicely on the band’s 1997 full-length debut ‘Satisfaction Is the Death of Desire’ or even the 2002-issued follow up ‘Perseverance.’ It’s a true first-pumper, reminding you that “Sometimes, standing for what you believe / Means standing alone.” The unity that hardcore bands often pay lip service to takes actualized sonic form on ‘The Divinity of Purpose.’ On ‘Own Your World,’ Jasta asks, in robust, communal sing-along fashion, “Who’s got more heart than you?” and we can just imagine ‘Breed pits erupting with fists in the air, karate kicks being thrown and every person, regardless of their age or gender, singing along, declaring, “Fists up / Head high / We own the f—ing world tonight” – further proof that Hatebreed know how to construct a deep groove and a catchy chorus. ‘The Language’ begins with Slayer-inspired riffing, and is somewhat similar to ‘Doomsayer’ from ‘The Rise of Brutality,’ with its somewhat more complicated guitar work. But it’s still moshtastic just the same. ‘Dead Man Breathing’ has a similar construction, as well. At 12 tracks, ‘The Divinity of Purpose’ is subcompact and makes its points and moves on. It’s quick pacing, and short, shotgun-blast songs, make it the type of record you blast in the car on a road trip. But you might want to be careful, since the fury in the songs will find you stepping on the gas pedal a little heavier and you might end up with a ticket for your troubles. Other stand out tracks are the razor sharp ‘Before the Fight,’ where Jasta barks, “End the fight / Before the fight ends you,” or the old school punk rager ‘Indivisible,’ which borrows a little, homage-style, from Agnostic Front. The title track boasts some vocal effects, which help Jasta’s message rise to the top. Hatebreed have been delivering choppy, boot-to-the-throat moshcore for nearly two decades and they have returned to their signature, simple but slaughtering hardcore style, with an uplifting message on the album, as it is what made them one of the crucial bands of the ’00s. You can kick up dust in the pit and then just chill out with a frosty beverage afterwards, since a ‘Breed record always fully cleanses you of any anger or aggression you may have. If that ain’t sonic therapy, we don’t know what is.