Posts Tagged ‘synyster-gates-’

Motley Crue’s Nikki Sixx to Unveil Custom ‘Schecter Sixx’ Bass

Schecter Guitar Research Schecter guitars and Motley Crue bassist Nikki Sixx have teamed up to create a new model of bass. The guitar company is planning to reveal the ‘Schecter Sixx’ signature series bass at the winter NAMM conference in Anaheim, Calif. on Jan. 26. Rock guitarists and bassists with a little extra cash in their pockets have been flocking to Schecter Guitar Research for decades to harness the company’s signature sound. Schecter has created guitars for Avenged Sevenfold ‘s Synyster Gates and Zacky Vengeance , Disturbed ‘s Dan Donegan and many more. The company is planning to release many new signature models in the near future, but the first of 2013 will be the Nikki Sixx ‘Schecter Sixx.’ “It was an exciting and creative process to work with Schecter on the new Schecter Sixx Signature Series Bass,” says Sixx. “It was important to all of us to design a bass that would feel right as well as sound amazing in the hands of all players, not just me. Every detail about the new Schecter Sixx comes from all of our collective experiences – whether it’s my 30 years of playing live and recording orSchecter’s unprecedented standards for making quality instruments for players of all genres. Simply said, this bass rocks!” Schecter’s Executive Vice President, Marc LaCorte adds, “I really felt as if we instantly gelled and were looking to accomplish the same goal with this project.  Above all, it was so refreshing to see an artist of Nikki’s stature be so involved and genuinely concerned about every detail in the creation of this instrument.” Check out all the details and specs on the ‘Schecter Sixx’ bass here . Nikki Sixx is currently working with Motley Crue to create the band’s 10th full-length album, which Sixx is already calling “the best Crue album yet.” He’s also announced plans to work on a new disc from his other band Sixx: A.M. [button href=”http://loudwire.com/nikki-sixx-bassist-of-the-year-2012-loudwire-music-awards/” title=”Nikki Sixx Wins Bassist of the Year in the 2012 Loudwire Music Awards” align=”center”]

Avenged Sevenfold Members Guest on Machine Gun Kelly Track

Mary Ouellette, SheWillShootYou.com Rap/metal collaborations have been common since  Anthrax and Public Enemy teamed up for ‘Bring the Noise.’ Now, Avenged Sevenfold vocalist M. Shadows and guitarist Synyster Gates have lent their talents to a new song by hip-hop artist Machine Gun Kelly. ‘Save Me’ (listen below) is the opening song on Kelly’s debut album ‘Lace Up,’ which was released today.  He talked about the track recently on MTV’s RapFix Live. “I actually got one of the greatest metal bands to be featured on it, Avenged Sevenfold. It’s definitely an eargasm if you’re into cross genre.” In addition to A7X, ‘Lace Up’ has guest spots from hip-hop luminaries such as Lil Jon, Waka Flocka Flame, Lil Jon, DMX, Young Jeezy, Twista, Tech N9ne, Dubo and Bun B. Speaking of Avenged Sevenfold collaborations, Shadows also shared vocals with Chris Jericho the song ‘Sandpaper’ off Fozzy’s recent album ‘Sin & Bones.’ He recently joined Fozzy   onstage in Los Angeles to perform to perform the song. As fans anxiously await a full album of new material, Avenged Sevenfold have released the single ‘ Carry On ,’ which is from the ‘Call of Duty: Black Ops II’ video game that’s set for a Nov. 13 release. That song has entered the Loudwire Cage Match Hall of Fame after defeating tunes by artists including  Five Finger Death Punch, Soundgarden and Marilyn Manson . Listen to Machine Gun Kelly feat. M. Shadows and Synyster Gates, ‘Save Me’ (Explicit Language)

AxeWound, ‘Vultures’ – Album Review

The End Records In the metal world, AxeWound are a supergroup as violent and graphic as their name. Featuring Cancer Bats vocalist Liam Cormier and Bullet for My Valentine  singer-guitarist Matt Tuck, along with drummer Jason Bowld of Pitchshifter, ex-Rise to Remain bassist Joe Coput and Glamour of the Kill guitarist Mike Kingswood, the band could have done or become one or a combination of many things. It could have been greater than the sum of the parts; a mish-mash that sounded like BFMV harvested with Cancer Bats’ DNA; or something totally unique in and of itself. We’re pleased to report that AxeWound are the latter and the former, but not the middle. ‘Vultures’ is 10 tracks of thrashy, razor-sharp riffery, with vocals that are screamy where they need to be and growly when they need to be. The overall mood is nastier than a hungry Rottweiler. It doesn’t straddle any lines or flounder in the middle of the road. These songs are so metal, they excrete liquid steel. There’s not much in the way of humor on the album, but that’s okay. What it lacks in lightheartedness it makes up for in sheer aggression. Besides, did we really need another album of snarkily titled songs which have nothing to do with the lyrical subject matter? No, we didn’t. AxeWound and ‘Vultures’ exist to push the metal mission forward with uncompromisingly heavy, neo-thrash tunes. ‘Post Apocalyptic Party’ feels like just that — it’s drenched in vinegar-soaked riffs, battering ram drumming, hardcore fury and thrash intensity. If the Mayan prophecies are indeed right and the end is indeed nigh, this is the song we’d want to be cranking as the world comes crashing down around us. The title track shreds, and features a guest spot from Avenged Sevenfold ‘s Synyster Gates. ‘Victim of the System’ launches with a squall of feedback and sing-talk vocals that are incredibly popular in the hardcore genre. Nevertheless, the song allows the band to smash away at the instruments while you mosh. ‘Cold’ is the most melodic jam of the bunch, vocally speaking, but the music is still fierce enough to make your blood boil. With the lyrical bark “You can’t kill me,” we’re apt to believe AxeWound are impenetrable. ‘Burn Alive’ has a doomy current running through its veins, while ‘Exorchrist’ is another example of the band’s melodic proficiency. But the rolling guitars keep the song anchored in metal. There are not a lot of breathing moments on the album, so ‘Vultures’ is the equivalent of a street fight in that it pummels over and over again, without much in the way of pauses to allow you to catch your breath. The songs are compact, usually clocking in at three minutes and under. So they don’t overstay their welcome or become too ambitious by trying to be experimental with all that extra time, nor do they drift into boring territory by being too samey. Ultimately, ‘Vultures’ is the work of seasoned musicians who are adept at their instruments and their roles. They don’t rely too much on their past (or most prolific) works, nor do they attempt to be something they are not. It’s a fresh metal album that’ll satisfy your thrash jones.

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