Posts Tagged ‘mind’

Black Veil Brides Announce ‘Legion of the Black’ Film Global Pay-Per-View

Frazer Harrison, Getty Images Black Veil Brides shot a film to accompany their upcoming ‘ Wretched and Divine ‘ album and fans will get a chance to check it out this weekend as part of a global pay-per-view event. The movie is called ‘ Legion of the Black ‘ and it serves as an extension of the album. The flick is built around eight songs from the disc, with the band members appearing in performance segments. The group recently premiered it just prior to the holidays in Los Angeles and will let fans in other parts of the world check it out Sunday night (Jan. 6). ‘Legion of the Black’ will be available over a 24-hour period beginning at 12AM PT/3AM ET at the band’s Facebook page , with fans having the option to share movie clips, answer trivia, take polls and potentially speak with members of the band. To pre-order the Sunday Pay-Per-View for $4.99, click here . The film and album concept come from the mind of singer Andy Biersack. The vocalist told Billboard , “I’ve always been a big fan of utopian, future, new world stories — ‘V for Vendetta,’ comic books, graphic novels. It’s not really an anti-religion story; more than anything it’s based on the concept of the five of us in the band as these Che Guevara, rebellious leaders unified against this big church/government bad guy.” The vocalist says that after an initial false start on the album, producer John Feldmann asked him what was inspiring him and they took his short story idea and started working it into an album. ”This is new ground for the band,” says the singer. “It’ll take a little bit of time for people to understand what this is, so the intent is to take it as many places as we can.” The ‘Wretched and Divine: The Story of the Wild Ones’ album is due Jan. 8. Pre-orders are being taken here . Fans can also check out a trailer for the ‘Legion of the Black’ film and introduction from Biersack here . [button href=”http://loudwire.com/black-veil-brides-unleash-video-for-in-the-end/” title=”Next: Watch Black Veil Brides’ ‘In the End’ Video” align=”center”]

10 Best Marilyn Manson Songs

Mary Ouellette, SheWillShootYou.com Marilyn Manson 's best songs document a career that is unlike any other that came before him. Mixing a rock 'n' roll mentality with electronic elements and profound lyrics narrating the progression of society in real time, Manson has developed a polarizing identity as both a beloved hero and a reviled villain. Although Manson has experienced major highs and lows throughout his many years in the public eye, he now finds himself rejuvenated and nominated for a 2013 Grammy Award. To celebrate the career of the Antichrist Superstar, we've put together our list of the 10 Best Marilyn Manson Songs: ? 10 'Astonishing Panorama of the Endtimes' From: 'Celebrity Deathmatch Soundtrack' (1999) ? ? The full-speed-ahead rock track 'Astonishing Panorama of the Endtimes' was never actually included within any Marilyn Manson album. In fact, this track was exclusively released for the official soundtrack of the legendary claymation MTV series 'Celebrity Deathmatch.' Opening up the soundtrack, the song contains some sweet muddy shredding along with the captivating line, “Kill your god and kill your TV.” Listen to 'Astonishing Panorama of the Endtimes' ? ? 9 'The Nobodies' From: 'Holy Wood' (2000) ? ? After the Columbine school shooting of 1999, Marilyn Manson was one of many scapegoats targeted by a national media scrambling to make sense of the tragedy. After refusing to publicly speak of the incident as a protest against media sensationalism, Manson released 'The Nobodies' as the third single from his 2000 album, 'Holy Wood.' The song characterizes the Columbine shooters' rise from nobodies to household names, while taking a shot at the media with the line, “You should have seen the ratings that day.” Listen to 'The Nobodies' ? ? 8 'The Dope Show' From: 'Mechanical Animals' (1998) ? ? During the height of Manson's shocking persona, the sonic artist released 'The Dope Show' as the lead single for his 1998 album, 'Mechanical Animals.' The lurching track trudges through the subjects of American materialism, consumerism and the vast emptiness found within corporate control over creativity. In the legendary video for 'The Dope Show,' Manson appears as a sexless, soulless, manufactured product rather than a human being. Listen to 'The Dope Show' ? ? 7 'No Reflection' From: 'Born Villain' (2012) ? ? After going through a self-confessed low point in his career, Marilyn Manson chose to reevaluate his identity as an artist by surrounding himself with nothingness so he'd be forced to create. The result was Manson's best album in over a decade, 'Born Villain.' The album's lead single, 'No Reflection,' is brilliantly claustrophobic and one of Manson's strongest tracks to date. The song has even been nominated for a 2013 Grammy Award. Listen to 'No Reflection' ? ? 6 'The Fight Song' From: 'Holy Wood' (2000) ? ? Although many of Marilyn Manson's greatest works pull the listener into an eerie and uncomfortable, yet beautiful realm ('Speed of Pain' / 'The Last Day on Earth'), the musician has created some true anthems throughout his career. 'The Fight Song' is easily one of Manson's most powerful anthems, showcasing a contagious power along with compelling lyrics such as, “I'm not a slave to a god that doesn't exist / And I'm not a slave to a world that doesn't give a s–t.” Listen to 'The Fight Song' ? ? 5 'Tourniquet' From: 'Antichrist Superstar' (1996) ? ? From the 'Antichrist Superstar' album, 'Tourniquet' begins with the reversed message, “This is my most vulnerable moment.” Manson takes on the metaphorical role of a tourniquet, built on it's physically constricting yet life-saving qualities. Is Manson's message masochistic in nature? Do his lyrics address a relationship with substance abuse? Perhaps both … Perhaps neither. Either way, music is all about personal interpretation, and Manson gives his followers a lot to sink their teeth into with 'Tourniquet.' Listen to 'Tourniquet' ? ? 4 'Disposable Teens' From: 'Holy Wood' (2000) ? ? With a simple but powerful guitar lead introducing the essential track, 'Disposable Teens' was the first single released by Manson in the new millennium. Having penned a multitude of songs inspired by the teenage years, 'Disposable Teens' is one of Manson's greatest lyrical accomplishments, evidenced by lines such as, “And I'm a black rainbow / And I'm an ape of god / I've got a face that's made for violence upon / And I'm a teen distortion / Survived abortion / A rebel from the waist down.” Listen to 'Disposable Teens' ? ? 3 'Sweet Dreams (Are Made of This)' From: 'Smells Like Children' (1995) ? ? Few artists can take another band's signature track and create a brilliant cover with its own distinct identity. Eurythmics released 'Sweet Dreams (Are Made of This)' in 1983, selling more than one million copies of the single in the United States alone. Although the original song is widely known as a masterpiece, Marilyn Manson abducted the synth standard in 1995, stripping apart its pop dermis and filling the void with twisted darkness. Listen to 'Sweet Dreams (Are Made of This)' ? ? 2 'Coma White' From: 'Mechanical Animals' (1998) ? ? There are few songs that dedicated Mansonites hold closer to their warm bodies than 'Coma White.' In the mind of Marilyn Manson, the color white represents a sense of “numbness” felt by the musician from both drug use and public scrutiny. The forefront version of 'Coma White' is found at the end of 'Mechanical Animals,' but there also exists a breathtaking acoustic version of the song, which is essential listening for both hardcore fans and those unfamiliar with Manson's music. Listen to 'Coma White' ? ? 1 'The Beautiful People' From: 'Antichrist Superstar' (1996) ? ? The anthem of all Manson anthems, 'The Beautiful People,' comes in at No. 1 on our list. With a heavy drum presence, sinister chants and an unforgettable guitar line mixed in with Manson's hushed whisper of the song's reprise, 'The Beautiful People' challenges societal materialism, which Manson labels as “the culture of beauty.” Instead of painstakingly weeding out all those he sings against, Manson takes a much simpler route heard in the lyrics, “There's no time to discriminate / Hate every motherf—er that's in your way.” Listen to 'The Beautiful People' ? ? What's Your Favorite Marilyn Manson Song? Which of our 10 Marilyn Manson song picks is your favorite? If your personal favorite didn't make our list, post it in the comments section below! ?

Baroness’ John Baizley Updates Fans on Health, Jams ‘Stretchmarker’ Acoustically

Liz Ramanand, Loudwire Ever since a gruesome bus crash caused the career of Georgian eclectic collective Baroness to come to a screeching halt, the band has been healing in a multitude of ways. Frontman John Baizley severely broke his left arm and leg, drummer Allen Blickle and bassist Matt Maggioni suffered fractured vertebrae, while guitarist Pete Adams was treated for more minor injuries. Despite the horrific pause in the timeline of Baroness, Baizley has written yet another uplifting entry on his health, along with video footage of ‘Stretchmarker’ from their 2012 double album, ‘Yellow & Green,’ played acoustically. Two months after the August bus crash in England, we had the honor to facilitate the very first interview with John Baizley since the accident. Within the hour-long discussion, Baizley opened up about his injuries, the slow recovery process and even how the wreck affected his life as a father. Now, Baizley has released another update, which can be simply described as remarkably inspirational: Simply put: it’s time to get back to it. Since my belated and thankful return to the USA (after our painful test in motor coach-aeronautics) I can definitively say I’ve exhausted my reserve of potential leisure activities (there’s not that many of them, after all). I’ve come dreadfully close to boredom, and in those moments I can’t help but focus on my glaring physical infirmities. Television offers little respite from this relative stasis; I’m sure by now I have sampled every biker-meth-dealer-zombie-low-talking-cop-crime-scene-serial-killer-real-housewife soap opera that is currently being broadcast (and there’s no small number of them). I’ve tried to fill my weekly routine with as much physical therapy as possible but the truth is, PT is not fun, and its benefits come with a great deal of mental/physical/spiritual pain and struggle. Furthermore, I believe I am getting a touch of Stockholm Syndrome when it comes to my doctors and therapists (the highlight of my week should NOT involve a clinic). Music might be the best therapy I have right now. Perhaps it’s both the cause and the cure (the thought has crossed my mind); but I feel lost without it.  Pete and I have just spent a long week surveying our musical wreckage and, surprisingly, we are quite well and intact. Sure, there are some substantial obstacles to overcome before we write, record or perform any time soon; but we still have everything we need to get ‘back in’ that particular ’saddle again.’ Most of my peers are familiar with such high-school-gym-teacher poeticisms as ‘risk equals reward’ and ‘no pain, no gain;’ but did any of us every really believe there was any real wisdom in those adolescent platitudes? I didn’t. I am, however, starting to understand the essence of these and many of our other favorite clichés. As odd as it might be for me to write these ‘updates’ after 10 years of personal silence on the internet, I feel that I owe everyone who’s voiced or given their support to  Baroness a brief synopsis of our situation and more importantly a heartfelt thanks.  Honestly, it has made this ordeal much easier on me. What little publicity that surrounds our crash has given voice to so many people who have shared their own stories of injury, trauma and struggle with us, and has furthered my own faith in the communicative and universal strength of music. As every singer on every stage has nightly said, ‘we wouldn’t be where we are without you.’ Thanks everyone. We look forward to seeing you soon. Here’s a short clip of a song we wrote.” Check out John Baizley and Pete Adams performing an acoustic cover of ‘Stretchmarker.’ Baroness, ‘Stretchmarker’ (Acoustic Jam) [button href=”http://loudwire.com/best-rock-albums-of-2012/” title=”Baroness – Best Rock Albums of 2012″ align=”center”]

Hatebreed Frontman Jamey Jasta Offers Thoughts on Connecticut School Shooting

Liz Ramanand, Loudwire We’re all used to seeing singer Jamey Jasta tear it up onstage with Hatebreed but the rocker we see in concert is also a prideful Connecticut native and a father of a young daughter. We spoke with Jasta earlier today (Dec. 17) about Hatebreed’s upcoming album, but we also took the opportunity to discuss the tragic elementary school shooting that took place on Friday in Newtown, Conn. Jasta not only offered his feelings about the horrific incident, but also relayed his own personal story of how his day unfolded, since it all happened so close to home for him. “I haven’t even really wrapped my mind around it yet,” Jasta told Loudwire. “I got my nephew off the bus on Friday and I was running around earlier in the day and me and my nephew we usually go get a snack right after school and then we go get my daughter at her school – both schools are about 20-25 minutes from Newtown.” Jasta continued, “When I went into the place where we usually get his snack, there’s a big TV above the register and the guy who we know behind the counter just had his hands over his mouth and he was just staring at the television in shock. I was like, ‘What’s going on?’ and he was like, ‘I don’t know it looks like there was a shooting but they said that a teacher got shot and that the gunman is dead.’” “When we walked out I was like, ‘Wow, that’s disturbing’ and we walked out of there, I got gas, my nephew had asked me what happened and what was on the TV and he’s only five and I said that something bad had happened but we don’t know and we’ll have to see.” Jasta went on to say, “We went to my office and I started getting a couple of frantic calls like, ‘Hey are you near there? Where does your daughter go to school? Hey where do your nieces and nephews go to school? Is Everything okay?’ Then I got a call from someone who was crying and I knew something really bad had happened but I didn’t know the whole story yet.” “I got in my car and turned on the news and headed over to get my daughter and they had locked down the doors at every school in the area. Parents were already lined up early to get their kids out of school and I could see parents in their cars looking very distressed and upset. When the kids got out of school, there were definitely people rushing to hug their kids.” He then proceeded to describe his weekend as follows: “On Saturday, I had to get on a flight – I spent most of Saturday traveling and most of Sunday traveling. I was probably traveling eight to 10 hours each day so that was a little bit of a distraction so this morning when I got up and dropped my daughter off at school and finally got back and turned on the news I saw that funerals had begun and that’s when it really started to set in – the overall tragic, senseless feeling of it all.” Jasta concluded, “ I think today is going to be my day to really wrap my mind around it. I don’t think anybody, whether you’re a child or not – I don’t think anybody deserves to have senseless violence taken out upon them. It’s going to be bigger than just me and my thoughts, hopefully it will start a national conversation to make the kids safer in school.” Stay tuned for our full Jamey Jasta interview, in which he talks about Hatebreed’s upcoming album + more. [button href=”http://loudwire.com/connecticut-school-shooting-rock-musicians-condolences/” title=”Next: Rockers Offer Condolences” align=”center”]

Duff McKagan Breaks Down Bon Jovi’s ‘Seen a Million Faces and Rocked Them All’ Boast

Mike Coppola / David Becker, Getty Images By now, most people are familiar with the Bon Jovi classic ‘Wanted Dead or Alive’ and could sing it word for word if put on the spot, but Duff McKagan has a question that’s long been debated amongst his musician friends that pertains to the lyric “ I’ve seen a million faces and I’ve rocked them all .” The bassist ponders if this was truly a fact or just taking poetic license for a great lyric. In his latest Seattle Weekly article, the musician breaks down the argument he’s had with several musicians over the years. But before you think McKagan’s lost his mind, he does admit, “A musician has plenty of time to ponder things — both big and small — when they’re on the road. You have to hope for a good sense of shared humor when traveling and living together in cramped confines, something I call the tour bubble. If you can’t make light of some of the asinine situations you meet on the road, you are gonna be toast.” One of those “situations” was the ongoing Bon Jovi debate, where McKagan states that being on the road does expose you to a lot of people, but do you technically “rock” them all? McKagan says no. The bassist states, “I have no doubt that Bon Jovi had played to a million people by the time ‘Dead or Alive’ was released on ‘Slippery When Wet’ in 1986. But did they rock them all? Couldn’t it be that some dudes brought their girlfriends to the show and weren’t necessarily into the music of Bon Jovi? What about some parents? Or, maybe some people just didn’t get rocked? Hey, it’s happened to me. I’ve gone to gigs properly prepared to get rocked and it just didn’t happen for me.” He goes on to add, “How could they even be sure? They had played a bunch of festivals, and you KNOW that not everyone there was attending to come see their band. They had probably converted some of these people into new fans, but rocking them all would be a huge overstatement.” McKagan himself, who has enjoyed a lengthy career with Guns N’ Roses , Velvet Revolver and Loaded , among other projects, says, “In my whole career, I have certainly played to a ton of faces (I’ll let you do the math), but, hell, I was hammered for a couple of those years, and probably wasn’t concentrating on faces at all. Besides, how can you see all of the faces that you play to, hammered or not?! Lights are in your eyes! It’s dark! You have shades on! When you headline a smaller venue, with say 850 people, you can actually see all of the faces. But even if all of those people are there to see your band, and have spent their hard-earned money to come and spend the evening with you, isn’t it possible a few of those people were disappointed? I guess, ‘I’ve seen 48,000 faces, and I rocked close to 41,000 of them’ (a good damn percentage, by the way), is not so poetic.” To read more of McKagan’s weekly columns, check out his Seattle Weekly archive here . [button href=”http://loudwire.com/duff-mckagan-regrets-not-receiving-royalties-from-the-simpsons-beverage-duff-beer/” title=”Next: Duff McKagan Regrets Not Receiving Royalties From Duff Beer” align=”center”]

DevilDriver Frontman Dez Fafara Talks New Music, New Label, Touring and More

Liz Ramanand, Loudwire Dez Fafara of DevilDriver and Coal Chamber was the guest on Full Metal Jackie’s radio show this past weekend. Fafara spoke all about DevilDriver’s current trek with Gwar and their upcoming European tour with Cannibal Corpse and the band’s forthcoming record, as well as being open to performing more shows with Coal Chamber. Read the full interview with Dez Fafara below: DevilDriver are out on tour with Gwar, this isn’t the first time you guys have toured with together? No, we toured together about six years ago and it was the funnest thing we’ve ever done, especially this time of the season with a bunch of monsters is great. So we’re having a great time. There’s some news semi-recently with a label change so talk to us about about DevilDriver news and what’s happening right now. Well DevilDriver is with Napalm Records now worldwide except over in Australia, where we’re still with Roadrunner Records and we’ve got a new record coming out possibly end Fall time next year. We’re recording in December and I do the vocals in January and the record is sounding really killer. I’m really happy with the songs so far, it’s just real groove heavy . Let’s talk about Coal Chamber for a sec; Coal Chamber reunited last year for what you thought would be just a few shows but now there’s talk of maybe working on some new music. What changed your mind? Well we haven’t talked about new music, there’s a lot of rumors out there. We did Australia and it went incredibly well, we all got along great, we revisited the music and the fans. It was killer. Then we went and did South America and that was just absolutely amazing. We would like to do something in the States but we just don’t know when we’re going to have the time because I’m with DevilDriver right now so we’re just taking it slowly and having a good time with it. Offstage, how are Coal Chamber and DevilDriver different in terms of the collective personalities of each band? Everybody’s different in both bands, Coal Chamber offstage – they’re nuts, those guys are crazy. We’ve settled down a bit. DevilDriver, after shows, everyone’s kind of got a girlfriend or gotten married and this and that. It’s a good time touring with both of them and I’m definitely having a good time doing both sides of my music. Dez, you mentioned earlier that DevilDriver starts recording next month, leaving you with a short amount of time to track vocals before heading to Europe with Cannibal Corpse. How does the pressure of a tight schedule become a creative tool? I think pressure is a creative tool, I think it’s there when you have to do it then you have to get it done and that’s what’s happening with me. In January I’ve got to record and then we go right overseas with Cannibal Corpse and we do a co-headlining thing in February and March so we just pray that it all goes well. [Laughs] We’re going to be doing the record with Mark Lewis, he’s quick, we work well together. He’s already got the new music on him so he knows where we’re going with this. I’m really excited to get trackin’. You just released a song to raise money offset the medical cost of your sister’s cancer treatment. Has that given you any thought of more philanthropic efforts on a broader scale? I love music and I have so many different sides to me and so many different things I listen to and that’s why I have Coal Chamber – it’s a more dark, goth side and that’s why I have DevilDriver it’s more of a heavy side of me. ‘Dark Meadowlark,’ the song I did for my sister Kerri, is a totally different animal than either of those. So we’ll really have to see, time is what really matters – do I have time to do other things and right now I’m really concentrating on DevilDriver. Can you give information on how people can get the song? Sure and it would be very helpful to me and my family if you did so. You got to DezFafara.com and it’ll take you right to Kerri’s Corner, it takes you right to her page. You can download the song, it’s $2.50, some people are giving a thousand dollars, other people are giving ten dollars. Pick up the song and help somebody you don’t know and hopefully it’ll feel good for you. Full Metal Jackie will welcome Chris Adler of Lamb of God on her next show. Full Metal Jackie can be heard on radio stations around the country — for a full list of stations, go to fullmetaljackieradio.com .

Chris Cornell’s Message for Billy Corgan: ‘Tell Him He Owes Me My $40,000 Back’

Jim Dyson/Matt Roberts, Getty Images Smashing Pumpkins visionary Billy Corgan does not have much of a filter when it comes to speaking his mind. The most recent example of this was his personal commentary on the Soundgarden reunion and the impetus behind it, saying, “They’re just out there to have one more round at the till; same with Pavement and these other bands.” When asked about the incendiary comments on the Area 93.3 radio channel back in August, Corgan went into detail explaining that there was more to the story than he had at first let on. He admitted that it was more of a reactionary comment based on “harsh words” delivered by his one-time close friend and Soundgarden frontman Chris Cornell regarding the 2007 reunion of Smashing Pumpkins. Cornell had gone on record to say that he didn’t find the reunion to be “legitimate,” and Corgan took that very personally comparing it to “somebody punching me in the face.” So for those still following along, Corgan called out Soundgarden for cashing in on their recent reunion partly because Cornell had cast a shadow of a doubt on the Pumpkins reunion a few years ago. Now, in a new interview with ABC News Radio , Cornell had a chance to respond to the blow-for-blow exchange. Cornell summed it up succinctly saying Corgan should be thanking him, not bashing him. “When Billy Corgan was completely broke, I got him a movie deal with director Cameron Crowe where he made $40,000,” Cornell explains. “He was very happy about that, and he was specifically happy about the $40,000.” But that wasn’t all. Cornell offered this parting jab, “So next time you see him, tell him he owes me my $40,000 back.” While it’s probably not likely that Corgan will be writing a thank-you check to Cornell any time soon, we have a sneaking suspicion we have not heard the last of this story just yet. [button href=”http://loudwire.com/soundgarden-live-on-letterman-gig-review/” title=”Soundgarden Rock ‘Live on Letterman’ Gig at New York’s Ed Sullivan Theater” align=”center”]