Posts Tagged ‘baroness’

Baroness’ John Baizley and Pete Adams Perform ‘Foolsong’ Live – Exclusive Video Premiere

Relapse Baroness had an incredibly successful year in 2012 with not only the release of the masterful ‘Yellow & Green’ double album, but also as a touring act with Meshuggah and Decapitated . Despite what was possibly the greatest year of their career musically, a horrifying bus accident has curbed the band since August 2012. However, frontman John Baizley and guitarist Pete Adams have slowly been picking themselves back up, as evidenced in this exclusive video of the duo performing ‘Foolsong’ live. Baizley told us that a bus crash isn’t the sort of thing at will stop Baroness during his first ever interview since the accident. Fans of the band never doubted Baizley’s words for a second, and last weekend (Jan. 19 – 20), the Baroness frontman joined Converge onstage in Philadelphia to perform ‘Coral Blue’ with the band, only to open for Neurosis the very next day as a stripped-down version of Baroness alongside guitarist Pete Adams. This performance of ‘Foolsong’ isn’t only sonically beautiful, but acts as one of the most inspirational chapters in modern rock. After months of rehab, uncertainty and almost unimaginable torment, John Baizley and Pete Adams turned this performance into a declaration of their own perseverance. Sit back and enjoy this unique and impassioned version of ‘Foolsong’ by John Baizley and Pete Adams, exclusively here on Loudwire. Baroness’ John Baizley and Pete Adams Perform ‘Foolsong’ [button href=”http://loudwire.com/baroness-john-baizley-bus-crash-isnt-going-to-stop-us/” title=”Next: Read Our 3-Part Interview with John Baizley” align=”center”]

Baroness Members Deliver Surprise Performances at Converge and Neurosis Shows in Philadelphia

BaronessMusic.com Decibel Magazine recently celebrated their 100th issue with an insane concert in Philadelphia, a show we dedicated ourselves not to miss. The show’s lineup itself was incredible, presenting Converge , Pig Destroyer , Repulsion, Municipal Waste , Tombs + Evoken live, but the most incredible parts of the evening came from Baroness frontman John Baizley , who offered not only a surprise speech, but shared the stage with Converge for the song ‘Coral Blue.’ After Pig Destroyer grinded the Philly crowd into a brutal dust, John Baizley took a microphone right before Converge started their set to share his passion for the band and their newest album, ‘All We Love We Leave Behind.’ Having suffered through serious injuries after Baroness’ tour bus crashed in England last year, Baizley revealed how crucial ‘All We Love We Leave Behind’ was to both his physical and metal rehabilitation. Baizley addressed the crowd: About five months ago, I was in a f—ing bad wreck. I was laid up in the hospital for while; too long. I was going through what I would describe as the worst thing, mentally and physically, that one could go through, at least in my opinion. There came a point where I needed something to get past the hump that I was in, you know, just this state of depression or pain or whatever it was, and so I thought, ‘Well, music is this thing that’s meant to soothe the savage beast,’ and I had my wife bring me an iPod collection of mellow songs; Emmylou Harris, just old country stuff mostly. I put the headphones in and listened to it, and what was happening was not soothing at all in any way, shape or form. It was harsh and it was grating, and in that first moment when I was trying to listen to something relaxing and trying to get myself through a very difficult time, I became scared s–tless and I thought that I had lost the ability to enjoy music and I had lost the magic that music had over me. I think it was about three-and-a-half weeks after the crash, I had the new Converge record [‘All We Love We Leave Behind’] and I was like, ‘Well, Emmylou is not doing it for me, let’s try the opposite.’ And that record brought me back into the fold. Thank you for writing music that truly inspires, and I mean this when I say this, that truly rehabilitates, not just offers me a release from aggressions or from bulls–t, but something that helps me look forward to tomorrow when today is as tough as it gets. Near the end of Converge’s set, the band invited Baizley onstage to sing and play guitar for ‘Coral Blue,’ easily the most Baroness-like track from Converge’s 2012 album. As extra proof of Baroness’ massive desire to return in full-force, Baizley and fellow Baroness guitarist Pete Adams opened for the legendary Neurosis the night in Philly. Watch the footage from that show here . Check out both Baizley’s speech and his performance with Converge in the videos below. Keep feeling better, John! We can’t wait to see Baroness take the stage once again. John Baizley Addresses Crowd at Decibel’a 100th Issue Concert John Baizley Joins Converge Onstage for ‘Coral Blue’ [button href=”http://loudwire.com/baroness-john-baizley-health-update-acoustic-jam/” title=”Baroness’ John Baizley Gives Update on Recovery” align=”center”]

Baroness’ John Baizley Updates Fans on Health, Jams ‘Stretchmarker’ Acoustically

Liz Ramanand, Loudwire Ever since a gruesome bus crash caused the career of Georgian eclectic collective Baroness to come to a screeching halt, the band has been healing in a multitude of ways. Frontman John Baizley severely broke his left arm and leg, drummer Allen Blickle and bassist Matt Maggioni suffered fractured vertebrae, while guitarist Pete Adams was treated for more minor injuries. Despite the horrific pause in the timeline of Baroness, Baizley has written yet another uplifting entry on his health, along with video footage of ‘Stretchmarker’ from their 2012 double album, ‘Yellow & Green,’ played acoustically. Two months after the August bus crash in England, we had the honor to facilitate the very first interview with John Baizley since the accident. Within the hour-long discussion, Baizley opened up about his injuries, the slow recovery process and even how the wreck affected his life as a father. Now, Baizley has released another update, which can be simply described as remarkably inspirational: Simply put: it’s time to get back to it. Since my belated and thankful return to the USA (after our painful test in motor coach-aeronautics) I can definitively say I’ve exhausted my reserve of potential leisure activities (there’s not that many of them, after all). I’ve come dreadfully close to boredom, and in those moments I can’t help but focus on my glaring physical infirmities. Television offers little respite from this relative stasis; I’m sure by now I have sampled every biker-meth-dealer-zombie-low-talking-cop-crime-scene-serial-killer-real-housewife soap opera that is currently being broadcast (and there’s no small number of them). I’ve tried to fill my weekly routine with as much physical therapy as possible but the truth is, PT is not fun, and its benefits come with a great deal of mental/physical/spiritual pain and struggle. Furthermore, I believe I am getting a touch of Stockholm Syndrome when it comes to my doctors and therapists (the highlight of my week should NOT involve a clinic). Music might be the best therapy I have right now. Perhaps it’s both the cause and the cure (the thought has crossed my mind); but I feel lost without it.  Pete and I have just spent a long week surveying our musical wreckage and, surprisingly, we are quite well and intact. Sure, there are some substantial obstacles to overcome before we write, record or perform any time soon; but we still have everything we need to get ‘back in’ that particular ’saddle again.’ Most of my peers are familiar with such high-school-gym-teacher poeticisms as ‘risk equals reward’ and ‘no pain, no gain;’ but did any of us every really believe there was any real wisdom in those adolescent platitudes? I didn’t. I am, however, starting to understand the essence of these and many of our other favorite clichés. As odd as it might be for me to write these ‘updates’ after 10 years of personal silence on the internet, I feel that I owe everyone who’s voiced or given their support to  Baroness a brief synopsis of our situation and more importantly a heartfelt thanks.  Honestly, it has made this ordeal much easier on me. What little publicity that surrounds our crash has given voice to so many people who have shared their own stories of injury, trauma and struggle with us, and has furthered my own faith in the communicative and universal strength of music. As every singer on every stage has nightly said, ‘we wouldn’t be where we are without you.’ Thanks everyone. We look forward to seeing you soon. Here’s a short clip of a song we wrote.” Check out John Baizley and Pete Adams performing an acoustic cover of ‘Stretchmarker.’ Baroness, ‘Stretchmarker’ (Acoustic Jam) [button href=”http://loudwire.com/best-rock-albums-of-2012/” title=”Baroness – Best Rock Albums of 2012″ align=”center”]

Baroness Frontman John Baizley Recounts Horrific Details of Bus Crash

BaronessMusic.com On Aug. 15, Baroness were involved in a terrible bus accident in the United Kingdom. The accident that occurred that morning caused Baroness’ bus to break through a guard rail at 50mph, plummeting 30 feet off a cliff into a wooded area below. Incredibly, every passenger on the bus survived, and in a fascinating recollection written by Baroness frontman John Baizley, fans are now able to understand how truly lucky the band was to survive. No matter your personal religious convictions, or lack thereof, one word can be universally shared to describe the survival of each bus passenger — ‘miracle.’ In Baizley’s written account on his brush with death, which left him with a severely broken arm and leg, he shares with incredible depth exactly what happened, the moment of impact, insight into his near-death experience (which is oddly reminiscent of Woods of Ypres ‘ song ‘Death is Not an Exit’) and much more. Baizley writes: On August 15th, just before 11 am, Baroness and our crew were involved in a very bad crash while on tour. The brakes in our bus failed completely, on a notoriously dangerous, incredibly steep (12% grade) hill in Monkton Combe, UK, on our way from a show Bristol to another show in Southampton. Our bus went entirely out of control, and we had no choice other than hitting a perpendicular guardrail going about 50 mph at the bottom of the hill. The guard rail and the 20 or 30 trees we ploughed through snapped like matchsticks as we went fully airborne and fell down more than 30 feet off of a viaduct to the ground below. Half of the band/crew were asleep while we lost our brakes, and a few of us were awake and sitting in the rear lounge. I was up front with our driver, and I bore witness to the entire thing. Once our brakes failed, the bus could do little more than gain momentum and plummet down the hill. There was nothing anyone on the bus could have done during our descent to avoid the crash, and no one, the local residents, the police or any of us can believe we survived the impact. Most people who have been in accidents understand the pre-trauma sensation of time slowing down. There were almost two minutes during which I knew we were heading for a collision. It felt like two hours. I remember the sound of the air-brakes failing, and the panicked cursing of our driver as we slowly realized how desperate the situation was. I tried as hard as I could to yell and wake everyone up to prepare for impact. I remember the sounds of confusion from behind me as our collective terror rose. I remember seeing the guardrail split, then a cluster of trees smacking against the front windshield. While we were airborne my eyes met with our driver’s. I knew then that we each shared the same look on our face; and I won’t soon forget it. We had spent enough time in the air to appreciate, make peace with and accept a fate we thought inevitable, and we looked at one another with a horribly silent “goodbye” in our eyes. When the bus hit the ground, I flew like a missile into the windshield. I can still see the double-paned auto glass turning blue and the spider-webbing cracks spreading outwards from the impact my body made. I hit the glass so hard, that the entire windshield flew from the frame to the ground, and I bounced back inside the bus. I landed on the ledge of the windshield. This came with an immediate and overwhelming pain throughout my body. I surveyed the damage to see instantly that my left leg was very obviously and badly broken. Then I lifted my arms forward to see if either had been damaged. My right arm was covered in burns, blood and broken glass, but working well enough. My left arm was crushed beyond belief, broken in the middle of the bone in my upper arm (humerus), and hanging 90 degrees backwar ds, with many spurs of bone poking through muscles and sinew at the surface of my skin. The bone was shattered into seven free-floating pieces, and my wrist and hand were swinging behind my back, spasming freely. Instinctively, I reached behind my back, grabbed my wrist and re-broke my arm forwards, hugging it to my chest, where it remained for the next three hours until it was cast in plaster. Meanwhile, I watched as some of the band was able to get off the bus and help the others, many of whom were broken-up as well, and several of whom were unconscious. There was blood, glass and diesel fuel everywhere. We were all rushed to the hospital in Bath, and treated for our various injuries, broken arms, legs, vertebrae, bruises, cuts, etc. Our driver was air lifted to a separate hospital with many breaks as well. A few of us had to remain in the hospital for a few days, I was hospitalized for two weeks, following an eight-hour surgery in which my arm was rebuilt with the aid of 2 massive titanium plates, 20 screws and a foot-and-a-half of wire. The 15? incision took almost 50 staples to close up. I was left completely immobilized for the remainder of my hospital stay, able to do next-to-nothing on my own and in need of constant care. Following those excruciating first two weeks, I was quite literally stuck in an apartment for another three weeks with my family while waiting for my doctor to allow me to safely board an airplane, for fear of bloodclots and swelling. I have just this past week returned back to the US and my home, where I am wheelchair-bound for another several weeks of physical therapy, learning to use my arm and leg again. While I cannot lift a glass of water to my lips to drink with my left arm and hand, I am still able to play music with it. I picked up a guitar and played the day after I returned. Not without pain (for the time being), but the hand still acts out the creative impulses I give it. I’m told I was quite lucky to have regained any use at all of my hand and arm, though I have sustained quite extensive nerve damage. In spite of this and against my logic and reason, when I pick up an instrument, my hand remembers exactly what to do. It’s far from perfect, and will require a lot of therapy in order to recover mobility and strength, but I am encouraged by the ability I have been allowed. I do not believe in superstitious signs, but I am truly overwhelmed to have been granted the continued use of my hands. As a result of the crash, I feel encouraged not only to recover, but to move forward with Baroness, as we had been doing every day previous to August 15th. This accident has inflicted an injury which has left its mark on the band: physically, mentally and spiritually. In order to rehabilitate ourselves fully, we must work towards and then past the goals we had prior to the accident. I will consider our immediate recovery a success only on the day we plug back in to play another show. We cannot allow this accident, which I believe is unrelated to the band or our music, to slow down or stifle what has become so much more than a passionate hobby for the four of us. Through Baroness, we have discovered a method by which we may harness our drive to create, and channel all the emotion, anxiety and pain in our lives into something constructive. Music is the universal means of communication we have chosen to express ourselves. Our message has never been one of the absolute positive or negative, neither black nor white. True life occurs within the shades of grey, and I see this experience form that perspective. It seems only fitting to me that we continue working towards creating and performing again as soon as possible, as this band and its music are the vehicle through which we grow as individuals, artists and brothers. The injury the band suffered is an injury to my family and loved ones. Rather than allow it to become a wedge that forces us apart, I would like to see this experience become part of the glue that strengthens us. We have only begun to accomplish what we set out to do through this band. There is so much more to say, and though we do need to heal up a bit; we will not allow any of those things to be left unsaid. I have no regrets about touring. I don’t blame music or the touring lifestyle for my current physical state, or for the accident itself. It happened the same way all things happen: randomly. If I was a carpenter, and I was injured on the way to the job-site, I wouldn’t consider quitting my job. That is truly how I see this situation. Baroness doesn’t stop because we got hurt on the way to work. We love what we do much more than that, and we have chosen this path because it offers us an unpredictable adventure. With any adventure that involves travel, and with any real passionate pursuit, one will occasionally come face-to-face with the reality of living on the other side of the yellow line. I didn’t choose to be a musician in order to live a risk-free life, safely avoiding bumps and bruises. I didn’t choose to play music because it seemed like a simple opportunity to make some quick cash. Nor did I ever make the assumption that things would get easier as we progressed. We can do nothing but attempt to make something constructive and beautiful out of all this disaster, and we are well on the way to becoming active again. I have used this time, stuck inside my own head, to consider the importance of music and Baroness in my life. I can say, after nearly 6 weeks of reflection, that I feel more resolute and passionate about our music than ever. I have come to realize the importance of time in this particular equation, that is, I have none to waste and none to spare. There is no better moment than now, broken and in physical stasis, to devote ourselves more fully towards our art than ever. We cannot allow the traumatic fallout of our crash to cripple us internally. It seems simple: the shows we have cancelled we will reschedule and play in the future. It isn’t going to happen next week nor will it be next month. But it will happen. We will be back on tour as soon as we possibly can. There was one moment in the crash that cut me deeply. For one heartbeat and one tiny sliver of time, I became disconnected entirely. It was, specifically, the moment I impacted with the glass. In that barest heartbeat of a moment, I came face to face with the infinite. I didn’t see a light, or the tunnel or hear any music. Nor did I get a “best-of” montage of my life. Instead, I felt the tip of my nose brush up against the very same fate I had accepted moments before. I looked into a cold, unreflective mirror. It was the dark, silent, dispassionate logic of the end. I realized in that moment that life can be seen as a light switch: “on” or “off”. When the moment passed and I heard the screaming, felt the pain, and tasted my own blood, I was overcome with joy. I was ecstatic to be back amidst all that chaos and horror  because  it was alive and real. I finally glimpsed the relative importance of all things. The support of our fans, our friends and our families has real meaning to me now. I say that now honestly, without false humility. Thank you. Everyone. Till the wheels fall off . . . John Baizley & Baroness BaronessMusic.com BaronessMusic.com BaronessMusic.com [button href=”http://loudwire.com/baroness-march-to-the-sea-best-2012-rock-songs/” title=”Baroness: Best Rock Songs of 2012″ align=”center”]

Daily Reload: Soundgarden, Baroness, Tommy Lee + More

Here’s a look at the top stories of the day on Loudwire and around the Web: Soundgarden set an official release date for their highly anticipated new album. Find out the details here: [Loudwire] In an update to the horrific Baroness bus crash story, it has been revealed that three of the band members suffered very serious injuries. Read more: [Loudwire] Motley Crue drummer Tommy Lee has been accused of

Lamb of God Guitarist Willie Adler Offers ‘Thoughts and Prayers’ to Baroness

Lamb of God guitarist Willie Adler’s heavy metal heart goes out to the guys of Baroness, who were involved in a horrific road accident on Wednesday (Aug. 15) in England. Baroness were heading to Southampton, England, following a gig in Bristol the night before, when the incident took place. Adler is no stranger to rough situations in foreign countries. After all, Lamb of God singer Randy Blythe was recently arrested

Baroness Involved in Serious Bus Crash in England

Progressive metal / rock heavyweights Baroness were involved in a serious accident earlier this morning (Aug. 15) in England, as the band’s tour bus reportedly plummeted for 30 feet over a viaduct. Several people were inside the bus when the accident took place, with two of them having to be rescued by firefighters after the passengers were trapped inside the bus. Two of the passengers apparently suffered serious injuries, with