Posts Tagged ‘light’

Singled Out (9/26 – 10/2): New Music From The Faceless, Megadeth, Coheed and Cambria, and More!

Singled Out is our weekly column to round-up the singles and new tracks from the past week dropped by bands we cover. Consider this our weekly mix to help keep you all on top of the latest releases from across the metallic and progressive spectrums. Read past entries here , and go on ahead below to get Singled Out! Coheed and Cambria – “Eraser” Coheed’s use of a chunky, hyper-distorted guitar tone and their trademark enthusiasm are in full swing here. The “Gravity’s Union”-esque tone in the intro quickly gives way to Claudio Sanchez’s trademarked high-pitched croon and a chorus that shows off the band at their jangliest and most poppy. Despite the defiantly malign undertone, the upbeat drive of this track is incredibly hard to resist; it’s hard to resist a smile when listening to “Eraser”. The whole song reeks of the band’s typical sickly-sweet vibe, the tangy tones of modern alternative rock splashed with the emotive and lush sound of Mars Volta-style prog. It’s a potent combination, and it’s served the band well in the past. We’ll see how it serves them on The Color Before The Sun come October 16th, but seeing as this is Coheed, I can guarantee it’ll be somewhere between amazing and fucking godly. -Simon Handmaker Driftoff – “Dying Light” We’ve often been highly skeptical of supergroups on this blog. That’s why it’s refreshing to hear a collaboration between giants of a certain sub-genre sound so damn cohesive and self-aware. Driftoff combines talent from Junius , Rosetta and City of Ships , all names that are downright seminal in their own fields. The first taste of this heady brew is “Dying Light” and it’s a perfect introduction into the post-punk/hardcore that is Driftoff’s measure. Let us skip over the obviously delicious guitars and drums and focus on the vocals. Put briefly, they are outstanding. Merging the two different styles that are most often heard in this sort of music, they draw on both harsher, raspier sounds that hark to mother-band Rosetta while the more emotional vocals are firmly grounded in the history of the scene. Long story short, this is both new and traditional, fresh and yet wholly recognizable. Get excited for this release. -Eden Kupermintz The Faceless – “The Spiraling Void” After a period of silence and line-up shuffles, out of nowhere, The Faceless are back! As one of the more visible and accessible bands in technical death metal, them putting out new music is always worth watching. This time, they’re back with The Spiraling Void , and it’s such a warm, welcoming feeling to hear the trademark Michael Keene riffing again. Going back to elements of their older sounds and retooling them to create this new tune, the band sound reinvigorated. They’ve brought back the slight Cynic influence from Akeldama , and the more progressive leaning sound from Autotheism ; and the end result is something instantly recognizable as The Faceless. Original singer Derek Rydquist is back, and Justin McKinney of The Zenith Passage is now also on guitar duties. It makes a lot of sense to have Justin on board, as his band is also influenced in turn by The Faceless. Michael Keene’s vocoder cleans from Akeldama are back, the extended solo sections over arpeggios from Autotheism are back, and Planetary Duality ‘s riff style is all over. Basically, The Faceless are back in full force. While they haven’t officially announced a new album, they’re touring with new material so this can only mean one thing. We’ll get our faces shredded off. -Noyan Tokgozoglu Megadeth – “Fatal Illusion” When the years go by and the dust settles, there will be many questions asked about our times: why were there so many wars? Why did it take them so long to go to space? Space is freaking awesome! One of these questions will undoubtedly be: why did Megadeth make more than two or three albums? They clearly ran out of ideas years before they finally took a bow. Don’t believe me that this will be the case? All you need to be convinced is to listen to “Fatal Illusion”, given that the track name itself hasn’t put you to sleep already. If the soporific name wasn’t enough, one listen to the track should be. It has zero new ideas: the guitars are all where you expect them, the pointless shredding follows and above it all is crowned the voice of the man, the ego, the washed out, Dave Mustaine. That is, if you can find it below all the effects and layers they’ve put on it to hide the fact that the man just can’t sing any more. To be sure, he surrounds himself with talented musicians, he always has, but as always he completely under utilizes them. Whatever shine this man’s name once had has disappeared, the glamor is gone and all that’s left is a boring rivet in the already collapsing machine that is “old school thrash”. -Eden Kupermintz Mestis – “Pura Vida” Javier Reyes is rather underrated, but I guess that can happen when you’re the second guitarist in a band where the primary guitarist is one of the most famed one of recent years. This should only be a testament to Javier himself though, as it means he’s up to par. His solo project Mestis had an EP a few years ago, and it was just delightful. Combining Latin and jazz elements with the groovier aspects of the Animals As Leaders sound, the record left many wanting for more. Well, fret not (pun intended), as there’s new Mestis material! It’s still chock full of that relaxing-yet-engaging sound. For “Pura Vida,” Javier has recruited Mario and Erick from fellow guitar-and-chill band Chon , and the combination works well. The track is a bit more mellow and melancholic than the Mestis usual (though admittedly we have a very small sample size to discern the Mestis sound), but that is most likely due to the Chon influence. Either way, this makes us only more excited for Polysemy , the next Mestis outing, which is coming out on the 6th of November. -Noyan Tokgozoglu Revenge – “Wolf Slave Protocol” As I mentioned in my Starter Kit for Bestial Black Metal , Canadian-based Revenge are not only my personal favorite band in the subgenre, but the current poster-boys for anyone wishing to point out why the style is so viciously primal in the best way possible. As the band gears up for their latest, Hemingway-esque titled album Behold.Total.Rejection , they have released the savagely titled lead single “Wolf Slave Protocol (Choose Your Side),” and while claiming that a band is going through the motions may seem like a critique, in the case of Revenge, “going the motions” translates to eviscerating everyone in a one-inch radius. Every instrument blares in a flurry of sound and aggression that initially startles and then commands complete attention. People can may question the quality of this single and Revenge in general, and that is ok; we are all allowed to be wrong about some things. But not a single person can dispute the fact that Revenge is one of the most sonically violent band operating today, and this single both proves that assertion and should stoke anyone keen to truly abrasive metal. -Scott Murphy

Piggy D of Rob Zombie: The Heavy Blog Is Heavy Interview

[Photos By Maclyn Bean] Mayhem Fest shaped up to be one of the strongest lineups the show has seen so far. With bands like Job For A Cowboy, Machine Head , and Mastodon , there are very few bands that would be better suited to headline than ROB ZOMBIE. It’s no secret that he is a busy guy, not only with music, but in other ventures such as movies ( Lords Of Salem is coming to video 9/3/2013) and comic books. His live shows are also an intense visual overload. Bassist Piggy D gives readers a sneak peek on what to expect with the new show, a little behind the scenes look at the recording for their new album Venomous Rat Regeneration Vendor , working with ALICE COOPER, and of his other musical ventures that are all expected to be seeing new releases of some sort this year. It’s not known to many people, but you actually have a fair amount of song writing ability outside of Rob Zombie’s band, most notably with Alice Cooper. What songs did you write for the newest album Venomous Rat Regeneration Vendor? I contributed to a track called ”Lucifer’s Rising.” Everybody writes a lot of songs, and everybody comes up front with a bunch of ideas. Usually, they end up becoming other things or they get changed around to fit whatever the vibe is that he [Rob] is going for. He ended up digging that song a lot, which is great. It’s nice and upbeat, makes you want to break shit [laughs], so I’m really happy with the way that one turned out. I do a lot of writing with other artists, I’ve written a lot of stuff with Alice [Cooper]. I wrote a song with him called “Last Man On Earth,” which was on his record Welcome 2 My Nightmare [In addition, John 5 plays guitar on the track “Disco Bloodbath Boogie Fever” and Rob Zombie does backing vocals on “The Congregation” for this album as well]. We also recorded a Halloween song together called “Keeping Halloween Alive.” It’s kind of like a Christmas song, except for Halloween. Yeah, I just heard it last week for the first time and I thought it was really good. It was fun to do. I called him on a Tuesday and we were recording for it by that Friday. We were done in about two hours. Me, Alice, and one of my writing partners Dave, actually did a whole record together a couple of years ago before his last record. It’s really heavy with some pop elements, some really cool punk stuff on it, all in all it’s just a raw, dirty record. I’m excited to go back and revisit that one. It hasn’t been released or anything yet, we started mixing it, but Welcome 2 My Nightmare needed to happen when it needed to happen, which is how I brought into working on that record. We wrote a bunch of songs for that record and “Last Man On Earth” is the one that made the cut that also fit into the story. To be honest, we actually have closer to two whole albums worth of material that was written around that time frame. One of these days, hopefully, that will see the light of day. That would be sick! I would love to hear that, as I’m sure thousands of other people would as well. Going back to Rob Zombie’s new album, “Lucifer’s Rising” is one of the more faster tracks that relates more to the old school aggressive Zombie. Overall, there is a fair amount of experimentation on the new record that wouldn’t match, say, Hellbelly Deluxe or The Sinister Urge. What is the progression among the band that, while writing, steered towards differentiating from the previous albums? Well, Hellbelly Deluxe and The Sinister Urge , were pretty much just Rob and producer Scott Humphrey that were bringing in different musicians for different songs, like Tommy Lee played some songs and John Freese played on other songs, so it was kind of whatever they felt fit that particular song. The last two Zombie records [ VRRV and Hellbelly Deluxe 2] have been more of a band effort, where everyone is playing the parts and fleshing out the ideas. HD2 , for example, was all recorded live. That signified the beginning of the new process of recording for the band. This record was different from that in some ways as well. Everyone was playing on this record as well, but there were times when Rob was taking the pieces and rearranging them and building new song structures. There was a few tracks where I had to re-track the basses on that, when I heard them, was like “What song is this?” because the parts had been rearranged, but it flowed so much better and it sounded more unique and original. It was an interesting process and it came together really fast. The initial tracking of the record was done in less than a month and a half. What were some of the bigger differences between recording this album and HD2, other than the rearranging bit? Well, like the last album, a lot of this one was recorded live. One of the main differences was the editing because what happened with HD2 was that the overall structure of verse-chorus-verse-chorus-bridge or whatever pretty much stayed the same. With this new one, there was a lot of rearranging different parts and fitting them together to find out where the flow fit better, where song crescendos and putting it in the beginning and such. There was a much bigger emphasis onto the overall flow of the individual track. With HD2 , we would walk in the studio and say “Let’s write a fast song today,” “Let’s write a slow song today,” or “Let’s write an acoustic song.” There was much more thought into this album and Rob wanted it to crescendo at the end, which is why you will find some of the stronger songs at the end of the record. It is one of those records, especially the first few times when you listen to it, you don’t want to turn it off because you’re afraid you’re going to miss something. It really builds up. I felt that as well. When you listen to the first half of the album, it feels really different because it’s not Rob Zombie’s typical sound that people are used to hearing. But it picks up towards the latter half into that familiar territory. What you’re hearing was a very concise effort. What he [Rob] and everyone else said when we first started going into the record was that he wanted to do everything untypical. Typical song structures in this genre start to become really stale, so he wanted to specifically break the mold of how we did the last record. What sort of plans are you guys making for headlining Mayhem Fest this year? I’ve seen Rob Zombie before in 2007 when he toured with Ozzy Osbourne and I remember how much visual production went into that live set. This is a significantly bigger production than anything that has been done before. It’s worth seeing just for the costume changes alone. The whole spiel of the show has just gotten enormous. It’s over-stimulation on every part of the stage and if you blink, you’ll miss something. We’ve been slowly building the show bigger and bigger for the past seven years that I’ve been in the band. This is probably going to be the biggest production he’s ever done. People are going to be really, really excited about it. There will for sure be some correlations to his latest movie Lords Of Salem integrated into the show as well. Tell me a little bit about The Haxans. I’ve read that you’ve released two singles so far under that. That’s been a slow process because my partner Shannon Gallant lives in England, in a log cabin out in the middle of nowhere, and internet is not on her side. While slow, the process has been really good as well as it forces us to work on everything meticulously and get it exactly right. We’re working on an EP of some new stuff and a couple of cover songs. It’s a fun exercise because we’ve never been in the same room creating music, she’s in her world and I’m in my world. We kind of mush the two of them together to create this really unique sound. It’s unlike anything I’ve ever done, I’m really hands on with the writing. I like working in a room with someone creating music, and something like someone’s mood can set how the writing session will go. Whereas this, I’m asleep when she’s up and recording her vocals or putting in some weird sounds. In the morning, I’ll go check my email (if she was able to send an email), and I’ll exclaim “What the hell- this is crazy!” We’re two people behind two black curtains, just creating music and sending it to each other via the interwebs. Do you and guitarist John 5 collaborate outside of Rob Zombie’s band? We haven’t in a while. I did three album covers for him and album designing with him, which is really fun to do. He always has some really good ideas and he lets me go nuts with it. My other passion outside of music is designing album art. I’m a purist when it comes to that. It’s a shame that it gets reduced to a .jpeg on iTunes. I love the experience of listening to an album while looking at all of the artwork, read the lyrics, and everything. What future album art will you be doing? A lot for The Haxans. It’s an art overload and it’s taken its own sort of life alongside the music. Whenever I release a song, I always have some sort of artwork with it. I’m working with a new band now, I’m just a co-writer and co-producer, and I was able to dig into my pop influences with this one. I always tell people it’s like a cross between Ke$ha and Cheap Trick. If they had a baby and it came from outer space, it would be this band. They’re called The Doom Party, and it’s very sci-fi, very concept based. It’s a band that is set in the future and the music is somehow very old school. Musically, it seems very radio friendly. My aim is to bring a rawness into the band and to help develop the story through the songs, but also making the songs stand on their own. There are some videos in the works and other really exciting stuff, so just like you, I’m curious as to how it all plays out. It’s unlike anything that’s ever existed before. It’s a new Kiss, in the sense that everybody sings and everybody has their own identity, but it’s a 2013 version- excuse me, 2050 version of Kiss. What other sort of solo stuff do you have in the works? I’m a huge fan of The Replacements and I love old Minneapolis rock, that’s another big comfort zone for me, so it’s fun making that kind of music. I’m also a fan of Nick Cave, so I paint with different brushes depending on how I’m feeling. Sometimes I pick up a guitar and I want to write a fun, summertime, noisy track, and sometimes I get dark and moody and I’ll write some murder ballads. I’m doing everything simultaneously, which is probably slowing down the whole process [laughs]. Any last words for the fans and what to expect from the live show that we haven’t already covered? I’m really excited to bring the new show. It will bring the new songs to life. People who think they’ve seen the band before don’t have idea. They need to come and see the new show. It’s the biggest show you will see this year, so don’t miss it! – RB

Motorhead in the Studio Working on New Album

Motorhead Music If you’re not pumped for Motorhead ‘s new album, we suggest you check your pulse. Just in case you need an extra jolt to keep you on the edge of your seat, a photo has surfaced of frontman Lemmy Kilmister laying down some bass tracks in the studio for Motorhead’s follow-up album to 2010′s ‘The Wörld Is Yours.’ Motorhead are settled in the studio with longtime producer Cameron Webb for the band’s next album, which is expected to drop this summer. BraveWords recently spoke with Lemmy Kilmister to talk about Motorhead’s 21st studio album. “We’ve got 11 songs so far,” says Kilmister. “I’m just writing words to them at the moment, and putting bass and vocals on the tracks. So we’ll see – it will take a little while. It’s going all right though. I did two tracks yesterday.” Some confirmed song titles for the new Motorhead album include ‘Outsider’ and ‘Silence When You Speak to Me,’ As for the release date, Kilmister comments, “We’ve got to get it out by the end of summer.” So there you have it! Motorhead’s 21st studio album will see the light of day during the warmth of summer! Grab your Motorhead headphones , double-fist some Motorhead Shiraz along with a Bastards Lager and get ready for some new material from the rock ‘n’ roll legends. [button href=”http://loudwire.com/best-motorhead-songs/” title=”10 Best Motorhead Songs” align=”center”]

Smashing Pumpkins Frontman Billy Corgan Relates to Wrestling Villain Rowdy Roddy Piper

Jason Kempin, Getty Images While Smashing Pumpkins remain Billy Corgan ‘s primary passion, the frontman has definitely made some room in his life over the last couple of years to explore his love of professional wrestling . The rocker says he’s always responded to the wrestling archetypes, and feels a kinship with some of the wrestling villains like Rowdy Roddy Piper. Corgan tells Spinner , “It’s all the shades that exist in [wrestling] that involve good and evil. There is an axiom in wrestling that says, to the effect, ‘Evil must always believe it is right.’ So when Roddy Piper would do something messed up, he was sort of sticking to a morality code in wrestling. And what makes great heels are the guys that often times the fans won’t embrace because he is not a start, yet he probably has the talent of the star, so they have a sense of justification. That’s part of the magic of wrestling for me.” The frontman says that much like Piper, he’s played “the heel” in public because he feels it’s his role. “I’m probably a guy that has a world-class gift, but often I get treated sometimes like someone that just wandered into a grocery store and just happened to be standing there when the light bulb went on,” says Corgan. “I do get kind of pissy by being underappreciated and so at times I kind of go ‘Piper.’ I play the heel to draw attention to myself and most importantly to let people know I think I do belong in a room with everyone else.” Corgan adds that he’s not satisfied with resting on what his musical talent has provided to date. He concludes, “I still have something to say and I think I have a better track record than most people you are listening to today.” [button href=”http://loudwire.com/smashing-pumpkins-billy-corgan-wrestling-themed-ad-furniture-store/” title=”Next: Billy Corgan Stars in Wrestling-Themed Ad” align=”center”]

Top 20 Songs: Week of February 17-23, 2013

Photo by Dave Ma There’s a big shakeup at the top of the Loudwire Radio Top 20 Countdown this week. Just when it seemed like Deftones were knocking on the door to No. 1 last week, the band’s single ‘Tempest’ just got leapfrogged by Alice in Chains ‘ ‘Hollow,’ which makes a major move from No. 4 to No. 1. ‘Tempest’ holds strong at No. 2 for a second week, but their chances of taking that final step to reach the top of the charts just got a little more difficult. Meanwhile, All That Remains , who held the No. 1 spot for two weeks with ‘Stand Up,’ slide back to No. 3 this week. Elsewhere in the Top 5, Young Guns inch up a spot to No. 4 with ‘Bones,’ while Volbeat ‘s former No. 1 song, ‘Heaven Nor Hell,’ falls back two more spots to No. 5. While Alice in Chains moved three big notches to the top spot, they weren’t the biggest mover of the week. That title goes to Soundgarden ‘s ‘By Crooked Steps,’ which jumped up from No. 19 to No. 13 this week. The track actually traded spots with Five Finger Death Punch ‘s ‘The Pride,’ which took the biggest tumble, falling six notches to No. 19. And yes, there is one new track on the Loudwire Top 20 Countdown. Sevendust ‘s ‘Decay’ slips in at No. 18, pushing out Shinedown ‘s former chart-topper, ‘Enemies,’ from this week’s chart. Check out the full list of top 20 songs of this week’s countdown below and be sure to tune in and crank it up to rock out to Loudwire Radio this weekend. To find out where you can hear the countdown, click on the red button below. Loudwire Radio Top 20 Songs of the Week: 20. Green Day, ‘X-Kid’ 19. Five Finger Death Punch, ‘The Pride’ 18. Sevendust, ‘Decay’ 17. Hollywood Undead, ‘We Are’ 16. Otherwise, ‘I Don’t Apologize’ 15. Dave Grohl + Corey Taylor, ‘From Can to Can’t’ 14. P.O.D., ‘Higher’ 13. Soundgarden, ‘By Crooked Steps’ 12. Chevelle, ‘Same Old Trip’ 11. Avenged Sevenfold, ‘Carry On’ 10. 3 Doors Down, ‘One Light’ 9. Three Days Grace, ‘The High Road’ 8. Papa Roach, ‘Where Did the Angels Go’ 7. Halestorm, ‘Freak Like Me’ 6. Adelitas Way, ‘Alive’ 5. Volbeat, ‘Heaven Nor Hell’ 4. Young Guns, ‘Bones’ 3. All That Remains, ‘Stand Up’ 2. Deftones, ‘Tempest’ 1. Alice in Chains, ‘Hollow’ [button href=”http://loudwire.com/loudwire-radio-station-list/” title=”See Which Stations Air Loudwire Radio” align=”center”]

Mark Tremonti Talks Alter Bridge, Future Solo Project Plans + More With Loudwire Radio

Mary Ouellette, SheWillShootYou.com The man of many bands, guitarist Mark Tremonti , will be the special guest on this weekend’s Loudwire Radio show with host Mike ‘Sandman’ Sanders. The rocker took the time to discuss his solo band, Creed and Alter Bridge . Tremonti, the band, are currently winding down their North American dates, with the final show scheduled for March 5 in West Hollywood. Meanwhile, Alter Bridge recently announced that they’d be releasing a new album and touring in 2013. Find out the latest on all of Tremonti’s project, including some big news about bassist Wolfgang Van Halen, in the Q&A with Sandman below: Can you share the backstory on the new Tremonti single ‘Wish You Well’ with us? Well, that song is probably the oldest song that I’ve ever put on a record. I started writing it back in 7th or 8th grade and had demos made of it, then I made another demo for the first Alter Bridge record but it never made the record. So, I’ve been waiting for this song a long time to finally get it out there. Obviously people know you from being the guitarist in Creed and Alter Bridge, but your solo album has done really well. How long was the album in the planning in your thoughts, as far as going out and putting your own record out? For years, I knew I had a lot of song ideas that would never see the light of day unless I did something about it. And then when I saw my schedule open up when Myles left on the Slash tour for about three months, I just kind of decided that was when I was going to get busy and record those ideas. We should mention that the album is titled ‘All I Was’ and, although he’s not on the album, he is on tour with you: Wolfgang Van Halen . Are you going to return him to his father someday or are you going to adopt him and keep him? He’s going to be an official member of the band. He’ll be on our next album and doing all the tours, it’s just … we’re going to have to … just like we work around the Alter Bridge schedule, this year we’ll have to work around the Van Halen schedule, as well. Fantastic. Now, I know you’re on tour for a little bit longer. What is the time table, as far as, heading back into the studio to work on your next Tremonti album? I’m not sure right now. I’m really focused on getting this Alter Bridge record written and finalized and getting to the studio and then once things die down a little bit from that I’ll see if I’ve got any breaks — again, probably when Myles is out with Slash — to get going on writing another Tremonti record. I know there was a report at Loudwire.com that had you and Myles in the studio together for at least a brief time in between his U.S. tour with Slash and then him going overseas. So, you guys have gotten a little bit of work done I’m assuming? Yeah, we’ve got about five songs that I think are album worthy and ready to go to pre-production at this point. And I guess my next question would be about your other band — the first band that brought you to prominence is Creed. Is there a future for that band? Do you see putting out another record with those guys? Well, we just toured extensively last year with Creed and did about all the touring we could do in the States and we went to South America and Indonesia and I think I’m going to take a rest from Creed and get back with some Alter Bridge music and see what happens from there. Also, I noted that you recently visited some U.S. troops over in Germany, and I’m sure that meant a lot to them. What does that mean to you, to be able to go out and support our Armed Forces? Any time you can make [members of the military] happy by just showing up and shaking some hands and talking to folks, it’s a great thing. It’s just part of one of the bonuses of what we do. People like meeting their favorite musicians and when you can go and visit somebody that’s away from their family and risking their lives for you … to make them happy, I’m all about it. Editor’s note: Tremonti just revealed to Entertaim.net that Alter Bridge are currently planning to start production on their forthcoming disc in April, with tentative plans to tour this fall. To read Tremonti’s comments on the timeline, click here . To catch Mark Tremonti on the airwaves this weekend, click below to see which stations air Loudwire Radio. [button href=”http://loudwire.com/loudwire-radio-station-list/” title=”See Which Stations Carry Loudwire Radio” align=”center”]

Top 20 Songs: Week of February 10-16, 2013

Mary Ouellette, SheWillShootYou.com (2) The Loudwire Radio Top 20 is rocking hard this week. All That Remains  are spending a second week in the No. 1 position and holding strong, however Phil Labonte and his band may face a major challenge on next week’s charts. Deftones have been steadily moving up the charts in recent weeks and ‘Tempest’ is now knocking on the door to the top spot, moving up from No. 3 to No. 2. They flip-flop spots with former No. 1 act  Volbeat, who slide down from No. 2 to No. 3 with ‘Heaven Nor Hell.’ Alice in Chains ‘ ‘Hollow’ is also making strides toward the top of the charts, moving from No. 5 to No. 4 after a rapid ascent in recent weeks. And Young Guns make the biggest move on the charts this week, jumping up from No. 8 to No. 5 on the countdown. On the downward spiral, former No. 1 ‘Enemies’ from Shinedown slides six big notches from No. 14 to No. 20. This week also sees the debut of two new tracks. The ‘Sound City’ collaboration of Dave Grohl and Corey Taylor on ‘From Can to Can’t’ arrives at No. 18, with Soundgarden ‘s ‘By Crooked Steps’ one slot behind at No. 19. Soundgarden actually replaces one track with another as ‘Been Away Too Long’ along with Hinder ‘s ‘Save Me’ are the two songs leaving the countdown this week. Check out the full list of top 20 songs of this week’s countdown below and be sure to tune in and crank it up to rock out to Loudwire Radio this weekend. To find out where you can hear the countdown, click on the red button below. Loudwire Radio Top 20 Songs of the Week: 20. Shinedown, ‘Enemies’ 19. Soundgarden, ‘By Crooked Steps’ 18. Dave Grohl + Corey Taylor, ‘From Can to Can’t’ 17. Hollywood Undead, ‘We Are’ 16. Otherwise, ‘I Don’t Apologize’ 15. Green Day, ‘X-Kid’ 14. P.O.D., ‘Higher’ 13. Five Finger Death Punch, ‘The Pride’ 12. Chevelle, ‘Same Old Trip’ 11. Three Days Grace, ‘The High Road’ 10. 3 Doors Down, ‘One Light’ 9. Papa Roach, ‘Where Did the Angels Go’ 8. Avenged Sevenfold, ‘Carry On’ 7. Halestorm, ‘Freak Like Me’ 6. Adelitas Way, ‘Alive’ 5. Young Guns, ‘Bones’ 4. Alice in Chains, ‘Hollow’ 3. Volbeat, ‘Heaven Nor Hell’ 2. Deftones, ‘Tempest’ 1. All That Remains, ‘Stand Up’ [button href=”http://loudwire.com/loudwire-radio-station-list/” title=”See Which Stations Air Loudwire Radio” align=”center”]

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