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Metal Album of the Year – 2012 Loudwire Music Awards

It was a stellar year for metal, and we’ve got 10 very strong contenders in our Metal Album of the Year category in the 2012 Loudwire Music Awards. From grind to progressive metal to sludge to death metal and more, these albums have shaped 2012, but in the end, the fans will be the ones who choose this year’s top album. Check out the nominated album and be sure to vote in the poll below: Between the Buried and Me, ‘The Parallax II: Future Sequence’ Between the Buried and Me have perhaps created the most complex music ever set in outer space with ‘The Parallax II: Future Sequence,’ proving they are one of the strongest groups of pure musicians within the realm of metal. ? Converge, ‘All We Love We Leave Behind’ On ‘All We Love We Leave Behind,’  Converge  stride closer to their hardcore roots with the track ‘Trespasses,’ continue the legacy of Kurt Ballou’s ingenious shredding with the song ‘Sadness Comes Home’ and even create experimental beauty with ‘Coral Blue.’ ? Down, ‘Down IV, Part I – The Purple EP’ Although ‘ Down IV, Part 1 – The Purple EP’ contains only six songs, the tracks within offer a sustaining energy that carries the weight of a full-length record. Moreover, Phil Anselmo’s voice sounds as powerful as ever. ? Goatwhore, ‘Blood for the Master’ Goatwhore ‘s blackened death metal gem ‘Blood for the Master’ is one of many great strides made by underground bands this year. Released on Feb. 13, the band unleashed one of their heaviest and greatest career achievements in 2012. ? Gojira, ‘L’Enfant Sauvage’ Although Gojira already possessed mountains of fans and a solid discography, the band is widely considered to be the breakout metal act of 2012. The French metallers successfully balanced their key components of brutality, beauty and progression. ? High on Fire, ‘De Vermis Mysteriis’ High on Fire ‘s ‘De Vermis Mysteriis’ explores the story of Jesus Christ’s time-traveling stillborn twin brother who drinks a serum to see the past through his ancestors eyes in order to discover how his brother became a religious icon. ? Lamb of God, ‘Resolution’ Lamb of God continued their streak of creating addictive “pure American metal” with ‘Resolution.’ The band stays the course with their latest album, with powerful consistency and strong execution. ? Napalm Death, Utilitarian’ ‘Utilitarian’ turned out to be not just a phenomenal album, but a monumental achievement for the British legends. Napalm Death ‘s songwriting created an avant-garde niche consisting of scattered saxophone solos and otherworldly clean vocals. ? Pig Destroyer, ‘Book Burner’ Pig Destroyer ended a five-year wait for new material in 2012 with ‘Book Burner.’ With the all-knowing guitarist / producer Scott Hull and tremendous guest vocalists accompanying J.R. Hayes, the grind of Pig Destroyer remains second to none. ? Woods of Ypres, ‘Woods 5: Grey Skies & Electric Light’ Tragically, Woods of Ypres mastermind David Gold did not live to see the release of ‘Woods 5: Grey Skies & Electric Light.’ Gold harnessed immense depth and introspective thought for the album, using death itself as the album’s central theme. ? Voting for the 2012 Loudwire Music Awards closes on Jan. 15 at 11:59 PM EST. Fans can vote once per hour, so keep coming back to make sure your favorite band wins! Sorry, you need to have javascript running to see this poll. [button href=”http://loudwire.com/rock-song-of-the-year-2012-loudwire-music-awards” title=”Next Category: Rock Song of the Year” align=”center”] Get Notified When Winners Are Announced Enter your email address below to receive the daily Loudwire newsletter, which will include notification of our full list of winners in the 2012 Loudwire Music Awards, as well as the top stories in rock and metal. Email

ShipRocked 2012: Korn, In This Moment, P.O.D. + More – Day 2 Recap + Gallery

Liz Ramanand, Loudwire Waking up in sunny Key West Fla., after a serious night of partying was the case for some on the ship while others slept in and awoke to the sound of Lit in the afternoon to kick off the second day of music mayhem. Frontman A. Jay Popoff of Lit donned his very fashionable red-rimmed sunglasses as he worked the stage. It’s always a fun time when Lit perform, especially with their animated and energetic stage presence. After Lit, onetime Guns N’ Roses guitarist Gilby Clarke rocked the Deck Stage with some serious riffage. P.O.D. gave one hell of a performance as they unleashed in the middle of the Atlantic Ocean. Sonny Sandoval sang eye to eye with many fans but that wasn’t close enough for him as he belted out various P.O.D. anthems that ShipRockers knew and loved. After a half hour of technical difficulties and even a little bit of rain The Halo Method featuring — took the stage next and was joined by Art Of Dying frontman Jonny Hetherington performed Alice In Chains ‘Would?’ In This Moment crushed on their last day of the cruise since they had to fly to another show. They gave a blistering performance and got ‘Blood’ pumping by kicking off their set with ‘Adrenalize’ from their latest record. Korn ’s first performance of the cruise was indoor at the Carlo Felice Theater. The band put on a flawless show by playing numerous hits such as old school hits such as ‘Blind,’ ‘No Place to Hide’ and new school hits ‘Chaos Lives In Everything’ and ‘Get Up’ off of their ‘Path of Totality’ record. Other acts of the day included Fuel, Geoff Tate and Filter, who ended the night with an intimate set at the very aptly named Zebra Lounge. Check Out Photos of Bands Performing on Day 2 of Shiprocked 2012: Lit: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Gilby Clarke: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire P.O.D.: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire The Halo Method: Liz Ramanand, Loudwire Liz Ramanand, Loudwire In This Moment: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Korn: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire [button href=”http://loudwire.com/shiprocked-2012-godsmack-five-finger-death-punch-sevendust-more-day-1-recap-gallery/” title=”Previous: Shiprocked – Day 1 Recap + Gallery” align=”center”]

Sum 41 Celebrate 10th Anniversary of ‘Does This Look Infected?’ With Nostalgic NYC Show

Liz Ramanand, Loudwire Sum 41 are the reason I chose to dedicate my life to music. That may seem like an odd statement coming from an extreme metal fanatic, but at age 15, I got my hands on Sum 41′s 2002 album, ‘Does This Look Infected?’ and subsequently discovered my life’s path. A decade later, Sum 41 have launched a tour to celebrate the album’s 10th anniversary, playing the entire record from front to back for rabid and nostalgic fans, and we were there to cover it all.  When Sum 41 released their breakthrough 2001 album, ‘All Killer, No Filler,’ the early 2000s pop-punk explosion began to hit its fever pitch. MTV was already airing videos from established bands such as Blink-182 on heavy rotation, but when Sum 41′s ‘Fat Lip’ hit in the summer of 2001, mainstream music began to notice a breed of younger pop-punk acts. By 2002, pop-punk was mainstream rock’s hottest genre, with albums such as New Found Glory’s ‘Sticks and Stones,’ Finch’s ‘What it is to Burn,’ and the Starting Line’s ‘Say It Like You Mean It,’ all achieving massive success, and much like Sum 41, all three bands are touring to celebrate the 10th anniversary of their respective records. Simple Plan, Good Charlotte and Bowling for Soup also rose up as popular mainstream acts, but Sum 41 offered a more aggressive form of the genre. They focused on their heavy metal roots and the more ‘punk’ side of pop-punk, with tracks such as the politically infused ‘Still Waiting’ and the thrash-meets-old-school-Offspring track ‘Mr. Amsterdam.’ Along with the gravely yell of Deryck Whibley , Sum 41 drifted from their contemporaries while remaining a radio-friendly act. Although Sum 41 have fizzled slightly in the modern day, the New York City crowd for the band’s Nov. 14 show spoke volumes about the group’s legacy. Stepping past the doors and into the threshold of New York City’s Irving Plaza, I was expecting to see an older fan base, as the show was focusing specifically on an album released 10 years ago, but surprisingly, the venue was absolutely packed with an impressive mix of young and older fans. As Sum 41′s crew prepared the stage for the show, a myriad of thunderous chants, which could rival music’s most beloved bands, filled the venue from front to back, and once Sum 41 hit the stage, the crowd absolutely exploded. As Sum 41 performed ‘Does This Look Infected?’ from front to back (sans ‘Thanks For Nothing’), the energy level never diminished, even as the band busted out the deepest cuts of their 2002 album. The second half of the set was filled with both old and new fan favorites including ‘Fat Lip,’ ‘We’re All to Blame’ and ‘Underclass Hero.’ Having personally seen Sum 41 in 2003 while witnessing the rise of the pop-punk heroes in real time, an absolutely befuddled realization hit me like a crowd surfer kick to the back of the head — nothing had changed. I was suddenly the 15-year-old kid in the black Chucks, Dickies shorts and multi-colored wristbands again, surrounded by the same personified energy conjured by Sum 41 in their most definitive of times; only I wasn’t the youngest kid in the pit anymore. Despite the departure of guitarist Dave Baksh in 2006, the band was the same Sum 41 they’ve always been, with the same magic radiating throughout the crowd that I first identified nearly a decade ago. Drummer Stevo32 even maintained the tradition of swapping places with Whibley for the band’s classic concert finisher, ‘Pain for Pleasure.’ We’ve all grown up listening to the sounds of the present mixed in with the milestones of the past. Sum 41 may never make another ‘All Killer, No Filler’ or ‘Does This Look Infected?’, but on this cold November’s night in New York City, the crowd’s visceral reaction along with its noticeably diverse age group points to something incredibly important: a legacy. Ten years before ‘Does This Look Infected?’ was released, Rage Against the Machine unleashed their self-titled record, Alice in Chains unveiled ‘Dirt,’ Bad Religion gave the world ‘Generator’ and Green Day unleashed ‘Kerplunk!’ These landmark albums were celebrated the year they were released, praised 10 years later in 2002, and remain incredibly important to rock fans of all ages even after hitting the 20-year mark in 2012. In my eyes, Sum 41 have hit two out of those three milestones, and if future generations remain hungry to delve into the gems of the past, we may very well find ourselves reporting on the 20th anniversary tour of ‘Does This Look Infected?’. “ This is who we are, and nothing’s gonna change .” Check Out Photos of Sum 41 at Irving Plaza in New York City Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire

Megadeth + Kyng Deliver Powerful Performances at New York City Show

Liz Ramanand, Loudwire Megadeth celebrated the 20th anniversary of their album ‘Countdown to Extinction’ with fans at New York’s Best Buy Theater on Wednesday night (Nov. 14) with some serious support from rock trio Kyng . L.A. band Kyng kicked off the night with a vigorous set as they performed tracks from their debut album ‘Trampled Sun.’ The energy and power the band displays is quite amazing considering that they are a trio. Frontman Eddie Veliz not only shreds it up on guitar but his range of vocals echoed throughout the venue as he performed tracks like  ‘Falling Down,’ ‘Trails In Veins,’ ‘Bleed Easy’ and many others. The bass lines of Tony Campos boomed throughout Best Buy Theater while the very talented drummer Pepe Clark’s thunderous drum patterns shook the foundation of the venue throughout the set. After numerous “Megadeth” chants, first started by Veliz onstage, the headliners hit the stage with ‘Trust,’ then had the fans going out of control with ‘Hangar 18’ and ‘Public Enemy No. 1.’ The band then went on to play ‘Countdown to Extinction’ in its entirety. Of course they also played fan favorites ‘Peace Sells’ and ‘Holy Wars…The Punishment Due.’ Dave Mustaine’s famous ginger red hair flopped around as he played some blistering riffs and belted out some Megadeth anthems. Drummer Shawn Drover kept the beat steady behind the skins while guitarist Chris Broderick and bassist David Ellefson worked the very rowdy crowd of passionate fans. It was one hell of a night for Megadeth die-hards, one they soon won’t forget. Check out the remaining dates to see Kyng and Megadeth on the ‘Countdown to Extinction’ tour here . Photos of Megadeth and Kyng Performing in New York City Megadeth: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Kyng: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire

Funniest Black Metal Versions of Famous Memes

Meme [ meem] noun : A pervasive thought or thought pattern that replicates itself via Internet forums, providing comedic delight to large groups of like-minded cyber surfers. Black metal music and Internet memes have come together to create an unexpected marriage of hilarity. In perhaps the first documented black metal meme, photoshops and comedic artworks of Norwegian band Immortal began to compile on a metal music message board in 2003, using the band’s trademark image and official photos for side-splitting creations. Ever since, black metal memes have swarmed the internet like a winter’s frost, entertaining both fans and naysayers for nearly a decade. We scoured the Internet for memes and even created a couple of them ourselves for our Funniest Black Metal Versions of Famous Memes feature. Rebecca Black: ‘Ermahgerd’: Chubby Bubbles Girl: The Most Interesting Man in the World: ? Haters Gonna Hate: ‘Y U NO’ Guy: Bad Luck Brian: Matrix Morpheus: Good Guy Greg: Condescending Wonka: Musically Oblivious 8th Grader: Uber Frosh / College Freshman: Idiot Nerd Girl: LOLcats: ‘Meanwhile in …’: [button href=”http://loudwire.com/catchiest-metal-songs/” title=”Listen to the 10 Catchiest Metal Songs” align=”center”]

Soundgarden Celebrate Release of ‘King Animal’ With Sold-Out Show in New York City

Liz Ramanand, Loudwire A little more than a year ago, Soundgarden played a show at a venue just outside of New York City that has a capacity of well over 15,000, but for the release of their latest album, ‘ King Animal ,’ the band decided to get a little more intimate. As part of a string of small-venue shows , Soundgarden celebrated the release of ‘King Animal’ at New York City’s Irving Plaza with a sold-out crowd of just over 1,000 screaming fans on Nov. 13. Taking the stage a few minutes after 9 PM, Soundgarden tore into a jamming rendition of ‘Incessant Mace.’ In a set that lasted nearly two and a half hours, the band played songs like 1989′s ‘Gun’ and the Grammy Award-winning ‘Spoonman’ that were sure to please long-time Soundgarden fans. Throughout the night, the band also played several new tracks like ‘Non-State Actor,’ ‘Eyelid’s Mouth’ and their latest single, ‘Been Away Too Long.’ Song after song, Soundgarden rocked Irving Plaza with no signs of slowing down. Only addressing the crowd a handful of times, frontman Chris Cornell was more worried with delivering a memorable performance than chit-chatting with fans. During his first break, Cornell explained to the crowd that this was not just a concert, but it was “kind of a record release party.” During another break, he poured his heart out to the fans and thanked them for allowing Soundgarden to get back together and create new music. The band sounded just as tight as they ever did in the 1990s. From guitarist Kim Thayil’s face-melting shredding to bassist Ben Shepherd’s insane finger-picking, to drummer Matt Cameron’s ferocious style, Soundgarden took every single note they played extremely seriously. This was even more apparent with Cornell’s intense and methodical focus on his beautiful lyrics and dynamic vocals. Albums like ‘King Animal’ and live shows like the gig at Irving Plaza – not to mention their appearance on CBS’ ‘ Live on Letterman ‘ – don’t come around very often. If this is what happens when you take a 16-year-long break, perhaps more bands should follow Soundgarden’s lead. Soundgarden Nov. 13 Set List: ‘Incessant Mace’ ‘Gun’ ‘Jesus Christ Pose’ ‘By Crooked Steps’ ‘Outshined’ ‘Room A Thousand Years Wide’ ‘Spoonman’ ‘Taree’ ‘Been Away Too Long’ ‘Worse Dreams’ ‘My Wave’ ‘Ugly Truth’ ‘Fell On Black Days’ ‘Hunted Down’ ‘Drawing Flies’ ‘Non-State Actor’ ‘Black Saturday’ ‘Blow Up the Outside World’ ‘Eyelid’s Mouth’ ‘Blood on the Valley Floor’ ‘Rowing’ Encore: ‘Slaves and Bulldozers’ Second Encore: ‘Rusty Cage’ Check Out Photos of Soundgarden Performing at Irving Plaza in New York City Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire

‘We Got Power! Hardcore Punk Scenes From 1980s Southern California’ – Book Preview

Bazillion Points Books Last week saw the release of ‘ We Got Power! Hardcore Punk Scenes From 1980s Southern California,’ a massive book packed with photos and essays chronicling the second generation of Los Angeles punk bands. Loudwire has teamed up with our friends at Diffuser.fm to offer a sneak preview, and what follows are 22 of the more than 400 photos included in the volume. All were snapped by David Markey and Jordan Schwartz, the scene vets behind the era’s ‘We Got Power!’ fanzine. Click through the collection of gritty images — then be sure check out Bazillion Points Books to learn more about this essential punk history. ? ? Jordan Schwartz Marlon Whitfield in leather cap and Joe Baiza in fedora, Mari Castelli caught somewhere in the middle, Santa Barbara. ? Jordan Schwartz Punk mom with injured son and daughter—the family that stage dives together stays together. ? David Markey Left to Right, Greg Ginn, Henry Rollins, and Chuck Dukowski of Black Flag, SST Phelan office, on Phelan St. in Redondo Beach. ? Jordan Schwartz The Minutemen, Grandia Room, Hollywood, CA, 1982. Most of the few people in the crowd played in other SST bands. At left is Earl Liberty from Saccharine Trust, center is Henry Rollins, and at right (in trucker hat) is Chuck Dukowski from Black Flag. ? David Markey Fresh ink on Henry Rollins, the birth of an icon, 1984. ? David Markey Youth of America Unite! The rear of the Punk Shack during demolition. Local anti-punk surfers crossed out our Black Flag graffiti as part of an ongoing war. A year or two later, these same culprits would cut their long surfer hair and don Suicidal Tendencies shirts. ? Jordan Schwartz Snickers from the Simpletones and the Stain gets the last dance, Dancing Waters, 1982. ? Jordan Schwartz Mike Ness, Social Distortion, playing the kitchen of Meg and Becca’s apartment, Silver Lake, 1982. He had stitches in his mouth from some sort of fight accident. ? Jordan Schwartz Janet Housden, the newly rechristened Redd Kross, Dancing Waters, July 30, 1982. ? Jordan Schwartz Vox Pop, Cathay de Grande, January 20, 1982. ? David Markey Mike Roth in the Punk Shack during demolition, 1982. [button href=”http://diffuser.fm/we-got-power-hardcore-punk-photos/” title=”Next: More ‘We Got Power!’ Photos” align=”center”]