Facebook: Arch Enemy Arch Enemy ‘s 2011 album, ‘Khaos Legions,’ continues it’s triumphant reign, as the band has just released a video for the album’s fourth single, ‘Cruelty Without Beauty.’ Targeted towards combatting animal cruelty, ‘Cruelty Without Beauty’ offers a disturbing look into the all-too-real truth behind vivisection, or the act of performing operations on live animals for the purpose of experimentation and scientific research. The lyrics for ‘Cruelty Without Beauty,’ which are transcribed throughout the video, address the horrors of vivisection. Vocalist Angela Gossow is an outspoken enemy of such scientific experiments, along with other forms of animal cruelty. “I’m very pleased we got this video done for one of my favourite songs off the ‘Khaos Legions’ album,” says Gossow. “The video is quite raw and extreme as it reflects the lyrics very well I believe, dealing with a subject matter close to my heart – animal cruelty and vivisection.” Gossow continues, “We want to thank the good folks at Peta2, Hardforce, Metalitalia and The Metal Circus for supporting a serious subject. All of us have been well aware that a video like this doesn’t find everybody’s acceptance. But rock music was always more than guitar riffs – it’s also the voice of the voiceless.” Although the video is disturbing, much of the animal cruelty footage is in black and white, along with being showcased in short bursts, which succeeds in spreading the song’s message without overwhelming the viewer. Check out Arch Enemy’s provocative video for ‘Cruelty Without Beauty.’ Arch Enemy, ‘Cruelty Without Beauty’ [Warning: Contains Graphic Images]
Mary Ouellette, SheWillShootYou.com We recently had a chance to speak with Job for a Cowboy vocalist Jonny Davy. As metal fans crammed into the tiny outdoor smoking area at New York City’s Irving Plaza, they got a first-hand look at our interview with Davy as we chatted with the deathcore vocal pioneer shortly after Job for a Cowboy’s set. In our interview with Davy, he spoke about Job for a Cowboy’s latest album, ‘Demonocracy,’ the evolution of the band since the pig-squealing ‘Doom’ EP, how Job for a Cowboy will disband if their current lineup changes + much more. ‘Demonocracy’ is your latest record. On this one especially, is there anything that you tried to accomplish that’s new from your previous albums? You know, a lot of bands find their comfort zone and they write the same record over and over and over again, which is fine; it works for other bands. But I think with us, I think it’s safe to say that when you listen to our older records to now, we’ve had a big upward spiral of progression; an experimentation almost and I feel like to make ourselves happy and to not get bored with it, we just try new things. I mean, we wrote the ‘Doom’ EP when we were about 16 years old. We’re all in our mid-to-late 20s now, so our music influences and favorites were much different from 16 to now. I think with our band, we got popular and we got a lot of recognition before we even put out a full length, which is weird; from a little ‘Doom’ EP. I think a lot of people already have their opinion on that and don’t give us a chance because of that, but things have changed so much over the years. We’ve been touring for seven our eight years now, which is terrifying and horrifying to think about. I’ve been doing it for this long already, but we like to spice things up. I think it’s very interesting because you guys were sort of the top tier of the MySpace deathcore wave. It must have been weird seeing a genre of music that you guys helped pioneer become hugely saturated online. It’s weird. In all reality, if we kept writing music like the ‘Doom’ EP, we would be making a lot more money than we are now. We just want to keep ourselves happy with the music, as cheesy as that sounds. But we’re just having fun and enjoying the music that we’ve been playing and trying new things, so I feel like it’s been working. I know it was a long time ago, but you guys dropped the pig squeal vocals. What was the mindset behind that? I mean, again, we were 16 years old when we wrote the ‘Doom’ EP and started touring. We started touring and we really made a realization. We’ve got so many influences. We were really influenced by Cattle Decapitation and Misery Index. It’s just growing up you know? I feel like a lot of people have been watching us grow up over the years and it’s kind of strange. It’s weird because most high school bands are just beginning to figure out music with their friends. That’s what it was. Everyone used to be in a high school band playing in their parents garages, not knowing what the f— we were doing, and magically we tour the U.S. and Europe and the rest of the world. It was kind of mind-blowing to all of us; so humbling when you really sit down and think about it. What was that like in high school? You know probably going from the outcast of your high school… Stereotypical metal outcasts. In reality, I feel like the majority that listen to metal kind of were outcasts, I suppose. I don’t know. I’m going to back to the word cool; it’s cool. You’re the only original member left in Job for a Cowboy. There’s been a lot of member changes over the years. What is it about this lineup? Does it feel a little more solid? I mean, to go back to the point; we started so early. When you’re that young, so many things can happen with school, college … when you go on tour, when you’re that young, so many things can happen. I feel like if we started this band in our mid-20s, we would have a solid lineup all the way through. If this lineup ever changes at this point, Job for a Cowboy is done. Really? Yeah, so if this lineup ever changes, that’s it. You’re so happy with this line up then that it would feel strange to be without it? Absolutely; again, as cheesy and stereotypical it is to say, I feel that this is our strongest lineup and I feel that if anyone were to leave it’s done. JFAC RIP. Watch Behind-The-Scenes Footage of Job for a Cowboy Recording ‘Demonocracy’
Mary Oullette, SheWillShootYou.com Here’s a look at the top stories of the day on Loudwire and around the Web: – How does Corey Taylor keep it all straight? The singer tells all about Slipknot ‘s future, Stone Sour ‘s ambitious concept album and his thoughts on the inaugural Knotfest. [ Loudwire ] – Green Day ‘s ‘¡Uno!’ record isn’t due in stores until next week, but you can get an early listen to the disc via the band’s Facebook page. [ Loudwire ] – Soundgarden are ramping up quickly to their first album since 1996. Now’s as good of a time as any to reflect on the 10 Best Soundgarden Songs. [ Loudwire ] – Does the new Killers album kill? Check out the review on ‘Battle Born’ and see where it stacks up to their past work. [ Diffuser.fm ] – Kids 40 years ago had some pretty great music to listen to. David Bowie , Rolling Stones , Pink Floyd ! See what were the 10 Top Albums of 1972. [ Ultimate Classic Rock ] – How’s the buzz on indie upstarts Citizen? Check them out for yourself when the band hits the road Sept. 25 in support of their debut EP, ‘Young States.’ [ Rock Music Report ]
Simone Joyner, Getty Images Congrats are in order for Black Keys drummer Patrick Carney, who married Emily Ward Saturday (Sept. 15) at their home in Nashville. Spinner reports that the couple were joined by approximately 350 guests for the backyard ceremony, which was officiated by former Saturday Night Live comedian Will Forte. Ward wore a white Carolina Herrera dress while walking the aisle to the sounds of the Tommy James classic, ‘Crimson and Clover.’ Carney, sporting a white tuxedo jacket, was accompanied down the aisle by the couple’s Irish wolfhound Charlotte. Carney’s brothers, Will Carney and Barry Stormer, were both part of the wedding party. Dan Auerbach, Carney’s singing and guitar playing cohort in Black Keys, was also one of the guests at the wedding. Though the band are still having great success with their ‘El Camino’ album, Carney revealed earlier this year that they planned to spend some time in the studio in July, and while there’s been no reports of them finishing the release, the drummer felt it would give them a nice start to a potential album for 2013. [button href=”http://loudwire.com/foo-fighters-black-keys-more-to-rock-global-festival-in-fight-against-poverty/” title=”Next: Black Keys to Join Foo Fighters at Global Festival” align=”center”]
Century Media Records Back when Canadian progressive metal legends Voivod started in the early ’80s, cell phones were in their infancy and smart phones were far in the future. 30 years later, Voivod is releasing a smart phone app along with a teaser of their upcoming single ‘Mechanical Mind.’ The band’s 13th studio album ‘Target Earth’ is set to be released Jan. 22, 2013, in North America, marking Voivod’s 30th anniversary. Voivod’s company Iron Gang Factory is joining with Century Media Records to release ‘Target Earth.’ “Our goal has been to find a partner for Iron Gang Factory to help get new Voivod music to the world and Century Media, we are proud to say, is the right company to do so globally,” the band said. “We can’t wait to release, tour, and promote ‘Target Earth.’” Voivod’s current lineup includes vocalist Dennis ‘Snake’ Belanger, bassist Jean-Yves ‘Blacky’ Theriault, drummer Michel ‘Away’ Langevin and guitarist Daniel ‘Chewy’ Mongrain. Mongrain joined the band after the death of guitarist Denis ‘Piggy’ D’Amour. It will be the first time since 1991′s ‘Angel Rat’ that Snake, Blacky and Away will appear on a studio album together. ‘Mechanical Mind’ will be released as a digital single and 7″ vinyl on Oct. 9. The vinyl has the Voivod skull etching by Away (who is also an artist) as the b-side. The free Voivod mobile app gives fans access to the band’s songs, music videos, live interviews, news, upcoming live events and more. It is available for iPhone, Android and Blackberry. Voivod will kick off a European Tour in the U.K. on Oct. 3. The trek will take them through several countries, wrapping up in Helsinki, Finland, on Oct. 31. Watch Voivod’s ‘Mechanical Mind’ Teaser Video
Mary Oullette, SheWillShootYou.com My Chemical Romance recently announced their plans to reveal the pre-’Danger Days’ material that they recorded for the scrapped album ‘ Conventional Weapons .’ Now they’ve revealed the schedule for the songs that will be spread out over the next five months. ? Each month there will be a new double-sided single that’s available in both digital and 7-inch vinyl formats. The vinyl will be available at most independent music retailers in countries worldwide. The first offering comes Oct. 30, as the track ‘Boy Division’ will front the A-side, while ‘Tomorrow’s Money’ is the B-side. You can currently pre-order either the full ‘Conventional Weapons’ set or the ‘Number One’ 7-inch orange vinyl featuring ‘Boy Division’ and ‘Tomorrow’s Money’ here . The ‘Number Two’ double-sided single features ‘AMBULANCE’ on Side A and ‘Gun’ on Side B. It’s due Nov. 23. ‘Number Three’ arrives Dec. 18 and features ‘The World Is Ugly’ on Side A and ‘Light Behind Your Eyes’ on Side B. The ‘Number Four’ single has ‘Kiss the Ring’ as the A Side, with ‘Make Room!!!!” as the B Side. It’s due Jan. 8. The final offering, ‘Number Five,’ features ‘Surrender the Night’ on Side A and ‘Burn Bright’ on Side B. It’s due Feb. 5. Those who purchase the entire vinyl box set will receive a custom slip box that holds all five 7-inch vinyl offerings, plus an exclusive ‘Conventional Weapons’ poster, and all 10 songs digitally on their respective street dates. [button href=”http://loudwire.com/my-chemical-romance-welcome-to-the-black-parade-top-21st-century-hard-rock-songs/” title=”Next: My Chemical Romance: Top 21st Century Hard Rock Songs” align=”center”]
Facebook: Salome Kat Katz is the screaming banshee of Massachusetts grind mavens Agoraphobic Nosebleed. After being welcomed into the band, she has since provided vocals for various splits, EPs and their 2009 full-length masterpiece ‘Agorapocalypse.’ As one of three Agoraphobic Nosebleed vocalists, Katz brings a more sharp and sonically piercing scream to the band, delivering an entirely new character into ANb’s music, which is both devastating and captivating. Katz is also known for her work with Virginian doom metal band Salome. The three-piece formed in 2006, gaining a significant following in the metal underground for their powerful and patient sound, mixed with the high-shrieks and low gutturals of Katz. Unfortunately, Salome split up in 2011, shortly after releasing the critically acclaimed full-length ‘Terminal.’ Still active with Agoraphobic Nosebleed and having contributed to the music of Pig Destroyer , including their upcoming full-length, ‘Book Burner,’ Katz is truly one of metal’s finest vocalists, and deserves the upmost respect as a talent and pioneer for female metal musicians. Check out this live performance of Salome playing ‘Carving the Ether’ at the 2010 SXSW festival. Turn up the bass on your speakers and prepare to be assaulted. Salome, ‘Carving the Ether’ Live at SXSW 2010 Agoraphobic Nosebleed, ‘Trauma Queen’