Posts Tagged ‘musician’

Twisted Sister’s Jay Jay French Says Trademark Law Doesn’t Offer Choice on What to Defend

Ethan Miller, Getty Images Twisted Sister made headlines last month with talk that they were planning to take legal action against the owner of a Minneapolis food truck over usage of their band name, but guitarist and a manager Jay Jay French says there really wasn’t much of a choice in taking action. The band sent a cease-and-desist letter to the owner of the Twisted Sister House of Hunger food truck, and owner Wesley Kaake told local station WCCO-TV that in researching the matter, he discovered that there were at least six other businesses who also received similar letters from the band. In response to the backlash, French told Blabbermouth , “I get how stories like these appear like David vs. Goliath. I also get how easy it is to take cheap shots at my band because of our former image and the ’80s-era iconography. [But] the fact of the matter is that trademark law doesn’t give me a choice on who and what to defend. The law is very clear: either defend your trademark or lose rights to it.” The guitarist says over the years he’s had to take action against major companies like Six Flags, Urban Decay, and Harley-Davidson as well as some of the “mom and pop companies.” He adds, “The defense is almost always the same. They first claim that they never heard of the band and then they say that no one would confuse the two anyway. I have won every case. The unique juxtaposition of the words ‘Twisted’ and ‘Sister’ have never ever appeared in print prior to my band’s use of it. This was established in the Six Flags case.” French concludes, “The name is so unique, like Led Zeppelin, that any use would confuse the marketplace as either the product or service is owned or endorsed by us. Also, if I let one go, that just emboldens someone else with the rationale that ‘you didn’t bother them, so why go after me.’ I have heard this many times before.” The guitarist also states that he’s not opposed to the food truck using the name for their business so long as they legally license it from the band. He adds, “One hundred percent of the licensing money will go to the OUIF (Ocular Immunology and Uveitis Foundation.” [button href=”http://loudwire.com/twisted-sister-pee-wees-big-adventure-cameo/” title=”Next: Twisted Sister – Musician Movie Cameos” align=”center”]

Red Hot Chili Peppers’ Flea Shows Support for Suspended UCLA Basketball Star

Stephen Dunn, Getty Images There’s no doubt that Red Hot Chili Peppers bassist Flea is definitely an avid basketball fan, and that his loyalties lie with his Los Angeles home teams. On Friday night, he won over numerous UCLA fans while donning a homemade t-shirt in support of suspended basketball star Shabazz Muhammad as he performed the national anthem. Donning a baby blue t-shirt that read “Free Shabazz Muhammad” written in black marker, the musician was greeted with a warm reception. Muhammad, one of the top ranked freshmen in the nation, was declared “indefinitely ineligible” by the NCAA just prior to the team’s first game as a result of alleged extra benefits received during his recruitment. Flea tweeted , “Free Shabazz Muhammad. NCAA is out of control. This is absurd.” According to Yahoo Sports , Flea’s shirt mirrored the thoughts of some of the team’s fans, as several students were noticed donning “Free Shabazz” shirts with the player’s likeness on the front. The shirt likely eased a few tensions for the bassist as well, as he took classes at UCLA’s crosstown rival USC a few years ago. [button href=”http://loudwire.com/red-hot-chili-peppers-flea-back-to-the-future-cameo/” title=”Next: Flea – Musician Movie Cameos” align=”center”]

Suicide Silence Frontman Mitch Lucker’s Family and Friends Attend Funeral Service

Mary Ouellette, SheWillShootYou.com Thursday (Nov. 8) was a day for family and friends to pay their final respects to late Suicide Silence frontman Mitch Lucker , as the musician was laid to rest following a funeral service. The 28-year-old metal vocalist passed away on Halloween night in California from injuries sustained during a motorcycle accident. He leaves behind a wife and daughter. Lucker’s bandmates in Suicide Silence have been among those most in shock over the tragic death, and bassist Dan Kenny took the lead in reaching out to the band’s fan base from the ceremony with a tweet. He wrote: Had to bury my brother today, he looked peaceful when I saw him. It was very hard but it was needed! To the fans just know Mitch loved yall — Dan Kenny (@DanKenny) November 8, 2012 Sumerian Records founder Ash Avildsen also offered his account of the ceremony via a pair of tweets — one of which featured the funeral program. The other tweet suggested that it was emotion rather than drinking that led to Lucker’s demise. They can be seen below: you went out like a fuckin legend because you are one. thank you for everything. live life hard. one love. y instagr.am/p/RyHSnnP3uF/ — ash avildsen (@ashavildsen) November 8, 2012 @ svitzzzzz he didnt ride away on his bike because he was drunk. it was in a fit of rage. anger is a very dangerous thing.emotions killed him — ash avildsen (@ashavildsen) November 8, 2012 The members of Suicide Silence have started a donation page to help provide for Lucker’s daughter. [button href=”http://loudwire.com/best-suicide-silence-songs/” title=”Next: Best Suicide Silence Songs” align=”center”]

Motorhead’s Lemmy Kilmister Calls Mitt Romney a ‘F—ing Monster’

Liz Ramanand, Loudwire With Election Day taking place in the United States tomorrow (Nov. 6), Barack Obama vs. Mitt Romney is getting exponentially more heated. As one of the few subjects that truly divides groups of human begins into two halves, politics constantly draws passionate statement from people of all backgrounds. One of those backgrounds happens to be playing bass and providing vocals for Motorhead , with the legendary Lemmy Kilmister offering his two cents on the election. During a recent discussion with Rolling Stone , Lemmy was talking about his inclusion for a Chuck Berry tribute concert. During the conversation, Rolling Stone journalist Patrick Doyle shared an experience he had while interviewing Berry, who teared up while saying, “My dad said, ‘I don’t know if we’ll live to see it, but one day we will [have an African-American President] – and thank God that I have.’” Lemmy responded to the story with a passionate statement of his own. “I would have said America wasn’t ready for it. And I don’t think they were, because they’re trying to drag him down now,” begins Lemmy. “I mean, the poor f—er’s only just gotten rid of all that George Bush s–t that he left, or is trying to. And he’s being stonewalled by the f—ing Congress all the time. I don’t know how he’s gotten anything done. They should be glad. I mean the alternative is Mitt Romney. Please, please don’t vote for Mitt Romney. F— him. Repeal abortion law is the first thing he’ll do. F—ing monster.” When Lemmy was asked whether he had been watching the debates, the musician responded, “I couldn’t bear it.” Be sure to head out and vote tomorrow (Nov. 6), but in the meantime, make sure you cast your vote for our President of Heavy Metal election. Lemmy almost made it to the final round, but was defeated by Rob Zombie , who faces Ozzy Osbourne for the sacred title. [button href=”http://loudwire.com/rob-zombie-vs-ozzy-osbourne-president-of-heavy-metal-election-finals/” title=”Vote in the President of Heavy Metal Election” align=”center”]

Rob Zombie Says Upcoming Studio Album Is the ‘Most Inspired Event’ of His Music Career

Liz Ramanand, Loudwire Rob Zombie is currently on the road with Marilyn Manson for the ‘Twins of Evil’ tour, but recording his next album is still very much a priority for the musician. Zombie released ‘Hellbilly Deluxe II’ in February 2010, and the follow-up promises to be dark, heavy and weird. Although Zombie won’t be playing any of his new songs on the ‘Twins of Evil’ tour, he recently spoke in depth about his nearly completed fifth full-length record. “We’re not doing anything new just because nobody wants to hear new songs off a record that isn’t out yet,” Zombie tells ToledoFreePress.com . “That is just wasted concert time. We’re mixing it up and doing some older stuff that people will be excited to hear, but nothing new.” Zombie continues, “It’s stylistically sort of a little bit of everything. Fans of my really old stuff will love it because there’s a certain aspect of it that’s very reminiscent of that. But it also is very looking to the future. It’s hard to describe music to somebody if they haven’t heard it, but I feel like it’s the best of all of the things I’ve done. I’ve finally found a perfect match between the old stuff I did and the new stuff. That’s the way it sounds to me anyway.” The prolific musician and horror filmmaker claims to be in one of the most creatively successful periods of his life, which Zombie says will be represented in the upcoming album. “It seems to happen every couple of years or every 10 years or every five years or whatever, you have a moment when it all comes together. Not that the other records are bad, but not every record can be like the most inspired event in your life. But for some reason, this one feels like it is. The songwriting, the sound of it, the vibe, the production — it’s special.” Rob Zombie and Marilyn Manson’s ‘Twins of Evil’ tour is set to conclude in Dallas on Oct. 31. [button href=”http://loudwire.com/tags/rob-zombie/” title=”Click Here for More Rob Zombie News” align=”center”]

Baroness’ John Baizley: If My Arm Injury Was Any Worse, We Would Have Discussed Amputation

Baroness – Official Site Here in Part 2 of our exclusive interview with Baroness frontman John Baizley , the musician discusses the gravity of his physical injuries, as well as his daily rehabilitation routine. Baizley shares the incredible difficulties he now faces when attempting to perform simple tasks such as folding laundry or opening a bottle of water. The Baroness frontman also gives additional details about the terrifying moments knowing that the bus was about to plummet down a 30 foot drop, the moment of impact, the unthinkable amount of pain he endured and the current condition of the other passengers on the bus. When it comes to your physical rehab, can you tell us about your normal daily routine? Yeah, I mean, I’ve got a severely broken left leg and a crushed beyond belief right arm, but they’ve both been mended in such a way that at first I was in a cast, then I was in a brace, and now neither my arm or my leg has anything holding it in place externally. I’ve got some metal on the inside, but on the outside, because I injured two joints, in order to become functional again I have to move them. So in other words, like I was saying, if it hadn’t been an elbow and a knee, I’d be in a cast right now and I would able to do much less, but these were very serious traumatic injuries to my joints and if I don’t move them they will lock up forever. So against what seems to be logical to me, it would seem that you’d let the bones heal completely and then start working on things. I’ve broken plenty of bones before and that’s always been the case in the past, but with these two injuries, I have to move them. I can’t walk. By the end of it, it’ll be three or four months that I’ll have had to spend in a wheelchair, but I spend the whole day sitting there bending my leg over and over and over again and twirling my foot around like an idiot just to keep the blood flowing and to keep everything on the mend and with my arm, at this point, it’s all about stretching and starting to do small functions. Like as I said before, folding the laundry feels like running a marathon. I feel like I’ve been to the gym if I open a bottle of water or something like that. It’s humbling to see, relatively speaking, how strong I was and how we all were before the accident. The human body does all of these things and of course we take that for granted until it’s taken away from us and I spend each day seeing how much further I’ve come from the day before. So last week, I was unable to touch my face, and this week the big improvement that I made is that I am able to bend my arm enough that I can touch my face, and it does sound silly because what are you going to do when you touch your face? Last week, I learned how to put the phone down and scratch my nose with the good hand; it’s all degrees. The good thing for me is that I have a very supportive family and my 3-year-old daughter doesn’t understand how serious this injury is, so she still wants to play with me and what I do is that I do the best I can to be a normal guy and that helps me because I don’t sit there and wallow and get stuck in that rut of inactivity. I don’t have time to wait, I just don’t have time for anything anymore. I am ready to get through this and get moving again, and that was one of the big things that changed with that accident. I’ve come to a realization that we do have a relatively limited amount of time to do the things we want to do, and it can very easily be taken away randomly without any logic or sensibility to it. I consider myself incredibly lucky to have survived through the accident and to come through with injuries that can be fixed within reason. Yeah, my arm isn’t going to work the same again and neither is my leg, but I didn’t take a head injury, I still have a pulse, I still have all of my limbs attached and that didn’t necessarily need to be the case. I was told that if the injury to my arm had been any worse we would have been discussing amputation, so that’s a reality check in some ways. Be thankful for what you have because it’s much easier than you assume to lose this type of stuff. I’m not a spring chicken anymore and I’m not one of those people that thinks or has thought that I’m invincible, but now I’m sure of it. Now I’m sure of what we’re made of and it really is a thin network of meat and bones. You’ve got to respect that. It’s phenomenal that nobody passed away. I remember in your story, you were saying that moments before the crash, you were yelling at everyone and trying to wake them up to preparing for the impact. What struck me as interesting is that while you were trying to get everyone ready, you stayed at the front of the bus. Did that seem like the safest place to remain at the time when you were going over that hill? No, and maybe I can clarify; it felt like ages. There wasn’t enough time to do anything definitively and it was just enough time for instincts, to act on instinct. If I had knew that there were going to be an accident. If I was prepared to know we would have had a finite amount of time to deal with it, maybe something could have been done differently. But the fact is simple fact is, and I could put it very bluntly; we were screaming out of control down a very steep hill, in the rain, in a bus. There’s no seat belts on our bus. I don’t know if you ever seen European tour buses, but there are a lot of bands that in order not to loose money on tour, will rent older model buses. The bus was an older model but it was a German model, German driver, he owned and operated his own vehicle. There are very stringent vehicle laws in Germany so it really was up to code, it wasn’t like we were on the Beverly Hillbillies truck and we could just jump out of the back of it. I mean, how are you going to get out of a vehicle that’s flying down the hill? It would take a lot of rationale and I wouldn’t have done it anyway because my friends, my best friends in the world, are all on that bus and instincts told me that I needed to wake them and everybody who was awake needed to know what was going on in order to brace for impact, because the other thing about those type of tour buses, if there is something is considerably wrong happening up in the front, it doesn’t mean you know it in the back. Sound doesn’t travel well through those buses so screaming at the top of my lungs, I’m barely getting everybody’s attention. I think everybody woke up in time to have some brief moment of understanding of what was going to happen, and I’m not even sure about that. There may have been one or two people who just woke up in the hospital, but the simple fact of the matter was we were moving incredibly fast and we were going down a hill and the driver and I we were looking for something to do, we were looking for a way to stop it. We were looking for a road where we could have turned on, or a ramp we could have gone up or something that could have cushioned the blow a little bit easier and we never found it. There was one road we could have turned on, but it was almost like we would have to turn backwards, it was a very hard left and it was clear that the bus would have flipped. You flip in a bus, that’s it, good night. The only other option is that the bus runs into another vehicle. The only vehicle we saw was occupied, moving towards us and it had another family in it — that’s not an option, you don’t kill somebody to save yourself. So, by that time the crash was entirely inevitable and we had run out of choices. We saw the guardrail at the bottom and there was really nothing we could have done. We were moving so fast that nobody could have done anything. We tried everything, we tried using the momentum of the bus and turning to slow it down; that worked to a certain degree. We ran to the emergency brake, and the transmission was basically gone because we were going so fast you couldn’t downshift, and of course, there were no brakes, so we were mechanically … f—ed. [Laughs] Yeah, that’s the right time to use that world. Then we hit the guardrail and then there was a couple of seconds I spent in the air preparing myself for what seemed like an inevitable fate. Honestly, I’ve been living on the road for over ten years. I’ve come to terms with that on several occasions and none of them were even close or as serious as this. I was ready for it and I made my peace, I accepted it and I was ready for the end. That was the only option that was given to me. You know, at the point when our bus was fully airborne, there was nothing you could do but try to make peace with it, and I did. How surprised was I when I’m still alive? How f—ing overenthusiastically happy was I when that happened? Like I said, whatever physical pain there was, whatever mental trauma I’ve yet to suffer through, whatever nicks and bumps and scrapes and bruises we’ve taken from this, I’ll tell you what, it’s better than the other alternative we could have taken from that wreck. I guess that’s just that. You deal with the hand that is dealt. That’s what I gotta do. It’s better to do it and find something constructive and something positive. That’s what I think everybody’s doing and we’re really quite happy because I wasn’t exactly in a pleasant mood for a few days following that and I was trying to make sense of it, and thanks very much to the rest of the guys in the band and crew, thank you very much to our fans who offered support and our friends and family who were there or were keeping in contact with us and absolute f—ing praise and worship goes to the emergency team who responded, and you know the surgeons, and the whole medical team that dealt with us because they kept us alive, kept us in one piece and kept everybody positive. It felt like there was this huge extensive family who just tried to keep me and everybody okay physically, mentally, and in every way. I’m so grateful for that because a month after our wreck there was another bus that crashed 60 miles away from us that was carrying people from another music festival and that crash killed three people. That just got me thinking about how fortunate we are that we have fans that care about us, we have families and friends and everything and all of these people that care enough to be part of the story and to offer help with this. I’m just thinking of some of the people in the other crash, they might not have had that, they might have not had anybody interested in hearing what happened and they lost more. So, in perspective, it could have been worse. It could’ve been a lot better. [Laughs] It could have been a lot better, but it could have been worse. Can you give us an update on your fellow bandmates, friends and how the bus driver is doing? Yeah, I mean, everybody is going to be fine at the end of it. We all suffered different types of injuries and it’s pretty surprising the variety of injuries that were sustained. Just out of respect for the rest of the guys, they’ve all got their individual stories, so I’m not really naming any names, but there was some pieces of back, one guy was in a brace, somebody from our crew was bruised to the point where they had to be under constant medical supervision for fear of clots, and one of our crew looked like he’d been in the biggest street fight of all time. The driver sustained a number of broken bones, some people had minor scratches and scrapes and others as hefty as broken bones and backs. But the simple fact is, we will all be fine, absolutely fine in the end. It’s important, especially for me to hold onto that. We will be fine in the end. If we’re not fine already, we’ll be fine in the end. In the crash story you mentioned that you did suffer some burns along with your broken arm and broken leg. How long exactly were you laying in the bus before you were rescued? It was really quite alarming how fast that there was a crew on the scene. What happened to me specifically was I flew forward about ten or twelve feet and I went halfway through the windshield. The windshield flew out in one piece and it went flying and I hit it and bounced back in. I landed on the window frame where the glass had been. There was shards all around me and the burn marks were abrasion burns. It was a burn that went all the way around my arm and pretty deep into from who knows what. There was a ton of them, just big huge patches of skin rubbed off or burned off. I didn’t pass out, so I can’t say, “When I came too…” but once the bus settled, I was sitting and I was able to survey the area and able to take stock. If I was on the ground I wouldn’t have been able to do a number of things that I did, but I was sitting. That’s when, instinctually, and I believe we were all conscious while doing this, but we were looking around to make sure everybody was alive. I had this sense inside that nobody had died, and fortunately I was right there. I actually was relatively calm given the circumstance and I was just calling everybody’s names out and I think we were all trying to see where everybody was, and after about a minute, it couldn’t have been more than a minute-and-a-half, there were three people at the front of the bus. I had just pulled my arm almost 360 degrees in a circle, so I knew what was wrong with me. I was just sitting in the window of the bus like, “Get me out! Get everybody else out!” There was a window, I guess in the back of the bus that was broken as well. So everybody was either coming out the front or out the back and I believe they had to cut the driver out. Check back on Monday, Oct. 22,  for Part 3 of our exclusive John Biazley interview, in which he talks about how he plans to move on from the accident + more. In the meantime, if you missed it, check out Part 1 by clicking below. [button href=”http://loudwire.com/baroness-john-baizley-bus-crash-isnt-going-to-stop-us/” title=”Part 1: A Bus Crash Isn’t the Sort of Thing That’s Going to Stop Us” align=”center”]

Baroness’ John Baizley: A Bus Crash Isn’t the Sort of Thing That’s Going to Stop Us

Photo by Jimmy Hubbard It’s been nearly three months since progressive rock leaders Baroness were involved in a catastrophic and gruesome bus accident. After the breaks on the group’s bus failed to work, the band plummeted 30 feet into a wooded area at a speed of around 50mph. Although serious injuries were sustained, all of the bus’s passengers survived and are nursing themselves back to health. In a great honor here at Loudwire, Baroness frontman John Baizley offered us his very first interview since the crash, discussing in great detail how the incident changed his life. In this three-part interview, where we spoke to Baizley for nearly an hour, the musician opens up about the crash itself, his current physical condition, when the band will tour once again + much, much more. Read Part 1 of our John Baizley interview below: We’ve all heard that the bus crash left you with very debilitating injuries. You’ve just started picking up a guitar again and you wrote that incredible recollection of what happened. Since you weren’t able to pick up a guitar for a little while, I’d think that it’s left a little bit of a creative gap in you. So writing the recollection of that crash, was that somewhat of a creative catharsis for you? Yeah, in a way. It’s a far cry from writing full songs and really jumping back into art, but when I was first put in the hospital and had to go through surgery, I was just on my back and it was hard for me to sit up. The one thing that I did have the ability to do was use my right hand and I started very early on, very quickly after the crash, just typing really or texting, whatever I was able to do with those fingers to keep in touch with my friends and the people that I needed or wanted to have access with. Shortly thereafter I discovered that being able to articulate the experience, either verbally or on paper, was quite nice for my mental state. I won’t say cathartic because that would seem to denote that at the end of it, I feel better or that I purged with it. I guess over time it’s a slow purging. But yeah, I discovered some sort of therapy through putting my thoughts down on paper in a different way than I’m accustomed to. The tools in my trade are typically songs and images, so now I’m trying to keep them a verbal thing. It’s a new thing for me but it’s actually been quite good for me. It was strangely beautiful, that memoir . I think it connected with a lot of people and you mentioned that you only recently have been able to pick up a guitar again and you still struggle with some pain when playing. Could you elaborate on what that pain is actually like? I’ve been probably living with it now for close to seven weeks. It’s a physical pain, it’s a corporeal pain that won’t go away and of course when it initially happened, I was in real need of heavy medication. Since then, the trick has been to sort of get away from it, so I’m still not quite so far away from the injury that I’m without pain. There’s a 16, 17-inch scar going down my arm that hasn’t healed yet. There’s a small army of metal pieces inside which are not only helping keeping me together but also beginning to react with the organic parts of my body, and at the same time, it’s important for me to get to know the nature of my injuries so that I am as mobile as I possibly can be. I’m trying to move what doesn’t want to be moved and all the while I’m trying to heal. There’s that pain from the injury and along with that severely extensive nerve damage, basically from all the way up from my shoulder down to my fingertips. Playing music is like a different thing, you know? Now there’s a rehabilitative quality to what I’m doing because I essentially had all of the musculature and all of the nervous system removed from my arm for eight hours during the surgery and once it was replaced, you’re dealing with scar tissue and you’re dealing with some parts which aren’t going to work again. There’s a swash of skin down the middle of my arm; basically the top half of my arm doesn’t have physical feeling to it anymore. When I first came out of surgery, there was very, very extreme and incredibly painful pins and needles in my hand, which scared me at first. I said to myself, ‘Oh god what if this lasts forever? What if everything I touch hurts?’ Fortunately, the nerves in my hand are going to work again correctly but the interesting thing is I have to teach the nerve endings how to feel certain things. Textures are quite alien to me at this point. It took me a week to tell the difference between wood and cloth and to pick up my guitar and being able to do that. To my utmost surprise, my fingers were able to play and there was still a ton of muscle memory that was really left in them. They were articulate despite the absence of muscle in my arm, which is almost total. My fingers which require very little musculature; my fingers could do what they’ve always done with a guitar. It was remarkable, it was super surprising. I put it like this; I was stuck in the UK for like six-and-a-half weeks, and when I got home I went back to my studio and there was a guitar hanging on the wall and I was just sitting there looking at it for a full day trying to build up the will and energy and confidence to pick it up and touch it. To me, even at that time, it represented something more than just a guitar. The moment that I picked it up I was going to assess exactly where I was and exactly how much work I had ahead of me to get back to being normal, or whatever the new normal is. Like I said, to my surprise I put it on my lap and was instantly able to play. At first, it was country music; just simple chords, and then within three or four days my fingers were able to stretch out. After five days I was able to play all of our songs and at the end of the week, I had written three songs. So it was very quick and I think it’s an incredible tool for me given the very specific nature of my injuries. Having this tool is not only good physically for my arm, but also a positive thing for me mentally and a constructive thing for me spiritually. It’s like, here’s a tool to help me get back anything I could do with my hands. I’ve begun making art again and I started writing a lot more songs, so all of these things are sort of, multifaceted tools to express myself and to heal myself and to get right with myself by engaging. But, as you said initially, it doesn’t come without pain. I think that one of the big lessons through this process for me is that I’ve been broken down to the basic physical functions of a two-year-old and since the accident I’ve been trying to reclaim myself from all directions and it doesn’t happen without pain. I’m still waiting, it’s still just so fresh for me, I’m just waiting for the first moment of my life where just sitting here doesn’t hurt. It’s actually not that bad because if you’re sore all the time or if you’re in pain all the time, then adding a little bit doesn’t freak you out at all. So what I’m doing is I’m being very aggressive with my rehabilitation. My therapists keep asking me ‘Does it hurt when I do that?’ and my answer is, ‘Yes, but it hurt before you started doing it, so just lets get back together.’ [Laughs] I’m not the sort of person that likes sitting around. I don’t see the benefits in having the time-off aspect of this. I see this as another challenge for me this year and one in which I’m fully equipped to deal with even though it’s certainly been intense. It’s really been traumatic and it’s certainly become something that will define this year, if not this section of my life, but because of that, I think it’s very important not to let it be all negative. Yeah, I was in a crash and that’s bad. I got banged up, broken — that’s bad. There’s nothing good about that, but you can learn something through it, like anything. Like any mistake that’s made or any injury to a person, you could take something from it and use it to make yourself better. With this thing in particular, because it’s touched me on so many different levels, it’s allowing me to regain perspective and regain motivation and reaffirm my ideas and my passions and become, if nothing else, more confident, more resolute in the choices that I’ve made in my life in the fact that I’ve dedicated myself to music, and as I said in the press statement, this wasn’t the fault of my career path, this wasn’t the fault of my lifestyle. This could have easily happened … it’s that cliche, it could have happened walking out of the house in the morning or could have happened downtown while I was going to see a show or eat dinner. It’s just that what we do in Baroness puts us on the road and on roads very frequently, so it’s certainly part of the risk but it wasn’t something inevitable. It was a fluke, and like all of these things that happen as a fluke or by happenstance, we have to use it. We can use it very easily and in a negative way and become more fearful of leaving the house or fearful of going out on tour or, you know, less secure and sort of paranoid and sad about it, but that has nothing to do with us getting back out. It’s just that something has happened to us and it’s going to take a minute for us to get ready again, but f— it, put me back on the road; that’s what I do. This isn’t the sort of thing that is going to stop that. Please visit Loudwire on Friday, Oct. 19, for Part 2 of the interview, in which Baizley tells us that if his arm injury was any worse, there would have been discussion of amputation, among other revelations. [button href=”http://loudwire.com/tags/baroness/” title=”More Baroness Coverage Here” align=”center”]