Posts Tagged ‘words’

Cradle of Filth, ‘The Manticore and Other Horrors’ – Album Review

Nuclear Blast Records Tracking a band’s progress throughout 10 studio albums is a long and complex process. The growth and change of a band, especially that of a cult phenomenon like Cradle of Filth , is forever branded within their many works, and without fail, shines the brightest of lights on an act’s strengths and weaknesses. Cradle of Filth, as a band, are growing to become more and more accessible as they continue to put out material. The British extreme metal band were shrouded in an eerie and dark fog during the ’90s, creating a mystique which brought legitimate fear to those who happened to hear the band or stumble across a Cradle of Filth album cover or t-shirt. The sound of the band added to that uneasy feeling, as Cradle of Filth continued to unleash a disturbing and sonically disgusting brand of gothic and extreme metal. Cradle of Filth was essentially a cult horror film in audio form, but once an increasing majority was coaxed to take a peek behind the scenes, some of the band’s most significant strengths began to fade. ‘The Manticore and Other Horrors’ is distinctly a Cradle of Filth album, with vocalist Dani Filth once again presenting his incredible vocal range in prime form. Throughout the record, Dani continues to paint elaborate pictures with his words and vocal inflections with a depth of character that few singers can profess. His tea kettle-like highs remain in tact and his low gutturals, although used sparingly, remain powerful, but a masterful performance by Dani Filth isn’t enough to carry an album by itself. The guitar work and female vocal presence in ‘The Manticore and Other Horrors’ leaves much to be desired, with too few memorable parts to create an addictive quality in that respect. The orchestration, which has always been essential to the band’s resonance, presents a beautiful and bewitching quality in stronger tracks such as ‘Illictus’ and ‘Manticore,’ but not a horrifying one. Composed solely by Cradle drummer Martin ‘Marthus’ Skaroupka, the orchestration is well-written and enchanting, although it seems a bit delicate at times and doesn’t contain the demonic presence of Cradle of Filth’s past works. As Dani Filth described during our recent interview with the singer, ‘The Manticore and Other Horrors’ contains an evident dose of punk rock influence. Prevalent in tracks such as ‘For Your Vulgar Delectation’ and ‘Succumb to This,’ the newer influence creates a different type of progression for the band that excites on some level, but may prove to be polarizing amongst fans due to its approachable nature. In closing, although Cradle of Filth’s ‘The Manticore and Other Horrors’ makes for a fine listen, it doesn’t quite deliver the trademark ‘edge’ accomplished so diligently in past efforts.

Metal Blade Records Founder Brian Slagel Talks 2012 Metal, Metallica’s Very First Song + More

Metal Blade Metal Blade Records founder Brian Slagel took some time to chat with us recently about a ton of different topics. Having had a very strong year in 2012, including releases from Between the Buried and Me , Six Feet Under , Cannibal Corpse , As I Lay Dying + many more, we got to pick the brain of Slagel about all things metal. Along with Metal Blade’s 2012 releases, Slagel spoke with us about competition in the business of metal music, GWAR continuing on after the death of guitarist Cory ‘Flattus Maximus’ Smoot , releasing the first ever Metallica song + much more. Check out our exclusive interview with Metal Blade Records head honcho, Brian Slagel. Between the Buried and Me just released ‘The Parallax II: Future Sequence’ and it’s an amazing record. When was the moment that you knew that you needed to sign this band, once they became free agents? I’ve always been a huge fan of theirs, we’ve had so many bands that have toured with them and I’ve seen them around. I’ve hung out with them so I always liked them not only as a band, but because they are really, really good people. Pretty much what happened was, I didn’t even know that they were free agents, but one of the managers that we work with a lot, this guy named Paul Conroy, he ended up managing them and he called me up and said, “Would you be interested in signing Between the Buried and Me?” I said, “Are you kidding me? In a heartbeat!” So it came pretty quick and we were able to put it together just great because we all love those guys. It was really that simple? Was there any sort of bidding war for them or did they just jump straight on? Luckily for us they really wanted to be at Metal Blade, so there wasn’t a huge bidding war or anything. I think basically what had happened was the band and the management decided, “Well let’s go to Metal Blade if they’re interested and if they just give us basically what we want then just go there!” It was really super easy and like I said, I was unbelievably happy because I always have been a huge fan of those guys. Metal Blade has definitely had a strong year with new Cannibal Corpse, Six Feet Under and As I Lay Dying records. The new Goatwhore record is phenomenal, along with Between the Buried and Me, of course. What’s your personal favorite Metal Blade release of 2012? Oh boy, that’s always difficult because I really do like all of them. I kind of go through phases; if you would have asked me six months ago I would have said Cannibal Corpse, and then if you asked me four months ago I’d probably have said Six Feet Under, and a couple of months ago it would have been As I Lay Dying. My current favorite now is the Between the Buried and Me record because I’ve been listening to it over and over and over again. We get these records really early so I tried not to overdo it. I wanted to wait until closer to the release date, so for the last week or two, I’ve been listening to it non-stop. So, as of today, I will say Between the Buried and Me. One of your most legendary bands is Gwar and the majority of their albums have been put out on Metal Blade. They’re starting another tour with their new guitarist Pustulus Maximus. How has the band been dealing with having to replace the late Cory Smoot? That’s never a fun thing to do. Cory was such a great guy and losing him so suddenly was horrible. Those guys definitely have done an amazing job of how they’ve handled it. I mean, it was obviously hugely difficult for them, but I think doing a tour without Cory and kind of doing it as this big tribute to him was really amazing and they’ve retired the character and got a new guy in there. I think that everything that they’ve done has been right. Whenever we talked about this stuff and they said, “Hey this is what we’re thinking about doing,” I said all along the way, “I think you guys are doing the right thing.” So as difficult as it is I think they did a really impeccable job of remembering Cory and celebrating his life. He will always be a part of that band because he was such a huge intricate force for them for so long. I think they’ve done a really good job, I think they’ve done it classy and in the right way. When they really got a chance to sit down, did they ever just consider remaining a four-piece or did they know they’d become a five-piece once again when they found the right guy? Well, definitely the right guy was a huge issue. I think the way that so many of the songs were written, you need to have a five-piece, and also it takes a lot of the pressure off of Mike Derks. He’s a phenomenal guitar player and I think he did a great job while they were doing it as a four-piece. He didn’t really go and say, “I’m missing a lot,” but they do need that extra thing there. So much of the stuff that Corey had a big hand in was stuff that you need two guitar players for, so they knew that they had to do it, but they had to get the right guy and they definitely took their time before doing it. Unfortunately, with that band, there’s been a few guys in and out [Laughs] so they’re a little used to that. Another landmark for Metal Blade was when As I Lay Dying released “Frail Words Collapse,” which sort of launched them into the stratosphere of metalcore. Were you surprised to see how huge that they became? Yeah, you never think that things can get as big as they were, but we did really feel something. It’s kind of funny when you look back on things; it seems like every turn of every 10 years, every decade, there seems to be some new stuff coming in. You know, we felt like with bands like As I Lay Dying and Unearth and that crop of metalcore or whatever you want to call it; bands that we felt like were something really new and cool and fresh and we love the sound, and the As I Lay Dying guys are really smart and made a good record. We knew it was going to do well, but we never would have predicted they would have become as big as they have. I wanted to ask about one of your lesser known bands, but still a very fantastic band, Ipsissimus. What is their future with Metal Blade going to be like? It’s cool that you like them, they’re an awesome band and those guys are really great dudes. It’s hard to say; it’s not really a “band band,” so it’s kind of a project, but those things are always difficult to do. They’re fun to do because it’s really good music, but without a lot of touring and other commitments they make, it’s kind of difficult to do. So, it’s a good question; it’s really up to them and I think we’ll see how far they want to take it and what they want to do with it. Metal Blade was the first label to ever put out a Metallica song — on that first ‘Metal Massacre’ compilation. What was it like seeing an act that was just a local band at the time turn into legitimately one of the biggest metal acts ever? [Laughs] It’s still crazy when you think about it. I was friends with Lars before there even was a band; I knew those guys before they existed, so it’s still pretty surreal. I’m still friends with all of them and Lars and I are still good friends. When they get to these milestones like the Rock and Roll Hall of Fame and some of these other milestones, we end up getting together and just sitting around and going, “How did all of this happen?” It’s amazing but it’s also a huge testament as to how dedicated, smart, and talented those guys are. I mean, they get bashed here and there, obviously from other different things, but those guys are the same people today as they were 30 years ago — same guys. They haven’t been affected by everything else. I think they did an incredible job of kind of pulling up that flag for a long period of time so yes, it’s pretty crazy. I’m just insanely grateful to play a small part in it and those guys have been nothing but great to me. Do you credit any one band that kickstarted and really made Metal Blade records? It’s hard to say. Obviously the first ‘Metal Massacre’ with the Ratt, Metallica and stuff certainly helped paved the way. I think in the early days there were probably three separate things that happened; the ‘Armored Saint EP’ that we did and they immediately got signed at Chrysalis Records, that was the third or fourth release that we’d done. Both Chrysalis and the band were really good about giving us a lot of credit, so that really helped us in national magazines and stuff. Probably ‘Show No Mercy’ by Slayer was the first record that we put out where we really got to that next level, so the building process of the label kind of came, that was kind of the next step. I can’t really pinpoint one thing because it was such a small growth process, but certainly the first ‘Metal Massacre’ and that Armored Saint release was big in giving us that exposure. Back then, independent labels were just tiny and nobody knew that we existed. Are there any other labels you feel like you’re in constant competition with in terms of continually signing great bands and releasing both classic and modern albums? I guess theoretically we’re competitors with all of the labels, but we’re also all fans, so we’re kind of all in this together. So whether it’s Century Media, Nuclear Blast, Relapse … There are times where we compete for bands, where there’s a band and there are two or three labels working with them, but it’s never gets to a bidding war because I think all of us work together all the time. We have bands that do tours together, so we know everybody really well and ultimately we’re all fans of the music and we all want it to be better, which I think is one of the reasons why the metal scene is pretty healthy, because we work together as opposed to “being competitors.” In your opinion, what direction do you see metal heading? I guess I should get my crystal ball out now. [Laughs] You know, I don’t know. It’s always really hard to say because I wish I could predict everything perfectly, but I definitely feel that bands that have real singing; that sort of thing is coming back quite a bit. A band for example like Ghost has gotten quite a lot of success and they’ve gotten this huge deal and stuff. Personally, I’m like that because I lived in the ’70s and ’80s so I love singing stuff. So many of the new bands that are coming out are doing that, but anything that’s kind of happening now all has a really big influence of the late ’70s and early ’80s, so whether that’s the more melodic stuff or there’s a lot of really cool thrash components, it’s kind of coming back again, that really old school thrash. Anything that has those sort of influences, it seems like these younger bands are taking that and making something fresh and interesting out of it. Newsletter Sign up Form Receive the latest rock and metal news via email! Email *

Gwar Provide a Bloody Good Time at Brooklyn Tour Stop

Liz Ramanand, Loudwire When Gwar comes to town, all of the earthlings know to break out their white t-shirts and get ready for some gore, as these talented alien warlords put on one hell of a show. Earlier this week New Yorkers got a serious treat as DevilDriver, Cancer Bats and Legacy of Disorder graced the stage with Gwar at Brooklyn’s Music Hall of Williamsburg. As Gwar seized the stage in front of us mere mortals, we watched the band claim their first victim of the night who was none other than presidential candidate Mitt Romney (or some guy dressed up like Romney who was later decapitated). Other casualties included Adolf Hitler and Jesus Christ, just to name a few. Plus, the evening provided multiple robot/monster fights and massive amounts of (fake) blood drenching the crowd. Gwar front-thing Oderus Urungus also did not hesitate to take jabs at those humans named Rob Zombie and Marilyn Manson , who were set to play New York the night after. In between the mockery and the slaughter, Gwar played favorites such as ‘Sadaam a Go-Go,’ ‘Bring Back the Bomb’ and ‘Sick Of You,’ the latter of which found new guitarist Pustulus Maximus doing some serious shredding. They also played a new tune called ‘Madness at the Core of Time,’ a cover of Andrew Lloyd Webber’s ‘Jesus Christ Superstar’ and their take on  Kansas ’ ‘Carry On My Wayward Son’ among numerous others. Direct supporting band DevilDriver infected the venue with their venomous tracks. Frontman Dez Fafara sounded impeccable, despite troubles with the mic at the beginning of the set. The band also got some hair flying as headbangers belted out the words to anthems such as ‘Not All Who Are Lost Wander,’ ‘I Could Care Less,’ ‘Dead to Rights,’ ‘Meet the Wretched,’ ‘End of the Line,’ and more. DevilDriver’s vigor and energy was much too large for the minuscule stage at the Music Hall of Williamsburg. Cancer Bats frontman Liam Cormier avoided the stage altogether as he spent the entire set face-to-face with the front row. These young Canadians won over a new set of East Coast fans as they pulled on the heart strings of the New York crowd, who exploded when they performed their rendition of ‘Sabotage’ by the Beastie Boys . New Zealanders Legacy of Disorder opened the night with a hard hitting set of metal madness. For a full list of remaining dates where you can have a bloody good time with these bands, check here . [button href=”http://loudwire.com/gwar-oderus-urungus-slams-rob-zombie-claims-credit-for-slipknot/” title=”Next: Gwar Slams Rob Zombie” align=”center”] Gwar: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire DevilDriver: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Cancer Bats: Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Liz Ramanand, Loudwire Legacy of Disorder: Liz Ramanand, Loudwire Liz Ramanand, Loudwire

Baroness’ John Baizley: If My Arm Injury Was Any Worse, We Would Have Discussed Amputation

Baroness – Official Site Here in Part 2 of our exclusive interview with Baroness frontman John Baizley , the musician discusses the gravity of his physical injuries, as well as his daily rehabilitation routine. Baizley shares the incredible difficulties he now faces when attempting to perform simple tasks such as folding laundry or opening a bottle of water. The Baroness frontman also gives additional details about the terrifying moments knowing that the bus was about to plummet down a 30 foot drop, the moment of impact, the unthinkable amount of pain he endured and the current condition of the other passengers on the bus. When it comes to your physical rehab, can you tell us about your normal daily routine? Yeah, I mean, I’ve got a severely broken left leg and a crushed beyond belief right arm, but they’ve both been mended in such a way that at first I was in a cast, then I was in a brace, and now neither my arm or my leg has anything holding it in place externally. I’ve got some metal on the inside, but on the outside, because I injured two joints, in order to become functional again I have to move them. So in other words, like I was saying, if it hadn’t been an elbow and a knee, I’d be in a cast right now and I would able to do much less, but these were very serious traumatic injuries to my joints and if I don’t move them they will lock up forever. So against what seems to be logical to me, it would seem that you’d let the bones heal completely and then start working on things. I’ve broken plenty of bones before and that’s always been the case in the past, but with these two injuries, I have to move them. I can’t walk. By the end of it, it’ll be three or four months that I’ll have had to spend in a wheelchair, but I spend the whole day sitting there bending my leg over and over and over again and twirling my foot around like an idiot just to keep the blood flowing and to keep everything on the mend and with my arm, at this point, it’s all about stretching and starting to do small functions. Like as I said before, folding the laundry feels like running a marathon. I feel like I’ve been to the gym if I open a bottle of water or something like that. It’s humbling to see, relatively speaking, how strong I was and how we all were before the accident. The human body does all of these things and of course we take that for granted until it’s taken away from us and I spend each day seeing how much further I’ve come from the day before. So last week, I was unable to touch my face, and this week the big improvement that I made is that I am able to bend my arm enough that I can touch my face, and it does sound silly because what are you going to do when you touch your face? Last week, I learned how to put the phone down and scratch my nose with the good hand; it’s all degrees. The good thing for me is that I have a very supportive family and my 3-year-old daughter doesn’t understand how serious this injury is, so she still wants to play with me and what I do is that I do the best I can to be a normal guy and that helps me because I don’t sit there and wallow and get stuck in that rut of inactivity. I don’t have time to wait, I just don’t have time for anything anymore. I am ready to get through this and get moving again, and that was one of the big things that changed with that accident. I’ve come to a realization that we do have a relatively limited amount of time to do the things we want to do, and it can very easily be taken away randomly without any logic or sensibility to it. I consider myself incredibly lucky to have survived through the accident and to come through with injuries that can be fixed within reason. Yeah, my arm isn’t going to work the same again and neither is my leg, but I didn’t take a head injury, I still have a pulse, I still have all of my limbs attached and that didn’t necessarily need to be the case. I was told that if the injury to my arm had been any worse we would have been discussing amputation, so that’s a reality check in some ways. Be thankful for what you have because it’s much easier than you assume to lose this type of stuff. I’m not a spring chicken anymore and I’m not one of those people that thinks or has thought that I’m invincible, but now I’m sure of it. Now I’m sure of what we’re made of and it really is a thin network of meat and bones. You’ve got to respect that. It’s phenomenal that nobody passed away. I remember in your story, you were saying that moments before the crash, you were yelling at everyone and trying to wake them up to preparing for the impact. What struck me as interesting is that while you were trying to get everyone ready, you stayed at the front of the bus. Did that seem like the safest place to remain at the time when you were going over that hill? No, and maybe I can clarify; it felt like ages. There wasn’t enough time to do anything definitively and it was just enough time for instincts, to act on instinct. If I had knew that there were going to be an accident. If I was prepared to know we would have had a finite amount of time to deal with it, maybe something could have been done differently. But the fact is simple fact is, and I could put it very bluntly; we were screaming out of control down a very steep hill, in the rain, in a bus. There’s no seat belts on our bus. I don’t know if you ever seen European tour buses, but there are a lot of bands that in order not to loose money on tour, will rent older model buses. The bus was an older model but it was a German model, German driver, he owned and operated his own vehicle. There are very stringent vehicle laws in Germany so it really was up to code, it wasn’t like we were on the Beverly Hillbillies truck and we could just jump out of the back of it. I mean, how are you going to get out of a vehicle that’s flying down the hill? It would take a lot of rationale and I wouldn’t have done it anyway because my friends, my best friends in the world, are all on that bus and instincts told me that I needed to wake them and everybody who was awake needed to know what was going on in order to brace for impact, because the other thing about those type of tour buses, if there is something is considerably wrong happening up in the front, it doesn’t mean you know it in the back. Sound doesn’t travel well through those buses so screaming at the top of my lungs, I’m barely getting everybody’s attention. I think everybody woke up in time to have some brief moment of understanding of what was going to happen, and I’m not even sure about that. There may have been one or two people who just woke up in the hospital, but the simple fact of the matter was we were moving incredibly fast and we were going down a hill and the driver and I we were looking for something to do, we were looking for a way to stop it. We were looking for a road where we could have turned on, or a ramp we could have gone up or something that could have cushioned the blow a little bit easier and we never found it. There was one road we could have turned on, but it was almost like we would have to turn backwards, it was a very hard left and it was clear that the bus would have flipped. You flip in a bus, that’s it, good night. The only other option is that the bus runs into another vehicle. The only vehicle we saw was occupied, moving towards us and it had another family in it — that’s not an option, you don’t kill somebody to save yourself. So, by that time the crash was entirely inevitable and we had run out of choices. We saw the guardrail at the bottom and there was really nothing we could have done. We were moving so fast that nobody could have done anything. We tried everything, we tried using the momentum of the bus and turning to slow it down; that worked to a certain degree. We ran to the emergency brake, and the transmission was basically gone because we were going so fast you couldn’t downshift, and of course, there were no brakes, so we were mechanically … f—ed. [Laughs] Yeah, that’s the right time to use that world. Then we hit the guardrail and then there was a couple of seconds I spent in the air preparing myself for what seemed like an inevitable fate. Honestly, I’ve been living on the road for over ten years. I’ve come to terms with that on several occasions and none of them were even close or as serious as this. I was ready for it and I made my peace, I accepted it and I was ready for the end. That was the only option that was given to me. You know, at the point when our bus was fully airborne, there was nothing you could do but try to make peace with it, and I did. How surprised was I when I’m still alive? How f—ing overenthusiastically happy was I when that happened? Like I said, whatever physical pain there was, whatever mental trauma I’ve yet to suffer through, whatever nicks and bumps and scrapes and bruises we’ve taken from this, I’ll tell you what, it’s better than the other alternative we could have taken from that wreck. I guess that’s just that. You deal with the hand that is dealt. That’s what I gotta do. It’s better to do it and find something constructive and something positive. That’s what I think everybody’s doing and we’re really quite happy because I wasn’t exactly in a pleasant mood for a few days following that and I was trying to make sense of it, and thanks very much to the rest of the guys in the band and crew, thank you very much to our fans who offered support and our friends and family who were there or were keeping in contact with us and absolute f—ing praise and worship goes to the emergency team who responded, and you know the surgeons, and the whole medical team that dealt with us because they kept us alive, kept us in one piece and kept everybody positive. It felt like there was this huge extensive family who just tried to keep me and everybody okay physically, mentally, and in every way. I’m so grateful for that because a month after our wreck there was another bus that crashed 60 miles away from us that was carrying people from another music festival and that crash killed three people. That just got me thinking about how fortunate we are that we have fans that care about us, we have families and friends and everything and all of these people that care enough to be part of the story and to offer help with this. I’m just thinking of some of the people in the other crash, they might not have had that, they might have not had anybody interested in hearing what happened and they lost more. So, in perspective, it could have been worse. It could’ve been a lot better. [Laughs] It could have been a lot better, but it could have been worse. Can you give us an update on your fellow bandmates, friends and how the bus driver is doing? Yeah, I mean, everybody is going to be fine at the end of it. We all suffered different types of injuries and it’s pretty surprising the variety of injuries that were sustained. Just out of respect for the rest of the guys, they’ve all got their individual stories, so I’m not really naming any names, but there was some pieces of back, one guy was in a brace, somebody from our crew was bruised to the point where they had to be under constant medical supervision for fear of clots, and one of our crew looked like he’d been in the biggest street fight of all time. The driver sustained a number of broken bones, some people had minor scratches and scrapes and others as hefty as broken bones and backs. But the simple fact is, we will all be fine, absolutely fine in the end. It’s important, especially for me to hold onto that. We will be fine in the end. If we’re not fine already, we’ll be fine in the end. In the crash story you mentioned that you did suffer some burns along with your broken arm and broken leg. How long exactly were you laying in the bus before you were rescued? It was really quite alarming how fast that there was a crew on the scene. What happened to me specifically was I flew forward about ten or twelve feet and I went halfway through the windshield. The windshield flew out in one piece and it went flying and I hit it and bounced back in. I landed on the window frame where the glass had been. There was shards all around me and the burn marks were abrasion burns. It was a burn that went all the way around my arm and pretty deep into from who knows what. There was a ton of them, just big huge patches of skin rubbed off or burned off. I didn’t pass out, so I can’t say, “When I came too…” but once the bus settled, I was sitting and I was able to survey the area and able to take stock. If I was on the ground I wouldn’t have been able to do a number of things that I did, but I was sitting. That’s when, instinctually, and I believe we were all conscious while doing this, but we were looking around to make sure everybody was alive. I had this sense inside that nobody had died, and fortunately I was right there. I actually was relatively calm given the circumstance and I was just calling everybody’s names out and I think we were all trying to see where everybody was, and after about a minute, it couldn’t have been more than a minute-and-a-half, there were three people at the front of the bus. I had just pulled my arm almost 360 degrees in a circle, so I knew what was wrong with me. I was just sitting in the window of the bus like, “Get me out! Get everybody else out!” There was a window, I guess in the back of the bus that was broken as well. So everybody was either coming out the front or out the back and I believe they had to cut the driver out. Check back on Monday, Oct. 22,  for Part 3 of our exclusive John Biazley interview, in which he talks about how he plans to move on from the accident + more. In the meantime, if you missed it, check out Part 1 by clicking below. [button href=”http://loudwire.com/baroness-john-baizley-bus-crash-isnt-going-to-stop-us/” title=”Part 1: A Bus Crash Isn’t the Sort of Thing That’s Going to Stop Us” align=”center”]

Zakk Wylde Likens Potential Pantera Reunion to Led Zeppelin Getting Back Together

Ethan Miller / George De Sota, Getty Images Zakk Wylde ‘s name has come up more than a few times this year as a fill-in for a potential Pantera reunion, but before that could ever happen, the remaining members would have to determine if a reunion without the full original lineup is in their best interest. Wylde tells Brave Words that Pantera getting back together after the death of Dimebag Darrell is similar to what Led Zeppelin had to consider when offers continued to flood in after the loss of John Bonham. Wylde explains, “The guys … they’d have to talk about it. THEY’RE Pantera (laughs). I mean, they’re the boys. You get em’ in a room, and I mean it should be like Led Zeppelin gettin’ back together. You know, the guys gotta work it out.” The guitarist, who also fronts Black Label Society , says that it’s been nice to hear both Vinnie Paul and Philip Anselmo even suggest that he might be the guy if they were to reunite, but there’s still a long way to go before that could happen. Wylde says, “Put it this way. I’d be beyond flattered if the guys wanted me to do it and were like, ‘Zakk, we really want to do it and we want you to honor Dime’ and everything. I would say, ‘Yeah, of course I would honor Dime.’ But it’d be like the Jimi Hendrix Experience; you know Mitch and Noel, they wanted to get together to celebrate Jimi’s life and they asked Eric Clapton to fill in and play the guitar and sing the songs. I mean, of course Eric would do it, cause he was buddies with him. It would be that type of thing. But that’ll be a bridge we cross, if the guys ever get to that point and they wanted to do it. But I’m friends with all the guys. I always wish the guys the best with whatever they’re doing. I just had Vinnie on my radio show and everything like that, so it’s all cool. Like I said, I’m good with all the guys. So it would just be up to them and like I said, it’d be a bridge we cross when we get there.” While the Wylde rumor has been a hot one for some time, Anselmo stated earlier this week that even though he had met with Wylde recently, talk of the guitarist being part of a potential Pantera reunion had been blown way out of context . [button href=”http://loudwire.com/best-pantera-songs/” title=”Next: 10 Best Pantera Songs” align=”center”]

Killswitch Engage to Play ‘Alive or Just Breathing’ in Full on 2012 North American Tour

Liz Ramanand, Loudwire Only six months after the live return of vocalist Jesse Leach to Killswitch Engage , the band has announced that they will embark on a 2012 tour to celebrate the 10th anniversary of their landmark album ‘Alive or Just Breathing.’ During the monthlong North American tour, Killswitch will be playing the album in its entirety. Shadows Fall and Acaro will support the trek. Last month, it was revealed that Killswitch Engage would be headlining the 2012 California Metalfest, with the marquee announcement of their performance being that the band would be playing every song from ‘Alive or Just Breathing.’ Perhaps due to the immense fan reaction of both excitement and jealousy of fans who aren’t able to make it to California, Killswitch will now give fans across North America an opportunity to experience the 10-year-old album before the year is up. Killswitch Engage announced the news via their Facebook page accompanied by the words, “This is for all the fans.” The announcement came in video form, mixing film from 2002 (which gives an unexpected wave of nostalgia to those who remember the album’s release) with footage from 2012. The video continues to say, “‘Alive or Just Breathing’ 10 Year Anniversary Tour. Performing the entire record from beginning to end … with special guests Shadows Fall and Acaro,” before scrolling through the upcoming tour dates. “I honestly never thought I would have the opportunity to sing these songs on stage with Killswitch again,” says Jesse Leach in a press release. “Now here I am back in the band and celebrating 10 years of the release of this record. I am absolutely thrilled for this tour. I can’t wait to sing ‘Rise inside’ and ‘Just Barely Breathing’ among others. On top of it all, we have our good friends in Shadows Fall and Acaro joining us. This tour will be one we will all remember! ” Check out the announcement video and the full list of tour dates below. Killswitch Engage Announce ‘Alive or Just Breathing’ 10th Anniversary Tour Killswitch Engage, ‘Alive or Just Breathing’ 10th Anniversary Tour Dates 11/24 – San Bernardino, Calif. – NOS Event Center (California Metalfest VI) 11/25 – San Francisco, Calif. – Slim’s 11/27 – Seattle, Wash. – Studio Seven 11/28 – Portland, Ore. – Hawthorne 11/30 – Boulder, Colo. – Fox Theater 12/01 – Kansas City, Kan. – Beaumont Club 12/02 – Dallas, Texas – Trees 12/04 – Tampa, Flo. – State Theater 12/05 – Pensacola, Flo. – Vinyl 12/07 – Asheville, N.C. – Orange Peel 12/08 – Atlanta, Ga. – Masquerade 12/10 – Chicago, Ill. – Bottom Lounge 12/11 – Columbus, Ohio – Alrosa Villa 12/12 – Toronto, Ontario – Opera House Dec. 14 – Buffalo, N.Y. – Town Ballroom 12/16 – Lancaster, Pa. – Chameleon Club 12/17 – Brooklyn, N.Y. – Willamsburg Music Hall 12/18 – Burlington, Vt. – Higher Ground 12/19 – Northampton, Mass. – Pearl Street 12/20 – Portland, Maine – State Theater [button href=”http://loudwire.com/killswitch-engage-members-discuss-new-song-jesse-leachs-return-more/” title=”Watch our Video Interview with Killswitch Engage” align=”center”]

Eddie Vedder Rips Mitt Romney While Performing at Barack Obama Fundraiser

Gareth Cattermole, Getty Images Pearl Jam vocalist Eddie Vedder performed a short set for a Barack Obama fundraiser last night (Sept. 20) in Tampa Bay, Fla. Along with playing for President Obama and a crowd of 85 guests, who paid $20,000 per-person to attend, Vedder had some choice words for Republican candidate Mitt Romney and his recent claims that 47 percent of Americans consider themselves as victims who are entitled to government assistance. According to Rolling Stone , Vedder addressed Romney’s words during the Obama fundraiser. “It’s very upsetting to hear a presidential candidate be so easily dismissive of such a ginormous amount of the population.” As a supporter of government-funded programs and someone who benefited from those programs before hitting it big with Pearl Jam, Vedder recalled signing up for a government security guard training program. “I’m an example of someone who never made it to university,” Vedder told the crowd. “I did have this dream to be a musician. I felt that this dream had an expiration date … It was that job which allowed me to keep affording to guitars and microphones,” the Pearl Jam frontman said. “For me, it all began with that ability to get the proper training for a decent job.” President Obama went on to thank Vedder for his words, while praising the musician’s grassroots rise to fame. “For you to share that story with us, Eddie, speaks volumes not only about you but about this country,” Obama told Vedder. “That story captures better than anything what this campaign is about and what this country is about.” Pearl Jam are scheduled to play a handful of U.S. shows to round out September, before Vedder embarks on a solo tour, which begins in Las Vegas on Halloween night. Check out those dates here . [button href=”http://loudwire.com/2013-albums/” title=”See Pearl Jam on our 10 Most Anticipated Albums of 2013″ align=”center”] Eddie Vedder Obama Fundraiser Setlist: ‘Rise’ ‘Without You’ ‘Millworker’ ‘Rockin’ in the Free World’ (Neil Young cover)