Archive for February 11th, 2013

Overkill Vocalist Bobby Blitz Talks East Coast Thrash Metal, Gaining Young Fans + More

Liz Ramanand, Loudwire Bobby Blitz of Overkill was the guest on Full Metal Jackie’s radio show this past weekend. The vocalist spoke about the band’s massive trek with Testament, as well as his feeling towards East Coast and West Coast thrash metal. He also talks about the evolution of Overkill’s music and their new younger audience. Read Full Metal Jackie’s interview with Bobby Blitz below: I’ve got fellow East Coaster Bobby Blitz of Overkill on the show. How are you? It’s good to be here [in L.A.], just flew in from Hurricane Sandy and I’m happy to report we’re rebuilding already. Thank goodness, East Coasters are tough – it takes a lot to bring us down. I never was more proud of living in New Jersey as I was during this disaster and obviously the whole Tri-State New York area and appreciative of the help we got from the West Coast people who sent support over to us. I was very proud being a Jersey guy watching people rebuild saying, “I’m not leaving, I’m staying.” You are from the East Coast and you’re touring right now with Testament who are West Coast. What’s your favorite thing about West Coast thrash that isn’t really indicative of the East Coast? I think there’s a style, when it comes to West Coast thrash – it’s almost recognizable instantaneously to me. I think especially for the old school thrash it has a moniker on it, that Bay area sound is common to most of them whether it be Testament or the early on Metallica stuff. It’s really identifiable, where I think that East Coast thrash is probably more different, there’s not a common denominator through it. I always liken us to more meat and potatoes and they’re more of a seven course meal. [Laughs] Overkill has a well earned reputation of being such a great live band; when you’re up there onstage, when exactly do you know you’ve got them? It’s really more about a zone, it’s not about getting them. I think if you can get into that zone, that becomes really contagious and the zone really spreads out into the audience. It’s really a transfer of energy between let’s say them and us – that’s when you score, when you really start feeling extra high. [Laughs] It’s not about thinking about it, it’s really more about doing it. Hey maybe that’s part of it too, maybe East Coast is more about action. [Laughs] Overkill’s been around since 1980 and you’re latest album ‘The Electric Age’ was unbelievably good, same with Testament’s latest record – they’ve been around since ’83 and their latest album is incredibly good, as well. What is it about maturity that keeps you guys so full of piss and vinegar? It’s funny because you would think angst is really a young man’s game, you don’t really run into too many 50 year olds who are pissed off. [Laugh] It’s supposed to be calmed down by that particular time but I think that one of the things or contributing factors is that there’s a newfound want of this music. The scene is healthy at this particular time, there’s a lot of younger band’s doing it. I think that when the older bands feel that, you say, “Wait a second here, this is the way it’s supposed to be done.” [Laughs] We still have a couple good punches left here, it’s really that competitive nature that keeps this at a highs level and high quality releases. Just talking about the younger generation that’s discovering this style of metal now for the first time. Let’s say a kid comes up to you after a show on this tour, what do you hope he says to you? Well obviously I hope he says, “That was unbelievable,” [laughs] that’s the hope, “You weren’t worth it.” [laughs] One of the things that I notice as this grows and it still is to some degree, it’s growing through youth. I don’t think we’re incorporating new 45 or 30 year old thrash metal fans – we have them but they’ve been with us for a long period of time. So the youth is where our growth is, what I want to hear from them is that they really know the catalogue and they really know how it’s kind of developed over let’s say this 25 year period of touring and 30 years of songwriting, etc., and why ‘The Electric Age’ is more valuable in 2013 than even ‘Horoscope’ was in 1991. It’s more about the current day, that what I want to hear from them. Best of luck on tour, it always a pleasure. I feel like I grew up on Overkill being the Jersey girl that I am. It’s nice to be able to see you guys continuing to do what you do and even better this many years later. I’m blushing. I think we’ve said it on interviews before, I said, “I always have time for [Jackie], she’s a Jersey girl.” [Laughs] Seriously, from my college radio station which is where I started at WSOU in New Jersey is where I actually discovered Overkill. It’s just funny to look back and see to where we are today and to be able to talk to you and look back and laugh at the Birch Hill days, it’s cool to see where things are today. Somebody once told me and it’s 100 percent right that joy is in the journey so I think people like you and I and many other people that listen to this type of music experience that all together and that’s why it’s still strong this many years later. Full Metal Jackie will welcome Steve Von Till to her program this coming weekend. She can be heard on radio stations around the country — for a full list of stations, go to   fullmetaljackieradio.com . 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Tom Morello Joins LL Cool J, Chuck D + Travis Barker for 2013 Grammy Performance

Kevork Djansezian, Getty Images It was a busy weekend for Rage Against the Machine guitarist  Tom Morello , who joined Bruce Springsteen and friends at the MusiCares Person of the Year ceremony on Friday (Feb. 8) and then took part in the final performance of the 2013 Grammy Awards Sunday night (Feb. 10). Morello was part of an all-star collaboration fronted by Grammy host LL Cool J and Public Enemy’s Chuck D. on a song called ‘Whaddup’ off LL Cool J’s new album. Rounding out the five-piece was some nifty scratching from DJ Z-Trip and some dexterous beats from Blink-182 ‘s Travis Barker . Though Morello was mostly in the background on the track, he did come to the forefront for some serious shredding midway into the song. The new track was an interesting song, offering bits of throwbacks throughout from Chuck D.’s repetitious “Hear the drummer get wicked” to Z-Trip spinning a sample of LL Cool J’s ‘Rock the Bells.’ In addition, LL Cool J through in a nod to the late Adam Yauch , shouting “MCA forever” before running off a few lines of the  Beastie Boys ‘ ‘No Sleep ‘Til Brooklyn.’ However, in a lame move, the end of the song was cut off by sponsorship mentions and a quick cutaway, presumably to keep the length of the show on time. The performance concluded a night which also featured stellar performances from the Black Keys , Jack White , fun. , and tributes to late musicians Bob Marley and Levon Helm . [button href=”http://loudwire.com/category/grammys/” title=”Full Grammy Coverage Here” align=”center”]

2013 Grammy Award Winners

Kevork Djansezian / Jason Merrit, Getty Images On Sunday night (Feb. 10) at the 2013 Grammy Awards in Los Angeles, the big winners in the rock categories were the Black Keys and Halestorm . The Black Keys took home trophies for Best Rock Performance and Best Rock Song for their hit ‘Lonely Boy,’ which they also performed during the ceremony, while also winning the award for Best Rock Album (‘El Camino’). Additionally, frontman Dan Auerbach won Producer of the Year. The Black Keys were also nominated for Record of the Year and Album of the Year, but lost out in those categories to Gotye and Mumford & Sons, respectively. Halestorm, meanwhile, beat out a slew of veteran acts to earn the Best Hard Rock / Metal Performance for their No. 1 active rock hit ‘Love Bites (So Do I).’ During their backstage Q&A in the press room, frontwoman Lzzy Hale said, “It’s an incredible genre to be a part of because rock isn’t always the most popular genre. Sometimes we’re underground, but we all work really hard on the road. We all look out for one another.” Also among the winners was Nine Inch Nails mastermind Trent Reznor , who shared the award for Best Score Soundtrack with Atticus Ross. Reznor didn’t attend the event, but Tweeted, “Why thanks, y’all.” Below is a list of all the winners in rock categories at the 55th Grammy Awards: 2013 Grammy Awards Rock Categories – Winners in Blue Best Hard Rock / Metal Performance Anthrax, ‘I’m Alive Iron Maiden, ‘Blood Brothers’ Halestorm, ‘Love Bites (So Do I)’ Lamb of God, ‘Ghost Walking’ Marilyn Manson, ‘No Reflection’ Megadeth, ‘Who’s Life Is It Anyways?’ Album of the Year The Black Keys, ‘El Camino’ Fun., ‘Some Nights’ Mumford & Sons, ‘Babel’ Frank Ocean, ‘Channel Orange’ Jack White, ‘Blunderbuss’ Best Rock Performance Alabama Shakes, ‘Hold On’ The Black Keys, ‘Lonely Boy’ Coldplay, ‘Charlie Brown’ Mumford & Sons, ‘I Will Wait’ Bruce Springsteen, ‘We Take Care of Our Own’ Best Rock Song Jack White, ‘Freedom at 21′ Mumford & Sons, ‘I Will Wait’ The Black Keys, ‘Lonely Boy’ Muse, ‘Madness’ Bruce Springsteen, ‘We Take Care of Our Own’ Best Rock Album The Black Keys, ‘El Camino’ Coldplay, ‘Mylo Xyloto’ Muse, ‘The 2nd Law’ Bruce Springsteen, ‘Wrecking Ball’ Jack White, ‘Blunderbuss’ Producer of the Year Dan Auerbach (The Black Keys, Dr. John, Hacienda) Jeff Bhasker (fun.) Diplo (Usher, Major Lazer, Snoop Lion, Marina and the Diamonds, Santigold, No Doubt, Wale, Justin Bieber, Alex Clare) Markus Dravs (Mumford & Sons, Coldplay) Salaam Remi (Anthony Hamilton, Amy Winehouse, Alicia Keys & Nicki Minaj, Miguel, Nas, Melanie Fiona, Usher) Best Score Soundtrack for Visual Media Trent Reznor and Atticus Ross, ‘The Girl With the Dragon Tattoo John Williams, ‘The Adventures of Tintin’ Ludovic Bource, ‘The Artist’ Hans Zimmer, ‘The Dark Knight Rises’ Howard Shore, ‘Hugo’ Austin Wintory, ‘Journey’ Full List of 55th Annual Grammy Winners [button href=”http://loudwire.com/category/grammys/” title=”Full 2013 Grammys Coverage” align=”center”]

Black Keys Perform With Dr. John + Preservation Hall Jazz Band at 2013 Grammy Awards

Kevork Djansezian, Getty Images The Black Keys , already enjoying a big Grammy night winning three statues before the actual telecast and Best Rock Performance during the televised ceremony, carried over the good times to the Staples Center concert stage Sunday night (Feb. 10) at the 2013 Grammy Awards. The band performed ‘Lonely Boy,’ the song that gave them the Grammy for Best Rock Song, but they had a little help in doing so. New Orleans piano legend Dr. John, whose ‘Locked Down’ album was produced by the Black Keys’ Dan Auerbach, brought along the Preservation Hall Jazz Band for the performance. The backing added a little extra flare to the performance as Dr. John, donning a feathered headdress, banged away on the piano while the full horn and drum section of the Preservation Hall Jazz Band could audibly be heard adding something new to the track. Meanwhile, Auerbach and drummer Patrick Carney brought their traditional passion and energy to the song. In addition to Best Rock Song, the Black Keys won earlier in the night for Best Rock Album for ‘El Camino.’ Frontman Dan Auerbach also received the Producer of the Year, Non-Classical for his work on the Black Keys, Dr. John and Hacienda’s ‘Shakedown’ album. [button href=”http://loudwire.com/trent-reznor-atticus-ross-win-2013-grammy-award-for-best-score-soundtrack/” title=”Next: Trent Reznor + Atticus Ross Win 2013 Best Score Soundtrack Grammy” align=”center”]

Trent Reznor + Atticus Ross Win 2013 Grammy Award for Best Score Soundtrack

Michael Buckner, Getty Images Chalk up another award for Nine Inch Nails mastermind Trent Reznor . The rocker, who has taken up film scoring in recent years, joined his musical partner Atticus Ross in winning the Best Score Soundtrack for Visual Media for their work on the film ‘The Girl With the Dragon Tattoo.’ For Reznor and Ross, it was the continuance of a great musical partnership. The pair won the Best Original Score for Motion Picture at the 2010 Golden Globe Awards and the Academy Award for Best Original Score for their work on the film ‘The Social Network.’ Their work on ‘The Girl With the Dragon Tattoo’ also earned them a Golden Globe nomination for Best Original Score – Motion Picture. Reznor and Ross did not attend the Grammy pre-telecast ceremonies to accept their honor, though the Reznor did tweet , “Why thanks, y’all” shortly after their category was called. The Nine Inch Nails leader was one of the major rock winners during the early ceremonies, with Halestorm winning the Best Hard Rock / Metal Performance Grammy and The Black Keys winning for Best Rock Song for ‘Lonely Boy’ and Best Rock Album for ‘El Camino.’ Black Keys frontman Dan Auerbach also won a Grammy for Producer of the Year, Non-Classical in the pre-telecast ceremony. [button href=”http://loudwire.com/halestorms-love-bites-so-do-i-wins-best-hard-rock-metal-performance-grammy/” title=”Next: Halestorm Win 2013 Best Hard Rock / Metal Performance Grammy” align=”center”]

Halestorm’s ‘Love Bites (So Do I)’ Wins 2013 Grammy Award for Best Hard Rock / Metal Performance

Kevork Djansezian, Getty Images Congrats are in order for  Halestorm , who were the winners of the Grammy for the Best Hard Rock / Metal Performance at the 55th annual Grammy Awards Sunday night (Feb. 10). The full band was on hand to accept the honor during the pre-telecast ceremony, with frontwoman  Lzzy Hale  and her drummer brother Arejay Hale delivering the bulk of their acceptance speech. Arejay opened the speech, shocked at their victory stating, “Oh Christ, did not completely expect this.” The drummer mentioned that he had written something down that was on his phone, but he mostly went off the cuff. He thanked his and Lzzy’s parents, stating, “Thanks to our parents for turning us onto great music. Most parents want their kids to be doctors and lawyers and our parents encouraged us to join the circus.” Lzzy Hale meanwhile dedicated the award to the “Halestorm freaks,” exclaiming “Here’s to us.” She also shouted out fellow nominees Iron Maiden and Lamb of God , stating, “If it wasn’t for your inspiration … we wouldn’t have written this song and been in this category.” In addition to Halestorm, the category included Anthrax ‘s ‘I’m Alive,’ Iron Maiden’s ‘Blood Brothers,’ Lamb of God’s ‘Ghost Walking,’ Marilyn Manson ‘s ‘No Reflection’ and Megadeth ‘s ‘Whose Life (Is It Anyway?).’ In the Grammy press room, Lzzy added, “[This] wouldn’t have been possible without these people, specifically, Lamb of God. We were inspired by the guitar part … and we wouldn’t have gotten into hard rock if it wasn’t for Megadeth and Iron Maiden, so it’s just amazing.” Talking about the camaraderie in the genre, Lzzy explained, “It’s an incredible genre to be a part of because rock isn’t always the most popular genre. Sometimes we’re underground, but we all work really hard on the road. We all look out for one another.” In addition, Lzzy answered questions about the band’s newfound Grammy cred, stating, “If I sit this in the back of any meetings, you know in the political business…” to which Arejay Hale interjected, “It’s like, ‘Oh yeah? You don’t like that song? Oh, let’s ask Mr. Grammy.’” Elsewhere during the Grammy pre-telecast ceremony, Trent Reznor and Atticus Ross won for Best Score Soundtrack for Visual Media for ‘Girl With the Dragon Tattoo.’ Though not there in person, Reznor tweeted , “Why thanks, y’all.” Black Keys also won a pair of Grammys during the opening ceremonies, taking home Best Rock Song for ‘Lonely Boy’ and Best Rock Album for ‘El Camino.’ In addition, Black Keys frontman Dan Auerbach won the Grammy for Producer of the Year, Non-Classical. [button href=”http://loudwire.com/halestorm-lzzy-hale-on-grammy-nomination-personal-victory-for-the-four-of-us/” title=”Next: Halestorm’s Lzzy Hale Discusses Reaction to Grammy Nomination” align=”center”]