Posts Tagged ‘boston’

Win a Pair of Marilyn Manson Concert Tickets!

You lucky, lucky people! We’ve got a great contest to offer all of our readers, and we’re sure that you’ll want to throw your name into the proverbial hat. The winner of this contest will snag a pair of tickets to see Marilyn Manson live on his upcoming 2013 winter tour. Marilyn Manson is heading out on tour once again, and is set to invade North America with rock anthems draped in the vocalist’s infamous stage show. The 2013 trek will kick off on Jan. 18 in Milwaukee, creep into the Northeast and Canada, before heading down the West Coast and wrapping Feb. 23 in Las Vegas. The Butcher Babies will serve as support on the trek. Marilyn Manson’s self-professed 2012 comeback album, ‘Born Villain,’ has received praise for its creativity and craftsmanship, even snagging a 2013 Grammy nomination for ‘No Reflection’ in the Best Hard Rock / Metal Performance category. If you don’t have a copy of the album yet, pick up ‘Born Villain’ at iTunes . The winner of the Marilyn Manson contest will receive two tickets to one of the upcoming winter shows (see tour dates below). For a chance to win, simply enter your email address and the city of the show you’d like to attend (tickets only – travel and accommodation not included). With the tour coming up shortly, the contest only runs through Sunday, Jan. 13, so enter below! For those of you who want to ensure yourself entrance into one of Manson’s shows, tickets are available for purchase through his official website . Marilyn Manson 2013 Tour Ticket Giveaway Enter your e-mail address below for a chance to win two tickets to see Marilyn Manson live. Please specify your choice of show in the field below. Travel and/or accommodations not included. Contest ends on Jan. 13, 2012, at 11:59PM ET. By entering this contest, you will automatically start receiving daily newsletters from Loudwire. Email List Date and City of Preferred Show Marilyn Manson Winter 2013 Tour Dates: Jan. 18 – Milwaukee, Wis. @ Eagles Ballroom Jan. 19 – Cincinnati, Ohio @ Bogart’s Jan. 20 – Columbus, Ohio @ The LC Pavilion Jan. 22 – Detroit, Mich. @ The Fillmore Jan. 23 – Cleveland, Ohio @ House of Blues Jan. 25 – Wallingford, Conn. @ The Dome Jan. 26 – Boston, Mass. @ House of Blues Jan. 28 – Montreal, Quebec @ City Metropolis Jan. 29 – Oshawa, Ontario @ General Motors Centre Jan. 30 – Hamilton, Ontario @ Hamilton Place Theatre Feb. 01 – Sudbury, Ontario @ Sudbury Arena Feb. 04 – Winnipeg, Manitoba @ MTS Centre Feb. 05 – Moose Jaw, Saskatchewan @ Mosiac Place Feb. 06 – Saskatoon, Saskatchewan @ TCU Place Feb. 08 – Calgary, Alberta @ Stampede Corral Feb. 09 – Edmonton, Alberta @ Shaw Conference Centre Feb. 11 – Vancouver, British Columbia @ Queen Elizabeth Theatre Feb. 12 – Seattle, Wash. @ Showbox SoDo Feb. 13 – Portland, Ore. @ Roseland Theatre Feb. 15 – Modesto, Calif. @ Modesto Centre Plaza Feb. 17 – Reno, Nev. @ Grand Sierra Resort Feb. 19 – San Francisco, Calif. @ Warfield Theatre Feb. 20 – Anaheim, Calif. @ The Grove of Anaheim Feb. 21 – Los Angeles, Calif. @ Club Nokia Feb. 23 – Las Vegas, Nev. @ House of Blues [button href=”http://loudwire.com/best-marilyn-manson-songs/” title=”10 Best Marilyn Manson Songs” align=”center”]

Every Time I Die Announce 2012 North American Tour With The Acacia Strain

Every Time I Die are in the midst of a tour with the Chariot, and have now announced they will be hitting the road again in February 2013 with the  Acacia Strain . Also on the bill with ETID and the Acacia Strain will be Vanna, Hundredth and No Bragging Rights. The tour kicks off Feb. 6 in Chicago and after winding across the country and into Canada, wraps up in Allentown, Pa., on March 6. Every Time I Die are touring in support of their latest album ‘Ex Lives,’ which was released in March. The Acacia Strain were recently in a van accident that caused them to drop off their co-headlining tour with Veil of Maya. Band and crew members suffered some injuries, but thankfully they were minor, and the band will be ready to get back on the road in 2013. “Canceling tour dates is something we hate doing but we will make it up to all of you,” said frontman Vincent Bennet. “We are all very grateful to be alive and will see you in the New Year.” Every Time I Die, The Chariot, Letlive and Kills & Thrills Tour Dates 12/4 — Nashville, Tenn. — Exit/In 12/5 — West Columbia, S.C. — New Brookland Tavern 12/6 — Richmond, Va. — Canal Club 12/7 — Poughkeepsie, N.Y. — The Loft 12/8 — Providence, R.I. — The Met 12/9 — Holyoke, Mass. — The Waterfront Tavern 12/11 — Baltimore, Md. — The Ottobar 12/12 — Pittsburgh, Pa. — Mr. Smalls 12/13 — Bloomington, Ill. — The Castle Theater 12/14 — St. Louis, Mo. — Firebird 12/15 — Omaha, Neb. — Sokol Underground 12/16 — Madison, Wis. — The Loft 12/17 — Palantine, Ill. — Durty Nellies 12/18 — Lansing, Mich. — The Loft 12/19 — Buffalo, N.Y. — Mohawk Place 12/20 — Buffalo, N.Y. — Mohawk Place Every Time I Die, The Acacia Strain, Vanna, Hundreth and No Bragging Rights Tour Dates 2/6 — Chicago, Ill. — Bottom Lounge 2/7 — Milwaukee, Wis. — The Rave 2/8 — Minneapolis, Minn. — Mill City Nights 2/9 — Lawrence, Kan. — The Granada 2/10 — Denver, Colo. — Summit Music Hall 2/12 — Boise, Idaho — The Venue 2/13 — Seattle, Wash. — El Corazón 2/14 — Portland, Ore. — Branx 2/15 — Oakland, Calif. — Oakland Metro Operahouse 2/16 — Pomona, Calif. — The Glass House 2/17 — Los Angeles, Calif. — The Roxy Theatre 2/18 — Mesa, Ariz. — Nile Theater 2/19 — El Paso, Texas — Tricky Falls 2/20 — Austin, Texas — Red 7 2/22 — Houston, Texas — Warehouse Live 2/23 — Metairie, La. — The Cypress 2/24 — Atlanta, Ga. — The Masquerade 2/25 —Tampa, Fla. — The Orpheum 2/26 — Miami, Fla. — Grand Central 2/27 — Jacksonville, Fla. — Freebird Live 2/28 — Charlotte, N.C. — Amos’ Southend 3/1 — Washington, D.C. — Rock N Roll Hotel 3/2 — Cleveland, Ohio — Peabodys 3/3 — Detroit, Mich. — Magic Stick 3/5 — London, Ontario Canada — Rum Runners 3/6 — Toronto, Ontario Canada — The Opera House 3/7 — Ottawa, Ontario Canada — Ritual Nightclub 3/8 — Montreal, Quebec Canada — Club Soda 3/9 — Quebec City, Quebec Canada — L’Union Commerciale 3/10 — New Haven, Ct. — Toad’s Place 3/11 — Albany, N.Y. — Upstate Concert Hall 3/12 — Syracuse, N.Y. — The Lost Horizon 3/13 — Philadelphia, Pa. — Union Transfer 3/14 — New York, N.Y. — Irving Plaza 3/15 — Boston, Mass. — Royale 3/16 — Allentown, Pa. — Crocodile Rock

Hatebreed’s Jamey Jasta Talks New Album, Touring with Lamb of God, Rowdy Fans + More

Liz Ramanand, Loudwire Hatebreed frontman Jamey Jasta was the guest on Full Metal Jackie’s radio show this past weekend. He spoke all about the band’s forthcoming album ‘The Divinity of Purpose,’ as well as hitting the road with Lamb of God and how playing shows has changed since Randy Blythe’s arrest. Read the full interview with Jamey Jasta below: You are obviously part of this awesome Lamb of God tour and you are probably doing 12 bazillion things, as you do? Metal is a life style and no one in the metal community is more immersed in that lifestyle than you. When did you realize that metal would become so prominent in so many aspects of your life, musician, songwriter, label owner, media personality. Coming from the punk and hardcore scene – I just saw that there needed to be more unity with metal. We always played with metal bands and we always enjoyed metal bands like thrash bands, death metal however you want to call the different sub-genres and I thought “It’d be good to just be more involved and bring people together.” I always liked the inclusionary aspect of metal whereas coming from the punk and hardcore scene a lot of it is exclusionary where there’s a lot of strong beliefs. So I thought “Man, it would be great to have a balance of the two” so very young I started learning about how shows were booked and how tours were booked and how different bands got signed and I just tried to learn so that if I ever was to be in a band, which I ended up being in – I had a little bit of an edge. Especially coming from the punk and hardcore scene there’s so many bands and it’s so hard to break especially in the Northeast – being from Connecticut we were sandwiched in between New York and Boston where there’s hundreds of bands, you really have to work super hard to get noticed. Growing up and having bands like Biohazard and Sick of It All but also bands like Anthrax and all of the Florida death metal bands, we ended up getting to play with a lot of those bands. You see how die-hard the fans are and how truly supportive and they stay with the band and now we’re seeing it more than ever with Testament and Anthrax and even Megadeth – they constantly keep having these huge rebirths in a way where the fans pass it along to younger fans. We just wanted to do that but for bands who were crossover bands who had roots in the hardcore scene and everything comes with that – the lifestyle aspect of it, trying to make a brand, have your own clothing, have your own label, have your own TV show or radio show or whatever it is. You want to have a medium to promote the stuff and it’s been cool and a lot of people are still doing things like that; Kerry King from Slayer had a clothing line, Scott Ian has a web TV show and it’s nice to see that through metal there are all these cool opportunities being had. I believe in abundance I’m like, “Share the wealth and have everybody express their views and interests and have the music be that medium to get the message across.” As you mentioned there’s a new Hatebreed record coming out in January and tell us what will fans love most about this new record? I just think if you like any one Hatebreed record there’s a little bit of something for you on this one. I feel like if you like ‘Satisfaction [Is the Death of Desire]’ and you’re in your thirties and that hardcore was a big part of your life, there’s some stuff you’ll like on this record. If your more ‘Perseverance’ type of person and from the last ten years onward have been a fan there’s a lot of themes that are similar. Then there’s the thrash and the crossover influence, as well. I think it’s got all of the cool elements of Hatebreed records in the past but has that identity where it’s fresh and new but you know when you put it in, you know it’s Hatebreed. Even if you hate us at least you won’t be like “Who is that? What is that?” you know who it is. You guys are celebrating an anniversary coming up right? We just celebrated the 10 year anniversary of ‘Perserverance’ and Nov. 11 [marks] the 15th anniversary of ‘Satisfaction Is the Death of Desire.’ I don’t think we’ll get the chance to do a tour or a re-release of the record or anything which would have been cool but the past is the past – we’re proud of it but it’s like we got to put this new record out in January and it’s onward and upward. This is a huge tour for us to play out to a new audience. It’s great to see Lamb of God – even though they might not be new to some people, we’re seeing a lot of young kids and I feel like they’re the new leaders of aggressive metal or modern metal. Both Hatebreed and Lamb of God are both powerful aggressive bands in an instant how did things change for you as a musician, entrepreneur and for metal as a whole when Randy [Blythe] was arrested in Prague? Well it was crazy because it instantly put this magnifying glass on how a concert should go as far as searching the fans, security, barricades and we come under a lot of scrutiny because we’re from the hardcore scene. There are some people who are very vocal about us becoming a big band – they don’t like that. There’s always been this kind of punk rock guilt in the scene like “You can’t be successful, you can’t make money or play big shows on big stages” but we’ve always been looking for the most success possible – we’ve never been ashamed of that. Randy getting arrested has really brought that out and people have said, “What are you going to do? Are you going to be able to play shows without a barricade.” We’ve been playing shows with barricades for the last 12 years it’s just people that wasn’t to cause a stir and act like we’re compromising our integrity in some way. They’ve brought all this stuff up like, “Everybody should be welcome on the stage” and all this stuff – not at a metal show maybe at a punk and hardcore shows and God Bless them if they can police the stage and be on top of it. God forbid somebody breaks their neck like we had happen at The Staircase in PA and that’s probably going back to 2002, 2003 – that club shut down, we almost got named in the lawsuit. Even before Lamb of God we were dealing with these types of issues before Lamb of God was even signed so they just brought it to the forefront – it’s such a unique incident where they feel Randy is at fault which he isn’t, he’s totally innocent. Regardless I think it’s a bigger question or a bigger thing where people just need to respect each other at a show, respect the security and vice versa. What do you want out of the show? Do you want to enjoy it or do you want to hurt people and hurt yourself? You have to ask yourself that. If you’re looking to hurt people or hurt yourself then maybe you should just stay home. As far as the bigger metal bands like Lamb of God, Anthrax and Slayer – don’t ever expect to be allowed onstage. Hatebreed has already done shows since this has happened without barricades and it was just a couple random shows like my birthday show in Switzerland and everything was fine. We took a risk by doing that and if could’ve gone wrong but we told the crowd “Look this is super important that everybody respects each other, if somebody dives you got to catch them, if somebody falls you got to pick them up.” I don’t see that being something that can still go on especially not in America, definitely not in America. I think that in America, especially after the ‘Perseverance’ tour which was probably our most violent tour we’ve done in a long time, with the exception of Pomona. Pomona was incredible, seeing all the unity and everybody picking each other up and really no fights – that was great but every other place was super violent and I’m not complaining. I understand it’s heavy music and a crazy show and we write some stuff that’s going to cause the kids to go crazy but at some point you have to say “Enough is enough, let’s respect each other.” If you get hit in the pit just deal with it and shake it off. At the Detroit show there were girl fights and it was crazy. I know when you involve booze and heavy metal you’re bound to have a couple fights but we had a lot of shows where it was literally like 30 fights – two, three fights every song and you’re like “Alright this has got to chill for a little bit.” That’s why with Hatebreed we try to do the bigger tours like Mayhem Fest where we can play to a ton of people, get out message out and not have to worry about people getting hospitalized. In terms of Hatebreed, what surprises people most about you in terms of their perception that’s based on Hatebreed and your music? Well now after the whole CNN debacle where they basically misreported us being a racist band or having a racist agenda – because our fans stood up for us and really just bombarded them with Tweets. It actually got us a little bit of mainstream attention and now people who might not know about Hatebreed at least they get it and they say, “Okay their negativity or the negative aspects that they see or feel in the world they’re trying to do something positive with it” and they get that we’re trying to have a positive agenda. So I guess when people meet us and we’re regular guys and we’re not out here beating people up or sacrificing goats or whatever they think that we’re doing – they get it. Also, when you perform at this level – we’ve done more shows than most bands who’ve been around for 20 years, 30 years, we’ve done a higher volume of shows. We’ve gotten out a lot of energy, when you scream your head off for 40 to 90 minutes a night – it’s hard to be upset during the day, that’s the therapy. That’s probably another thing that people don’t realize – I get all the bad stuff out, I have that release. That’s why with this whole record and going into this new world tour and everything, I have a really good outlook because I still get that fulfillment – that’s why I feel like we’ve had such long term success it’s a cyclical power, people get that from the show and we get that from performing. We just need now to make it be more of a fun experience and hopefully the next tour won’t be as crazy and violent. We write some heavy stuff so it is to be expected. Do you think looking back at starting out in terms of punk roots and you have to be in an angry mindset in general on that whole genre – thinking back then to now do you still feel that anger and rebellion in general? Yeah, but also I think it goes in waves now we have the election coming up and the way the economy is and as you get older you see so many people are down and out. People are dealing with depression and anxiety and struggles that you face throughout your life, it’s just constant fuel for the fire I think. I feel like life is never going to be a hundred percent peachy so you got to have that balance. You don’t always want to eat pizza, you can’t eat pizza for every meal, you want to switch it up just like you don’t always want to listen to Hatebreed, maybe some people do and God bless them – but for when you do need that release or you want that aggressive music whether it’s in the gym or on your ride to work hopefully we’re that band. Full Metal Jackie will welcome Dez Fafara of DevilDriver on her next show. Full Metal Jackie can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .

The Used Headline 2013 Take Action Tour + Announce ‘Vulnerable II’ Re-Release

Matthew Simmons, Getty Images The Used will head up the 2013 Take Action Tour, and they’ll be squeezing a little extra life out of their ‘Vulnerable’ album by re-releasing it as a two-disc effort titled ‘Vulnerable II’ that coincides with the run. The Used will welcome We Came As Romans , Crown the Empire, and Mindflow for the tour, which launches Jan. 11 at the Las Vegas House of Blues. Like past Take Action treks, the tour has a charitable association. This year, proceeds from the trek will be directed to the It Gets Better Project, created to provide youths in the LGBT community with a positive outlook by showing the potential of what can happen by surviving the often difficult teen years. Ten percent of each ticket sold will be donated to It Gets Better and the annual charitable sponsor, Sub City. Tickets are on sale at the Take Action website . The Used’s Bert McCracken and Jeph Howard have created an “It Gets Better” video to help support the cause. The promo can be seen below. “It’s our privilege to work with such a lovely charity that does so much good in this confusing world,” says McCracken. “Pease check out itgetsbetter.org and we’ll see you at the Take Action Tour.” In addition, Hopeless Records will partner with Sub City to offer the ‘Take Action Compilation, Vol. 11,” which features tracks from The Used, Bad Religion, AWOLNATION, Falling in Reverse , Whitechapel and more. As with the tour, a portion of the proceeds from sale of the two-disc set will go to It Gets Better. As for The Used’s ‘Vulnerable II’ re-release, the album has now expanded to a two-disc set, with the second disc offering multiple remixes and acoustic versions of tracks from the original effort. It’s due in stores Jan. 22, and can be pre-ordered here . Watch The Used’s Bert McCracken and Jeph Howard’s “It Gets Better” Spot 2013 Take Action Tour Dates: 1/11 — Las Vegas, Nev. — House of Blues 1/12 — Salt Lake City, Utah — In The Venue 1/14 — Denver, Colo. — Summit 1/16 — Kansas City, Mo. — The Beaumont 1/17 — Minneapolis, Minn. — First Avenue 1/19 — Milwaukee, Wis. — The Rave 1/20 — Indianapolis, Ind. — Egyptian Room 1/22 — St. Louis, Mo. — The Pageant 1/23 — Chicago, Ill. — House of Blues 1/25 — Pittsburgh, Pa. — Stage AE 1/26 — Rochester, N.Y. — Water Street Music Hall 1/28 — Washington, D.C. — 9:30 Club 1/29 — Boston, Mass. — House of Blues 1/30 — Sayreville, N.J. — Starland Ballroom 2/1 — Hartford, Ct. — Webster Theatre 2/2 — Atlantic City, N.J. — House of Blues 2/4 — Atlanta, Ga. — Tabernacle 2/5 — Tampa, Fla. — Ritz Ybor 2/7 — Asheville, N.C. — Orange Peel 2/8 — Cincinnati, Ohio — Bogart’s 2/10 — Detroit, Mich. — Fillmore 2/11 — Cleveland, Ohio — House of Blues 2/13 — Tulsa, Okla. — Cain’s Ballroom 2/14 — Houston, Texas — House of Blues 2/16 — Austin, Texas — Emo’s East 2/17 — Dallas, Texas — House of Blues 2/19 — San Antonio, Texas — Backstage Live 2/20 — El Paso, Texas — Tricky Falls 2/22 — Albuquerque, N.M. — Sunshine Theatre 2/24 — Phoenix, Ariz. — Marquee Theatre 2/26 — San Francisco, Calif. — The Fillmore 2/27 — San Diego, Calif. — House of Blues 3/1 — Los Angeles, Calif. — The Wiltern The Used ‘Vulnerable II’ Track Listing Disc One 1. ‘Come Alive’ 2. ‘This Fire’ 3. ‘Hands and Faces’ 4. ‘Put Me Out’ 5. ‘Shine’ 6. ‘Now That You’re Dead’ 7. ‘Give Me Love’ 8. ‘Moving On’ 9. ‘Getting Over You’ 10. ‘Kiss It Goodbye’ / ‘Kinda Hectic’ (Interlude) 11. ‘Hurt No One’ 12. ‘Together Burning Bright’ Disc Two 1. ‘Surrender’ 2. ‘The Lonely’ 3. ‘Machine’ 4. ‘Disaster’ 5. ‘I Come Alive (Revolvr and Danny Mihai Remix) 6. ‘Hands and Faces’ (Bobby Alt Remix) 7. ‘Put Me Out’ (Kraddy Remix) 8. ‘I Come Alive’ (acoustic) 9. ‘Put Me Out’ (acoustic) 10. ‘Together Burning Bright’ (acoustic) [button href=”http://loudwire.com/the-used-discuss-new-album-vulnerable-intense-encounter-with-super-fan-more/” title=”Next: The Used Discuss ‘Vulnerable’ Album” align=”center”]

Coheed and Cambria + Between the Buried and Me Team Up for 2013 North American Tour

Michael Buckner, Getty Images / Liz Ramanand, Loudwire New York alternative and progressive rock band Coheed and Cambria have just announced a 2013 U.S. headlining tour with Between the Buried and Me + Russian Circles as support. Coheed and Cambria are hitting the road to promote their upcoming full-length album, ‘The Afterman: Descension,” which will hit stores on Feb. 5. The album acts as the follow-up to the band’s 2012 album, ‘The Afterman: Ascension.’ Between the Buried and Me are currently at an extremely high point, having just released ‘The Parallax II: Future Sequence,’ which we gave a rare perfect five-star review . Much like Coheed’s release, ‘The Parallax II’ is also a follow-up record, which continues the story that began with ‘The Parallax: Hypersleep Dialogues’ EP. Chicago-based instrumental act Russian Circles are a fitting opening act for the tour, combining progressive rock and metal in the vein of both Coheed and BTBAM. Check out the full list of tour dates below. Coheed and Cambria + Between the Buried and Me 2013 North American Tour Dates: Feb. 04 – Washington, DC – 9:30 Club Feb. 05 – Washington, DC – 9:30 Club Feb. 07 – Pittsburgh, PA – Stage AE Feb. 08 – Detroit, MI – The Fillmore Detroit Feb. 09 – Chicago, IL – Congress Theatre Feb. 10 – Minneapolis, MN – First Avenue Feb. 12 – Des Moines, IA – Val Air Ballroom Feb. 14 – Denver, CO – Ogden Theatre Feb. 15 – Salt Lake City, UT – SaltAir Feb. 17 – Portland, OR – Roseland Theater Feb. 18 – Vancouver, BC – Vogue Theatre Feb. 19 – Seattle, WA – Showbox SoDo Feb. 21 – San Francisco, CA – Warfield Theater Feb. 22 – Los Angeles, CA – The Wiltern Feb. 25 – San Diego, CA – House of Blues Feb. 26 – The Marquee – Tempe, AZ Feb. 27 – Albuquerque, NM – Sunshine Theatre Mar. 01 – Austin, TX – Stubb’s Mar. 02 – Houston, TX – Bayou Music Center Mar. 03 – Dallas, TX – Palladium Ballroom Mar. 05 – Atlanta, GA – Tabernacle Mar. 06 – Saint Petersburg, FL – Jannus Live Mar. 07 – Lake Buena Vista, FL – House of Blues Mar. 08 – Miami Beach, FL – The Fillmore Mar. 10 – Charlotte, NC – The Fillmore Charlotte Mar. 11 – Philadelphia, PA – Electric Factory Mar. 14 – Boston, MA – House of Blues Mar. 16 – New York, NY – Radio City Music Hall

Godsmack’s Sully Erna To Release Limited Edition ‘Avalon’ Box Set

Ethan Miller, Getty Images Godsmack singer Sully Erna is extending the life of his ‘Avalon’ solo album with a limited edition box set . Only 5,000 copies of the collection will be sold, and Erna had done his best to pack the box sets full of material that will bolster its value for those who purchase it. Described as “the ultimate Sully Erna fan package,” the box set includes a full performance of the ‘Avalon’ record live from Boston’s Wilbur Theatre that was recorded last December. During the set, the singer displayed his many musical talents by tackling drums and piano, as well. The collection also includes the ‘Sully Erna: Journey to Avalon’ documentary, ‘The Making of Avalon Live’ featurette, and seven discs of material in total. There’s also a bloopers CD, an audio CD of the album, and plenty more. As if that weren’t enough, Erna is also packing the collection with a number of collectible items. Fans will get a coffee table book, hat t-shirt, guitar pick, poster, incense, Sully’s biography, a commemorative backstage pass, and a Sully Erna necklace. The entire set comes in a custom metal Sully Erna-engraved box with a suede lining. There will also be several golden tickets included with the box set, and those receiving them will have a chance to join Sully on all-expense paid trips to Las Vegas, Catalina Island, Napa, New York, and Boston. Other items like autographed guitars, handmade drums, and handwritten lyrics may also turn up as prizes for those purchasing the box set. Though an official release date has not been announced, the ‘Avalon’ box set is expected in November. Watch a Trailer for Sully Erna’s ‘Avalon’ Box Set Watch Sully Erna’s ‘Eyes of a Child’ [button href=”http://loudwire.com/godsmack-awake-top-21st-century-hard-rock-songs/” title=”Next: Godsmack – Top 21st Century Hard Rock Songs” align=”center”]

Seether, Sick Puppies, Kyng + Young Guns Bring ‘Triple Threat Tour’ to Boston

Mary Ouellette, SheWillShootYou.com Whoever said that good things come in threes was obviously referring to the pack of trios that provide the core lineup of the ‘Triple Threat’ Tour. Headlined by the trio  Seether  with support by fellow three-piece acts  Sick Puppies and Kyng , there’s a lot to love about the number three. Of course, opening quintet  Young Guns broke the ‘three’ chain, but more of that later. Seether have quietly churned out five albums over the past decade on Wind-Up Records with their grunge infused brand of rock. Their massive collection of hits seem to sneak up on you and It’s not until you experience their live set that you realize how deep their catalog runs and the range of success they’ve had. Throughout their rock ‘n’ roll tenure they’ve impacted the genre with singles ranging from ‘Gasoline’ from 2002’s ‘Disclaimer’ all the way through to ‘Country Song’ from the trio’s latest release, 2011’s ‘Holding Onto Strings Better Left to Fray’ – both of which made it into the set list. Seether fans generally know what’s in store when the band hits the stage but with the ‘Triple Threat’ tour kicking off last night the band debuted their new stage set up for the headlining run. Seether have always sported imaginative sets and their latest is no different, but we encourage fans to check it out for themselves!  We can tell you this, bassist Dale Stewart hit the stage sporting a silver facemask and drummer John Humphrey’s drum kit was flanked by swanky chandeliers while the more elusive Shaun Morgan settled in behind his microphone with guitar in hand, but the rest, well, tune in to check it out. Their meaty set flew by quickly so don’t blink or it will be over before you know it. Sick Puppies have stepped away from the live stage for a bit to concentrate on their upcoming disc but they dusted off the road rust for one of the best sets of the evening providing a high-energy, interactive romp that showed what the Aussie rockers are all about. With bassist Emma Anzai’s thumping basslines to Mark Goodwin’s rhythmic lead on drums and lead vocalist, guitarist, and all around Sick Puppies ring-leader Shimon Moore instructing the audience to bounce, clap, and get to know the people around them a little better because after all “this is a sweaty rock show,” their set clocked in at 45 minutes of intense rock. Highlights of the Sick Puppies set included a first listen to a new song, at least a short instrumental piece of it. (Fans who pre-ordered the new disc were entered to win a chance to hear the whole new album with the band backstage post show!), a moving cover of the Tears For Fears tune ‘Mad World,’ and their single ‘Maybe’ from their last disc ‘Tri-Polar.’ Throughout the set Moore’s vocals were complemented beautifully by Anzai’s female touch, just another element of the band that sets them apart from the rest. Kyng provided a short but powerful set with their “new age vintage” mix of classic rock meets classic metal with influences of the 90s era of grunge thrown in for good measure – paying homage to the best of the past and molding it into their own unique sound. Their no-nonsense approach to their set allowed for the maximum allotted time for head-banging and getting caught in a groove. Their disc ‘Trampled Sun’ came out in September of last year and the trio has been riding high since. Music fans who got to the House of Blues early met Wind-Up Record’s latest signing, the UK rockers in Young Guns. The youthful group showed a lot of promise and gratitude making the most of their opportunity to play in front of the large Boston crowd. Their set was highlighted by the title track off of their disc, ‘Bones.’ Four bands over the course of one night provided a ton of rock n’ roll goodness and all with their own spin on things making for an eclectic evening of music. The ‘Triple Threat’ tour rages on through the end of October so hit it up when it rolls into your town. Check out our exclusive photos from the show below. Seether: Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Sick Puppies: Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Kyng: Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Young Guns: Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com Mary Ouellette, SheWillShootYou.com