Chuck Armstrong, Loudwire In a turn that surprised many fans, it was announced a few weeks ago that Metallica were adding one more show to their 2012 touring itinerary, a schedule that initially ended with the band’s performance at Outside Lands in San Francisco. However, the band answered the call to take over Green Day ‘s slot headlining the Voodoo Music + Arts Experience festival, meaning Metallica would give the world one more 2012 show. Last night (Oct. 27), Metallica did just that at City Park in New Orleans. The band immediately set the stage for the two-hour show by ripping into ‘Hit the Lights.’ Wasting no time after the opening song, James Hetfield delighted the crowd when he struck the first chord of the iconic opening riff to ‘Master of Puppets.’ In a set that included songs like ‘Blackened,’ ‘All Nightmare Long’ and ‘Holier Than Thou,’ the highlight of the night was when the band played ‘Orion’ in its entirety. In an obvious tribute to the late bassist Cliff Burton (who played a significant role in the writing of the track), Robert Trujillo was spot-on with the bass solos while the rest of the band sounded tighter than ever playing the instrumental. When the song was finished, Hetfield solemnly said, “God bless Mr. Clifford Lee Burton.” Originally set to headline the second night of the Voodoo fest, Green Day had to back out as lead singer Billie Joe Armstrong entered rehab for substance abuse. “We’re Green Day, just a little taller,” Hetfield announced, having some fun with the crowd after the first few songs. Later in the night, as the band took the stage for their encore, Hetfield brought up Green Day again, saying, “They’re getting it sorted out, hopefully they get it fixed because the world needs them.” Right after that, the band tore into a tribute to Green Day by playing the opening riff of ‘American Idiot.’ Not long after that, Metallica kicked the encore off in true style with ‘Creeping Death.’ The Voodoo fest in New Orleans is a unique experience. Five stages, nearly 100 bands and an endless display of locally created art all inhabit City Park for three days each year. With Neil Young & Crazy Horse headlining Friday night and Jack White rounding things out Sunday night, Metallica were heralded as the main act by nearly all of the local press. The bar was set high with their fellow headliners, but Metallica did what they do best: rose to occasion, put on an absolutely rocking show and did not disappoint their fans. To see Metallica not only play their first Voodoo fest, but also their last show of 2012, was a once-in-a-lifetime experience for concertgoers. Metallica’s Voodoo Music + Arts Experience Set List Oct. 27, 2012 ‘Hit the Lights’ ‘Master of Puppets’ ‘Holier Than Thou’ ‘Harvester of Sorrow’ ‘Of Wolf and Man’ Kirk Solo ‘Welcome Home (Sanitarium)’ ‘All Nightmare Long’ ‘Sad But True’ Rob Solo ‘Fade to Black’ ‘Orion’ ‘One’ ‘For Whom the Bell Tolls’ Kirk Solo #2 ‘Blackened’ Kirk Doodle ‘Nothing Else Matters’ ‘Enter Sandman’ Encore ‘American Idiot’ cover (only the song open) ‘Creeping Death’ ‘Battery’ ‘Seek & Destroy’ ? Chuck Armstrong, Loudwire Chuck Armstrong, Loudwire Chuck Armstrong, Loudwire Chuck Armstrong, Loudwire Chuck Armstrong, Loudwire Chuck Armstrong, Loudwire Chuck Armstrong, Loudwire Chuck Armstrong, Loudwire Chuck Armstrong, Loudwire Chuck Armstrong, Loudwire Watch Metallica Perform ‘Master of Puppets’ at Voodoo Watch Metallica Perform ‘Sad But True’ at Voodoo [button href=”http://ultimatemetallica.com” title=”Get Full Metallica Coverage Here” align=”center”]
Roadrunner This year has been phenomenal when it comes to rock and metal music tours, and with 2012 coming to an end, the year will surely be remembered as one defined by many spectacular achievements. We’re going to miss 2012, but Gojira , Devin Townsend and the Atlas Moth have just put together a must see tour set to pummel the year 2013. Beginning Jan. 14, three of modern music’s most progressive and genre-bending acts will team up for a month long North American tour. Hot off the heels of their ‘L’Enfant Sauvage’ album, Gojira are currently at the highest point of their career. Gojira’s latest record has opened their music up to a broader audience, creating one of the year’s greatest breakthrough accomplishments. Gojira frontman Joe Duplantier recently spoke with radio goddess Full Metal Jackie about touring with Devin Townsend and the Atlas Moth. “They’ve had an influence on us,” begins Duplantier, “the way we behave onstage, the way we play, they way we approach the whole thing, sometimes it’s purely technical like the way they plug in their gear. So we always learn something from touring with people that’s why I’m so happy to tour with Devin, he’s such an incredible singer – one of my influences actually and he’ll be opening for us [Laughs] how crazy is that? We’re all huge fans of Devin Townsend, Strapping Young Lad, it’s a great honor to have him on tour.” Devin Townsend released ‘Epicloud’ this year, displaying a more omniscient and comforting sound in contrast to his heavier past. After a solid run with Katatonia and Paradise Lost, Townsend and his band will hit North America again very soon. For those unfamiliar with the Atlas Moth, the Chicago-based sludge band have been trudging forward since 2007, releasing two full-length albums and two EPs since their inception. Keep these guys on your radar, because they’ve got the talent to create an incredibly accomplished future. Check out the tour dates for Gojira, Devin Townsend and the Atlas Moth’s 2013 tour below. Gojira, Devin Townsend + the Atlas Moth 2013 Tour Dates 1/14 – Minneapolis, Minn. @ Mill City Nights 1/15 – Winnipeg, Manitoba @ Garrick Centre 1/16 – Saskatoon, Saskatchewan @ Odeon Events Centre 1/17 – Calgary, Alberta @ MacEwan Hall 1/19 – Vancouver, British Columbia @ Vogue Theatre 1/20 – Seattle, Wash. @ Studio 7 1/21 – Portland, Ore. @ Hawthorne Theatre 1/23 – San Francisco, Calif. @ The Fillmore 1/24 – Sacramento, Calif. @ Ace Of Spades 1/25 – Los Angeles, Calif. @ Henry Fonda Theatre 1/28 – Tempe, Ariz. @ Marquee Theatre 1/29 – Albuquerque, N.M. @ Sunshine Theatre 1/31 – Dallas, Texas @ Granada Theatre 2/1 – San Antonio, Texas @ White Rabbit 2/3 – Houston, Texas @ Warehouse Live 2/4 – St. Petersburg, Fla. @ State Theater 2/5 – Atlanta, Ga. @ The Masquerade 2/7 – Baltimore, Md. @ Rams Head Live 2/8 – New York, N.Y. @ Irving Plaza 2/9 – Millvale, Pa. @ Mr. Smalls 2/11 – Chicago, Ill. @ House Of Blues 2/13 – Toronto, Ontario @ Phoenix Concert Theatre 2/14 – Montreal, Quebec City @ Le National 2/15 – Worcester, Mass. @ The Palladium 2/16 – Philadelphia, Pa. @ Theatre Of Living Arts [button href=”http://loudwire.com/gojira-joe-duplantier-talks-upcoming-north-american-tour-randy-blythe-explosia-video/” title=”Next: Gojira’s Joe Duplantier Talks to Full Metal Jackie” align=”center”]
Chris Hyde, Getty Images Craig Nicholls, frontman for the Vines, has been arrested in Australia after an apparent bizarre attack on his parents. The vocalist, who suffers from Asperger’s syndrome, reportedly punched his mother twice in the head and injured a police officer who attempted to detain him. The Sydney Morning Herald reports that the rocker attempted to flee when police arrived on the scene and officers eventually used capsicum spray to subdue the singer. Inspector Robert Duncan told the paper, “He tried to evade police and [a] violent struggle ensued. A police officer suffered grazes, cuts and bruises to both elbows and knees and was treated at St. George Hospital.” Nicholls was charged with five offenses, including two counts of domestic assault, stalking or intimidation, resisting arrest and assault occasioning actual bodily harm. His parents took out an apprehended violence order against the singer, which is the Australian equivalent to a restraining order for those who feel they are in danger of bodily harm. The Vines were part of the garage rock explosion of the early 2000s that brought acts like the White Stripes, the Hives and the Strokes to prominence. However, Nicholls’ erratic behavior became an issue and eventually he was diagnosed with Asperger’s. The group’s ability to tour extensively has been hampered as a result, but they still managed to put out several records in the years that followed. Their fifth album, ‘Future Primitive,’ arrived last year. [button href=”http://loudwire.com/musician-mug-shots/” title=”Next: See Musician Mugshots” align=”center”]
Solid State Records After 15 years, seven albums, Grammy and Dove award nominations and 1.3 million albums sold, the metalcore band Underoath has announced they are calling it a day. The band will release a retrospective album ‘Anthology 1999-2013′ on Nov. 6 via Solid State Records. “It’s sad to say that we feel like it’s time to close this chapter, but we have never seen things more clearly,” says vocalist Spencer Chamberlain. “These have been the best years of my entire life, and I owe that to every single person who ever supported this band along the way. This wasn’t a quick decision by any means. It’s just time for us to move on.” The compilation will include songs from all of Underoath’s albums, from 1999′s ‘Act of Depression’ through 2010’s ‘Ø (Disambiguation)’. In addition to previously released material, the collection also includes two newly recorded songs: ‘Sunburnt’ and ‘Unsound,’ the final material recorded by the band. Fans will get a chance to see Underoath one last time, as they are planning a farewell tour. “Over the past decade or so of our lives, we have been able to live a dream traveling the world, playing music that excites us, and meeting more amazing people than we could have ever fathomed,” says keyboardist Chris Dudley. “This couldn’t be a more bittersweet moment for us. We have accomplished more, met more friends, seen more places and have just done more than we could have ever imagined, and we really wanted to just go out on the highest note possible.” “That’s why we have put together a group of great friends and musicians for what will be our final tour ever,” Dudley continues. “We are taking every moment of this tour as an opportunity to say goodbye to you all, as well as celebrate what has taken place over all these years. The love we have and the debt of gratitude that we owe to all of you is not able to be measured in any way.” More information about the farewell tour, which will embark in 2013, will be announced soon. “We don’t take this very lightly and it’s heartbreaking for all of us,” Chamberlain says of the band’s announcement, “but all good things must come to an end. We love all of you and hope to see you again soon.” Underoath – ‘Anthology 1999-2013′ Track List 1. ‘Sunburnt’ 2. ‘Unsound’ 3. ‘In Division’ 4. ‘Catch Myself Catching Myself’ 5. ‘Paper Lung’ 6. ‘Desperate Times, Desperate Measures’ 7. ‘Too Bright To See, Too Loud To Hear’ 8. ‘In Regards To Myself’ 9. ‘You’re Ever So Inviting’ 10. ‘Writing On The Walls’ 11. ‘A Boy Brushed Red Living In Black And White’ 12. ‘Reinventing Your Exit’ 13. ‘It’s Dangerous Business Walking Out Your Front Door’ 14. ‘I’ve Got Ten Friends And A Crowbar That Says You Ain’t Gonna Do Jack’ 15. ‘When The Sun Sleeps’ 16. ‘Cries Of The Past’ 17. ‘Heart Of Stone’
Photo by Rick Fagan Rob Zombie is the special guest on Loudwire Radio this weekend. He talks to host Mike ‘Sandman’ Sanders about his new movie ‘The Lords of Salem,’ his fall tour with Marilyn Manson and his upcoming album. Tune in to hear Sandman’s chat with Zombie, and read a preview of the interview below: You have some big things on the horizon, the first of which—I got to ask you about, I’m very excited about, as are all Rob Zombie fans—is the movie Lords of Salem. It had its premiere at the Toronto Film Festival, apparently scary as hell, as you tend to make some of your movies. Give us a little bit of the background. I know you were at a wedding in Massachusetts and you got interested in the Salem lore…maybe you could give me a little background from there. Well, I grew up in Massachusetts, so I was always very aware of the Salem Witch Trials even as a little kid sometimes the class field trip would be to go to Salem and, you know, they would have reenactments of the witch trials and, you know, lovely things like this for the kids to watch, but I was always well aware of it, you know, the wax museums in that area would have witch trial displays and things. But I hadn’t really thought of it in a long, long time. And about seven years ago, I went to a wedding in Massachusetts and I was just bored and I was in the hotel lobby in the gift store and I bought a book about Salem Witch Trials just to read it and kill time, and it just got me thinking about it and I just came up with this idea for the Salem, a very rough idea. And I kind of jotted down a few notes and forgot all about it. And then, about seven years later, the opportunity came up to make a film but, the only stipulation was — I mean, the budget was the first stipulation but, they just wanted something with a supernatural edge and I remembered this idea and that’s how I sort of dug it out of mothballs and brought it out and started working on it. And, yeah, the movie’s done. We had its premiere in Toronto last week at the Toronto Film Festival and it was fantastic. I don’t know exactly when it’s coming out, I actually have a meeting with Anchor Bay, the company that purchased the film, about the release date and everything…I don’t know it today but I probably will know it tomorrow. So, unfortunately, I can’t tell you. We’ll find out soon enough. Is it going to be — now, you said ‘supernatural’ — is it going to be, maybe, less visceral than some of your previous films? It’s not like a violent, gory movie — that wasn’t really what I wanted to do. I wanted to do something that was more like … It’s a very long, slow, descent of a movie and by the end … it’s just a weird disturbing, mind-altering, trip. It’s a very different type of movie, but that was the goal, I don’t want to keep doing the same thing over and over, that’s just crazy. I’m very excited, I can’t wait. I know it’s a very polarizing film, too, which I find really, really cool. I know some people are just going to love it to death, it’ll be their favorite movie, and other people will just be like, ‘What the hell was that all about?’ Well, you’re certainly no stranger to that, I would say. Pretty much everything I’ve ever done has had that reaction and I don’t really expect anything else to happen, or would I want anything else to happen. I think if I made something that everyone could agree on, I would feel as if I had somehow failed. I was going to say, if you were looking for approval you probably wouldn’t launch a co-headlining tour with Marilyn Manson. It’s always been like that. I never look for approval from anybody because times change and critics change and everything changes. I remember White Zombie, which now, everybody likes to talk about very favorable — like the fans and how great the records were and how great the band was. But I remember on our Geffen release, the first review we got, and I remember it clearly, it was in this magazine called Alternative Press, and the review started off by saying “This is the worst band ever…” And then the review went downhill from there! But now everyone [says] “Oh, classic record, blah, blah, blah.” I don’t give a crap. The tour with Manson is going to be phenomenal. I like touring with other artists who I feel that our audiences are similar. It makes for a really great night. Because, you know, it’s hard to do that. I had that experience at Alice Cooer but sometimes you tour with bands and you can tell their fans don’t like you and your fans don’t like them and…its better when everybody is there for the same reason. A couple of weeks ago I had a chance to talk to John 5. I mean, of course we talked about the soundtrack to ‘The Lords of Salem,’ which I know he worked on and we talked a little bit about the next Rob Zombie album. Can you give us a little cue as to when we might be hearing some of that music? Well, probably not ‘til after Christmas, that’s probably when we’ll release it. The record is done and the recording is done, we’re actually mixing it now, so in about another week the record will be a 100-percent finished. For what its worth — and I know everybody says this — I really think it’s our best record ever. You know, you struggle at times writing songs and other times you feel very inspired, this is a very inspired record and I think it’s the perfect combination of what I’ve done on my own and what White Zombie has done in the past combined. And the few people that have heard it had that reaction. You know, my wife is very honest when I play her music she won’t say something good, if she doesn’t like it she’ll just go “That sucks.” She’s very honest, which is good. She’s been there for everything, she was on the White Zombie tour. I mean, she loves it. The only person that’s been to more shows of mine than her is me. And she heard it the first time and that was exactly her response, she was like, “Wow. That seemed like the best of the old days mixed with the best of the new days.” So, I’m excited for people to hear it. [button href=”http://loudwire.com/loudwire-radio-station-list/” title=”See Which Stations Air Loudwire Radio” align=”center”]
There’s a long history of musicians starring in movies, from Elvis to Meat Loaf to Prince to Miley Cyrus. And now, Iwrestledabearonce are starring in the feature film ‘A Beary Scary Movie,’ which will be released Nov. 6. You can watch a trailer below. ‘A Beary Scary Movie’ is a horror/comedy that tells the tale of a deranged guitarist named Shreddy from legendary hair metal band White Vulture. He comes straight from hell, murdering bands by hacking them to bits. It’s up to the stars of the film, Iwrestledabearonce, to make it out alive. The movie was written and directed by Justin Beasley. In addition to being the feature film debut of Krysta Cameron (vocals), Steven Bradley (guitar), John Ganey (guitar), Mike Martin (bass) and Mike Montgomery (drums), ‘A Beary Scary Movie’ also features the music of Iwrestledabearonce. Other cast members include M. Shawn Crahan (Slipknot), Jake Busey and Jim Babel. Since the movie was filmed, Krysta Cameron took a leave of absence from the band because of her pregnancy. Courtney LaPlante took over vocal duties during this summer’s Warped Tour. But, it now appears the hiatus is permanent. LaPlante has been the vocalist during the band’s current European tour. IWABO will embark on a North American headlining tour Oct. 5 with Oceano , Vanna, Within The Ruins, The Plot In You and Surrounded By Monsters. Watch the Trailer for ‘A Beary Scary Movie’
Karl Walter / Ethan Miller / Frank Micelotta, Getty Images Looking back on the best albums of 1992, we find an eclectic mix of acts who helped lead a creative infusion of new ideas on the standard hard rock and metal formulas. It was a time when we learned that hard rock and metal could be grungy ( Stone Temple Pilots , Alice in Chains ), groovy ( White Zombie ), proggy ( Dream Theater ) and politically infused ( Rage Against the Machine ). And it also proved to be a year when some established bands like Pantera and Megadeth delivered their most essential works. So let's take a look back in time with our list of the Top 10 Albums of 1992. ? 10 'Angel Dust' Faith No More ? ? It's hard to dismiss Faith No More 's 'Angel Dust' from the Top 10 Albums of 1992 when it yielded so many quality songs. The album, the band's second disc featuring Mike Patton as frontman, proved to be a worthy successor to 1989's 'The Real Thing.' Songs like 'Land of Sunshine,' 'A Small Victory,' 'Everything's Ruined,' and their odd cover of the Commodores' 'Easy' all connected with audiences, but it was the lead single, 'Midlife Crisis,' that ended up being the big hit on this record. Listen to 'Midlife Crisis' ? ? 9 'Meantime' Helmet ? ? Was there a bigger buzz band in 1992 than Helmet ? It seemed as though everyone caught up to the rockers with their sophomore set 'Meantime.' The unique riffs of singer/guitarist Page Hamilton combined with the powerful low-end coming from drummer John Stanier and bassist Henry Bogdan made Helmet a critics list favorite. 'Unsung' became an anthem for the alt-metal scene and 'In The Meantime' earned the band their first Grammy nomination for Best Metal Performance. Listen to 'Unsung' ? ? 8 'Psalm 69: The Way to Succeed and the Way to Suck Eggs' Ministry ? ? Industrial metal favorites Ministry continued to evolve with 'Psalm 69: The Way to Succeed and the Way to Suck Eggs.' This was arguably the band's biggest release, with the propulsive 'N.W.O.' leading the way. Al Jourgensen 's 'ding-danging' on 'Jesus Built My Hotroad' was pure genius. Plus, the sample-infused 'Just One Fix' kept things interesting. Listen to 'N.W.O.' ? ? 7 'La Sexorcisto: Devil Music, Vol. 1' White Zombie ? ? The music world caught up to White Zombie in 1992. Though grunge had taken over, there was room for some variations on the metal genre, and White Zombie's groove-and-funk metal filled a niche. The hard-hitting yet equally danceable 'Thunder Kiss '65' became the first radio hit for the band, while 'Black Sunshine' went on to become one of Zombie's most popular live songs. Listen to 'Thunder Kiss '65' ? ? 6 'Images and Words' Dream Theater ? ? Dream Theater's 'Images and Words' has to be included among the best albums of 1992 as it was the disc that put the band in the collective conscious of metal and prog-loving fans. James LaBrie 's vocals on 'Pull Me Under' made it worthy of becoming the band's first commercial hit. Plus, the overall playing of guitarist John Petrucci , bassist John Myung, and drummer Mike Portnoy on this record set the tone for plenty of masterful records to follow. Listen to 'Pull Me Under' ? ? 5 'Rage Against the Machine' Rage Against the Machine ? ? Rage Against the Machine's first three singles didn't connect, but 'Freedom' finally brought Rage to the masses almost a full year after their debut album release. Once they finally hit, new fans discovered such concert gems as 'Killing in the Name' and 'Bullet in the Head.' Zack de la Rocha 's politically-charged vocals and Tom Morello 's dextrous guitar playing was unlike anything going on in rock at the time and provided a blueprint for many acts of that ilk to come. Listen to 'Freedom' ? ? 4 'Core' Stone Temple Pilots ? ? The second wave of grunge began in '92, and Stone Temple Pilots led the way. With the blistering opening of 'Sex Type Thing,' Scott Weiland introduced a brand new voice to the game. But while STP showed they could rock out with tracks like 'Wicked Garden,' it was the bluesier, moodier songs like 'Plush' and 'Creep' that set them apart from their peers. 'Plush' became one of the biggest hits of the '90s. Listen to 'Plush' ? ? 3 'Countdown to Extinction' Megadeth ? ? Megadeth's 'Countdown to Extinction' is a must for the 10 Best Albums of 1992, and is one of their best works. There was plenty of rich material for Dave Mustaine to address on this classic effort. 'Symphony of Destruction' spoke to themes of political power, and the memorable video ended up being censored due to MTV's concern over an “assassination” scene. 'Sweating Bullets,' meanwhile, offered a schizophrenic look at society and how our conscious handles events. Listen to 'Symphony of Destruction' ? ? 2 'Dirt' Alice in Chains ? ? Alice in Chains released possibly their best album, 'Dirt,' in '92. Buoyed by support from their 'Singles' soundtrack song 'Would?,' the disc got off to a fast start. A string of hard rocking hits including 'Them Bones,' 'Angry Chair,' and 'Down in a Hole' followed, but their fourth single 'Rooster' proved to be their most ambitious song. Finding the perfect blend of moody and aggressive vocals, Layne Staley took Jerry Cantrell 's words about his soldier father and helped craft an instant classic. Listen to 'Rooster' ? ? 1 'Vulgar Display of Power' Pantera ? ? Coming in at No. 1 on our list is Pantera's 'Vulgar Display of Power,' which was a must for any self-respecting metalhead in 1992. 'Mouth of War' became the band's first-ever charting single with sibling rockers Vinnie Paul and Dimebag Darrell leading the way. The album's fourth single, 'Walk,' with its stop-and-go time signature and Phil Anselmo's legendary vocals, would eventually become an iconic track. Twenty years later, it's one of the most covered songs in metal. Listen to 'Walk' ? ? What Are The Best Albums Of 1992? There you have it, the best albums of 1992, in our humble opinion. There was plenty of great music that arrived that year and here's your turn to let us know what we missed. Should iconic metal acts like Iron Maiden and Black Sabbath be there for 'Fear of the Dark' and 'Dehumanizer'? What about the very solid Social Distortion record 'Somewhere Between Heaven and Hell' or a pre-'Dookie' Green Day with 'Kerplunk.' What album is missing and what disc shouldn't have made the list at all? Let us know your thoughts in the comments section below. ?