Posts Tagged ‘people’

DevilDriver Frontman Dez Fafara Talks New Music, New Label, Touring and More

Liz Ramanand, Loudwire Dez Fafara of DevilDriver and Coal Chamber was the guest on Full Metal Jackie’s radio show this past weekend. Fafara spoke all about DevilDriver’s current trek with Gwar and their upcoming European tour with Cannibal Corpse and the band’s forthcoming record, as well as being open to performing more shows with Coal Chamber. Read the full interview with Dez Fafara below: DevilDriver are out on tour with Gwar, this isn’t the first time you guys have toured with together? No, we toured together about six years ago and it was the funnest thing we’ve ever done, especially this time of the season with a bunch of monsters is great. So we’re having a great time. There’s some news semi-recently with a label change so talk to us about about DevilDriver news and what’s happening right now. Well DevilDriver is with Napalm Records now worldwide except over in Australia, where we’re still with Roadrunner Records and we’ve got a new record coming out possibly end Fall time next year. We’re recording in December and I do the vocals in January and the record is sounding really killer. I’m really happy with the songs so far, it’s just real groove heavy . Let’s talk about Coal Chamber for a sec; Coal Chamber reunited last year for what you thought would be just a few shows but now there’s talk of maybe working on some new music. What changed your mind? Well we haven’t talked about new music, there’s a lot of rumors out there. We did Australia and it went incredibly well, we all got along great, we revisited the music and the fans. It was killer. Then we went and did South America and that was just absolutely amazing. We would like to do something in the States but we just don’t know when we’re going to have the time because I’m with DevilDriver right now so we’re just taking it slowly and having a good time with it. Offstage, how are Coal Chamber and DevilDriver different in terms of the collective personalities of each band? Everybody’s different in both bands, Coal Chamber offstage – they’re nuts, those guys are crazy. We’ve settled down a bit. DevilDriver, after shows, everyone’s kind of got a girlfriend or gotten married and this and that. It’s a good time touring with both of them and I’m definitely having a good time doing both sides of my music. Dez, you mentioned earlier that DevilDriver starts recording next month, leaving you with a short amount of time to track vocals before heading to Europe with Cannibal Corpse. How does the pressure of a tight schedule become a creative tool? I think pressure is a creative tool, I think it’s there when you have to do it then you have to get it done and that’s what’s happening with me. In January I’ve got to record and then we go right overseas with Cannibal Corpse and we do a co-headlining thing in February and March so we just pray that it all goes well. [Laughs] We’re going to be doing the record with Mark Lewis, he’s quick, we work well together. He’s already got the new music on him so he knows where we’re going with this. I’m really excited to get trackin’. You just released a song to raise money offset the medical cost of your sister’s cancer treatment. Has that given you any thought of more philanthropic efforts on a broader scale? I love music and I have so many different sides to me and so many different things I listen to and that’s why I have Coal Chamber – it’s a more dark, goth side and that’s why I have DevilDriver it’s more of a heavy side of me. ‘Dark Meadowlark,’ the song I did for my sister Kerri, is a totally different animal than either of those. So we’ll really have to see, time is what really matters – do I have time to do other things and right now I’m really concentrating on DevilDriver. Can you give information on how people can get the song? Sure and it would be very helpful to me and my family if you did so. You got to DezFafara.com and it’ll take you right to Kerri’s Corner, it takes you right to her page. You can download the song, it’s $2.50, some people are giving a thousand dollars, other people are giving ten dollars. Pick up the song and help somebody you don’t know and hopefully it’ll feel good for you. Full Metal Jackie will welcome Chris Adler of Lamb of God on her next show. Full Metal Jackie can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .

All That Remains Singer Phil Labonte Talks Military, Religion + ‘A War You Cannot Win’

Razor & Tie All That Remains singer Phil Labonte appeared on Loudwire Radio recently to discuss the military, religion and the band’s new album ‘A War You Cannot Win’ with the show’s host, Sandman. In case you missed it, check out a transcript of the interview below. Sandman: Your band, All That Remains, on the verge of putting out your sixth album and coincidentally it’s on Election Day. Is that coincidence or not? Phil Labonte: You know, I’m very political and I think that most of the people that are … there’s people that are into a band that pay absolutely no attention to the members, and there are people that are into a band that want to know what the band think and what they had for dinner and blah, blah, blah. Anyone that’s into the band members and wants to follow us on the Internet, whether it be Twitter or Facebook, whatever, those people know that I’m very political. And … it wasn’t my idea! I swear to god, it wasn’t my idea to spit it out on Election Day! I swear to god! I’m not the guy that’s going to go ahead and try to keep people with my crap, I’m not afraid to tell people the truth so it’s like, people may think “Oh, Phil wanted to go ahead and do this because he’s all into politics and that.” It wasn’t my idea at all. When they brought it to me, the label said “Hey, how about we do this on Election Day?” And I like “That’d be way cool! Yes! Let’s do this!” It wasn’t my idea; I didn’t come up with it. S: You were only compliant. That’s it. P: Exactly, exactly. I was, I was, definitely. I was the label’s bitch at that point. S: The album ‘A War You Cannot Win’ is the latest release that will be out on Election Day and the single ‘Stand Up’ is in the Loudwire Top 20. You guys have really, I think, over time — and I’m pretty familiar with the band from its early days — have really honed your craft and, man, very impressive progression through the years. P: Thank you. Thank you. S: I’m curious as to your military background. Does that weigh into your politics in any way? P: Mmm … I don’t know that my military background really weighs in that. Can I be honest with you? I was in the Marine Corps for, like, less than a year when I joined and I’m old now … I’m almost 40 … and I joined the Marine Corps, I went into basic in ‘93. I got a medical under honorable conditions, it’s not like I was screwing off or whatever; I got an actual injury in training, and I got sent home in ‘93 — I’m sorry, ‘94. I’ll talk like, ‘Yes, I was in the military,’ ‘Yes, it’s for the military’; my wife was deployed to Afghanistan once, Iraq twice. My old roommates, one of them got blown up by a rocket. He was a contractor and he was in the National Guard, the other one was in the military. I come from a military background; my dad was in the military, my grandfather’s, both of them were in World War II, my uncle was in the Air Force … So, I mean, I come from a military background, I’ve been in the military. My actual contribution … it’s irrelevant, I didn’t do anything. All I did was, like ‘yeah, I want to go!’ and then they were like ‘oh, you got hurt, go home because we’re cutting the military.’ I mean, when Bill Clinton got into office he really made a lot of cuts in the military and that was right when I joined. So anyone that was less than perfect … they were doing a lot of ‘forced retirement’ in ’93 and ’94. So, I can’t say that … I did join, but I can’t say that I’ve done anything worth noting, you know? I mean, it’s like I showed up to class and they were like, “Go home,” and I was like “Uh…okay.” So, I definitely support the military and I’m a big fan of people that support our country and support our military and stuff but I can’t take credit for anything other than being like, ‘Hey, can I go?’ and then were like, ‘No.’ And now we’re going to get a little deep into my politics … You can be pro-military and not be pro-imperialism. You can be pro-military and pro-national events and still think that we have too many bases in foreign countries that we just don’t need. And you can’t think that the military would be better served if we weren’t trying to have military bases — I mean, we have military bases in literally over 100 countries. I believe over 150 countries. I think it’s 190. I’m saying “ I think” because I don’t have the numbers in front of me and I don’t like to say I’m sure of anything unless I can actually verify it. But, it’s definitely over 100, probably over 150, and I think it’s somewhere around 190 countries in the world with military bases. Do we need that? I mean, does that make America safer? Or does that make America an imperial power? You know? I tell you what, I think we should go ahead — and I’ve said this before — my personal opinion is that we should cut the Army by probably 75 percent. Take 25 percent of the money we used to put into the Army and put that into the Navy and the Air Force because that way we’re not actually occupying other countries; we still have the ability to project influence. Because I tell you what, you park an aircraft carrier off the coast of a country and their opinion changes instantaneously. S: Yeah, that’s a big statement. When you roll up on somebody’s coast with your aircraft carrier that makes a statement for sure. P: Yes, because the aircraft carrier, they can see it. There’s a support group that goes, there’s a submarines that go, there’s a whole air wing and, you know, there’s probably 3,000 marines, a marine experteer unit that’s on every aircraft carrier. I mean, it’d be the U.S.’s ability to project power just by showing up and saying ‘hey, we’re paying attention to you right now. Knock it off.’ I mean, we don’t need an army that can physically occupy territory because we don’t need to be in other people’s territory. If we want to influence their politics … ?? … between sanctions … ?? … an aircraft carrier, basically a combat unit, which is an aircraft carrier that supports the Marine Corps and then the threat of nuclear missiles. You don’t need a big army that’s going to go in and hold land. That’s unnecessary. S: Right, occupy a country. P: Yeah, it’s unnecessary. We don’t need to. We should go ahead and start making decisions that are based on “would military action promote our national security, our general welfare?” If it doesn’t then stay the hell out of it. I think the U.S. needs to do more ‘staying the hell out of it’ and also, on the same token, you need to go ahead and decide okay, it will support us, so then we should just say “we’re going to kick the s— out of you” more. I mean, that’s your option. It shouldn’t be ‘let’s get in there with troops and influence and nation build and try and work with the people.’ No. Okay, are you cool with us? Cool. We’re cool with you. Let’s trade. Are you cool with us? No. You want to f—ing shoot bombs at us and blow up our buildings. Okay, we’re going to smoke you. Like, it should be a little more black and white. S: I could not agree more. I mean, maybe that’s just the Republican in me coming out but, um… P: I don’t think it’s very Republican. I think it’s more… S: American. P: Yeah. I mean, because, the thing is, I think there is a lot more countries that would say if we didn’t have faces all over the world I think there would be a lot more countries that would be like, “Alright, cool. So, you’re sailing the seven seas and you’ve got a lot of military power in the Navy but you aren’t putting bases into foreign countries.” A lot of geopolitical perspective in the Middle East, which is where most of the tension is, a lot of it is based on their religion, which, I don’t believe in any ‘steady guy in the sky’… I don’t care whether it’s Phoebus or Muhammad or whatever, I don’t care. I think when you’re dead you’re done, and that’s cool. Period. The period ends it. So, I don’t worry about offending your silly god, I don’t worry about, like, if Jesus is going to come back because your not and if he does it’s only going to be a really charismatic guy who’s going to be able to fool the Christians into thinking “See? It don’t end. I’m Jesus again!” and doing a sweet dance, or whatever. But, religion goes into politics so much and the reason that the Muslims that hate America — and not all of them do — the Muslims that really hate America, they hate us because we have bases in a whole bunch of Muslim countries. So we should pull all of our bases out of Muslim countries and then if they blow up American stuff then we should “give” them nuclear weapons, but not give them to them. S: I think that’s a pretty great philosophy. I would agree with all that. I think you’re right in the fact that countries react to you being up their ass and being in their country and occupying their country and that’s what Osama Bin Laden took offense to in the first place and how a lot of this got started. P: I don’t care what any Republican tells you, Osama Bin Laden does not hate Coca-Cola. S: Ha-ha. I’m sure he did not! He watched TV! He was watching TV when they, you know, raided his compound. P: He loved VCR’s because he’d watch himself. Narcissist prick. So, my political perspective boils down to bringing American troops out of other countries. There is enough water on Earth where the U.S. Navy and Marine Corps and the Air Force … well, there’s enough air … even though the Air Force doesn’t actually on Navy ships, but, anyway, that’s besides the point … There’s enough water where the U.S. can influence the rest of the world. “Influence” not “control” but “influence” the rest of the world. Then, if a country attacks us, then turn them into glass. I mean, just don’t attack us. We should stop being an imperial power and trying to force our way onto other people, we can influence them, but don’t force them, don’t occupy their country. And when you stop occupying their country and they attack us, well then, kill them all, violently. S: And that’s that. Ha-ha. P: Yeah, I mean, if we don’t attack you, if we stop instigating violence … which is kind of what we do. S: We do. P: A lot of times. If we stop that and then we’re attacked then we have a moral to defend ourselves, right? Or to retaliate. Right? That’s what happens. S: Right. Talking to Phil Labonte, lead vocalist of All That Remains. Their new album “A War You Cannot Win” is that title … is that a mental war? Or is that a reflection on the world today and the things you and I have been talking about here? P: This one’s pretty political. I’ve got a sweet girl that I’m with so it’s not all emotional poppycock or whatever. I’m fairly simple as a dude, like, I write lyrics and songs and stuff about things that matter to me. And the first things that matter to me are family and my woman … and after that it becomes politics because writing a song about how the Boston Celtics are doing or writing a song about the Red Sox or the Patriots or whatever, or another handful of things that I’m actually interested in … People don’t care. S: Nah. That’s your hobby, that’s your own stuff. P: Yeah, well, I mean, I’ll write songs about politics and freedom and stuff and there are people out there that will interpret it as me saying something about guns, which is another hobby that I have, but that’s not what it’s about. It’s about personal freedom and stuff and politics. S: But the great thing about art is that it’s interpreted by the consumer, you know. It’s left for interpretation. And, really, when you write a song about the Red Sox or the Patriots there’s nothing left to interpret, it’s laid out for you. P: Yeah, I tell ya, that’s a great segue into being the lyricist. A lot of people, when you do interviews, will be like “Hey, what was this about. What was that about? What were you thinking when you wrote this.” And my first response is—and I got this from Jeff Walker from Carcass, hopefully some of your listeners know who he is—but, he used to say is “I don’t like to explain stuff because I explain it and then it takes away from the listener.” And that’s so accurate because they’re people that have sent me e-mails and they’re like “I heard this song and this happened in my life and this song helped me get through.” And my first thought is “Ha-ha. What? How do you think that that song equates to what you just told me that happened in your life?” Now, I don’t send that e-mail back or anything … That’s just me comprehending what they say. But the important part about writing a song and putting it out and letting people interpret it, letting people hear it, is not me. The important part is the listener. Like, if they are on the same page and hear what I say or hear the lyrics and they understand what I was thinking then cool, man, that makes me feel good. But it doesn’t matter if it makes me feel good, all that matters is: they hear it, they relate to it, they like it and they find something that means something to them. I mean, it doesn’t matter if it makes me feel good because the vast majority of people that are going to hear All That Remains songs I’ll never hear anything from. I’ll never talk to them. I’ll never hear what it means to them, what they think about it, you know? It doesn’t matter. It’s cool when I get an affirmation, when people understand what I was thinking and are like, “Hey man, I get what you’re saying here and this is what I think you’re saying” and it lines up with what I’m thinking. But it’s just as cool when people say “Hey man, I heard this and this is what was going on in my life and this is what that means to me” and it doesn’t matter that when I read that I say “That is not at all what I was talking about.” I would never tell them that because the important part isn’t me, the important part is them. S: You’re a very intelligent guy and I don’t know what it is about you New Englander’s but, I’ve interviewed the guys from Godsmack and Staind and other bands and you guys are all pretty smart dudes. P: Well, I appreciate the kudos. I guess you haven’t talked to our guitar player Mike Martin, he’s an idiot. S: Ha-ha! Not yet! P: You should totally put that on the Internet everywhere. That should be the headline. “If You Haven’t Talked To Our Guitar Player Mike Martin, He’s An Idiot.” Because all we do is give each other complete hell. S: I can tell. P: That’s a Massachusetts thing, I tell ya. All the bands that … you know … Unearth, Killswitch Engage, The Acacia Strain, All That Remains like, we’re all from Massachusetts and we are all so comfortable just giving each other just boatloads of crap. And I know some wonderful dudes from other places in the country that are sweet, sweet people and I am fortunate to know them but I would never say the terrible things to them that I would say to anyone from Massachusetts just because it seems like if you’re from Mass, if you’re a Masshole, you’ve got so much thicker skin. I can take almost anything from most of the guys from Unearth and Killswitch and definitely all the guys in my band and they’re just like “You’re an idiot. Shut your face.” And it’s like “okay” we get that as a joke. If I were to say terrible things to some of the dudes from California I feel like it would just be butthurt central. S: Ha-ha! You’re probably right about that. You guys just have thicker skin, man. That’s how you survive the cold. P: Yeah, probably, you know. S: Probably so. Phil Labonte, All That Remains, thank you man, so much for taking time for Loudwire. Good luck on the new album and the tour and it’s been a pleasure. P: Thank you, sir. [button href=”http://loudwire.com/loudwire-radio-station-list/” title=”See Which Stations Air Loudwire Radio” align=”center”]

Lamb of God’s Chris Adler Talks U.S. Tour, Randy Blythe’s Incarceration, Dimebag Darrell + More

Mary Ouellette, SheWillShootYou.com It’s been a roller-coaster year for Lamb of God , who released their latest album, ‘Resolution,’ in January, but spent much of the summer dealing with the very serious allegations against frontman Randy Blythe . The vocalist spent five weeks in prison after being accused of manslaughter stemming from an alleged incident at a 2010 show in the Czech Republic. While that case is not over yet, as Blythe will likely have to go back to face trial, Lamb of God are back on the road headlining a U.S. tour with support from In Flames, Hatebreed and Sylosis. We recently caught up with Lamb of God drummer Chris Adler, who discussed a wide range of topics concerning the band. In part 1 of our interview, Adler talks about the band’s current U.S. trek, their experience in the Czech Republic and Europe in the days following Blythe’s arrest and how the situation compared to the Dimebag Darrell tragedy of 2004. You’re headlining a U.S. tour with In Flames, Hatebreed and Sylosis, which is an impressive bill. Can you talk about your relationships and experiences with those bands? With Hatebreed and In Flames, we’ve toured the world with those guys two or three times and become good friends and there’s poker buddies among us. We really have become on good terms with a lot of those guys so it’s a lot of fun to catch up with them again, and Sylosis is a band from England that got off in 2008 and they’re such a huge band. I think they are a good band that’s kind of modern day thrash and I thought they’d be a great add-on to the bill. Lamb of God played Knotfest shortly after Randy Blythe’s release from a Czech prison, but after all the band and Randy went through this past summer, do you think this headlining tour serves as a cathartic experience of sorts? Knotfest was almost therapeutic in a way. There was so much frustration and just general questions about what was going to happen for so long, so it made us all certainly anxious. At least for me, I felt very energized and awakened to the idea that what we do is very fragile and it could be gone very, very quickly, and every night that we play onstage, where we do the thing that we love to do, is special. Sometimes when you do these kind of things for a long time, you just get caught up in the day job aspect of it and while it’s a great job, it becomes a job. To have something happen like what happened with Randy to derail us so violently; it was a wake-up call for me to really get back to that energy that brought us together to begin with, and that definitely came out at Knotfest from the band and the crowd. It was crazy to hear the crowd chanting, “Randy is free, Randy is free, Randy is free,” over and over again. That energy mixed with the kind of renewed sense of, I don’t want to call it ‘innocence,’ but the idea that we somehow bring out that initial motivation and that initial drive that makes us do this, and we had the opportunity to do it. Going forward, I’m looking at every night on [this] tour as a very special night. We’ve heard a lot about Randy’s experiences during the five weeks he was incarcerated, but what was that time like for you and the other band members? It was frustrating. I’d think that would be the closest descriptive term. We were of course primarily concerned about our friend and our bandmate’s well being and getting him out of there, and we all believed that kind of sense would prevail and he would be out any second. We just couldn’t believe what was going on and on and on. We weren’t allowed to speak with him, more or less see him, so it was only though his lawyers that we found out that he was doing well and he told them specifically to tell us not to worry. We did what we could to help and so we knew that he was doing well. Of course, then the question is, “Is this guy, who’s 41 years old … when he gets out of prison is he going to want to get back onstage and be in a band even if they don’t convict him for this?” And he definitely let us know that he wants to keep going and he wants to be back onstage soon as possible. And then of course we kept jumping through hoops to do our best to respect their system and to come through with their requests. It seemed like every time we jumped through a hoop, there was another delay and another hoop in front of us so it was very frustrating to try and piece together how this could have happened and what it could lead to, especially because there was no reserved time as to when he could get out. It’s still a very difficult situation; he’s slated to go back in January for the trial. It’s not over and it’s still very scary as to how this all happened and I think back here we were just trying to pool our resources and make sure we had the best people we could working on the case and trying to do what we could to get him out. The day that he got out we had no idea; we were told the day before he got out that it was going to at least be another week because his paperwork had to get through his guy or something like that, which is what we were told for four weeks straight. But the day that he got out, it was a surprise call saying they let him out. So even though it was good news, it was unexpected. What was your personal experience like in the Czech Republic during the initial hours of the detainment? Confusing. We got off the plane and we were corralled together. Our band and crew were taken into a side room off of the jet way and told that what was about to happen would scare the shit out of the other passengers on the plane. They put us in a room basically with a SWAT team. I mean guys with machine guns, knives, full out body armor. It was like these guys were ready for the apocalypse and right away we knew something was very, very wrong. At that point, I didn’t know it had anything to do with us. I thought we were going to be questioned for something or somebody that did something wrong. We knew somebody did something wrong and we’ve found out about all these spectacles that were done in Europe and maybe they are questioning everybody, maybe they saw something. We weren’t even sure about what happened and then they gave us this piece of paper that explains what the charge was and where it came from and they explained to us that they were keeping us all for questioning and that they needed to go through the entire crew and the entire band. They were taking Randy to jail immediately and it was just shocking. Two things were kind of added to the mindset. One was that it was the first time that we heard that someone was brutally injured at one of our shows, so there was immediately a sense of sympathy for that person’s family. It was a very depressing feeling comes over you; “Oh my god, I can’t believe this happened; it’s the very last thing we would ever want to happen at one of our shows.” We play in this band because we love doing it and the people that come and see us, hopefully they have a good time and they have a good story to tell when they leave. This is the last thing we would ever want to have happen, so we’re kind of caught up with that and then to add to that, they’re arresting Randy now, so of course we’re forced to be somewhat defensive and say, “Hell no, how could you possibly arrest our friend and how can you stop our business? How can you do this? This doesn’t make any sense!” And so, those two things don’t really mix well together; sympathy and being defensive about it at the same time. We were heartbroken about the situation so it was very confusing. The following day was an entire day of interrogation with the police, which took hours. We had a band and crew of about 12 people, so it took the entire day and that to me felt somewhat routine and you know, this person’s doing a job that needs to be done and I’m sure we’re all going to get out of here and they are going to let Randy go after they piece things together, but this was obviously a random accident and they didn’t let him go. Then the next morning, they didn’t let him go and we started getting a message from our legal representative there in the U.S. saying, “It might be smart for you guys to cross a border, just in case the situation gets worse or extends to other members of the band.” We drove to the German border and stayed there for two days thinking that they’ve got to come to their senses soon and let him out and we could come back and pick him up. We had tour dates planned but at that point we were just confused on how they could be holding him for this, especially after the testimony everybody had given. I think most of us thought we would continue the next couple of shows only, and it got to be the second day in Munich when we were sitting in Germany where we heard it was going to be a week, if not more before anything was going to happen. There was going to be no official statement about anything and they had complete capability of keeping him at least until any sort of charge or orders. So at that point, we were just hemorrhaging money to sit there for a week, so we sent everybody home early and from there and just tried to pull our resources and get him out of there. We interviewed Vinnie Paul from Hellyeah and Pantera, and a lot of people liken this situation the Dimebag situation. This is what Vinnie Paul told us: “After this happened to my brother, none of us thought there was an evil bone in that guy’s skin when he came up onstage. He looked like a security guard or a cop, and 10 seconds later, four people are dead. You don’t know whether it’s going to be a high five or a loose cannon with a knife.” And he went on to say, “If Randy did anything to protect himself, he had the right to as far as I’m concerned.” Obviously you guys didn’t know what happened until this summer, even though the alleged event occurred two years ago. But now that you’ve heard about the incident, can it be compared to the Dimebag Darrell case? I think a lot of things changed that day [that Dimebag was slain]. I think that the way performers now look at the stage itself and the idea of people coming on it has changed because of that date. Since I was a kid, I don’t remember ever going to show, you know my very first shows, as a kid, where I didn’t see people jumping on and jumping off. It’s just such a normal part of the hard rock culture to have that involved. For us as a band, what happened to Dimebag certainly made us take a step back and take note that maybe, it obviously doesn’t reign as a thing that happens, but it certainly is a wake up call that it could happen and that you need to be careful of. The rules we have are in place just to protect ourselves. I think for the most part, it wasn’t that bands were deciding, “Okay if you’re going to be onstage you’re going to be attacked,” or something like that. So at this particular [2010 Lamb of God] show, and I’m only speaking for myself, I don’t remember that specific show. I’ve seen videos of that night and I’ve seen kids jumping off the stage and that is totally not unusual of any other Lamb of God show in the last 16 years that I’ve been the drummer for the band. So there was nothing at all that stuck out that night that was unusual, so it’s kind of the other way around, but to have any sort of altercations or fights or some sort of threat; that would have stuck out. I would have remembered an act of violence whether it was a kid or Randy or something and it’s just people doing what people normally doing at our rock show and it was just such random series of events that I don’t think that we would have had a 10-foot high barricade or chicken wire on the stage or a rule that’s in place that nobody was allowed on. I don’t think there was anything we could have done to change this scenario and it was just so random. It wasn’t something that we came there to do, obviously. We’re trying to have fun so I don’t know what we could have done differently. Is the band taking any special security measures on this current tour? Well, everything that we had in the past is staying in tact, which is that in all of our contracts and all of the paperwork that goes out for management and booking agents, to the clubs, and to the promoters and it calls for security that ensures the safety of all those in attendance. There’s not much more we can do. I don’t know that if we made everybody sign a wavier when they walked in the door, or put the band in bubble suits … I don’t know if that would have saved anybody’s life. I really think this was a random set of circumstances. Of course, you won’t want this to happen again and we’re certainly going to be working with the crew and having security maybe every night at the venues. Certain things are not allowed, and that kind of thing that we’ve always done, but I don’t think people should be more or less concerned whether certain things are enforced. They can do whatever they want to have fun. Stay tuned for Part 2 of our Chris Adler interview, in which the Lamb of God drummer discusses the album ‘Resolution,’ the band’s plans for a follow-up disc, his favorite all-time drummers and more. [button href=”http://loudwire.com/lamb-of-god-philadelphia-show-to-be-broadcast-live-on-axs-tv/” title=”Next: Lamb of God Concert to Be Broadcast Live” align=”center”] ?

Ex-Faith No More Guitarist Jim Martin Breaks Decade-Long Silence to Answer Fan Questions

Slash/Reprise Records Guitarist Jim Martin left Faith No More back in 1993 after the band’s ‘Angel Dust’ album. After a decade of silence, Martin agreed to answer 15 questions submitted by readers of a UK fan site. “Some weeks ago, the FNM fan club guy was asking about how to contact me, he wanted to talk to me about the fan page,” Martin said. “After several exchanges via email, he and I decided to do a Q&A thing for the fans. My departure from FNM in 1993 was controversial; I left while the band was still at the peak of its success. I am proud of my contributions to the success and legacy of FNM. I appreciate the time and effort it took to put these questions together. Thank you for the opportunity.” In the Q&A, Martin discusses the ‘Angel Dust’ recording sessions, his current relationship with the band, whether he would consider a reunion and many other topics. Q: What do you consider the highlight of your career? A: Performing with Bo Diddly, Klaus Mein, Metallica, Gary Rossington, Pepper Keenan Sean Kinney Jerry Cantrell John Popper Jason Newstead, singing Misfits songs with Metallica live during our tour with them and GNR. Q: You are an influence to many younger guitarists today, but who were your biggest influences and what do you remember about how those people helped to craft your sound and play style? A: My influences to a greater extent were Jimmy Page, Jimi Hendrix, and David Gilmore. Mostly Page. His method of using a pick and his fingers at the same time and his way of squeezing the humanity out of a guitar. It’s funny how influences work. My influences were influenced by old blues men. Those legendary blues men were influenced by their tribal ancestors. The tribal ancestors are the link back to the beginning; they are the keepers of the essence. Through my influences I am connected to the roots of time and the music that elevates the primordial spirit of mankind. We do not truly compose anything genuinely new, the listeners and the presentation are what is new, and it is the perspective that varies. The ability of expression and improvisation, the stuff of creation that fascinates all life. Q: It was great seeing you play again during the Metallica event…also some very great words spoken about Cliff….it was great to see ya! Weird question, Big Jim…and I only just thought of it while scrolling through the last post on FNM Blog: What was the deal with you being the only clothed FNM member in the infamous “FNM underwear poster”? Did you just think the photo idea was dumb, or did you think it’d be better/funnier with one dude dressed to the nines in jeans, leather vest, etc. while everyone else was near nekkid. Thanks for doing this Q&A, man! Excited to see the responses! A: I remember it was one of the first big photo shoots for us set up by London Records. Ross Halfin, “Famous Rock Photographer”, was pretty aggressive, barking orders and abusing band members, particularly Puffy. He ordered everyone to strip down. I said “forget it” (I thought it was dumb). The other guys did, he snapped the picture and at that moment, I understood why he was famous… Q: I’m a crazy obsessed fan and have listened to just about all the bootlegs and read all the interviews…Despite “not being into” the music on ‘Angel Dust’ (so it is written in places), you played flawlessly all of 92-93 and I even caught you banging your head enthusiastically during the Phoenix Festival. Also, while others were bad-mouthing you, you always played it off with a joke and came off as the bigger person (you were hilarious in the Maida Vale interviews!)…something doesn’t add up. Were you really that unhappy? If so, how do you keep such a cool head and stay so professional? A: Thank you for the great compliment. My publicized “not being into” ‘Angel Dust’ was all about the way the whole process went down. There was a lot of weird pressure to follow up ‘The Real Thing,’ and as a consequence, the album AD was more contrived musically than I thought was necessary. I wanted more of the record to happen in the studio and Bill wanted every last tack nailed down before we went in. I wanted to spend time with it, management and the record company wanted to rush it out the door. There were a bunch of journalists in the studio. We were paying for a bunch of sampling that we could have created. Matt Wallace was calling me on the phone complaining about Mike Patton’s performance. Management and record company were calling me complaining about Mike Patton’s performance and desire for outside projects. The record company president came in the studio and said: “I hope nobody bought houses” All the air got sucked out of the room. That was one of those great moments when reality slaps you in the face. Some of my associates (had) bought houses. The pressure was on, and everyone wanted to be in the studio with me while I recorded, endlessly tinkering and f—ing with me and f—ing with Matt, and Matt is a really f—ing wound up guy already. Prior to AD, I would work alone with Matt and his assistant engineer period. I had to kick everyone out and even though it was not a new concept it really pissed everyone off. Live performances were always very strong. From my perspective, we came across a lot heavier than the records. Over time, the chord progressions and the arrangements would morph in subtle ways that would make the set heavier than the studio version. As far as the bulls–t in the press, yeah, there was a lot of negativity, and I tried to avoid being part of it to the point of refusing interviews. Of course I was unhappy; individuals were making decisions which would prove to be damaging to FNM. However, despite these distractions, real people paid to see a show and we were able to deliver thanks to the support of a great crew and a great sound man, Greg Bess, who was used to working with the heavy bands. I actually really enjoyed those shows. Q: If you could collaborate for a single cover song with any musician, dead or alive, who would that be and what would the song be? A: I sure miss Cliff. Cliff Burton. We could do any song and twist it up horribly. I think if there were an opportunity to collaborate, we would write something new. Put Dave (Donato – Agents of Misfortune) in there on the drum kit and create something Cliff’s mother would call “Fu–ed Up Weirdos”. Q: I’ll get this one out…what is your relationship like now with the members of Faith No more? A: To be honest Matt, that is an emotional subject. There has been much negative rhetoric in the press, and it was my choice to either play their game, fight with them and let the press spin it, or leave them to play with themselves and allow you to make a decision based on the work I left behind. In an effort to avoid the negativity, I chose the latter. However, there are some points that I would like to address. I read a couple of interviews Matt Wallace did, and his simplified explanations can lead one to believe that I hate homosexuals, I did not contribute to ‘Angel Dust,’ and I did not play guitar on the record. Ouch. Something else is a little more accurate. The guitar parts are mine; that’s me playing guitar on all the tracks. I contributed much to the songwriting and arrangements. Bill added some fluff to ‘Midlife Crisis and ‘Midnite Cowboy’ and wrote everything for his song ‘Small Victory, Mike wrote everything for ‘Malpractice,’ I wrote everything and created the samples for ‘Jizzlobber;’  Bill contributed the keyboard outro. Mike wrote all of the lyrics for the album except Roddy wrote lyrics for ‘Be Aggressive.’ Matt’s commentary about Roddy seemed a little weird; we (band members) all knew Roddy was gay long before he “came out” and it was not an issue for anyone. Matt also forgot to mention that he and I spent a lot of time together on the production of TRT and AD improving the recording method and sonic profile in the studio. I insisted on the co-producer credit for FNM on those 2 records because of that work. Notice ‘The Real Thing’ and ‘Angel Dust’ are the only two FNM records co-produced by Matt Wallace and Faith No More. I saw something in Wiki where someone pulled a comment out of an old bucket: Jim Martin said “I don’t know why it’s called ‘Angel Dust,’ I had nothing to do with it” While that is true, it is not complete. The idea was Roddy’s, and nobody else had anything to do with it either. He came in with a basic concept of a bird front, meat locker back, and ‘Angel Dust’ for the title. The question was: “How do we get it (Roddy’s idea) to the record cover?” We lost control of the sleeve art on the last 2 releases. ‘The Real Thing’ and ‘Introduce Yourself’ were conceived and designed by “the record company” and we simply paid the bill. This was an opportunity of artistic expression and finally one of us had an idea everyone would go along with. I got in contact with Mark Leialoha to discuss the idea, he got Werner “Vern” Krutein involved because Werner ran a stock agency and was able to produce the necessary photographs allowing us to realize Roddy’s idea. I had the idea of the Russian army in the sleeve, inspired by The Pogues album ‘Rum Sodomy and The Lash,’ which I was really into at the time. I rode hard on that and made sure it happened the way WE wanted it to happen. There was a lot of squealing when it came time to pay the bill, but at the end of the day, we retained control of our resources, we were able to use our people, and we maintained creative control. Q: Jim! With your publicized dislike of the content/direction of ‘Angel Dust’ – are you surprised by how, 20 years on, it is widely regarded as one of the most influential ‘metal’ albums of the past 30 years? A: Thanks for the opportunity Matt. As for my like or dislike of AD I touched on that a little, so please refer to question 4 above. I am happy AD is regarded in a positive way. It is an affirmation of the legacy we all worked to create. I am aware that some of the newer bands I actually like have referred to FNM as an influence. I am also aware AD was on the Kerrang! Most influential albums list of 2003. Is it an artist’s affirmation? That’s fine. Am I surprised? I don’t think anyone can be expected to anticipate something like this. Q: What kind of music are you listening to today? Is there anything that we might not generally expect that you like to listen to? A: I’ve been listening to Machine Head, a great metal band out of Oakland, Calif. I enjoy classic jazz, reminds me of weird times as a kid. I like the “Glorious lethal euphoria” of The Mermen It’s crazy hardcore psychedelic surf music and hits the mark hard. I’ll listen to any improv, at least for a few minutes. Q: Is it true that you were offered to perform at reunion tour dates – if it is true why did you decline? Fans would have been so happy to see on stage too! A: Thanks Bubbles. For some time during 2008, I had been receiving information with increasing frequency that “we” were booking a reunion tour, festivals, Europe. I was informed that yes, the promoters were selling it as the original line up. In February 2009, Roddy called and said they were just beginning to think of putting something together, and just now feeling out everyone, and what did I think? I said yes, I was interested. I also told him I knew the tour was already booked, they were on the eve of announcing it, and it was time to sign the deals. I told him to send over the contracts so I could review them and started pressing management for details. Several days later, I was able to get management on the phone who told me they decided to use someone else…I know it’s odd, no, you didn’t miss anything. It happened just like that. In an effort to preclude any sloppy misinformation, I made the announcement that I would not be participating in the rumored reunion dates several days before they made their announcement. Q: If Faith No More tours again and if they asked would you make an appearance, kind of like when Chuck did a couple of songs? Would love to watch you perform songs like ‘Malpractice’ or ‘Jizzlobber’ would be awesome! A: Thanks Sean. I know the fans want the real thing, and I was prepared to have a real dialogue about doing a run together. Unfortunately, it didn’t happen. As for a random appearance, I do not feel that would do anyone justice. Q: If you could use Bill and Ted’s phone booth to go back in time to the ‘Angel Dust’ era, would you do anything differently to make sure you and FNM were heading in the same direction? If so, what? A: Number one thing: limit journalist access and impose more control over the interviews. Almost anyone could get an interview at that time. It was a free for all, and it hurt us. Q: Have you been jamming with anyone lately, and do you have any plans to make more music? A: No, I’m not working with anyone right now but I do have plans to publish more music. I released a record some time ago called ‘Milk and Blood;’ go to rotgrub.com and email the webmaster for details. Q: What do you think of the music FNM have created post you? And how do you feel when you see other guitarists belting out you licks? A: I remember hearing some of the music a long time ago but I didn’t really study it. I remember thinking it was heavily reliant on Mike. As for other persons playing my music, I don’t really believe anyone could book a show as FNM without playing my music. Q: Being one of the best shredders of your era/generation, and having rubbed shoulders with some awesome musicians in your time, have you never considered forming your own little “supergroup” to set the music word to rights!!?? A: Most of my associates have families and projects taking up their time, and I’m very consumed with the things I am doing. I hope I can get to a place where I’ll be able to do something pretty soon. There are no specific plans at this time. Thanks for a great compliment. Q: Hey Jim, thanks a bunch for doing this. So where did you get the moniker “big sick ugly” from and did you like it?? A: It was bestowed upon me by the filthy press. I am pretty sure Geoff Barton gets the credit. Steffan “Cheese Burger” Chirazi, “Krusher Joule” and Neil “Greasy Chester” Perry helped magnify and perpetuate it and it was ‘Kerrang!’ once again, who rolled that one out there. Thanks to them for some funny times.

Filter Psyched for ShipRocked 2012 Cruise

Liz Ramanand, Loudwire Filter are one of the acts performing and taking part in various activities on the  ShipRocked 2012  cruise, along with bands such as Five Finger Death Punch, Godsmack, Korn and many others. The ship sets sail Nov. 27 from Fort Lauderdale, Fla., and makes stops in Key West, Fla., and Nassau, Bahamas, before returning on Dec. 1. For information on reservations, the itinerary, the performances and much more, check out  GetShipRocked.com . When we spoke to Filter frontman Richard Patrick and guitarist Jonathan Radtke, they talked to us about last year’s rocking cruise, during which they shared the boat with some elderly vacationers, and also expressed their excitement for this year’s ShipRocked trip. Describe the Shiprocked experience last year? Richard Patrick: It’s like you’re on a ship and every time you go out – boom you’re hanging with the fans, as soon as you step out of your cabin you have to know that people on the boat are fans so there’s not a lot of privacy but it’s a lot of fun. Everybody is super respectful. To us it’s like this fun paid vacation where we get to rock ‘n’ roll so it’s not even a big deal, everything is completely taken care of and you’re hanging out with people that just adore you, how hard is that. Jonathan Radtke: And you get to hang out with bands that you’re friends with, we’re really close with the Buckcherry guys. What are you looking forward to most for this year with Shiprocked? JR: Well I think they’re going to a new location this year, the Bahamas. RP: And it’s the entire ship. I feel so bad for the people last year. JR: Half of the ship last year were paying customers who weren’t affiliated with ShipRocked, that were just going to Cozumel where we were going. So when they saw the boat was literally being overtaken by rock people – I remember this old couple, literally as the boat was still in port and the boat was about to take off and I don’t know if they were aware of it and you literally see thousands of people with tattoos and drinking. The first band was Hellyeah or something like that or Hinder and this poor old couple had their hands on their ears like “What is going on?!” RP: “Oh my God is this what we’re in for?!” JR: So apparently this year the entire boat is reserved for ShipRocked, which is even better. RP: They’re going to build scaffolding like a real stage and this whole thing because you’re playing in all these little arenas and these little places and we’re playing and the f—ing speakers are swaying. I remember playing and feeling like I was going to sprain my ankles, it’s a good time. The bands are amazing Five Finger Death Punch, Sevendust – I got a picture of me and Lajon [Witherspoon] just hanging on the beach from last year. No motion sickness for you guys last year? RP: I was telling you earlier about my problems with roller coasters but I was fine on the boat last year. You know what is really interesting though, if you’re too wasted and you’re belligerent they will leave you there. JR: Yeah because you do get off the boat at certain stops and do activities and stuff and there were a couple of people we heard stories about – that a couple guys had a little too much and weren’t allowed back on the boat, they pissed off the ferderales and got in trouble. RP: Dude you’re stuck in Mexico – and a lot of these people it’s just something they did and you don’t know if they had the money to get back and they’re so wasted. All of the shows are held on the boat itself, do you rock out on the sandy beaches at all? JR : Yeah all of the shows are on the boat, each band does like two shows. RP: There’s music going on all over the place, there’s different levels of bands, there’s some weird clubs they have on this things. They have all of these little different departments of strange, there’s night clubs and casinos. There’s not a dull moment – it’s a lot of hanging out, sunbathing, swimming during the day and then as soon as you eat dinner, you start playing. It starts at 4pm and just goes all night long, people are playing ‘til like two in the morning. JR: Us and Buckcherry, we did our theater show and went on at like 1 am – I remember taking a nap and waking up at 11:30 pm. RP: Dude I remember waking up and the people next door were like, “Who is that Steven Tyler?” [Laughs] I’m in there warming up and they’re like “I think it’s Steven Tyler.” Those poor old people. They had this one guy teaching them how to dance and he was Italian. I felt so bad because he looked over and there was this dark cloud of heavy metal and rock fans. [button href=”http://loudwire.com” title=”Check Out Photos of Filter Rocking Out in NYC” align=”center”]

HIM Unleash New Track ‘Strange World’

The End Records It has been a long wait for HIM  fans, but the band has released the new track ‘Strange World’ off of their compilation album ‘XX – Two Decades of Love Metal.’ ‘Strange World’ is the Finnish love metallers’ first dose of new material since 2010, and the track is laced with signature HIM melodies and tones. The song itself was originally released by Kevin Grivois, known by the artist name Ké, in the 90s. It’s said to be one of the personal favorites of HIM frontman Ville Valo. HIM are have released their share of cover tracks, such as their notable renditions of Chris Isaac’s ‘Wicked Game,’ Blue Oyster Cult’s ‘(Don’t Fear) The Reaper’ and the Ramones’ ‘Poison Heart.’ ‘Strange World’ starts off with Linde Lindstrom’s clattering and screaming guitar riffs that lead into Valo’s deep vocals, as he delivers the first verse backed by rattling bass lines provided by Mige Paananen. Valo offers softer vocals for the chorus as he sings,  “Strange world / People talk and tell only lies / Strange world / People kill an eye for an eye / Strange world / Dream one day we’ll see the light / Strange world / Believe and everything will be alright.” Drummer Mika ‘Gas Lipstick’ Karppinen provides a steady stream of snare and sizzling cymbals behind the skins that add to the strength of the track. The song ends on a strong note as Valo sings,  “Burn these thoughtless tears out of my eyes / Still I wonder, wonder why.” Even though the lyrical content doesn’t necessarily cover love or death, as HIM songs typically do, the band’s rendition of ‘Strange World’ retains the balance of pain and beauty that HIM have delivered over their storied career. Listen to H.I.M, ‘Strange World’ [button href=”http://loudwire.com/h-i-m-mixing-melancholy-with-motorhead-tears-on-tape-album/” title=”Next: Ville Valo Talks About New Album ‘Tears on Tape'” align=”center”]

Anthrax Bassist Frank Bello Talks Reissue of ‘Worship Music,’ Covering Journey + More

Liz Ramanand, Loudwire Anthrax bassist Frank Bello was the guest on Full Metal Jackie’s radio show this past weekend. He spoke all about the band’s journey and their success with their latest record ‘Worship Music,’ as well as the forthcoming re-release of the album. He also dished about being in the film ‘Greetings From Tim Buckley’ and much more. Read the full interview with Frank Bello below: The last couple of years have been a whirlwind for Anthrax – Joey Belladonna rejoined the band, you had the Big 4 shows, ‘Worship Music’ being released, a year long tour with Testament and Death Angel, how important has all of that been in setting up the future of Anthrax? You just said it – it’s all one. The Big 4 actually gave Anthrax a kick in the ass to really get going, we were working on songs – Scott [Ian], Charlie [Benante] and I and that made us really get back to being a serious band again. We were working and saying “We need to get a record out” and that made us finish the record. I tip my hat to Metallica for doing that for us. They didn’t have to put the Big 4 together and they did and it worked out really nicely and there’s a whole new fan base with that, which it great. Right now, you’re recording a few cover tunes for an expanded re-release of ‘Worship Music’ — like Journey, Boston, Rush – how have those bands influenced a faster, heavier band like Anthrax? Anthrax, we’ve done this stuff forever – those are our influences honestly, whether you want to take Journey and the melodic influences, great band, great musicians. I think it’s like a sponge thing like Boston, great harmonies, great vocals, great guitar. All of these things, these are the things we’ve grown up with and we would probably jam out sound check – we never really play Anthrax songs, music’s supposed to be fun and we play Anthrax for the set but it’s just so much fun to get it together. What we’ve always been known to do is to put these on a b-side and people just really dig it. I dig it – I did the Journey song yesterday, this is what we do and just the fun part about it is to hear the result. Joey [Belladonna] at times can sound like Steve Perry and I haven’t even heard his vocals on it and to hear him sing Boston – it’s going to be fun, I can’t wait to hear the finished product. This is special for the fans – you get the re-release yes but there’s always a little something different on top of it so I think it’s a special thing later on. What did it feel like for you guys to comeback with a new record in this time in terms of music and have it receive such high praise? You know what it is, after eight years first off – it was hard enough to get the record out just because getting management, lawyers out of the way all that garbage that gets in the way of music and personalities. We knew what we wanted Anthrax to be again the real deal so again I’ll go back to Big 4, it really gave us a kick in the ass to get back and really clear everything to go forward – ‘Worship Music’ we knew we had something special, we got Joey in on it and that was the cherry on top of it all. We’re fans of this music so we knew we had something good, thankfully the people, the fan base has taken on this record – this is our biggest selling record in a long time. It’s just done really well, thank God and thank the fans out there, great support- that’s why we’re still on tour. In three weeks we leave for a Motorhead tour – pretty much all sold out in Europe, which is crazy. Think about it, 30 years in, Jackie, who would have thought we’re still around – Anthrax, Motorhead in Europe selling out places, we’re very lucky, we’re humbled. It’s a really nice thing that’s going on and we couldn’t be happier, we’re stoked. I have to tell you a funny old school Anthrax story, I grew up in Jersey and in my backyard was the offices for Megaforce Records and when I was a kid – you know you don’t know what a record label does, you just assume that the bands are hanging out there and working there. I must have been 12 or 13 years old and a buddy of mine and I were like “Hey let’s go over and maybe Anthrax is hanging out” and we went into the Megaforce offices like “Hey what’s up is Anthrax here?” There were times where Scott and I and Charlie did go there. It’s funny because it was way out there too, in Jersey and they would be like “Just come by to the office” and I’m not driving from the Bronx to Jersey. There were times where we would get boxes of our stuff to give out to our families, plus all of the Metallica stuff we’d get that was for free if we went there. In ‘Greetings From Tim Buckley’ you play Richard Hell and you’ve done TV and other films too like ‘One Long Day.’ How does the rush of acting compare to the rush of playing music? It’s weird that you say that and thank you for mentioning it – it’s the same thing for me. It’s really like writing a song and I don’t want to talk acting nonsense but putting little pieces together like a chorus or verse and stuff like that, I like just being somebody else. I think it’s really cool to be somebody else so when you sink yourself into it, it’s just like a song, it’s this little life, you give a song life – it’s the same vibe in my gut that makes me feel good. I have a fire for this music, I’ve always had a fire for acting – who gives a f— about fame, it means nothing, we all know fame is bulls—. The whole thing of being a working actor really turns me on because it’s being somebody else for a little while. Being able to create gets something out of me that I need to get out – I don’t know what it is but it’s a lot of fun and I hope to do more, it was a blast. Compare to ten years ago, twenty years ago, what has been the best thing about being in Anthrax in 2012? Well right now it’s nice to be back and being accepted by not only our audience but there’s a new audience out there: 15-, 16-year-old kids. I got 15-year-old kids coming up to me saying “You’re an influence.” You don’t realize how good that feels – it’s something I’ve done right in my life and I’m very proud of it. It that kid could pick up a bass and feel the way I feel about it and make his day be a little bit better, that’s what it’s all about. It’s like passing the torch a little bit – we’ve been lucky, we’ve had a great time, if I could make somebody feel as good as the bass and music has made me feel that’s what it’s all about at this point. I feel like Anthrax is finally getting the recognition you guys deserve after all of these years, working so hard and putting out music and touring the hell out of your records. I congratulate you guys and I think it’s finally your time. Thank you, well and you know, Jackie people like you and this isn’t a kiss ass – the truth of the matter is we know our friends and people like you have supported the band forever and have been with us along this ride, peaks and valleys. There are no angels in this band, we know you have good times, you have lean times, there have been a lot lean times but it’s good to be back in this kind of way right now. We don’t know where it’s going to go – we hope it goes further but we’re taking it day to day, it’s a good vibe. There’s a metal thing going on right now, there’s a resurgence that we all know is here so we’re very happy to be part of it. We’re humbled that we are still a part of it – 30 years in, come on, we’re having a great time, we’re more relevant than ever, people love this record. For people to say this is our finest work – which we’ve heard in a lot of reviews and thank you for that, God that’s all you could really ask. That means it’s relevant and it made people feel a certain way and that’s what matters. It really got people listening again and we’re ready for it. Full Metal Jackie will welcome Jamey Jasta of Hatebreed on her next show. Full Metal Jackie can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .