Pearl Jam, Queens of the Stone Age + A Perfect Circle to Play Lollapalooza Brazil and Chile

Lollapalooze Chile The lineups for the 2013 Lollapalooza festivals in Brazil and Chile have been announced. Lollapalooza Brazil will return to São Paulo’s Jockey Club March 29-31, 2013, while Lollapalooza Chile will make its way back to Parque O’Higgins in Santiago April 6-7, 2013. Pearl Jam , Queens of the Stone Age , A Perfect Circle and Puscifer will play both festivals. Maynard James Keenan will be pulling double duty, since he is a member of both A Perfect Circle and Puscifer. The Black Keys, The Killers, Deadmau5, Nas, The Hives, Franz Ferdinand, Two Door Cinema Club, Hot Chip, Passion Pit, Crystal Castles, Kaiser Chiefs, Alabama Shakes, Toro Y Moi, Gary Clark, Jr, Kaskade, Steve Aoki and Porter Robinson are also confirmed for both Brazil and Chile. The two-day Chilean fest will also include appearances by Keane and Bad Brains, as well as regional bands Los Tres and Manuel Garcia. In Brazil, a third day has been added, with the lineup including  The Flaming Lips, Cake, Madeon, Criolo + Emicida and others. Lollapalooza was started in 1991 by Jane’s Addiction frontman Perry Farrell. It continued through 1997, then returned in 2003. Originally a touring festival, the North American Lollapalooza is now held every year in Chicago. In 2010, Lollapalooza expanded to Chile, and last year was the inaugural Lollapalooza Brazil. The festival is expanding again, with Tel Aviv, Israel, announced as the newest venue, with its first Lollapalooza to be held Aug. 20-22, 2013. Watch the Lollapalooza Brazil Lineup Announcement Video

Papa Roach’s Jacoby Shaddix: ‘This Is The Record That Our Fans Have Been Waiting For’

Eleven Seven/Tenth Street Entertainment The road to the release of Papa Roach ’s new disc ‘The Connection’ (out Oct. 2) has not always been a smooth one, but that’s part of what powers the strength that it delivers. Written during a tumultuous time during lead vocalist Jacoby Shaddix’s life, the disc portrays a dark time for the band played out song by song. Kicking it off is the face-punching lead-off single ‘Still Swingin’ which is merely the prelude to the darkness that lies within. Sonically, ‘The Connection’ draws from the elements that Papa Roach have mastered with past discs, and melds them into a new approach to their own brand of rock. We recently caught up with Shaddix, who filled us in on his health status after recent vocal surgery, all facets of the new disc from the writing process to the studio and how he came out ‘Still Swingin’ on the other side at the end of it all. Now that you can sit back and appreciate the fruits of your labor, how would you reflect on the whole writing and recording process on ‘The Connection’ as compared to past discs? I would say that this one was just the f—ing hardest, most insane, most fun, exciting, crazier records we’ve ever made. Just the process of it, what we were all going through personally, making the record in Sacramento, we really made the record that we set out to make and it kind of exceeded our expectations. We got to the end and we listened to the record we were like “Oh f—, this record’s dope.” This is the record that our fans have been waiting for. I think it encompasses all of our styles over the years of our career and we kind of just brought it all back around on this record. It’s really exciting. It’s an exciting time and rock music is at an interesting place right now and I just feel like this is the right record for rock music and P-Roach. Talk a bit about the impact of having producer James Michael in the studio with you; you’ve said that he really gets you and the vision for the band. James Michael – first and foremost I love that guy like a brother. We all really connected in the studio. I was fighting for him, I was like, and “Man I want James Michael to produce the record.”  The guys were like, “Let’s take meetings with a bunch of people.” And I was like, “No! James Michael is the guy!” I really wanted him, and they took my lead. We had a meeting with him and everybody just clicked. It’s funny, towards the end of the process it got to the point where I was like I would start a sentence and he would finish it. We were just in tune. It was like having a fifth band member in the room because he’s a songwriter, he’s a singer, he’s a musician, he’s a producer, he understands where we’re coming from. It’s not like other producers don’t, it just felt like we were doing the right thing with the right people at the right time. It was great working with him in the studio, he really helped us. We had concepts and ideas in our head and had these visions of what we wanted to create sonically and he really helped us see those things through from beginning to end. And also, just in the process of making the record, when we’re a little unsure of ourselves at times, he would always be like, “Guys, you are on the f—ing right path, don’t second guess yourselves right now because you are in it.” Because when you’re in the process of making music and you’ve got ten songs boiling at once, it was really cool to have that outside perspective looking at it from a helicopter’s point of view going okay, cool; it’s all good, because we get wound up. The first single ‘Still Swingin’ is quintessential Papa Roach through and through. There’s no foreplay, it just starts out with a direct punch to the face – what kind of statement did you want to make with that song? With this song, it’s like we hit a barn door with a barn door. It’s just plain and simple, and I think that’s really what we needed at this point and time for a lead single is just something that just would grab people’s attention. Especially with the riff off the top, it just bounces, it’s like “Oh sh–, something’s coming at you.” Lyrically, it’s a little more lighthearted than the rest of the record and I think it’s a great way to start, it’s like the opening title when you go to see a movie, it grabs your attention. It just felt natural for us to use that as a lead single, and in the spirit of P-Roach it’s what doesn’t kill you makes you stronger. This is just the tip of the iceberg on this record, it’s a very dark record, so once you get past this song we take you down this deep dark hole and the process of making this record where when you’re in that deep dark hole there’s always that light, shining somewhere in there in the corner, it’s a great way to introduce people to this record. It will be interesting to see what people think about the ride. Speaking of dark, talk to me about the song ‘Before I Die,’ because that song speaks quite loudly and I think that anyone who’s ever felt those things is going to immediately identify with it. Where did that come from from a personal perspective? I was going through a separation with my wife during the process of making the record, fast forward to the present and we’re working it out now, but in the process of making this record we were separated. I was at the end of my rope; I was in a lot of pain. This music is where I found my sanctuary, where I could express myself and just take myself out it for a second and not feel the pain and just be creative. During the process of making this song, ‘Before I Die’ I felt like everything was taken from me and I was just left out there raw and broken, it made everything clear to me, what really mattered to me. It wasn’t the material things that I have in my life, which I’m not a materialistic person when it comes down to it, but you know at the end of the day it’s the people that I love in my life that are the most important to me and sometimes when you treat the people that you love the most the worst, that’s the wrong path. I had to take a long hard look at myself and realize how I was living my life and make those changes. Just being out there on my own and having those realizations, that’s where the song came from. On this song, in addition to many others on the new disc, you really seemed to lay it all out there lyrically putting you in a very exposed and vulnerable place. Do you feel like you pushed a personal boundary this time around with respect to your lyrics? Oh yeah, this record, a lot of it was written when I was depressed and a pretty pathetic and sad individual. It came from that place but it was also a snapshot. A lot of this record is a snapshot of me at my most vulnerable, broken, weak, point in my life but there was so much strength in it, in a weird way. When you ain’t got nothing, you’ve really got a whole lot because you start thinking about those basic simple things that you’re so grateful for in your life. So it gave me a whole new perspective on myself, on my life, and how I live it. It’s a trip because I’m on a bit of a different path now than I was seven or eight months ago. I have to ask you about a recent situation – Wye Oak’s Jenn Wanser chose Papa Roach’s ‘Scars’ as her most hated song and in return, you allegedly sent her flowers. So the first question is did that actually happen and the second is, why did you opt for that response? Yes, it’s true. I thought it would be a funny thing to do. I use to take that stuff so personally, I’d be like, “I’m not worth anything” and it would belittle me but now, it’s just funny. In reality, that song has meant so much to so many people so to watch it get torn apart as if it was some nursery rhyme bullsh–, I just thought it was kind of funny. So for me, it was just taking the high road. Ready to play some Wikipedia-True or False? Wikipedia says that the first instrument you played was clarinet in the school orchestra – true or false? That is true. I played clarinet for like nine years. I am a certified band geek. Lamb of God’s Randy Blythe is a friend of yours and you said that we could all really learn a lot from the way he’s been handling his current situation, what have you personally taken away from it? It’s pretty incredible to see people go through these dark experiences in life and learn a lot, and that’s what I got from that. It’s like you get lemons, you make lemonade, and it’s pretty cool to see someone that’s going through something like that just have such a solid perspective on life and a positive outlook. For me, that’s pretty dope. Any parting messages to your fans? If you’re a fan of the band, go buy the record — we want to show up on the charts. I think it’s very important for this band right now to make a statement because we’re on an independent label. We’re another one of those rock ‘n’ roll bands trying to keep this genre alive and so if you dig it, go support it or you can go watch f—ing Justin Bieber take the No. 1 spot. [button href=”http://loudwire.com/papa-roach-jacoby-shaddix-vocal-surgery-healing-really-well/” title=”Next: Jacoby Shaddix Updates Us on His Vocal Recovery” align=”center”]

Nightwish Part Ways With Singer Anette Olzon + Announce Replacement Vocalist

Roadrunner In a surprising announcement, Finnish symphonic metal act Nighwish have parted with Anette Olzon, their lead singer of five years. Olzon provided vocals on the group’s most recent album ‘Imaginaerum’ and 2007’s ‘Dark Passion Play.’ Over the weekend (Sept. 28), the songstress missed the band’s show in Denver due to an illness. Kamelot ’s backing vocalist Elize Ryd (also of Amaranthe) and the Agonist ’s Alyssa White-Gluz stepped in for Olzon during the Denver concert. Nightwish thanked Ryd and White-Gluz by saying “We were in hell [yesterday]. Vocalist in a hospital. Show about to be canceled… But nobody gave up an inch. With the help from the ladies Elize and Alissa from Kamelot, we actually managed to pull off a relaxed and great show! The crowd doing the mass karaoke with the band playing was absolutely amazing. We were humbled and grateful at the same time. This is unity and help from friends and fans.” While Olzon expressed her thoughts about Ryd and White-Gluz stepping in on her official blog by stating “I was never asked if it was ok they used Elise [sic] and Alica [sic] in the show last night. I don’t think it’s a good decision they made and I’m sorry for those of you who came to see the whole band but got something else. But I was very ill and this decision wasn’t mine.” Now, Nightwish and Olzon have released an official statement below about their separation: Another chapter of the Nightwish story has ended today. Nightwish and Anette Olzon have decided to part company, in mutual understanding, for the good of all parties involved. In recent times it has become increasingly obvious that the direction and the needs of the band were in conflict, and this has led to a division from which we cannot recover. Nightwish has no intention of cancelling any upcoming shows, and as a result we have decided to bring in a substitute vocalist starting in Seattle 1.10.2012 (Oct. 1). Her name is Floor Jansen from The Netherlands (ex-After Forever, ReVamp), and she has graciously stepped in to help us complete the Imaginaerum world tour. We are all strongly committed to this journey, this vehicle of spirit, and we are sure that this will lead to a brighter future for everyone. We forever remain excited about the adventures to come, and we are extremely proud of the two beautiful albums and the wonderful shows we shared together. – Nightwish and Anette Olzon [button href=”http://loudwire.com/nightwish-kamelot-bring-powerful-show-to-new-york-city/” title=”Next: Review + Photo Gallery of Nightwish’s Recent NYC Show” align=”center”]

Win a ‘KISS Kruise’ Trip for Two!

KissKruise.com Loudwire have teamed up with   Ultimate Classic Rock and CO5 to offer one lucky winner a KISS  Kruise prize pack valued at over $6,000! You and a guest of your choice can win a free trip to the five-day cruise, which will depart from Miami, Fla., on Oct. 31 to the Bahamas, returning to Miami on Nov. 4. The prize includes round-trip airfare, lodging on the cruise ship, meals, concerts and even a photo with KISS! While on the KISS Kruise , you’ll enjoy a performance from KISS, along with a special “unmasked” acoustic show from the band. Including KISS, a total of 10 bands will rock the boat, including acts such as Skid Row and Adler. The ship will also hone pools and slides for guests to enjoy in between spending relaxing days on the spacious deck. Rumor also has it that Gene Simmons himself will use his tongue as the boarding dock for passengers to get on and off the ship! For a chance to win this fabulous prize package, simply fill out the entry form below. Good luck! ‘KISS Kruise’ Prize Pack Giveaway Enter for a chance to win a trip for two on the 2012 Kiss Kruise, including cabin accommodations, airfare, meals, Kiss concerts, a photo with the band and much more. Contest ends Oct. 12, 2012. Click here for official rules . By entering this contest, you will receive email newsletters from Loudwire and Ultimate Classic Rock. You may unsubscribe at any time. Email

Avenged Sevenfold vs. Soundgarden – Cage Match

Photos: Warner / SoundgardenWorld.com Avenged Sevenfold continue to knock out their opponents left and right as they beat out Volbeat over the weekend. Can they do it again in this matchup? Soundgarden enter the Cage Match with their brand new single ‘ Been Away Too Long ’ off of their upcoming disc ‘King Animal,’ which is due out Nov. 13. ‘King Animal’ is the band’s first studio album in since 1996′s ‘Down on the Upside.’ So will Avenged Sevenfold continue their reign or will Soundgarden take them down for a serious win? Get in on the action and vote for your favorite track below! (This Cage Match will run until Wednesday, Oct. 3, at 8AM ET. Fans can vote once per hour! So come back and vote often to make sure your favorite song wins!) Avenged Sevenfold, ‘Carry On’ Soundgarden, ‘Been Away Too Long’ ? Sorry, you need to have javascript running to see this poll. ? Email Me When Cage Match Winners Are Announced Enter your email address below to receive the Loudwire newsletter, which will include notification of the daily winner of the Cage Match, as well as our top stories of the day. Email Rules of Cage Match: Fans can vote once per hour for their favorite song. If a song remains the reigning champ for five straight cage matches, it is retired to the Loudwire Cage Match Hall of Fame. With so many great songs out there, we have to give other bands a chance!

AxeWound, ‘Vultures’ – Album Review

The End Records In the metal world, AxeWound are a supergroup as violent and graphic as their name. Featuring Cancer Bats vocalist Liam Cormier and Bullet for My Valentine  singer-guitarist Matt Tuck, along with drummer Jason Bowld of Pitchshifter, ex-Rise to Remain bassist Joe Coput and Glamour of the Kill guitarist Mike Kingswood, the band could have done or become one or a combination of many things. It could have been greater than the sum of the parts; a mish-mash that sounded like BFMV harvested with Cancer Bats’ DNA; or something totally unique in and of itself. We’re pleased to report that AxeWound are the latter and the former, but not the middle. ‘Vultures’ is 10 tracks of thrashy, razor-sharp riffery, with vocals that are screamy where they need to be and growly when they need to be. The overall mood is nastier than a hungry Rottweiler. It doesn’t straddle any lines or flounder in the middle of the road. These songs are so metal, they excrete liquid steel. There’s not much in the way of humor on the album, but that’s okay. What it lacks in lightheartedness it makes up for in sheer aggression. Besides, did we really need another album of snarkily titled songs which have nothing to do with the lyrical subject matter? No, we didn’t. AxeWound and ‘Vultures’ exist to push the metal mission forward with uncompromisingly heavy, neo-thrash tunes. ‘Post Apocalyptic Party’ feels like just that — it’s drenched in vinegar-soaked riffs, battering ram drumming, hardcore fury and thrash intensity. If the Mayan prophecies are indeed right and the end is indeed nigh, this is the song we’d want to be cranking as the world comes crashing down around us. The title track shreds, and features a guest spot from Avenged Sevenfold ‘s Synyster Gates. ‘Victim of the System’ launches with a squall of feedback and sing-talk vocals that are incredibly popular in the hardcore genre. Nevertheless, the song allows the band to smash away at the instruments while you mosh. ‘Cold’ is the most melodic jam of the bunch, vocally speaking, but the music is still fierce enough to make your blood boil. With the lyrical bark “You can’t kill me,” we’re apt to believe AxeWound are impenetrable. ‘Burn Alive’ has a doomy current running through its veins, while ‘Exorchrist’ is another example of the band’s melodic proficiency. But the rolling guitars keep the song anchored in metal. There are not a lot of breathing moments on the album, so ‘Vultures’ is the equivalent of a street fight in that it pummels over and over again, without much in the way of pauses to allow you to catch your breath. The songs are compact, usually clocking in at three minutes and under. So they don’t overstay their welcome or become too ambitious by trying to be experimental with all that extra time, nor do they drift into boring territory by being too samey. Ultimately, ‘Vultures’ is the work of seasoned musicians who are adept at their instruments and their roles. They don’t rely too much on their past (or most prolific) works, nor do they attempt to be something they are not. It’s a fresh metal album that’ll satisfy your thrash jones.

Axl Rose to Appear on ‘Jimmy Kimmel Live!’

Jason Merritt, Getty Images The incredibly elusive Axl Rose is set to be a guest on ‘Jimmy Kimmel Live!’ on Oct. 24, making for a rare television appearance from the Guns N’ Roses  singer. Axl Rose paid a visit to ‘ That Metal Show ‘ last year, which was aired on National Metal Day (11-11-11) and was Axl’s first television appearance in over a decade. Luring Axl Rose onto your TV show is an incredible “get” for anyone, but with Kimmel booking the singer on his talk show, the excitement lies in the fact that literally anything could happen. Likely guarded in his now-trademark hat and sunglasses, it’ll be a trip seeing how candid Axl will manage to act while on the late-night show. One of the subjects of Axl’s ‘Jimmy Kimmel’ manifestation with surely be Guns N’ Roses’ upcoming residency at Las Vegas’ Hard Rock Hotel & Casino. Celebrating the 25th anniversary of the ‘Appetite for Destruction’ album, the band’s upcoming ‘Appetite for Democracy’ residency will consist of 12 shows in 25 days. The run begins on Halloween night and concludes Nov. 24. Be sure to check out Axl Rose’s Oct. 24. guest spot on ‘Jimmy Kimmel Live!,’ but if you miss it, your friends here at Loudwire will be sure to fill you in on all the gritty details. [button href=”http://loudwire.com/axl-rose-files-cease-and-desist-letter-aimed-at-photography-exhibit/” title=”Next: Axl Rose Files Cease and Desist Letter Against Photo Exhibit” align=”center”]