Posts Tagged ‘story’

LAMB OF GOD Frontman Randy Blythe Comments On Ongoing Czech Trial

Randy Blythe is currently on trial in the Czech Republic on charges of manslaughter stemming from a 2010 concert in Prague. You can read our reports from day 1 and day 2 of the trial so far. The main coverage of the story is coming from Czech newsletters, and my reports on this site have … The post LAMB OF GOD Frontman Randy Blythe Comments On Ongoing Czech Trial appeared first on Metal Injection .

Megadeth Bassist David Ellefson Penning Autobiography ‘My Life With Deth’

Mary Ouellette, SheWillShootYou.com Megadeth bassist David Ellefson has been busy at work on his official autobiography. The founding Megadeth musician is approaching the band’s 30th anniversary along with frontman Dave Mustaine , the only other original member still with the legendary thrash act. The memoir, ‘My Life With Deth,’ will tackle subjects such as the band’s road to iconic status, addiction and much more. This won’t be Ellefson’s first endeavor penning a book, as the bassist released ‘Making Music your Business: A Guide for Young Musicians’ in 1997. Fifteen years later, Ellefson returns to writing with some help from author Joel McIver, who has written biographies on bands such as Black Sabbath , Slayer , Metallica , Tool and many others. According to Blabbermouth , Ellefson’s autobiography will also feature contributions from Slayer’s Kerry King , Anthrax’s Scott Ian , current Megadeth bandmate Shawn Drover and former bandmates Chris Poland and Marty Friedman. “My autobiography is not the usual tale of rock ‘n’ roll woe, but rather something I hope will truly inspire people,” says Ellefson. “I have dedicated my life to my craft, and I wanted to share the story of how a kid with a bass guitar and the dream of rock stardom literally risked it all to move from the farm in Minnesota to Los Angeles, and with a lot of hard work, sacrifice and a little luck along the way, made the dream come true.” The bassist continues, “I think the readers will enjoy the stories, as well as the hardships, of this way of life as a musician and artist. I’ve been very open about my life’s obstacles and the means by which I overcame them. Now, my hope is that this story will inspire others to follow their dreams and really live out the purpose for their lives, too.” The official release date for David Ellefson’s ‘My Life With Deth’ will be announced in early 2013. [button href=”http://loudwire.com/best-megadeth-songs/” title=”10 Best Megadeth Songs” align=”center”]

Chris Cornell’s Message for Billy Corgan: ‘Tell Him He Owes Me My $40,000 Back’

Jim Dyson/Matt Roberts, Getty Images Smashing Pumpkins visionary Billy Corgan does not have much of a filter when it comes to speaking his mind. The most recent example of this was his personal commentary on the Soundgarden reunion and the impetus behind it, saying, “They’re just out there to have one more round at the till; same with Pavement and these other bands.” When asked about the incendiary comments on the Area 93.3 radio channel back in August, Corgan went into detail explaining that there was more to the story than he had at first let on. He admitted that it was more of a reactionary comment based on “harsh words” delivered by his one-time close friend and Soundgarden frontman Chris Cornell regarding the 2007 reunion of Smashing Pumpkins. Cornell had gone on record to say that he didn’t find the reunion to be “legitimate,” and Corgan took that very personally comparing it to “somebody punching me in the face.” So for those still following along, Corgan called out Soundgarden for cashing in on their recent reunion partly because Cornell had cast a shadow of a doubt on the Pumpkins reunion a few years ago. Now, in a new interview with ABC News Radio , Cornell had a chance to respond to the blow-for-blow exchange. Cornell summed it up succinctly saying Corgan should be thanking him, not bashing him. “When Billy Corgan was completely broke, I got him a movie deal with director Cameron Crowe where he made $40,000,” Cornell explains. “He was very happy about that, and he was specifically happy about the $40,000.” But that wasn’t all. Cornell offered this parting jab, “So next time you see him, tell him he owes me my $40,000 back.” While it’s probably not likely that Corgan will be writing a thank-you check to Cornell any time soon, we have a sneaking suspicion we have not heard the last of this story just yet. [button href=”http://loudwire.com/soundgarden-live-on-letterman-gig-review/” title=”Soundgarden Rock ‘Live on Letterman’ Gig at New York’s Ed Sullivan Theater” align=”center”]

Kamelot’s Thomas Youngblood Talks ‘Silverthorn,’ Band Chemistry + More

Facebook: Kamelot Kamelot have had a busy year with touring North America, especially after a massive trek with Nightwish. Not to mention they’ve released their tenth studio album ‘Silverthorn,’ the first to feature the band’s new vocalist Tommy Karevik and they are currently on tour all over Europe in promotion for the new disc. While they were in the States we got the chance to speak with Kamelot guitarist Thomas Youngblood who looked back on their tour with Nightwish and talked about the band’s chemistry with the Agonist frontwoman Alyssa White-Gluz. He also expressed his enthusiasm about the release of ‘Silverthorn’ and Kamelot’s future as a whole. How would you describe the experience of touring with Nightwish? It was great. I think the musical styles of both bands complement each other really well even though we’re different from each other. We’ve been talking about doing a tour with them for a few years now so it’s cool to finally see it happen. It’s been great. You were at the show in New York and they all have been pretty packed and the fans love the combination. Alyssa White-Gluz of the Agonist joined you on stage and she’s offers vocals on the new record. How would you describe your relationship with her musically. Yeah, she’s been on my radar for a few years, we had the Agonist as one of the supporting bands on our last U.S. tour and I kind of knew about her before but on the tour we had her come out for a couple of shows and do ‘March of Mephisto’ with us — from then on it was just really cool chemistry between her and the band. When it was time to do the new album we had a spot on there that normally we probably would’ve had a guy do but I thought it was a cool twist to have a female growler. She kicked ass with the part and we shot the video for ‘Sacrimony’ and she’s also in the video so it’s been fun. It’s cool to see her in action when she comes onstage because she’s got this dominating presence which I think is really cool. ‘Silverthorn’ is the tenth studio album. What does the name of the record mean to you personally? Well the fact that we were able to make this record so quickly, we got this perfect blend of beauty and pain. The title ‘Silverthorn’ itself is a sort of a contradiction — the literal meaning is something that’s in the story but for us we just look at it as this strange and beautiful creation that we were able to achieve. This new record is a concept album –- do you find that there are any particular challenges with a concept album that are different from creating a non-concept album? Definitely, you have to stick within the storylines –- for example lyrically if you want to write stars and it has nothing to do with the story, it’s more open and easier to do a non-concept album. With a concept record you have to stay with the story, it wasn’t a massive challenge in terms of inspiration; things just seemed to fall right into place from the very beginning. I don’t know if we will do another concept record or not but with this one everything went super smooth. We’re totally stoked about the record and we knew we had something special when we were about half way in the middle of this thing. The newest member, vocalist Tommy Karevik, was exceptional at the live show in New York. What does he bring to the band? I think when we knew we had to bring in a new person on vocals we wanted the opportunity to grow the band not just to maintain the band or survive. We wanted to look at this as an opportunity to make the band bigger — I think with Tommy we can do that. Not only is he an exceptional singer, he’s a great songwriter and he’s way ahead of what I thought he would be in terms of being a frontman. People who come out to shows will see that this guy is a force to be reckoned with. [Laughs] I can’t imagine a better choice, honestly. In the beginning when this whole thing started we were a little unsure of what the future might be but now we’re really excited about it. The members of the entire band — you have a couple of Europeans and Americans from different states. Do you find the international mix adds to the creativity of the band at all? It probably does somehow, everybody has different likes and tastes –- I think the most important thing is getting along, just having a similar sense of humor, having a similar sense of social skills like being polite but also having a good time. That whole kind of chemistry is the most important and that way when we go to create things we do it more as friends instead of just being colleagues or business partners -– I think that’s the key to the chemistry and the band’s future. [button href=”http://loudwire.com/nightwish-kamelot-bring-powerful-show-to-new-york-city/” title=”Next: Check Out Photos of Kamelot’s Stop in NYC” align=”center”]

Stone Sour, ‘House of Gold & Bones Part 1’ – Album Review

Roadrunner Records Stone Sour  singer  Corey Taylor knew early on he wanted to do something special with their latest disc, and with ‘ House of Gold & Bones Part 1 ,’ the band doesn’t disappoint. In fact, this dark tale of a person’s inner battles getting over a traumatic relationship break leaves us yearning for more (thankfully, there will be a ‘Part 2′). The singer says of the disc , “It’s really a morality play. It’s about a person trying to find himself, or herself. You know, everyone in their lives finds themselves inevitably at a crossroads when it comes to a personal evolution and whatnot, trying to figure out what they want to do with the rest of their lives.” Much like a person trying to move on from a difficult split, ‘House of Gold & Bones Part 1′ plays like the emotions of that experience, spanning from bitter, vitriolic, and selfish to broken, mournful and depressive. Listeners got their first introduction with the release of the double-single, ‘Gone Sovereign’ and ‘Absolute Zero.’ The two songs lead off the album and descriptively show where the title character is at their life — a splintered shell of themselves feeling that every legend has been shattered in ‘Gone Sovereign’ and that they’re so filled with hate that there’s nothing left to offer in ‘Absolute Zero.’ Both tracks are filled with hard-hitting guitars courtesy of Josh Rand and James Root and at times powerful and thunderous drumming from Roy Mayorga. Rand recently stated , “‘House of Gold & Bones’ takes everything that’s great about this band and amplifies it. The riffs, the lyrics, the grooves and the songs are like Stone Sour times 10. There’s also heavy stuff that’s like nothing we’ve ever done before. It’s dark as hell and a complete experience from the first track to the last.” Taylor vocally is hitting on all cylinders with this album. ‘A Rumor of Skin’ shows him delivering a deeper register; ‘RU486′ and ‘Last of the Real’ unleash a full blast of his aggression; and ‘Taciturn’ allows the listener to feel every ounce of emotion he’s pouring into the track. ‘ Taciturn ‘ received its live debut by Taylor earlier this year, with the singer primarily on acoustic guitar. While it can pass as a solo song live, on the album there’s some extra pieces as the track builds from an intimate and sorrowful song into something more epic and filled-out by the end with Taylor begging, “ Give me a sign / Show me a light / Maybe tonight I’ll tell you everything .” ‘The Travelers, Pt. 1′ and ‘Tired’ also flow particularly well together in the middle of the record, with the string-backing coming to the forefront. ‘The Travelers, Pt. 1′ provides ‘A Day in the Life’-type conclusion to the title character’s downward spiral, while in ‘Tired,’ the strings pick up the pace and provide a building feel of the character’s increasing instability. While we’re not sure how many singles ‘House of Gold & Bones Part 1′ may have, that’s not the point of the record. Stone Sour have provided the story of a character’s personal voyage and their inner dialogue that works as one album-length idea, and in that aspect they have definitely succeeded and left us anxious to see where the story continues in ‘House of Gold & Bones Part 2.’

Between the Buried and Me Unveil ‘Astral Body’ Video From ‘The Parallax II: Future Sequence’

Liz Ramanand, Loudwire With just under two weeks before their upcoming album ‘The Parallax II: Future Sequence’ is released, Between the Buried and Me have premiered the first official video from the album, ‘Astral Body.’ The clip was directed by Wes Richardson. The video draws from the concepts of 2011′s ‘The Parallax: Hypersleep Dialogues’ EP and the new album. “To see lyrics and music come to life in a video is an unexplainable feeling. I literally am speechless every time I watch what he has done with this video,” says BTBAM singer Tommy Rogers. The ‘Astral Body’ video explores a design structure that would make up the creator’s dream while floating through space. The structure is a digital blueprint of the world he once knew. Richardson also made use of location photography, footage, and photo-real visual effects to capture the surface on the planet. “When we decided to create a video for this song I never expected to have visuals of this quality,” Rogers explains. “Wes has done an outstanding job of taking the lyrics and creating a world that won’t let the viewer turn away. We are very lucky to have such talented people surround us.” Guitarist Paul Waggoner details the concept of ‘Parallax II.’ “The two main characters of the story take on a journey through space and time with the unenviable task of having to cure the flaws of humanity by any means necessary. While the EP served mostly as an introduction to the characters, ‘Future Sequence’ contains the action of the story.” BTBAM kick off a European tour  Oct. 1 in the UK followed by Japan, Australia and New Zealand dates. [button href=”http://www.altpress.com/aptv/video/video_premiere_between_the_buried_and_me_astral_body” title=”Watch Between the Buried and Me’s ‘Astral Body’ at AlternativePress.com” align=”center”]

Iced Earth Guitarist Condemns Record Label Lawsuit Against File Sharers

Facebook: Iced Earth According to various news sources, Century Media Records have filed a lawsuit against more than 7,000 music fans for illegally downloading Lacuna Coil ‘s ‘Dark Adrenaline’ and Iced Earth ‘s ‘Dystopia.’ Since news of the lawsuit broke, discussion of the legal action has been rampant over the internet, with Iced Earth guitarist Jon Schaffer sharing his personal views in a new statement. Although NorthJersey.com broke the news on Aug. 5, the story had only been discovered by the online metal community a few days ago. Reminiscent of the recent suit against All Shall Perish fans who illegally downloaded the band’s 2011 album, ‘This is Where it Ends,’ a total of 3,136 defendants have been targeted for illegally downloading ‘Dark Adrenaline,’ while 4,327 others are being pinned for downloading ‘Dystopia.’ Much like in the All Shall Perish case, the ‘Dystopia’ lawsuits were not brought to the band’s attention before being filed, according to a statement Iced Earth guitarist Jon Schaffer posted via the band’s Facebook page: It has come to my attention that Century Media is suing fans over illegal downloads of (among others) our latest album,’Dystopia’. I felt it was important to clarify that we had no knowledge of this motion and were, sadly, not asked permission. We all know the music industry is changing. We have been adapting to this model by embracing legal streaming services such as Spotify and by bringing our music to places we have never played before by touring our proverbial asses off. As much as we respect that the labels are having a harder time selling music, we feel this is a misguided effort and want to make sure our fans know we would have not given our consent would we have been asked. Metal Insider recently reported that they had contacted Century Media for a statement, and although no official response has been made, an anonymous Century Media employee states that nobody at the American offices knows anything about the suit and that they are checking in with their European branch to see if they have any information. Additionally, as of this posting, no Lacuna Coil members have commented on the situation. Check out the lawsuit’s paperwork below and stay tuned for more news as the story develops. Century Media Lawsuit Paperwork Century Media Ltd v Does 1 944 No 12 Cv 3868 (DNJ)

%d bloggers like this: