Archive for October 2nd, 2012

Machine Head’s Phil Demmel + Bleeding Through’s Marta Peterson Wed in Las Vegas

MachineHead1.com Congrats are in order for Machine Head guitarist Phil Demmel and his new bride, Bleeding Through keyboardist Marta Peterson. The couple wed in Las Vegas over the weekend after two years of dating. Just after the beginning of 2012, the couple revealed their engagement . Demmel stated in an interview last fall, “I met the girl of my dreams in Australia the last time we were down there. One of the greatest things that has ever happened to me was on that run. I have very special memories of Australia and know that I was in love for the first time when I was in Brisbane.” The two bands toured through Australia and Japan in early 2010. Demmel’s bandmates were among the first to wish the happy couple the best. In a Facebook posting , they stated, “A hearty congratulations to newlyweds Phil Demmel and Marta Peterson from the entire Machine Head family.” In addition to their marital and musical partnership, Demmel and Peterson have launched the neoFatal lifestyle brand within the past year. You can find out more about the brand here . [button href=”http://loudwire.com/machine-head-aesthetics-of-hate-top-21st-century-metal-songs/” title=”Next: Machine Head: Top 21st Century Metal Songs” align=”center”]

Baroness Frontman John Baizley Recounts Horrific Details of Bus Crash

BaronessMusic.com On Aug. 15, Baroness were involved in a terrible bus accident in the United Kingdom. The accident that occurred that morning caused Baroness’ bus to break through a guard rail at 50mph, plummeting 30 feet off a cliff into a wooded area below. Incredibly, every passenger on the bus survived, and in a fascinating recollection written by Baroness frontman John Baizley, fans are now able to understand how truly lucky the band was to survive. No matter your personal religious convictions, or lack thereof, one word can be universally shared to describe the survival of each bus passenger — ‘miracle.’ In Baizley’s written account on his brush with death, which left him with a severely broken arm and leg, he shares with incredible depth exactly what happened, the moment of impact, insight into his near-death experience (which is oddly reminiscent of Woods of Ypres ‘ song ‘Death is Not an Exit’) and much more. Baizley writes: On August 15th, just before 11 am, Baroness and our crew were involved in a very bad crash while on tour. The brakes in our bus failed completely, on a notoriously dangerous, incredibly steep (12% grade) hill in Monkton Combe, UK, on our way from a show Bristol to another show in Southampton. Our bus went entirely out of control, and we had no choice other than hitting a perpendicular guardrail going about 50 mph at the bottom of the hill. The guard rail and the 20 or 30 trees we ploughed through snapped like matchsticks as we went fully airborne and fell down more than 30 feet off of a viaduct to the ground below. Half of the band/crew were asleep while we lost our brakes, and a few of us were awake and sitting in the rear lounge. I was up front with our driver, and I bore witness to the entire thing. Once our brakes failed, the bus could do little more than gain momentum and plummet down the hill. There was nothing anyone on the bus could have done during our descent to avoid the crash, and no one, the local residents, the police or any of us can believe we survived the impact. Most people who have been in accidents understand the pre-trauma sensation of time slowing down. There were almost two minutes during which I knew we were heading for a collision. It felt like two hours. I remember the sound of the air-brakes failing, and the panicked cursing of our driver as we slowly realized how desperate the situation was. I tried as hard as I could to yell and wake everyone up to prepare for impact. I remember the sounds of confusion from behind me as our collective terror rose. I remember seeing the guardrail split, then a cluster of trees smacking against the front windshield. While we were airborne my eyes met with our driver’s. I knew then that we each shared the same look on our face; and I won’t soon forget it. We had spent enough time in the air to appreciate, make peace with and accept a fate we thought inevitable, and we looked at one another with a horribly silent “goodbye” in our eyes. When the bus hit the ground, I flew like a missile into the windshield. I can still see the double-paned auto glass turning blue and the spider-webbing cracks spreading outwards from the impact my body made. I hit the glass so hard, that the entire windshield flew from the frame to the ground, and I bounced back inside the bus. I landed on the ledge of the windshield. This came with an immediate and overwhelming pain throughout my body. I surveyed the damage to see instantly that my left leg was very obviously and badly broken. Then I lifted my arms forward to see if either had been damaged. My right arm was covered in burns, blood and broken glass, but working well enough. My left arm was crushed beyond belief, broken in the middle of the bone in my upper arm (humerus), and hanging 90 degrees backwar ds, with many spurs of bone poking through muscles and sinew at the surface of my skin. The bone was shattered into seven free-floating pieces, and my wrist and hand were swinging behind my back, spasming freely. Instinctively, I reached behind my back, grabbed my wrist and re-broke my arm forwards, hugging it to my chest, where it remained for the next three hours until it was cast in plaster. Meanwhile, I watched as some of the band was able to get off the bus and help the others, many of whom were broken-up as well, and several of whom were unconscious. There was blood, glass and diesel fuel everywhere. We were all rushed to the hospital in Bath, and treated for our various injuries, broken arms, legs, vertebrae, bruises, cuts, etc. Our driver was air lifted to a separate hospital with many breaks as well. A few of us had to remain in the hospital for a few days, I was hospitalized for two weeks, following an eight-hour surgery in which my arm was rebuilt with the aid of 2 massive titanium plates, 20 screws and a foot-and-a-half of wire. The 15? incision took almost 50 staples to close up. I was left completely immobilized for the remainder of my hospital stay, able to do next-to-nothing on my own and in need of constant care. Following those excruciating first two weeks, I was quite literally stuck in an apartment for another three weeks with my family while waiting for my doctor to allow me to safely board an airplane, for fear of bloodclots and swelling. I have just this past week returned back to the US and my home, where I am wheelchair-bound for another several weeks of physical therapy, learning to use my arm and leg again. While I cannot lift a glass of water to my lips to drink with my left arm and hand, I am still able to play music with it. I picked up a guitar and played the day after I returned. Not without pain (for the time being), but the hand still acts out the creative impulses I give it. I’m told I was quite lucky to have regained any use at all of my hand and arm, though I have sustained quite extensive nerve damage. In spite of this and against my logic and reason, when I pick up an instrument, my hand remembers exactly what to do. It’s far from perfect, and will require a lot of therapy in order to recover mobility and strength, but I am encouraged by the ability I have been allowed. I do not believe in superstitious signs, but I am truly overwhelmed to have been granted the continued use of my hands. As a result of the crash, I feel encouraged not only to recover, but to move forward with Baroness, as we had been doing every day previous to August 15th. This accident has inflicted an injury which has left its mark on the band: physically, mentally and spiritually. In order to rehabilitate ourselves fully, we must work towards and then past the goals we had prior to the accident. I will consider our immediate recovery a success only on the day we plug back in to play another show. We cannot allow this accident, which I believe is unrelated to the band or our music, to slow down or stifle what has become so much more than a passionate hobby for the four of us. Through Baroness, we have discovered a method by which we may harness our drive to create, and channel all the emotion, anxiety and pain in our lives into something constructive. Music is the universal means of communication we have chosen to express ourselves. Our message has never been one of the absolute positive or negative, neither black nor white. True life occurs within the shades of grey, and I see this experience form that perspective. It seems only fitting to me that we continue working towards creating and performing again as soon as possible, as this band and its music are the vehicle through which we grow as individuals, artists and brothers. The injury the band suffered is an injury to my family and loved ones. Rather than allow it to become a wedge that forces us apart, I would like to see this experience become part of the glue that strengthens us. We have only begun to accomplish what we set out to do through this band. There is so much more to say, and though we do need to heal up a bit; we will not allow any of those things to be left unsaid. I have no regrets about touring. I don’t blame music or the touring lifestyle for my current physical state, or for the accident itself. It happened the same way all things happen: randomly. If I was a carpenter, and I was injured on the way to the job-site, I wouldn’t consider quitting my job. That is truly how I see this situation. Baroness doesn’t stop because we got hurt on the way to work. We love what we do much more than that, and we have chosen this path because it offers us an unpredictable adventure. With any adventure that involves travel, and with any real passionate pursuit, one will occasionally come face-to-face with the reality of living on the other side of the yellow line. I didn’t choose to be a musician in order to live a risk-free life, safely avoiding bumps and bruises. I didn’t choose to play music because it seemed like a simple opportunity to make some quick cash. Nor did I ever make the assumption that things would get easier as we progressed. We can do nothing but attempt to make something constructive and beautiful out of all this disaster, and we are well on the way to becoming active again. I have used this time, stuck inside my own head, to consider the importance of music and Baroness in my life. I can say, after nearly 6 weeks of reflection, that I feel more resolute and passionate about our music than ever. I have come to realize the importance of time in this particular equation, that is, I have none to waste and none to spare. There is no better moment than now, broken and in physical stasis, to devote ourselves more fully towards our art than ever. We cannot allow the traumatic fallout of our crash to cripple us internally. It seems simple: the shows we have cancelled we will reschedule and play in the future. It isn’t going to happen next week nor will it be next month. But it will happen. We will be back on tour as soon as we possibly can. There was one moment in the crash that cut me deeply. For one heartbeat and one tiny sliver of time, I became disconnected entirely. It was, specifically, the moment I impacted with the glass. In that barest heartbeat of a moment, I came face to face with the infinite. I didn’t see a light, or the tunnel or hear any music. Nor did I get a “best-of” montage of my life. Instead, I felt the tip of my nose brush up against the very same fate I had accepted moments before. I looked into a cold, unreflective mirror. It was the dark, silent, dispassionate logic of the end. I realized in that moment that life can be seen as a light switch: “on” or “off”. When the moment passed and I heard the screaming, felt the pain, and tasted my own blood, I was overcome with joy. I was ecstatic to be back amidst all that chaos and horror  because  it was alive and real. I finally glimpsed the relative importance of all things. The support of our fans, our friends and our families has real meaning to me now. I say that now honestly, without false humility. Thank you. Everyone. Till the wheels fall off . . . John Baizley & Baroness BaronessMusic.com BaronessMusic.com BaronessMusic.com [button href=”http://loudwire.com/baroness-march-to-the-sea-best-2012-rock-songs/” title=”Baroness: Best Rock Songs of 2012″ align=”center”]

Slash Records Score for Horror Film ‘Nothing to Fear,’ Books ‘Conan’ Performance

Jo Hale, Getty Images Slash might be branching out into film production, but he’s still a rocker at heart — so it only makes sense that ‘Nothing to Fear,’ the debut release from his Slasher Films banner, will feature a Slash score. He broke the news via his Facebook page yesterday (Oct. 1), writing, “Going into the studio tonight to work on ‘Nothing to Fear’ score. It’s really coming together” and adding a top-hatted winking smiley face emoticon. While a release date for the movie has yet to be announced, it’s already picked up a distributor — as reported in January , ‘Nothing to Fear’ will be released by Anchor Bay. Featuring the freaky antics of a lunatic preacher in a small Kansas town that is supposedly “one of the seven gateways to Hell,” it sounds like good old-fashioned horror fun, and the perfect vehicle for a few Slash instrumentals. On the non-film front, Slash is still out promoting his latest album, the Top 5 Billboard hit ‘Apocalyptic Love.’ The night after concluding their current tour, he’ll bring his band to ‘Conan’ on Thursday (Oct. 4) for a performance of their latest single, ‘Standing in the Sun.’

Falling in Reverse’s Ronnie Radke Reportedly Arrested for Throwing Mic Stands Into Crowd

Jason Merritt, Getty Images Falling in Reverse frontman Ronnie Radke has apparently run into trouble again. The singer was reportedly arrested after the FestEVIL performance in New Jersey for throwing four mic stands into the audience and injuring a pair of audience members. The Asbury Park Press reports that two people were actually struck in the head by the stands during the Sunday (Sept. 30) performance at the Six Flags Great Adventure show. One of the victims, a 16-year-old girl, suffered a two- to three-inch cut on top of her head and bruising on her forehead. The other victim, a 24-year-old man, was being treated at the scene for his injuries. Kristin Siebeneicher, spokeswoman for the theme park, said afterward, “This was the first metal show that we’ve ever had and will be the last. We have no plans to host another metal show … This performer was completely reckless. He had complete disregard for the safety of his fans. His actions were totally unacceptable. It’s not the type of entertainment that we want to be producing.” The singer reportedly posted bail and was released after the arrest. Radke was arrested back in August on an outstanding warrant for domestic assault . That followed a prison stint relating to an altercation where an 18-year-old man died in a fatal shooting. Though Radke did not shoot the man in question, he was cited on battery charges and given probation. The probation was later revoked when he failed to report for parole and ended with him serving a two-year prison sentence. Falling in Reverse are expected to resume touring with the start of “ The Thug in Me Is You ” tour Oct. 11 in Portland, Ore. Watch Falling in Reverse’s Ronnie Radke Throwing Mic Stands Into the Crowd [button href=”http://loudwire.com/falling-in-reverse-talk-warped-tour-workout-routine-travel-essentials-more/” title=”Next: Falling in Reverse Talk Workout Routine + Travel Essentials” align=”center”]

As I Lay Dying Talk New Album + More at Metal Blade Records Anniversary Show in New York

Photo by Ty Watkins In 1982, Brian Slagel started a record label that would turn into one of the premiere labels in the world of hard rock and metal. Celebrating 30 years in the industry with Metal Blade Records, Slagel decided to throw a party for the fans in New York City. Michigan heavy metalers Battlecross opened the night at Santos Party House, and As I Lay Dying closed things out. Being with Metal Blade for nearly a decade, it was no doubt an unbelievable honor for As I Lay Dying to help Slagel celebrate 30 years. Before the gig, Loudwire had the chance to catch up with Nick Hipa and Phil Sgrosso, both guitarists from the band, to chat about their new album, what it was like touring on the Rockstar Energy Drink Mayhem Festival and more. Leading up to the release of your latest album, ‘Awakened,’ you gave your fans a taste of what to expect with the tune ‘Cauterize.’ Do you think that is a good representation of the album as a whole? Nick Hipa: We’re all pretty confident that the fans are going to be into the album as a whole based on the response we got from ‘Cauterize.’ That’s just the tip of the iceberg as far as the whole album goes. If people can get into that, they’ll be stoked for what the rest of the album is. You recorded ‘Awakened’ in Fort Collins, Colo. I get the feeling this is a bit isolating as far as the metal community goes. NH: You know, the experience was awesome. It allowed us to be more productive than we’ve ever been. That mostly was a result of Phil and I being able to record all day, everyday for the majority of the day in our own rooms while the rest of the guys were recording in San Diego. That made it a lot more enjoyable. We weren’t as stressed out with timing and scheduling. The icing on the cake is that Fort Collins is just a really cool place. Phil Sgrosso:   It definitely helped that we didn’t have any distractions, not worrying about family plans or something that would cause us to leave early. It was great to just focus on the record and get it done. Just a little over a month ago, you guys wrapped up the Rockstar Energy Drink Mayhem Festival. What was it like touring with bands like Slayer, Anthrax and Slipknot? PS: It was great. The mainstage was all the older bands and the classic metal bands. Slipknot , they’ve been around for 15 years or so, but they’re such a presence on the tour. It was nice playing with those bands and sharing the stage with them. There was a lot of energy with the festival. Everyone was pretty stoked about it. Any crazy stories from that tour? NH:  Not so much crazy, but one of the things that sticks out to me is that a lot of the nights on tour there would be a tour-sponsored mixer where a band would be in charge of throwing a party. Usually there was a theme associated with it. Anthrax had a Halloween theme and everyone dressed up. Lemmy and the rest of the dudes from Motorhead showed up in costume, they were dressed up as the Blues Brothers. To me that was incredible because Lemmy is definitely an older guy and he’s been around for a really long time. It was great to see that someone like that hasn’t been jaded by the biz. He’s got a really good sense of himself and is really down to earth. He still has a good time. That was really awesome to me. It was like, “Oh, Lemmy’s here, and he’s in a costume!” What’s it mean to be a part of the Metal Blade family, playing their 30th anniversary show tonight? NH: We’re all proud to be on a label like Metal Blade. Metal Blade has been very reputable the whole time, it’s cool to be a part of it and be amongst the roster of bands that have excelled in their genres or done cool things in the world of heavy music. It’s been a pleasure working with them and being on the label for this long. PS: It’s kind of crazy to think that we’re playing our label’s 30th anniversary show. The owner, Brian Slagel, has seen it all happen. We’re definitely honored to be with them. You mentioned the world of heavy music. As I Lay Dying have been around for over a decade, and I would say you have ventured past the term ‘up-and-comers.’ That being said, in the last couple of years, there have definitely been some new bands that have really made a splash in the music scene. Have there been any acts that have caught your ear? NH: Even though we’re in a [Loudwire] Death Match with Gojira right now, they’re one of the heavier bands that are out there right now that are blowing us all away. They write such creative and crushingly heavy music, and we got to play with them a few months ago. They’re incredible live. They’re one of my favorite heavy bands right now. [Editor’s note: As I Lay Dying’s ‘A Greater Foundation’ was in battle with Gojira’s ‘The Axe’ at the time of the interview.] What’s next for As I Lay Dying? PS: We’ll be heading over to Europe for a month with Trivium. Then after that we’ll be on the Monster Outbreak Tour, a few Canadian dates and the rest will be in the states. So, basically two months of touring for the rest of the year. ? Live Photos From the Metal Blade 30th Anniversary Party As I Lay Dying: Spencer Kaufman, Loudwire Spencer Kaufman, Loudwire Spencer Kaufman, Loudwire Spencer Kaufman, Loudwire Spencer Kaufman, Loudwire Battlecross: Spencer Kaufman, Loudwire Spencer Kaufman, Loudwire Spencer Kaufman, Loudwire

Papa Roach, ‘The Connection’ – Album Review

Eleven Seven Music Papa Roach evolve their sound a little bit more with each album, but they still know what works for them and hit upon it with abundance on their latest disc ‘ The Connection .’ Singer Jacoby Shaddix told Loudwire earlier this year, “What ‘The Connection’ means to us, it’s our connection to the music. It’s the connection of this music to the fans. It’s the connection that we make onstage with our music … It’s just this connection that Papa Roach than us sitting in a room jamming. It’s larger than life now and we’re just the facilitators for that, so it’s just painfully obvious that this is what it needs to be.” With that in mind, the band mines the well of interpersonal connections again with their latest record. Shaddix, a master at baring his soul in tracks like ‘Last Resort,’ ‘Scars,’ and ‘Broken Home,’ puts his heart clearly on his sleeve with the standout track ‘ Before I Die .’ The song, which incorporates some early piano work before fully rocking out, talks about pushing a loved one away while still feeling the urge to live for them. And where ‘Before I Die’ is a more painful track, the misnomer ‘Leader of the Broken Hearts’ actually comes off as one of the more triumphant songs on the disc. On it, Shaddix revels in the pain that comes from a broken heart, knowing that even though a relationship has ended, there’s an elation that came from putting it all on the line that’s made him feel alive like never before. As Shaddix has stated, ‘The Connection’ is also about the relationship of the music to their fans, and there are a number of rocking tracks on here that should eventually connect on the concert stage. Tony Palermo’s ‘Dr. Feelgood’-like drumming and the riffage of guitarist Jerry Horton and bassist Tobin Esperance on ‘Where Did the Angels Go’ provide the intensity of a great live song. Esperance and Horton also drive ‘Wish You Never Met Me’ with a killer bass opening and wailing guitar solo. And for those who like the rap-rock sound of the band’s early work, ‘Not That Beautiful’ is a late album gem with Shaddix waxing poetic about putting a loved one on a pedestal. The other major connection P-Roach make is to their own journey to get where they are today. The band has seen the highs and the lows and emerged as one of music’s most consistently rocking acts, which makes ‘ Still Swingin’ ‘ not only the perfect song for a lead single, but essentially the anthem that describes their career path. Where many of their peers that started on the scene in the late ’90s and early 2000s have faded away, Papa Roach have survived, and are the ones still swinging and connecting with fans.

Fozzy Debut ‘Evil Dead’-Inspired Video for ‘Sandpaper’

Century Media Records After a lengthy wait and a mound of paperwork completed, Fozzy have finally released their ‘Evil Dead’-inspired music video for ‘Sandpaper.’ For both fans of the ‘Evil Dead’ franchise and Fozzy, the video will not disappoint, paying tribute to memorable scenes from both ‘Evil Dead’ and ‘Evil Dead 2.’ Although ‘Sandpaper’ was released as a single on July 17 and ‘Sin & Bones,’ the album which hones the track, was unveiled on Aug. 14, it’s taken until today (Oct. 2) for the video to see the light of day. Since Avenged Sevenfold vocalist M. Shadows appears in the ‘Sandpaper’ video to sing his guest vocal spot, Warner Bros. needed to give their approval before Shadows could be legally cleared to appear. The process proved to be a lengthy one, but as Fozzy singer Chris Jericho assured us, the wait was worth it. For ‘Evil Dead’ fanatics, shots such as the ‘flying camera,’ the desolate cabin, possessed humans breaking through wooden panels, Jericho flying through the woods and many other scenes are both instantly recognizable and stirring. We found this bad-ass cabin in the woods in Atlanta, and just everything kind of fell together from there,” Jericho told us in a recent interview . “We found, right by the cabin, there was a civil war burial ground, and there was this creepy bridge that was near it, and the cabin couldn’t have been more perfect for what we were looking for. It looks exactly like the little Evil Dead cabin. Then we started doing all the effects that were involved, all the gags that were involved, the point-of-view camera and being attacked by the vine.” Be sure to check out Fozzy’s music video for ‘Sandpaper,’ available for streaming exclusively at WWE.com  by clicking below: Click the Image Below to Watch Fozzy’s Video for ‘Sandpaper’ Century Media