Posts Tagged ‘florida’

Trivium – Silence In The Snow

Every Trivium release after Ascendancy has initially been met with some backlash by fans of the band. Pretty much every band by the album is solid, but every album is a departure from the previous one, so getting fixated on certain aspects of the sound of the band always leads to disappointment. That’s not to say that all criticism of their work is invalid, but there is always a yearning for older elements of the band’s sound from some. Yet, despite this, Trivium keep pushing forward, and with every album they change the shell around the core of their sound. Sometimes it works better than others, as the intricate and progressive Shogun was an absolute masterpiece, In Waves was their most diverse album, and while Vengeance Falls was met with some degree of negativity, its second half had some of the best songs they’ve ever written. Silence in the Snow  is the Florida quartet’s seventh album, and it sees them taking a different direction yet again, with a heavy bent towards traditional metal and the complete eschewing of screaming (which works out surprisingly well), and bringing back the elements of the fabled Shogun sound. And while the end result works more often than not, it’s a bit flawed. It’s hard to weigh the strengths and weaknesses of Silence in the Snow against each other, as they’re mostly disparate. The songs have structure issues, but the actual riffs that are in there are pretty great. Perhaps the easiest way to sort this out is to just lay the issues out there and let everyone sort them out for themselves. There is really one prime problem with this album, and everything else stems out from it. That problem is the reliance on choruses, or more specifically, song structures that emphasize choruses. Pretty much every song has a verse-chorus-verse-chorus-solo-chorus structure. Some of the best aspects of Trivium songs are “the riffs in between”, things that lead verses into choruses, interludes, pre-solo sections, et cetera. The band not having any screaming on this album is really no issue, as there aren’t any riffs that make one go “I wish there was some screaming here”, but that’s actually the root of the issue here. It’s not that the band are no longer doing harsh vocals, it’s that they’re not writing riffs that they normally play when they’re doing harsh vocals. And while the screaming isn’t really missed, the riffing is. Further exacerbating this issue is the fact that the choruses area repeated a lot, which makes the songs feel rather simplistic and repetitive. It’s also a problem when a lot of the songs have their verses start with the “guitar plays a note or two then stops, and Matt sings over a bassline” bit, which gets old even faster. While those issues sound a bit grave, when the album works, it really works. It has some of the best lines they’ve ever written. The riffing isn’t really the focus on most of the songs, the vocals are, and the riffing just provides a backdrop for the singing. While Matt Heafy isn’t the best singer out there, he’s better than he ever was (and he doesn’t rely heavily on pitch correction either, as live videos make very evident) and he pulls off a singing-driven album well. And while the complaints about choruses being too prevalent stands, they’re damn good choruses. It’s so easy to sing-along to everything in the album, and it’s all ridiculously catchy and memorable. The heavy metal influence is prevalent mostly on a few songs, whereas the rest are Shogun-era Trivium songs with the screaming bits cut out and the choruses emphasized. That album has been the holy grail for the band’s fanbase since its release, and this album brings back pretty much every aspect of that sound minus the heavier parts. The lack of more intense riffing probably partly due to the fact that the singing is a lot more difficult than what the band has done before, and Matt has to focus on his voice, which forces him to just play basic rhythms. The band mostly cover that up with great song writing, proving their claim they’ve been making for years that it’s not about how hard the riff you play is, but how good the riff sounds. And for guitar enthusiasts, the band still have neat riffs in some of the songs, and their solos, which every song has, are some of their best. Really, how much one enjoys this album will come down to what they’ve come to expect from Trivium over the years. If their image of the band was that of a metalcore band with screaming and melodeath-esque riffing, they will probably be disappointed. But if they liked Trivium for their melodies, Matt’s singing and the memorable lines, this album contains more of those than ever. They’ve brought back some of their best songwriting elements, and while the implementation is a bit flawed due to the simplistic structure of the songs, the end result is really good and is full of stupidly catchy riffs and choruses. In ways, Silence in the Snow is the “Black Album” of Trivium’s career, as it reflects a position in their musical progression similar to how that album was situated for Metallica . And while this might (rightfully) alienate some longtime fans, it’s just a different direction and not really a bad one. The aspects that are lacking are undeniable, but what’s here is also compelling in its own right. ? Trivium –  Silence In The Snow gets… 3.5/5 -NT

Tommy Lee Sued by Florida Photographer Over Alleged Altercation

Motley Crue drummer Tommy Lee  is currently facing legal action as the result of an alleged incident with a Florida photographer.

Josh Todd on Buckcherry’s Tour With Kid Rock: ‘It’s a Perfect Combination’

Liz Ramanand, Loudwire / Mary Ouellette, SheWillShootYou.com Buckcherry are set out to hit the road with Kid Rock for a U.S. arena tour across in support of their upcoming album ‘Confessions,’ due February 19. When we recently spoke with Buckcherry frontman Josh Todd he reminisced about the last time he toured with Kid Rock. “We toured with him back on our first record with Fuel and Kid Rock’s awesome,” Todd told Loudwire. “I remember the first time I met him, it was at the Sapphire Supper Club in Florida this little place and I think he was in an RV at the time – this was before ‘Bawitdaba’ took off.” Todd adds, “He just remained the same guy from then to now and that’s why I really like him. He’s just a cool guy, he’s my type of person and we’re all really looking forward to playing with him. He just does what he wants to do and that’s what Buckcherry’s all about so I think it’s a perfect combination, a rocking tour.” The singer and father also spoke about the one thing he had to have on tour with him. “I got into this thing where my youngest daughter — if I have something of hers, it’s good luck to me.” He continues, “I have this little skull barrette she used to wear and that’s always in my toiletries bag where my Q-Tips are. So every day I have to open it up to use a Q-Tip, I see it and I smile and I think about her and just feel good.” The Buckcherry / Kid Rock tour kicks off Feb. 2 in Kansas City, Mo. For a full list of dates, go here . [button href=”http://loudwire.com/buckcherry-josh-todd-new-single-gluttony/” title=”Next: Josh Todd Talks New Buckcherry Single ‘Gluttony'” align=”center”]

10 Best Shinedown Songs

Mary Ouellette, SheWillShootYou.com It's pretty much impossible to turn on rock radio without hearing one or more Shinedown songs. In the 10 years since they released their debut album, the Florida rockers have proven themselves to be one of the most reliable hit-makers of the 21st century. They've churned out hit radio tracks even as they expand their range beyond hard rock to include textured mid-tempo tracks and even tender ballads. With their latest album, 'Amaryllis,' Shinedown have continued their hit-making streak with more chart-topping singles. So, we give props to the band with our list of the 10 Best Shinedown Songs: ? 10 'If You Only Knew' From: 'The Sound of Madness' (2008) ? ? Sunny, airy acoustic guitars shimmer throughout this surprisingly lighthearted and upbeat track from Shinedown's third album, 2008's 'The Sound of Madness.' If it weren't for the pounding drums, you could almost call this an adult contemporary ballad, what with the epic proclamations of love, the strings, and, wait, are those bells? Listen to 'If You Only Knew' ? ? 9 'Bully' From: 'Amaryllis' (2012) ? ? There was plenty of aggression bubbling over on Shinedown's 'Amaryllis' album, beginning with the lead single, 'Bully.' The issue-oriented track dealt with some of the troubles going on in schools these days, with singer Brent Smith taking the opportunity to encourage those being bullied to stand up for themselves. The anthemic track is quite empowering with a sing-along chorus as well. Listen to 'Bully' ? ? 8 'The Crow & the Butterfly' From: The Sound of Madness' (2008) ? ? Guitarist Zach Myers' epic, melodic lead guitar work further ratchets up the intensity throughout the second half of this already stormy song from 2008's 'The Sound of Madness.' Reportedly, the song is about a mother whose young son dies, but the lyrics also mention the pair “getting high as outer space” together, so let's hope this is a friend they're talking about. Listen to 'The Crow & the Butterfly' ? ? 7 'Fly From the Inside' From: 'Leave a Whisper' (2003) ? ? You never get a second chance to make a first impression, and that's especially true for rock bands. So, the opening song on Shinedown's 2003 debut 'Leave a Whisper' needed to kick some butt and tell people what they're about quickly. The band wastes little time doing just that here, mixing hard rock riffs with a heightened sense of dynamics and a huge, anthemic chorus. Listen to 'Fly From the Inside' ? ? 6 'Devour' From: 'The Sound of Madness' (2008) ? ? Eschewing their more recent tendencies towards more dynamic music, Shinedown let it rip old-school style on the double-barreled opening track and first single from 2008's 'The Sound of Madness.' Reportedly an anti-love song to then-president George W. Bush, the track features lead singer Brent Smith railing against a clueless leader who is suffocating his own empire due to his own greed. Listen to 'Devour' ? ? 5 'Enemies' From: 'Amaryllis' (2012) ? ? What better to work out your aggressions than in song? That's the path Shinedown followed with 'Enemies,' an in-your-face confessional between warring sides. Not only does the track rock, but there's a certain amount of swing brought to the track by drummer Barry Kerch as well. This one's great to get your blood boiling. Listen to 'Enemies' ? ? 4 'Second Chance' From: 'The Sound of Madness' (2008) ? ? Supposedly, Shinedown themselves weren't very big fans of this tune, the appropriately titled second single from 'Sound of Madness,' when they first wrote it. Luckily, they gave the track a — wait for it — second chance, as it ended up being their biggest hit to date, a platinum selling smash that reached the charts on a wide variety of radio station formats. Listen to 'Second Chance' ? ? 3 'Save Me' From: 'Us and Them' (2005) ? ? Shinedown sing of a drug addict looking for salvation on this, the first single from their 2005 sophomore album 'Us and Them.' The repetitive, somber opening bass line helps to capture the mindset of a junkie living in day after day world of pills, needles and spoons, unable to muster the strength to break free on their own. Listen to 'Save Me' ? ? 2 'The Sound of Madness' From: 'The Sound of Madness' (2008) ? ? Shinedown breaks out their best Metallica impression on this riff-heavy slice of metal, which served as the title track to their third album. Lead singer Brent Smith, in particular, drops his voice down a notch and adds some menace, sounding eerily like James Hetfield as he calls out self-pitying so called “rebels” who really are just avoiding responsibility. Listen to 'The Sound of Madness' ? ? 1 '45' From: 'Leave a Whisper' (2003) ? ? Even if you ignore the fact that this song was the band's first major single, and therefore an important introduction to their brand of drama-filled melodic hard rock, this tune's powerful message about living each day to the fullest makes it one of the top Shinedown tracks. There was some controversy about the song's gun-related lyrics, but if you listen they hardly glorify violence — instead using the weapon as a metaphor for a person staring down big changes in their life. Listen to '45' ? ? What's Your Favorite Shinedown Song? What tune on our list of the 10 Best Shinedown Songs do you like the most? Or, if there's a Shinedown track we missed, let us know in comments section below: ?

Former Bury Your Dead Guitarist Sentenced to 20 Years in Prison for Gang Activity

Former Bury Your Dead guitarist Eric Ellis has just been sentenced to 20 years in prison for an insane list of charges. As an “associate” of Florida gang ‘The Guardians,’ the 28-year-old Ellis was one of five men found guilty of violating the ‘Racketeer Influenced and Corrupt Organizations (RICO) Act. Ellis played guitar on Bury Your Dead’s breakout album ‘Cover Your Tracks’ in 2004, along with their 2006 album, ‘Beauty and the Breakdown,’ and the metalcore band’s 2008 self-titled record. The crimes committed by The Guardians are detailed in an  official FBI press release : ? The gang committed a series of violent felonies and crimes, including an extortion that left one man nearly dead; the choking of a young woman until she passed out; armed bank robberies; armed home invasions; daily cocaine and opiate sales; and theft of thousands of dollars’ worth of merchandise from local stores. Arrests were made in November 2010 when an investigation revealed that the gang was preparing to commit additional home invasion robberies. The robberies committed by the Guardians resulted in the loss of almost $2 million to their victims. According to a Noisecreep interview from 2009, Ellis himself was a victim of a seemingly random gang assault, which he claimed was a initiation for the attackers. “I was beaten with a hammer and a bat,” Ellis described. “I had 56 contusions down the side of my body. I look back and am glad that didn’t happen to a kid at the show, or a girl coming out of the show. I am almost glad it was me.” Bury Your Dead have released two albums, ‘It’s Nothing Personal’ and ‘Mosh n’ Roll,’ since Ellis left the band in 2008. [button href=”http://loudwire.com/shocking-rock-stories-of-2012/” title=”See the Most Shocking Rock Stories of 2012″ align=”center”]

Alter Bridge Planning New Album + World Tour for 2013

Mary Ouellette, SheWillShootYou.com Guitar great Mark Tremonti may have spent the tail end of 2012 engrossed in supporting his first solo album, but it looks like 2013 is all systems go for  Alter Bridge . According to a tweet posted by Tremonti yesterday (Dec. 11), the Alter Bridge brain trust of singer Myles Kennedy , drummer Scott ‘Flip’ Phillips and Tremonti met up with their management in sunny Florida to plan the immediate future of the band. Although specific details were not disclosed, AlterBridge.com has confirmed that the band’s 2013 schedule includes a new album and a world tour. “Had a meeting today with Myles, Flip, our managers and myself. Starting to plan 2013!,” tweeted Tremonti , giving fans lots to be excited about. The only member seemingly missing was bassist Brian Marshall, who also had to duck out of touring with Tremonti earlier in the year citing personal reasons. The news probably comes as a relief to Alter Bridge fans, providing confirmation that the band is alive and well. With frontman Myles Kennedy currently out on tour providing vocals for Slash while Tremonti tours Europe through February with his solo side project, it’s been a busy time for everyone juggling multiple creative endeavors. Alter Bridge’s last studio offering was their third album, 2010’s ‘AB III.’ Tremonti has also been working on a new album with his longtime band Creed . [button href=”http://loudwire.com/tags/alter-bridge/” title=”Mark Tremonti Reveals Plan to Keep Wolfgang Van Halen in His Band” align=”center”]

Hatebreed’s Jamey Jasta Talks New Album, Touring with Lamb of God, Rowdy Fans + More

Liz Ramanand, Loudwire Hatebreed frontman Jamey Jasta was the guest on Full Metal Jackie’s radio show this past weekend. He spoke all about the band’s forthcoming album ‘The Divinity of Purpose,’ as well as hitting the road with Lamb of God and how playing shows has changed since Randy Blythe’s arrest. Read the full interview with Jamey Jasta below: You are obviously part of this awesome Lamb of God tour and you are probably doing 12 bazillion things, as you do? Metal is a life style and no one in the metal community is more immersed in that lifestyle than you. When did you realize that metal would become so prominent in so many aspects of your life, musician, songwriter, label owner, media personality. Coming from the punk and hardcore scene – I just saw that there needed to be more unity with metal. We always played with metal bands and we always enjoyed metal bands like thrash bands, death metal however you want to call the different sub-genres and I thought “It’d be good to just be more involved and bring people together.” I always liked the inclusionary aspect of metal whereas coming from the punk and hardcore scene a lot of it is exclusionary where there’s a lot of strong beliefs. So I thought “Man, it would be great to have a balance of the two” so very young I started learning about how shows were booked and how tours were booked and how different bands got signed and I just tried to learn so that if I ever was to be in a band, which I ended up being in – I had a little bit of an edge. Especially coming from the punk and hardcore scene there’s so many bands and it’s so hard to break especially in the Northeast – being from Connecticut we were sandwiched in between New York and Boston where there’s hundreds of bands, you really have to work super hard to get noticed. Growing up and having bands like Biohazard and Sick of It All but also bands like Anthrax and all of the Florida death metal bands, we ended up getting to play with a lot of those bands. You see how die-hard the fans are and how truly supportive and they stay with the band and now we’re seeing it more than ever with Testament and Anthrax and even Megadeth – they constantly keep having these huge rebirths in a way where the fans pass it along to younger fans. We just wanted to do that but for bands who were crossover bands who had roots in the hardcore scene and everything comes with that – the lifestyle aspect of it, trying to make a brand, have your own clothing, have your own label, have your own TV show or radio show or whatever it is. You want to have a medium to promote the stuff and it’s been cool and a lot of people are still doing things like that; Kerry King from Slayer had a clothing line, Scott Ian has a web TV show and it’s nice to see that through metal there are all these cool opportunities being had. I believe in abundance I’m like, “Share the wealth and have everybody express their views and interests and have the music be that medium to get the message across.” As you mentioned there’s a new Hatebreed record coming out in January and tell us what will fans love most about this new record? I just think if you like any one Hatebreed record there’s a little bit of something for you on this one. I feel like if you like ‘Satisfaction [Is the Death of Desire]’ and you’re in your thirties and that hardcore was a big part of your life, there’s some stuff you’ll like on this record. If your more ‘Perseverance’ type of person and from the last ten years onward have been a fan there’s a lot of themes that are similar. Then there’s the thrash and the crossover influence, as well. I think it’s got all of the cool elements of Hatebreed records in the past but has that identity where it’s fresh and new but you know when you put it in, you know it’s Hatebreed. Even if you hate us at least you won’t be like “Who is that? What is that?” you know who it is. You guys are celebrating an anniversary coming up right? We just celebrated the 10 year anniversary of ‘Perserverance’ and Nov. 11 [marks] the 15th anniversary of ‘Satisfaction Is the Death of Desire.’ I don’t think we’ll get the chance to do a tour or a re-release of the record or anything which would have been cool but the past is the past – we’re proud of it but it’s like we got to put this new record out in January and it’s onward and upward. This is a huge tour for us to play out to a new audience. It’s great to see Lamb of God – even though they might not be new to some people, we’re seeing a lot of young kids and I feel like they’re the new leaders of aggressive metal or modern metal. Both Hatebreed and Lamb of God are both powerful aggressive bands in an instant how did things change for you as a musician, entrepreneur and for metal as a whole when Randy [Blythe] was arrested in Prague? Well it was crazy because it instantly put this magnifying glass on how a concert should go as far as searching the fans, security, barricades and we come under a lot of scrutiny because we’re from the hardcore scene. There are some people who are very vocal about us becoming a big band – they don’t like that. There’s always been this kind of punk rock guilt in the scene like “You can’t be successful, you can’t make money or play big shows on big stages” but we’ve always been looking for the most success possible – we’ve never been ashamed of that. Randy getting arrested has really brought that out and people have said, “What are you going to do? Are you going to be able to play shows without a barricade.” We’ve been playing shows with barricades for the last 12 years it’s just people that wasn’t to cause a stir and act like we’re compromising our integrity in some way. They’ve brought all this stuff up like, “Everybody should be welcome on the stage” and all this stuff – not at a metal show maybe at a punk and hardcore shows and God Bless them if they can police the stage and be on top of it. God forbid somebody breaks their neck like we had happen at The Staircase in PA and that’s probably going back to 2002, 2003 – that club shut down, we almost got named in the lawsuit. Even before Lamb of God we were dealing with these types of issues before Lamb of God was even signed so they just brought it to the forefront – it’s such a unique incident where they feel Randy is at fault which he isn’t, he’s totally innocent. Regardless I think it’s a bigger question or a bigger thing where people just need to respect each other at a show, respect the security and vice versa. What do you want out of the show? Do you want to enjoy it or do you want to hurt people and hurt yourself? You have to ask yourself that. If you’re looking to hurt people or hurt yourself then maybe you should just stay home. As far as the bigger metal bands like Lamb of God, Anthrax and Slayer – don’t ever expect to be allowed onstage. Hatebreed has already done shows since this has happened without barricades and it was just a couple random shows like my birthday show in Switzerland and everything was fine. We took a risk by doing that and if could’ve gone wrong but we told the crowd “Look this is super important that everybody respects each other, if somebody dives you got to catch them, if somebody falls you got to pick them up.” I don’t see that being something that can still go on especially not in America, definitely not in America. I think that in America, especially after the ‘Perseverance’ tour which was probably our most violent tour we’ve done in a long time, with the exception of Pomona. Pomona was incredible, seeing all the unity and everybody picking each other up and really no fights – that was great but every other place was super violent and I’m not complaining. I understand it’s heavy music and a crazy show and we write some stuff that’s going to cause the kids to go crazy but at some point you have to say “Enough is enough, let’s respect each other.” If you get hit in the pit just deal with it and shake it off. At the Detroit show there were girl fights and it was crazy. I know when you involve booze and heavy metal you’re bound to have a couple fights but we had a lot of shows where it was literally like 30 fights – two, three fights every song and you’re like “Alright this has got to chill for a little bit.” That’s why with Hatebreed we try to do the bigger tours like Mayhem Fest where we can play to a ton of people, get out message out and not have to worry about people getting hospitalized. In terms of Hatebreed, what surprises people most about you in terms of their perception that’s based on Hatebreed and your music? Well now after the whole CNN debacle where they basically misreported us being a racist band or having a racist agenda – because our fans stood up for us and really just bombarded them with Tweets. It actually got us a little bit of mainstream attention and now people who might not know about Hatebreed at least they get it and they say, “Okay their negativity or the negative aspects that they see or feel in the world they’re trying to do something positive with it” and they get that we’re trying to have a positive agenda. So I guess when people meet us and we’re regular guys and we’re not out here beating people up or sacrificing goats or whatever they think that we’re doing – they get it. Also, when you perform at this level – we’ve done more shows than most bands who’ve been around for 20 years, 30 years, we’ve done a higher volume of shows. We’ve gotten out a lot of energy, when you scream your head off for 40 to 90 minutes a night – it’s hard to be upset during the day, that’s the therapy. That’s probably another thing that people don’t realize – I get all the bad stuff out, I have that release. That’s why with this whole record and going into this new world tour and everything, I have a really good outlook because I still get that fulfillment – that’s why I feel like we’ve had such long term success it’s a cyclical power, people get that from the show and we get that from performing. We just need now to make it be more of a fun experience and hopefully the next tour won’t be as crazy and violent. We write some heavy stuff so it is to be expected. Do you think looking back at starting out in terms of punk roots and you have to be in an angry mindset in general on that whole genre – thinking back then to now do you still feel that anger and rebellion in general? Yeah, but also I think it goes in waves now we have the election coming up and the way the economy is and as you get older you see so many people are down and out. People are dealing with depression and anxiety and struggles that you face throughout your life, it’s just constant fuel for the fire I think. I feel like life is never going to be a hundred percent peachy so you got to have that balance. You don’t always want to eat pizza, you can’t eat pizza for every meal, you want to switch it up just like you don’t always want to listen to Hatebreed, maybe some people do and God bless them – but for when you do need that release or you want that aggressive music whether it’s in the gym or on your ride to work hopefully we’re that band. Full Metal Jackie will welcome Dez Fafara of DevilDriver on her next show. Full Metal Jackie can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .