Archive for November 12th, 2012

Three Days Grace + Shinedown To Co-Headline 2013 U.S. Arena Tour Featuring Support Act P.O.D.

Mary Ouellette, SheWillShootYou.com / Liz Ramanand, Loudwire In a pairing of hit-making rock acts, Three Days Grace and Shinedown are teaming up for a co-headlining U.S. arena tour kicking off in February 2013. Adding more firepower to the bill will be opening act P.O.D. The trek kicks off Feb. 1 in Moline, Ill., and is currently scheduled through a Feb. 20 show in Lowell, Mass. Dates are primarily centered in the Midwest, with a couple of East Coast dates thrown into the itinerary. However, the bands promise more dates will be added shortly. Three Days Grace, who recently released the album ‘Transit of Venus,’ issued this band statement regarding the tour: “We can’t wait to get back out on the road to play live for our fans; that’s the best part of doing what we do.” The band’s current single ‘Chalk Outline’ spent several weeks at No. 1 on the active rock chart. Meanwhile, Shinedown will be out in support of their latest album, ‘Amaryllis,’ and singer Brent Smith says of the trek: “Shinedown prides itself on always taking our live shows to the next level and giving our fans everything they want – honest, emotional, and incendiary performances. This tour is no exception. In fact, we’re raising the bar.” This past summer, P.O.D. released ‘Murdered Love,’ which has yielded the No. 1 rock hit ‘Lost in Forever.’ They are gearing up to head out on the road with 3 Doors Down and Daughtry this month. Check out the current list of dates for the Three Days Grace / Shinedown / P.O.D. tour below: Three Days Grace + Shinedown + P.O.D. 2013 U.S. Tour Dates: 2/1 Moline, IL – iWireless Center 2/2 Madison, WI – Alliant Energy Center 2/5 Minneapolis, MN – Target Center 2/6 Green Bay, WI – Resch Center 2/8 Nashville TN – Bridgestone Arena 2/9 Huntington, WV – Big Sandy Superstore 2/10 Knoxville, TN – Knoxville Civic Auditorium Coliseum 2/12 Saginaw, MI – DOW Events Center 2/13 Battle Creek, MI – Kellogg Arena 2/15 Ft. Wayne, IN – Allen Co War Memorial 2/16 Lexington, KY – Rupp Arena 2/17 Reading, PA – Sovereign Center 2/19 Baltimore, MD – 1st Mariner Arena 2/20 Lowell, MA – Tsongas Center [button href=”http://loudwire.com/top-hard-rock-songs-21st-century/” title=”Three Days Grace, Shinedown + P.O.D. – Top 21st Century Hard Songs” align=”center”]

Soundgarden, ‘King Animal’ – Album Review

Seven Four Entertainment/Republic With a monstrous 16 year hiatus between Soundgarden ‘s last studio release and their newest offering ‘King Animal,’ the group’s fans likely had a lot of questions leading up to the return of one of rock’s most beloved bands. The biggest question of course lies within their sound. While it helped mold a new revolutionary genre back in the ‘80s and ‘90s, does it have staying power for a whole new century? The answer is a resounding ‘yes.’ ‘King Animal’ settles in nicely, picking up right where the band left off so many years ago and taking care of a lot of unfinished business. ‘King Animal’ displays the familiar sounds of Soundgarden without getting too caught up in nostalgia, something that can often handcuff bands trying to rise up from the ashes of their past. The band, feeling revitalized and a sense of renewal with this disc, see their reunion as more of a rebirth rather than a comeback, and the creative inspiration fueling that sentiment can be felt throughout ‘King Animal.’ Although the vibe is undeniably Soundgarden — moody, groove-laden rock — the band’s evolution is on full display, as Chris Cornell’s iconic vocals and Kim Thayil’s guitar work provide a sonic power that’s impeccably complemented by the the rhythm section of drummer Matt Cameron and bassist Ben Shepherd. The first single ‘Been Away Too Long’ serves as a battle cry for the band’s triumphant return. It’s almost as if the band wrote a personal letter to their fans with Cornell’s brooding confessions, “I’ve been away for too long” and “I only ever really wanted a break.” Sixteen years may have been too long indeed, but Soundgarden are clearly back. With everyone in the band with at least one writing credit to their name on ‘King Animal,’ the songs cover a lot of sonic terrain from the explosive drums that fuel ‘By Crooked Steps’ to the ethereal swirling vocals on ‘Blood on the Valley Floor.’ The haunting lingering vibe left by the intricate web of sound spun in ‘Bones of Birds’ is arguably one of the disc’s best offerings, followed by the visual soundscape painted by ‘Taree.’ ‘King Animal’ offers up an eclectic mix of visual imagery, thought provoking prose, all set to a timeless soundscape of flourishing rock with a reminiscent feel. In music, it’s sometimes difficult to stand the test of time but Soundgarden prove with ‘King Animal’ that they did not reassemble simply to preserve a legacy but to build on one that’s already firmly in place.

Digital Summer vs. Hollywood Undead – Cage Match

Photos: Facebook: Digital Summer / Octane Digital Summer and their new song ‘Forget You’ have taken down every opponent thus far but can they reach the Loudwire Cage Match Hall of Fame with their fifth and final victory? Hollywood Undead  take the Cage Match by storm with their brand new single ‘We Are’ off of their forthcoming third album ‘Notes From the Underground.’ Vocalist Johnny 3 Tears talks about the new track by stating “The song is about collective resistance. It’s the silent majority, but we’re using Los Angeles as the backdrop.” ‘Notes From the Underground’ is set to drop in January 2013. So will Hollywood Undead rise up and takeover this matchup with ‘We Are’ or will Digital Summer have an unforgettable win with ‘Forget You’ and head to Loudwire’s Cage Match Hall of Fame? Get in on the action and vote for your favorite track in the poll below! (This Cage Match will run until Wednesday, Nov. 14, at 8AM ET. Fans can vote once per hour! So come back and vote often to make sure your favorite song wins!) Listen to Digital Summer, ‘Forget You’ Listen to Hollywood Undead, ‘We Are’ Sorry, you need to have javascript running to see this poll. ? Email Me When Cage Match Winners Are Announced Enter your email address below to receive the Loudwire newsletter, which will include notification of the daily winner of the Cage Match, as well as our top stories of the day. Email Rules of Cage Match: Fans can vote once per hour for their favorite song. If a song remains the reigning champ for five straight cage matches, it is retired to the Loudwire Cage Match Hall of Fame. With so many great songs out there, we have to give other bands a chance!

Bullet for My Valentine Unleash Music Video for ‘Temper Temper’

Bullet for My Valentine fans know that the band  recently announced  that their much-anticipated new full-length album, ‘Temper Temper,’ will arrive on Feb. 11, 2012, via Sony Music. Now, we have a new music video from the Welsh metallers for ‘Temper Temper.’ The song will be released via all major digital outlets on Nov. 25. Watch the video, which features one terrifying schoolroom of misfits, below. It was just a few months ago when Bullet for My Valentine’s Matt Tuck broke the news to Kerrang! that recording sessions for the new album were in full swing. “We’ve still got seven songs left to track vocally, but the other seven are done. So we’re seven songs in, and we listened to them in the car on the way up as well cause we wanted to show a few people and see what they thought and everyone was like, ‘Wow!’ So it’s an exciting, exciting time for everybody.” For ‘Temper Temper,’ the guys once again hit up producer Don Gilmore ( Linkin Park , Deftones ), who twiddled the knobs on the band’s last album, 2010’s ‘Fever.’ The set was mixed by Chris Lord-Alge of Deftones and Nickelback fame. Watch Bullet for My Valentine’s Music Video for ‘Temper Temper’

Def Leppard Announce 2013 Las Vegas Residency

Yet another rock band has announced that they will launch a Las Vegas residency. With bands such as Motley Crue and Guns N’ Roses having successful tenures in Sin City, Def Leppard are the latest act to confirm a series of shows in Vegas. Def Leppard’s residency will be titled ‘Viva Hysteria!’ and will be focused around the band’s most beloved album, ‘Hysteria.’ The group will be playing the record in its entirety, which features the legendary tracks, ‘Animal,’ ‘Love Bites’ and ‘Pour Some Sugar on Me,’ along with select hits from their other albums. The famed Hard Rock Hotel and Casino will host Def Leppard’s residency, with nine shows scheduled to begin on March 22. “We’re very happy to be part of what I call the first wave of rockers to take Vegas back from the lounge singers — Wayne Newton and his type,” Def Leppard frontman Joe Elliott tells USA Today . “Things like ‘Run Riot,’ ‘Don’t Shoot Shotgun’ and ‘Love and Affection’ got left by the wayside because of the popularity of other songs that, to be frank, if you don’t play them live, you don’t get out of the building alive. The oddest thing is going to be doing ‘Sugar’ fifth. In many respects, it’s like the Troggs opening with Wild Thing.” Elliot continues, “The downtime will not go to waste. Two of the guys in the band live in Dublin and the other three live in California. This is a great opportunity for a band that has decided to live all over the world to be in one room at one time, to look each other in the eyes and to come up with ideas.” Ultimate Classic Rock actually spoke with Def Leppard guitarist Phil Collen earlier this year about the possibility of a Las Vegas residency. “We’ve been talking about this for 10 years, me and Joe Elliot, more than anyone else. We [would] do [whole albums like] ‘Hysteria’ or we do ‘Pyromania’ one night and something like that would be great, but we’ve just talked about it. Obviously we haven’t got it into gear, it would be cool. It’s getting the time to do it in a venue; I think that’s brilliant Motley Crue doing it.” Check out Def Leppard’s upcoming Vegas dates below. Tickets go on sale Nov. 16. Def Leppard 2013 Las Vegas Residency Dates: March 22 March 23 March 27 March 29 March 30 April 3 April 5 April 6 April 10

Deftones, ‘Koi No Yokan’ – Album Review

Reprise The guiding principle of Deftones albums is the push and pull between singer Chino Moreno and guitarist Stephen Carpenter. That’s an age-old rock ‘n’ roll construct — the tension between singer and guitar player — and Moreno and Carpenter being at consistent sonic odds is what makes Deftones music so dynamic. They employ this technique on their new album ‘Koi No Yokan.’ It’s recommended that you listen to all Deftones albums, especially this one, in the dark, with the volume turned up, to fully absorb the layers of sound without distraction or interruption. There is so much more going on under the surface of those quiet-loud bursts and the exchange of energy between Moreno’s croon and Carpenter’s heavy artillery demands a deeper listen. ‘Koi No Yokan’ is erected on the aforementioned foundation, with Carpenter pounding out gritty, bottom-heavy, resonant riffery, while Moreno adds a bit of an androgynous touch, thanks to his clean vocals, which have always been indicative of his PJ Harvey worship. Moreno screams like a banshee, at times, but it’s his clean, pretty vocals which are way more interesting to Deftones fans. They are almost like an instrument unto themselves. ‘Koi No Yokan’ is a bloodied record that bares its claws. ‘Swerve City’ opens the disc, and is the get-it-out-of-the-way song in that it makes the point that the Sacramento, Calif., band is here to rock and retain its heaviness. The lush ‘Romantic Dreams’ has a whimsical bend, with Moreno cooing “I wish this night would never end” over a Meshuggah-influenced gust of Carpenter riffage. That’s the case for much of his techy guitar tone, which anchors the album and makes it feel constructed of iron ore. The dynamics aren’t just at play because Moreno and Carpenter face off musically. DJ Frank Delgado is also working overtime to spin those extra sonic flourishes into the mix, like the sound bites buried under that gnarly riff in ‘Romantic Dreams.’ ‘Leathers’ has a ghostly, cinematic quality to the first few seconds, before it erupts into a torrent of screams and wails. ‘Poltergeist’ kicks off with handclaps and a engine-revving riff that could cause a 50-car pile up. ‘Entombed’ is the prettiest song on the record, with sweeping vocals and a shimmery tone. But that doesn’t mean it’s soft. It’s just swells with beats that sound like a thumping heart and there’s an electrical, Delgado-designed current that buzzes through the fade out. ‘Graphic Nature’ is melancholic, with chunky riffery, while the undulating single ‘Tempest’ has a melody line similar to that of ‘Change (In the House of Flies),’ which is the band’s biggest radio hit. It doesn’t sound like ‘Change,’ but it is from the same melodic family. ‘Gauze’ could cause an involuntary ejection from your seat, since it comes on with a full blast of noise. ‘Rosemary’ is a sweeping exercise in quiet-loud, Deftonesian dynamics and contrasts. It starts the final moments of the album correctly. It sends volts of electrical charges rushing through your veins. ‘Koi No Yokan’ is 11 tracks, so it doesn’t wear out its welcome or leave you wanting more, either. It’s a satisfying length and since the songs have such a thunderous guitar bottom end, it would tire you out if it went on for too long, so the band and producer cut things off at the right time. Much of the underlying flourish, provided by Delgado, has a film score quality to it and could be cut up, dissected, re-arranged and used in noirish thrillers. No, we don’t mean slasher or horror flicks, either. While ‘Koi No Yokan’ might not match ‘White Pony,’ which is the transitional and pinnacle album for the band that came out over 12 years ago, it has a similar spirit to that album and the self-titled release that followed it. In fact, if ‘Koi No Yokan’ had come out after 2003′s ‘Deftones,’ it would not interrupt the catalog’s flow. Overall, if the Smashing Pumpkins were heavier, ballsier and angrier, they’d make albums that sound like this, since Deftones do have an alt-metal vibe. Moreno’s lyrics are often from-the-journal-page and stream of thought, making them entirely open-ended and capable of attracting the disaffected. The album’s title is a Japanese term for the moment you know you will fall in love with someone, and the disc itself delivers more of what the band’s fans have come to love. Deftones already made that creative left turn a decade ago, and it served them well, so they serve it up again.

Hatebreed’s Jamey Jasta Talks New Album, Touring with Lamb of God, Rowdy Fans + More

Liz Ramanand, Loudwire Hatebreed frontman Jamey Jasta was the guest on Full Metal Jackie’s radio show this past weekend. He spoke all about the band’s forthcoming album ‘The Divinity of Purpose,’ as well as hitting the road with Lamb of God and how playing shows has changed since Randy Blythe’s arrest. Read the full interview with Jamey Jasta below: You are obviously part of this awesome Lamb of God tour and you are probably doing 12 bazillion things, as you do? Metal is a life style and no one in the metal community is more immersed in that lifestyle than you. When did you realize that metal would become so prominent in so many aspects of your life, musician, songwriter, label owner, media personality. Coming from the punk and hardcore scene – I just saw that there needed to be more unity with metal. We always played with metal bands and we always enjoyed metal bands like thrash bands, death metal however you want to call the different sub-genres and I thought “It’d be good to just be more involved and bring people together.” I always liked the inclusionary aspect of metal whereas coming from the punk and hardcore scene a lot of it is exclusionary where there’s a lot of strong beliefs. So I thought “Man, it would be great to have a balance of the two” so very young I started learning about how shows were booked and how tours were booked and how different bands got signed and I just tried to learn so that if I ever was to be in a band, which I ended up being in – I had a little bit of an edge. Especially coming from the punk and hardcore scene there’s so many bands and it’s so hard to break especially in the Northeast – being from Connecticut we were sandwiched in between New York and Boston where there’s hundreds of bands, you really have to work super hard to get noticed. Growing up and having bands like Biohazard and Sick of It All but also bands like Anthrax and all of the Florida death metal bands, we ended up getting to play with a lot of those bands. You see how die-hard the fans are and how truly supportive and they stay with the band and now we’re seeing it more than ever with Testament and Anthrax and even Megadeth – they constantly keep having these huge rebirths in a way where the fans pass it along to younger fans. We just wanted to do that but for bands who were crossover bands who had roots in the hardcore scene and everything comes with that – the lifestyle aspect of it, trying to make a brand, have your own clothing, have your own label, have your own TV show or radio show or whatever it is. You want to have a medium to promote the stuff and it’s been cool and a lot of people are still doing things like that; Kerry King from Slayer had a clothing line, Scott Ian has a web TV show and it’s nice to see that through metal there are all these cool opportunities being had. I believe in abundance I’m like, “Share the wealth and have everybody express their views and interests and have the music be that medium to get the message across.” As you mentioned there’s a new Hatebreed record coming out in January and tell us what will fans love most about this new record? I just think if you like any one Hatebreed record there’s a little bit of something for you on this one. I feel like if you like ‘Satisfaction [Is the Death of Desire]’ and you’re in your thirties and that hardcore was a big part of your life, there’s some stuff you’ll like on this record. If your more ‘Perseverance’ type of person and from the last ten years onward have been a fan there’s a lot of themes that are similar. Then there’s the thrash and the crossover influence, as well. I think it’s got all of the cool elements of Hatebreed records in the past but has that identity where it’s fresh and new but you know when you put it in, you know it’s Hatebreed. Even if you hate us at least you won’t be like “Who is that? What is that?” you know who it is. You guys are celebrating an anniversary coming up right? We just celebrated the 10 year anniversary of ‘Perserverance’ and Nov. 11 [marks] the 15th anniversary of ‘Satisfaction Is the Death of Desire.’ I don’t think we’ll get the chance to do a tour or a re-release of the record or anything which would have been cool but the past is the past – we’re proud of it but it’s like we got to put this new record out in January and it’s onward and upward. This is a huge tour for us to play out to a new audience. It’s great to see Lamb of God – even though they might not be new to some people, we’re seeing a lot of young kids and I feel like they’re the new leaders of aggressive metal or modern metal. Both Hatebreed and Lamb of God are both powerful aggressive bands in an instant how did things change for you as a musician, entrepreneur and for metal as a whole when Randy [Blythe] was arrested in Prague? Well it was crazy because it instantly put this magnifying glass on how a concert should go as far as searching the fans, security, barricades and we come under a lot of scrutiny because we’re from the hardcore scene. There are some people who are very vocal about us becoming a big band – they don’t like that. There’s always been this kind of punk rock guilt in the scene like “You can’t be successful, you can’t make money or play big shows on big stages” but we’ve always been looking for the most success possible – we’ve never been ashamed of that. Randy getting arrested has really brought that out and people have said, “What are you going to do? Are you going to be able to play shows without a barricade.” We’ve been playing shows with barricades for the last 12 years it’s just people that wasn’t to cause a stir and act like we’re compromising our integrity in some way. They’ve brought all this stuff up like, “Everybody should be welcome on the stage” and all this stuff – not at a metal show maybe at a punk and hardcore shows and God Bless them if they can police the stage and be on top of it. God forbid somebody breaks their neck like we had happen at The Staircase in PA and that’s probably going back to 2002, 2003 – that club shut down, we almost got named in the lawsuit. Even before Lamb of God we were dealing with these types of issues before Lamb of God was even signed so they just brought it to the forefront – it’s such a unique incident where they feel Randy is at fault which he isn’t, he’s totally innocent. Regardless I think it’s a bigger question or a bigger thing where people just need to respect each other at a show, respect the security and vice versa. What do you want out of the show? Do you want to enjoy it or do you want to hurt people and hurt yourself? You have to ask yourself that. If you’re looking to hurt people or hurt yourself then maybe you should just stay home. As far as the bigger metal bands like Lamb of God, Anthrax and Slayer – don’t ever expect to be allowed onstage. Hatebreed has already done shows since this has happened without barricades and it was just a couple random shows like my birthday show in Switzerland and everything was fine. We took a risk by doing that and if could’ve gone wrong but we told the crowd “Look this is super important that everybody respects each other, if somebody dives you got to catch them, if somebody falls you got to pick them up.” I don’t see that being something that can still go on especially not in America, definitely not in America. I think that in America, especially after the ‘Perseverance’ tour which was probably our most violent tour we’ve done in a long time, with the exception of Pomona. Pomona was incredible, seeing all the unity and everybody picking each other up and really no fights – that was great but every other place was super violent and I’m not complaining. I understand it’s heavy music and a crazy show and we write some stuff that’s going to cause the kids to go crazy but at some point you have to say “Enough is enough, let’s respect each other.” If you get hit in the pit just deal with it and shake it off. At the Detroit show there were girl fights and it was crazy. I know when you involve booze and heavy metal you’re bound to have a couple fights but we had a lot of shows where it was literally like 30 fights – two, three fights every song and you’re like “Alright this has got to chill for a little bit.” That’s why with Hatebreed we try to do the bigger tours like Mayhem Fest where we can play to a ton of people, get out message out and not have to worry about people getting hospitalized. In terms of Hatebreed, what surprises people most about you in terms of their perception that’s based on Hatebreed and your music? Well now after the whole CNN debacle where they basically misreported us being a racist band or having a racist agenda – because our fans stood up for us and really just bombarded them with Tweets. It actually got us a little bit of mainstream attention and now people who might not know about Hatebreed at least they get it and they say, “Okay their negativity or the negative aspects that they see or feel in the world they’re trying to do something positive with it” and they get that we’re trying to have a positive agenda. So I guess when people meet us and we’re regular guys and we’re not out here beating people up or sacrificing goats or whatever they think that we’re doing – they get it. Also, when you perform at this level – we’ve done more shows than most bands who’ve been around for 20 years, 30 years, we’ve done a higher volume of shows. We’ve gotten out a lot of energy, when you scream your head off for 40 to 90 minutes a night – it’s hard to be upset during the day, that’s the therapy. That’s probably another thing that people don’t realize – I get all the bad stuff out, I have that release. That’s why with this whole record and going into this new world tour and everything, I have a really good outlook because I still get that fulfillment – that’s why I feel like we’ve had such long term success it’s a cyclical power, people get that from the show and we get that from performing. We just need now to make it be more of a fun experience and hopefully the next tour won’t be as crazy and violent. We write some heavy stuff so it is to be expected. Do you think looking back at starting out in terms of punk roots and you have to be in an angry mindset in general on that whole genre – thinking back then to now do you still feel that anger and rebellion in general? Yeah, but also I think it goes in waves now we have the election coming up and the way the economy is and as you get older you see so many people are down and out. People are dealing with depression and anxiety and struggles that you face throughout your life, it’s just constant fuel for the fire I think. I feel like life is never going to be a hundred percent peachy so you got to have that balance. You don’t always want to eat pizza, you can’t eat pizza for every meal, you want to switch it up just like you don’t always want to listen to Hatebreed, maybe some people do and God bless them – but for when you do need that release or you want that aggressive music whether it’s in the gym or on your ride to work hopefully we’re that band. Full Metal Jackie will welcome Dez Fafara of DevilDriver on her next show. Full Metal Jackie can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .